Room V

SKU: 40952
Label:
Inside Out Music
Add to wishlist 

This was a pleasant surprise and frankly a return to form. "Room V" is actually a sequel to 1998's "Tyranny" and in many ways betters it. I find the album to be a bit laid back - by Shadow Gallery standards. I would say that this leans more towards the prog rock side rather than metal reminding me of a heavier version of Glass Hammer although lots of similarities to Dream Theater are evident. The album is filled with warmth, perhaps due to the emphasis at times on keyboards. So this one straddles the line between symphonic rock and progressive metal doing both with panache - this one is easily recommended.

There are no review yet. Be the first!

Product Review

You must login or register to post reviews.
Laser Pic

customers also bought

SEE ALL
  • Second release from this superb progressive metal band from France - and their debut release for Sensory. Everything about the sophomore effort is an improvement - from the production to the performances (and there was nothing wrong with Mental Torments). If you are fan of mega-tight ensemble work, chops from hell and real songs then you have to hear Anima. We are very proud to have SUE as part of the Sensory roster."The early beginnings of Spheric Universe Experience dates back to 1999, when guitarist Vince Benaim decided to create a progressive metal band together with his friends Sam (on drums) and John Drai (on bass). The band did some local gigs in and around the southern parts of France, going by the name of Gates of Delirium.They knew that they limited their own repertoire by not incorportating vocals and keyboards, so by 2001 keyboardist Fred Colombo entered the band together with vocalist Alex. Now going by the band name of Amnesya, the guys did lots of liveshows and one demo CD.In August 2002, the band split because of musical disagreements leaving Vince, John and Fred to continue under the name of Spheric Universe Experience.During the next 8 months their passion for composing led them to write a complete album, which they recorded at home as a demo in April 2003 with session vocalist Franck Garcia, who came in just a few days before the recordings began. The vocals were recorded in a professional studio, and although Franck didn't have much time with the band prior to recording it, the result is very convincing, which is why he joined the band fulltime.The 2003 demo, "The Burning Box", was sent to Intromental Management in Denmark, who immediately fell in love with the bands sound, and decided to offer them a management-deal.Helped by session-drummer Volodia Brice, the band began recording the debut album, “Mental Torments”, in August 2003.In summer of 2004 Spheric Universe signed a worldwide record deal with French label Replica Records. An American license was also inked with Nightmare Records.Nico "Ranko" Muller joined the band in fall 2004 as their new drummer, and with him on-board the line-up was complete. The debut album, Mental Torments" was finalized by the great mix of Tommy Hansen (Jailhouse Studios, Denmark - a.o. Helloween, TNT, Pretty Maids). The cover artwork was created by famous Swedish artist Mattias Norén at ProgArt Media (www.progart.com).2005 was spent writing new material plus playing various live shows, opening for acts such as Scorpions and Uli Jon Roth in France.Now, the band has finalized their 2nd effort, “Anima”, which is a strong follow up to the debut, showcasing S.U.E. from their finest side. The album was recorded by Charles Massabo during the summer of 2006 in Coxinhell Studio Studio and Kallaghan Studio in France and was mastered at Jailhouse Studios in Denmark by Tommy Hansen, giving the music of S.U.E. the extra powerful touch that is needed in today’s music market. Artwork was this time around handled by Björn at Killustrations Media in Germany (www.killustrations.com).The music of Spheric Universe Experience is technical, melodic and possesses a top-notch progressiveness, that can be compared to bands such as Dream Theater, Pain Of Salvation and Fates Warning, but filled with an incredible intensity and an original identity of their own."
    $13.00
  • "One of the best Cast albums. IMO Cast career are a little bit irregular but this album is one of the high points of that band. Even when its a Mexican band, this album lyrics (as many others of Cast) are in english. The music also is very-very Neo Prog, with notorious influences of early Pendragon and Marillion, so maybe Neo Prog fans couldn't find surprises in the 13 tracks of Legacy. But there's something in the music that feels totally different and powerful. Maybe is the superb keyboards of L.A. Vidales or the awsome drumming of Antonio Bringas. Legacy's Executor is the best example of this talents gathered into an explosive formula of prog rock. Another highlights of this album are Key of Life, Magic of Love, We Are te Ones, Take aLook Back (so similar to I.Q. and so different at the same time!), The Will and Conclusion. Good album, interesting but not a masterpiece. I'm totally sure that is best Mexican band around here but Cast make a great effort with this album." - Progarchives
    $15.00
  • Once again Andy Franck unleashes his heavy side. Funny how different this sounds from Symphorce.
    $11.00
  • New remastered edition comes with 2 new bonus tracks recorded by Jon Oliva.
    $12.00
  • 2005 deluxe remastered edition of the bands 1986 magnum opus, the last one to feature John Arch on vocals. This elaborate set features two cds and one live DVD. Disc One is the remastered version of the album. Disc Two features unreleased live and demo tracks. Disc Three is an NTSC Region 0 live DVD of a live gig from 1986. Mike Portnoy wrote the liner notes.
    $15.00
  • Xandria have been around for quite some time and for whatever reason they seem to churn through vocalists - perhaps each one better than the previous.  Their new vocalist is Dianne van Giersbergen, formerly with the Dutch band Ex Libris.  She's a great one for sure.  Luckily the overall band sound hasn't changed very much.  This is pure bombastic symphonic metal that follows the Tarja-era Nightwish template very closely.  You may have to play this one in secret or the originality police may come after you but if you do play it loud!This is the deluxe mediabook edition.  It comes with a bonus CD that features an exclusive studio track as well as an instrumental mix of the album so you can karaoke to your hearts content.  
    $16.00
  • Long awaited 5.1 remix of the classic Rush album.  Here is what you get...CD:1. Remastered edition2. 3 previously unreleased live tracksBLU-RAY:1 5.1 remix in 24/96 PCM and DTS-HD2. Stereo mix in 24/96 PCM3. Digital comic book, lyrics, liner notes and photo gallery
    $33.00
  • "After longtime Megadeth guitarist Marty Friedman quit the band in 2000, he moved to Japan, became a TV celebrity, and released many eclectic solo albums. His latest, Inferno, is his most back-to-basics offering, packed with trenchant, off-kilter melodic thrash riffs and virtuosic solos. Guest stars provide extra firepower: Danko Jones and Children of Bodom’s Alexi Laiho trade vocal lines on “Lycanthrope,” Shining saxophonist-singer Jørgen Munkeby battles Friedman’s leads on “Meat Hook,” and Revocation’s David Davidson adds growling and clean vocals to “Sociopaths.” For shred fans, Inferno is positively incendiary." - Revolver
    $12.00
  • Shockingly good reunion album from 1978 that gave us the athemic title track which now has classic status."Deep Purple's definitive Mark II lineup reunited for 1984's Perfect Strangers. It is one of the better examples of a reunion album, although the band's uneasy camaraderie only lasted a few more years. "Knocking at Your Back Door" opens the album with a roar. Ian Gillan's lyrics don't make much sense, but Ritchie Blackmore's guitar riffs and Ian Paice's thunderous drumming carry this song as well as the rest of the album. The robotic rhythm of the title cut relies on Jon Lord's organ work. The 1999 remastered reissue features the bonus track "Son of Alerik." This fascinating, mid-tempo, ten-minute instrumental was the B-side of the "Perfect Strangers" 12" single in the U.K." - All Music Guide
    $5.00
  • "CRYSTAL VIPER are Poland s most promising Heavy Metal act. The band from Katowice has earned a fabulous reputation in the Metal underground with their previous releases and have recently played the Keep It True, Swordbrothers and many others major festivals. Singer Marta Gabriel is the centre point of the band, and implies a nice and charismatic appearance with a powerful Metal voice. Heavily influenced by the 80´s Metal of Judas Priest, Iron Maiden, early Manowar and the like, Crystal Viper draw immediate comparisons to the legendary WARLOCK (with Doro Pesch on vocals) but hold their own with their unique stylings. Crimen Excepta is their highly anticipated fourth album and features guest appearances by David Bower of Hell and Piotr Wiwczarek of Vader." Comes with 2 bonus tracks.
    $15.00
  • "Refreshing, powerful, and extremely melodic – the adjectives I’d use at a push to describe Teramaze‘s 5th album. I have to admit I pretty much consider this their sophomore release as I was not party to their releases throughout the 90′s, with my first introduction to the band with their 2012 powerhouse ‘Anhedonia’ which quite ironically generated feels of anything but anhedonia. There has been an undeniable buzz around this release and I have found it virtually impossible to escape the widespread word and hype around this album anywhere I look online; generally I wouldn’t necessarily see this as categorically positive as it can taint your expectations unintentionally. Thankfully for the most part, my expectations and hopes with this album have been realised to the point that I welcome any melodic, thrash, progressive or otherwise metallically inclined music fan to check this 79-ish minute thematic conceptual monster.The initial impressions I have when comparing this with ‘Anhedonia’ is a development away from the slightly more thrash-oriented direction that I suspected was the impact of the members growing up in the era where that particular sub-genre beared its greatest fruits. I use the term development as I believe it has very much naturally progressed as compared to what I would consider a departure. The addition of more progressive structures and more varied layering works exceptionally well in Teramaze‘s favour to create a soundscape of in your face riffs, contemplative and brooding moods, earworm choruses, and timeless unity across the entire album.Without doubt one of the things that will grab listeners’ attention is the astonishing fretboard wizardry of band leader and Dean Well’s who treats us to undeniably wondrous smorgasbord of head nodding animosity (special mention to the riff at 2:02 in ‘Line of Symmetry’ – that will get you nodding with the mania of Jack Black), and emotive, creative, delicious lead playing that is akin to guitar heroes aplenty (Petrucci, Sfogli, Skolnick – just to name a few). The balance of great lead playing and rhythm work is a pleasure with nothing inappropriately overstated like one can sometimes expect of the genre. As a special addition, the tones are simply incredible on this album and it is glued perfectly with the bass and bonded by the fairydust keyboards that emerge to keep the sonic palette interesting (courtesy of Circadian Pulse keyboardist Dave Holley).The production is another point of veritable quality with all the instruments presented in a crystal clear state whilst maintaining vibe and not losing out to sterility which is a sad by-product of the self-produced musical climate of 2014. The only complaint I really have is that the mastering is a little hot which is noticeable after the first track (which was mastered in my ideal sweet spot). It sits at DR6 across the whole album on average which is nothing out of the ordinary for this day and age but it occasionally gets fatiguing especially over such a long record. Thankfully moment of distortion are kept to a minimum, however there are some trace elements of weakened transients and the occasional buried vocal that loses intelligibility.Vocalist Brett Rerekura is a joy to listen to and I am appreciative of the fact although his voice pushes the aggressive edge to fit the setting of the music, it is rich in melody and characteristic timbre and is not sabotaged with growls. Long live the singer in a metal band, I say! I detect glimmers of Layne Staley, Sebastian Bach and the rhythmic phrasing of James Hetfield. My only beef is the occasional “Aussieisms” I hear in some inflections which I am hyper-sensitive too (even though I’m Australian myself), however this doesn’t detract too much from what is a splendid vocal performance across the board. There are moments of supreme delicacy especially in ‘Bodies of Betrayal’ which I would have liked to have heard more of as well as a bit more of that delicate side to the band overall to give this album the dynamic curve it deserved. This is of course only a minor criticism.The album’s concept, while not narrative based centres around the experiential nature of deception; especially by that of governing bodies and the powers that be. I think the title of ‘Esoteric Symbolism’ is perfectly apt as this is not the viewpoint or mindset of everyone and best kept as the worldview of a particular minority of people. I think for some the lyrical approach could border on conspiracy but I like the exploratory nature of them and what is truly the harm in questioning some of the taken-for-granted “truths” we hold in this ever-changing world. Kudos to Teramaze for honestly and whole-heartedly fusing their beliefs with such hard-hitting music in a way that I see as completely lacking pretence.For me the standout tracks are ‘Bodies of Betrayal’, ‘Esoteric Symbolism’ (6:53 in this gives me goosebumps), and ‘viii In Vitro’ as I believe they hold the most profound emotional connection with me due to the individual moods they build. I have to admit the only track that I am not particularly keen on is the one with the guest vocals as I feel as though it breaks the flow of the album in a way that was superfluous to requirements. It came across as guests for guests sake which is probably my most direct criticism of the record.This is an exceptional release that stands up to my extremely critical ear and was only let down by perhaps a slight lack of expression with regards to dynamics (mastering and songwriting) across such a long album. Its length to some may indeed be a bit hard to swallow in single listens, however this is par for the course for me as a fan of long form writing. For fans of Metallica, Dream Theater, Alice in Chains and anyone who wishes to have a boot up the bum and an electrode to the brain from an ambitious and highly satiating album." - Metal Obsession
    $12.00
  • "An often misunderstood and underrated album, 1986's Seventh Star was never intended to be a Black Sabbath release, as the band had effectively broken up following its disastrous 1984 tour in support of career low point Born Again. Instead, Seventh Star was conceived as guitarist Tony Iommi's first solo project, and it was only record company pressure that forced him to resurrect his longtime band's moniker at the last minute. With this in mind, one can better appreciate both the record's more blues-based, often un-Sabbath-like songwriting and the contributions made by journeyman singer Glenn Hughes (ex-Trapeze, Deep Purple, etc.), whose incredibly emotive and soulful vocal style was completely at odds with the deadpan delivery of Sabbath's most recognizable singer, Ozzy Osbourne (a discrepancy that would spell his quick exit when the necessary classics were wheeled out for the ensuing world tour). Still, within the unique circumstances of Seventh Star's creation, Hughes' fiery tunefulness made aggressive hard rockers like "In for the Kill," "Turn to Stone," and "Danger Zone" uncommonly catchy, and gorgeous ballads such as "Angry Heart/In Memory..." and "No Stranger to Love" all the more heart-rending. Tellingly, his efforts fell resoundingly flat on the bluesy aimlessness of "Heart Like a Wheel" and the gothic menace of the title track, making it possible for keener observers to foresee the troubles ahead. Yet, in light of the even more traumatic difficulties that preceded it, Seventh Star -- for all its uncharacteristic sonic qualities -- actually represents the turning of a corner for Black Sabbath's lengthy career, which steadily regained momentum in the years that followed." - Allmusic Guide
    $5.00
  • "Racer X's debut album, Street Lethal, established the band as little more than a vehicle for guitarist Paul Gilbert's virtuosic neo-metal soloing style. For its sophomore release, Second Heat, Racer X ups the intensity of its already terrifying instrumental attack by adding second guitarist Bruce Bouillet to the fold, thereby enabling some of the most amazing dual-guitar work ever recorded. What's more, the band has become more cohesive and have even penned some catchy songs with worthwhile melodies. Second Heat's overall style follows the well-established Judas Priest/Van Halen template (they even cover a Priest tune, "Heart of a Lion"), but each song is punctuated with detailed pyrotechnical touches from the guitarists, and the rest of the band, for that matter. While Bouillet's skill nearly matches that of Gilbert, the rhythm section of John Alderete and Scott Travis (bass and drums, respectively) proves to be one of the most formidable around. Check out the instrumental "Scarified" for a true demolition set piece. What ultimately makes Second Heat superior to its predecessor is its better-developed sense of songwriting; tracks like "Hammer Away" and "Living the Hard Way" are as good as anything else in the pop-metal arena that was popular in the late '80s. One word of warning, however: Beware of the bombastic cover of David Bowie's "Moonage Daydream" which strips away all the charm and subtlety of the original and makes the song a backdrop for (you guessed it!) more shredding. While some may find this sort of thing harmless, others may find it sacrilegious." - Allmusic Guide
    $16.00
  • Neal Morse sez:" Another 5 Disc Live extravaganza fro Progressive Supergroup Transatlantic? Unbelievable! Sometimes when you are on tour you have the best gigs when the cameras aren't rolling. Such was the case with the Transatlantic Whird Tour one fateful night in Manchester, England. It was the last concert of a long tour and as live sound engineer (and acclaimed producer) Rich Mouser said, as we came off stage, 'Man, you guys really nailed it tonight!' So, this is the complete audio from Manchester, spread over 3 CD's, as well as a beautifully shot 2 DVD compilation from the famed, sold out concert in Tilburg, The Netherlands. Also included are great and hilarous excerpts from other gigs, featuring Mike Portnoy stage diving in Cologne, packaged in a gorgeous 5 Disc Digi-Pak. This is one othe fans are going to love!!!"
    $33.00