Satanic Curses

Laser Pic

customers also bought

SEE ALL
  • Its been quite some time since we've heard from Guy LeBlance and Nathan Mahl.  He's been busy touring with Camel and now having to deal with some serious health related issues.Justify finds Nathan Mahl with a reconstituted lineup.  Guy displays his prodigious keyboard abilities once again but this time he's also playing drums.  The new lineup features a twin guitar attack and bass.  For a keyboard player he sure as hell gives a lot of room for the two guitarists to stretch out and shred.  The album is split about 50/50 between instrumental and vocal oriented tracks.  You can tell his time in Camel has rubbed off on him - just check out the albums finale "Infinite Light".  It features a guest appearance on guitar and keys from none other than Andy Latimer!  Highly recommended.
    $15.00
  • Third album since the resurrection of this Swedish symphonic band led by keyboardist Hans Lundin and guitarist Roine Stolt. No major surprises here - symphonic rock perhaps a bit in the vein of Flower Kings. FK bassist Jonas Reingold is here as is Ritual vocalist Patrick Lundstrom. Female vocals are quite prominent and supplied by the single-named Aleena. Mats & Morgan monster drummer Morgan Agren holds down the fort. The 26 minute title track is clearly the standout.
    $12.00
  • Second album from this exciting band from Tunisia. Myrath is heavily influenced by the progressive power metal style of Symphony X but on this album they have given us a swerve. Although he sings in English, the band's new vocalist sings in a traditional Arabic style. There is a more pronounced Middle Eastern flavor in the songwriting but there is still the neoclassical/prog element very much present. Its a unique sound - I wouldn't even compare them to Orphaned Land who take a different path. These guys clearly are not afraid to carve out their own path.
    $14.00
  • "In 2009, by default, France’s Lonewolf was the “surviving Running Wild” when Rolf packed up his pirate ship following Wacken 2009 and went home. For those unaware of Lonewolf, the band was created in 1991 and was named after the Running Wild song from “Blazon Stone.” Ironically, the last time Lonewolf surfaced with a new LP, it was “The Dark Crusade” in that same fateful year of 2009. Flashforward to 2012 with Running Wild on the precipice of releasing “Shadowmaker” in April, and now Lonewolf resurfaces with “Army of The Damned,” due out in the end of March.So, if it’s just a name and a date coincidence, then who cares right? After all, Running Wild took its name from Judas Priest. Well, Lonewolf, while maintaining its own identity, also took on some of Running Wild’s major characteristics, namely the near pinpoint accuracy of the guitar sound as well as a tendency to share similar lyrical content. From its beginning Lonewolf has been, more or less, a testament to the career of Running Wild. Though despite the comparisons, I thoroughly enjoyed all of Lonewolf’s albums, including “Army of the Damned.”The band continues this trend with more tasty power metal. However, it is virtually impossible to review this album without bringing up the obvious comparisons to Running Wild. For example, the song “Lonewolf” is more than highly reminiscent of “Adventure Galley,” “Cold” has virtually the same riff as “Black Hand Inn” and “Tally Ho” blisters off the same sound as “Riding the Storm.”Comparisons aside, Lonewolf actually does have an identity all its own and it is it shown nowhere better than through Jens Börner’s vocals, which sound much more like Grave Digger’s Chris Boltendahl than Rock ‘N’ Rolf’s. Then there are distinctive tracks like the epic “Army of the Damned,” “The Last Defenders” and “The One You Never See” (featuring the king of album cameos, Blaze Bayley). Lonewolf also continues its tradition of amazingly catchy choruses with “Crawling to Hell,” “Celtic Heart” and album favorite “Hell Bent for Metal.”So why does the world need two bands that sound like Running Wild? Well, after Running Wild released “The Rivalry” in 1998, the band was on the decline. The holes that popped in the aged/stagnant sinking pirate ship were cemented with “true to form Running Wild” style of Lonewolf, which diehard fans craved. In many ways, Lonewolf exceeded the latter Running Wild albums…and it did so as a more of a cohesive band. But irony strikes again, as Lonewolf's mainman Jens Börner is also his band’s only original member. Coincidence?" - Metal Underground.com
    $10.00
  • 180 gram double LP vinyl set of this debut release from this great Norwegian prog band.  This features a new analog mix for vinyl as well as some new modified artwork.Airbag is a new young prog band from Norway. Their music has a dreamy quality that will have you floating in the clouds. If you are fan of Riverside's lighter moments you will spooge over this. Definite references to Radiohead and Porcupine Tree will spring to mind as you listen. The music never explodes - it takes the slow fire approach creating constant tension. Lots of beautiful melodies wafting through your skull from the first listen. Highly recommended. These guys could potentially break big.
    $23.00
  • "What do you get when you take a rough and ready Germanic power metal band and add two members of Blind Guardian? You get a better rough and ready Germanic power metal band. Sinbreed is that band and features the talents of Blind Guardian guitarist Marcus Siepen and drummer Frederik Ehmke, which gives them some instant musical credibility and clout. Their 2009 debut When World’s Collide was a rock solid slab of slick, but angry metal in the vein of modern Accept, Herman Frank and Paragon and Shadows improves on that template with even more raspy, Udo-like vocals and thrashy guitar lines. These cats don’t go in for the frilly aspects of Euro-power and prefer to pummel and attack with aggression while maintaining enough melody to hook you in. That makes Shadows a feisty, ill-tempered collection of speedy riffs, catchy choruses, and pissed off attitude, and when power metal is done this well, it’s pretty hard to resist. Not revolutionary, but it sure satisfies that need for edgy power sans pirate shirt.If you loved the last two Accept albums, songs like “Bleed” and “Call to Arms” will go down gangbusters. Lots of fast, in-your-face riffs and the excellently raspy roar of Herbie Langhans combine for some headbanging good times with all the Germanic flair you expect from acts like Grave Digger, but this is much better and more jacked up. It’s one speedster after another, each with a more than adequate chorus and ample nutsack. Sometimes they remind a bit of Steel Attack (title track), others times there’s a distinct Steel Prophet feel to the songs (“Leaving the Road”). Regardless of what influences they borrow from, they keep things straight-ahead, simple and rocking.Tunes like “Reborn,” ”Black Death” and “London Moon” have simple, memorable refrains and manage to be catchy without dialing back on the aggression. Most songs ride along on simple, but heavy riff patterns and rely on Herbie’s vocals to do the heavy lifting, pausing only for some satisfying, if typical power metal solos. It’s a simple approach, but it works for them, though there isn’t much difference from song to song and things do start to bleed together a little on the album’s back-end.Speaking of Herbie’s vocals, he’s a helluva good front man for this type of music. He has the raspy, gravely style down pat and reminds me a lot of new Accept singer Mark Tornillo. He has quite the powerful range and can hit all sorts of interesting notes when he so desires. He also has a bit of Bruce Dickinson’s flair and swagger hiding between his harsher approach (especially on “Standing Tall”) and it helps put the music over and make an impression. Marcus Siepen and Flo Laurin deliver the badass riffage required for this style and their solo work is pretty nifty (especially on “Broken Wings”). Nothing they do will make you fall out of a chair, but they manage to keep things moving for all ten songs and the album feels like it goes by quickly, which is a good thing.A typical dose of Teutonic terror, but a very good one, Shadows blasts away with all barrels, stays very consistent and checks all the required boxes on Yea Olde Power Metal Checklist. These guys are one of my favorite bands of this ilk and between them, Accept and Herman Frank, I get all the Germanic rage I can handle at my advanced age. If you need more muscle in your power metal, these guys have the iron injection ready to go. Go heavy or go home." - Angry Metal Guy
    $16.00
  • Excellent new sci-fi prog metal project put together by Carptree mainman and keyboardist Carl Westholm. While Westholm is probably better known for his involvement with Carptree he has also been working in the metal field for many years in bands like Abstract Algebra, Krux, and Candlemass.Westholm has assembled an interesting cast of musicians for this larger than life Ayreon-style project. First off, Mats Leven in handling vocals. Right there that is enough for me. Leif Edling, the driving force behind Candlemass plays bass and helps with lyrics. What else do you need? Various members of Carptree and others fill out the heavily symphonic sound lending an epic scope and feel. Highly recommended.
    $3.00
  • "The new Echolyn The End is beautiful is a far cry from the absolutely fantastic As The World which still is one of my favorite Echolyn albums! That said, they´re most certainly progressive in the truest sense of the word. As this album steers towards new areas. And YES it is brilliant! This my friend is a top notch album of the highest order!The music is excellent as always. They still have the complexity in their arrangements and individually they deliver the goods! But...and there is a but....you have to wait till track #6 "So Ready" to get some of their trademark Gentle Giant-like vocal arrangements. And therein my dear prog friends the problem lies. We have come to expect some fine complicated vocals arrangements. Now they're almost gone. Brett Kull & Ray Weston used to deliver the excellent lead vocals with the rest of these wonderful musicians following on superb second vocal harmonies.And they still do, that is, deliver the vocals...but somehow its not the Echolyn of yesterday! On the other hand, this is about progressive music and as such they still are, this great US band with superb arrangements and a brilliant mind for new thinking in this musical world we adore and love! "Misery, Not Memory" is the track that comes closest to that of the former Echolyn –ideology...with traces of Gentle Giant contra-point music style.Overall I must say that I love this album (my favorite still is As The World) for the sheer power and exuberance in fabulous ideas and musical brilliance. And oh....they dare....they dare go a step further...which is what this is all about: progression!So if you are new to these guys, get the first one (just out in a fine new package...with bonus) then work your way up till this one! Echolyn, a fine US prog band that always deliver! If you are a true prog fan then this album should be on your want list! Yeah, I am calling your prog loyality into question! This is a killer album! Make no mistake! This one goes to prog history!" - Prog Planet
    $11.00
  • Been years since I heard this one and now we were able to dig up some copies from the back of a dusty warehouse.  Treasure Land made two albums - this is the first.  Here's the good part - guitarist Jonas Hornqvist plays in a neoclassical style.  The music has strong progressive overtones.  Here's the not so good part - Zenny Gram's vocals aren't the best.  For the band's next album they got a much better singer but they dumbed down their music and it was far less interesting.
    $8.00
  • "It is such a rare feat these days that a band can boast a back catalogue of such highly acclaimed albums. Nightwish’s career has not stagnated once in their nearly 20 years of existence, and despite highly publicised vocalist changes that has quartered the fanbases, their popularity has gone nothing but up. Why? Their music is simply immense. So here we are with album number 8, but after throwing so much into their previous effort ‘Imaginaerum‘, have the band finally run out of steam?If the opening track of ‘Endless Forms Most Beautiful‘ has anything to say about it, absolutely not. The album opens with Richard Dawkins, the figurehead in the album’s theme of evolution, speaking to provide a brief introduction to the loose concept. Without hesitation the album bursts into life with ‘Shudder Before The Beautiful‘, orchestras blaring, keyboards frantic, and suddenly a wall of guitars thickening into one of Nightwish’s heaviest tracks in their career. The band have gone all out in this one, from a massive chorus transitioning to a prolonged solo battle between guitars and keyboards. It purely represents the things to come on the album, a raw Nightwish that has tapped all the highlights of their career into a transcendent epic.Moving straight on to ‘Weak Fantasy‘, the band does not immediately lift up the power and aggresion, yet makes an immediate impact of the spectrum of elements the instrumentalists now have to offer on the album. From a massive heavy chorus of ominous choirs transitioning into folk guitar melodies and tribal drumming, overlaid by the diverse vocals of Floor Jansen marking her Nightwish recording debut. The further addition of Troy Donockley as a full time member proves to be one of the wisest of investments as they make use of his talents with the vast array of unique instruments evident with tracks such as ‘Elan‘ and ‘My Walden‘.There are moments of this album that represent pure passion and take us on a journey of reminiscence of styles throughout Nightwish’s career, whilst building on top of them with the vast resources of choirs and full orchestra the band now have at their disposal. The softer ‘Elan‘ takes us to the softer metal with hook that Nightwish singles in recent years, while the heavier ‘Endless Forms Most Beautiful‘ and playful ‘Alpenglow‘ revisit the ‘Century Child‘ days with a diverse range of Emppu Vuorinen’s erratic guitar work with memorable guitar melodies, and dramatic choruses that completely define Nightwish as a musical force.As the album draws to a close, we come to expect a poetic closure of such an exquisite palette of music, however the higlights of the album are only to come. The beautiful instrumental ‘The Eyes of Sharbat Gula‘ serve as dramatic solace before the storm in the centerpiece of the album – the 24-minute monster of ‘The Greatest Show on Earth‘. This progressive epic highlights the songwriting brilliance of Tuomas Holopainen, taking on the theme of ‘life and evolution by natural selection’, the track takes on the aggressive, the beautiful, the mysterious and everything that the band have to offer in one neat package, making full use of the massive vocal range of Floor Jansen and the masculine prowess of Marco Hietala. One of the finest tracks in Nightwish’s career if I may say so!‘Endless Forms Most Beautiful‘ simply put is sheer brilliance. Where the previous opus’ of ‘Dark Passion Play‘ and ‘Imaginaerum‘ continued a theatrical progression off of the success of ‘Once‘, this album has taken a renewed and raw approach to songwriting, revisitng the process of old and writing songs to highlight talents of band. The broad and experience-laced musicianship has put to full use just englightening us again as to why this band has made, and will continue to make history, and should be very proud of their 8th album. Forget about the past controversies, put aside your vocalist disputes, Nightwish has produced a fantastic album that can be adored by all." - The Metalist
    $6.00
  • "Get All You Deserve is a high-definition 4 disc audio-visual set from Steven Wilson.Directed by long-time visual collaborator Lasse Hoile, Get All You Deserve was filmed in Mexico City during the recent Grace For Drowning Tour. The set captures the spectacular live experience that Wilson and Hoile created for the tour on Blu-ray, DVD and 2CD.Following the release of Grace For Drowning, Steven embarked on his first ever solo tour, assembling a virtuoso band, featuring Marco Minnemann (drums), Nick Beggs (bass), Theo Travis (flute and sax), Adam Holzman (keys) and Niko Tsonev (guitars), to accompany him. For the shows he worked extensively with Lasse to create a show unlike anything else he had attempted with his other bands, Porcupine Tree, Blackfield, No-Man or Bass Communion.The shows immersed fans in a rich sensory experience: rear speakers provide surround-sound effects, giant screens show off Lasse's films made specifically to accompany these songs, and cutting-edge lighting designs giving texture to each song.Get All You Deserve captures one of the key shows from the tour. Recorded at a sold-out Teatro Metropolitan in Mexico City, the gig features tracks from both Wilson's solo albums along with the new, as yet unreleased, track Luminol. " 
    $31.00
  • Official (?) release of a live performance that has been circulating among tape traders for decades.  This was a live in the studio performance recorded for the BBC in 1973 in front of an invited audience.  Its a classic gig that features Wishbone Ash's Andy Powell on Ashes Are Burning along with Al Stewart.
    $14.00
  • Here's a nice archival discovery courtesy of Esoteric Recordings.  Fields was the post-Rare Bird trio consisting of keyboardist Graham Field, ex-King Crimson drummer Andy McCullough, and bassist Alan Barry.  Their 1971 eponymous release on CBS is a prog rock gem in which Field shows off his abilities as an organ player.Contrasts is a previously unknown to exist second album that sat on a shelf gathering dust since 1972.  It finds Alan Barry replaced by ex-Supertramp Frank Farrell on bass and vocals.  Field concentrates on organ but he does play some synthesizer.  The music has a melodic feel that reminds a little bit of Spring.  Comes with plenty of liner notes by Sid Smith.
    $16.00
  • "Markus Grosskopf has been a busy man for more than twenty years and he is an even busier man now. The bass player of Germany's melodic metal legend HELLOWEEN has just released the 12th studio album called "Gambling With The Devil" with his band and is preparing for yet another extensive world tour with one of the most successful metal acts of the present. And Grosskopf has one more ace up his sleeve: it is called Markus Grosskopf's Bassinvaders and it shows a completely new side of his musical talent. Bassinvaders has been a creation of Markus while sitting in a bar and enjoying a few drinks. There it was that he got inspired to an impressive idea: a heavy rock record without any guitars at all. Could such a concept work out? Indeed it can! As you will experience on this first Bassinvaders-record called "Hellbassbeaters" lying in front of you. It contains all basic elements a heavy rock song really needs and so much more. You got the strong vocals, rhythmic bass, intoxicating drums and even bass & twin bass solo parts. What you hear is what you get: 100 % genuine heavy / rock record with absolutely no discordant guitar note on it at all. To guarantee a great variety of different influences Markus invited some well-known singing bass players from the German metal scene to join the band. And they didn't need an extra invitation. In DESTRUCTION's enfant terrible Schmier, SODOM's frontman Tom Angelripper and RAGE boss Peavy, Markus found some real Bassinvaders-friends. To push it even further Markus invited a few of his bass heroes to play solos on some of the tracks. When he started searching for support making this album excellent he expected to get a cautious response of 2 or 3 musicians. He ended up organizing more than 13 people for a solo appearance on the album. They named themselves - like the album title - the Hellbassbeaters: Billy Sheehan (Steve Vai, ex-Mr. Big, ex-David Lee Roth), Rudy Sarzo (DIO, ex-Ozzy Osbourne, ex-Whitesnake, ex-Quiet Riot), Lee Rocker (Stray Cats), Marco Mendoza (Thin Lizzy, ex-Whitesnake, ex-Ted Nugent), DD Verni (Overkill), Wyzard (Mother's Finest), Dirk Schlächter (Gamma Ray), Joey Vera (Armored Saint, Fates Warning, ex-Anthrax), Stig Pedersen (D.A.D), Nibbs (Saxon), Tobias Exxel (Edguy), Jens Becker (Grave Digger, ex-Running Wild), Dennis Ward (Pink Cream 69), Peter Baltes (Accept), Jan S. Eckert (Masterplan) and Michael Müller (Jaded Heart). Markus has also invited some guest singers for the songs he wrote: Apollo Papathanasio (Firewind, Time Requiem, Evil Masquerade, Majestic) and the frontman of the legendary Danish stadium rock band D.A.D - Jesper Binzer. While the guest drummers are André Hilgers (Rage, Axxis, Silent Force) and Stefan Arnold (Grave Digger). This guest list and the killer line-up make the first Bassinvaders-album something very special but it's not only about the name dropping. Songs like Boiling Blood, We Live, Voices, Razorblade Romance, Armageddon or the storming Bassinvaders version of the classic Helloween anthem Eagle Fly Free are proving that Markus' late night idea won't be just a one-off slap, but the foundation for another "battlefield" for the always smiling bassist."
    $5.00