School's Out ($5 Special)

SKU: 2623-2
Label:
Warner Bros
Category:
Hard Rock
Add to wishlist 

"School's Out catapulted Alice Cooper into the hard rock stratosphere, largely due to its timeless, all-time classic title track. But while the song became Alice's highest-charting single ever (reaching number seven on the U.S. charts) and recalled the brash, three-and-a-half-minute garage rock of yore, the majority of the album signaled a more complex compositional directional for the band. Unlike Cooper's previous releases (Love It to Death, Killer), which contained several instantly identifiable hard rock classics, School's Out appears to be a concept album, and aside from the aforementioned title track anthem, few of the other tracks have ever popped up in concert. That's not to say they weren't still strong and memorable; while such cuts as "Gutter Cat vs. the Jets," "Street Fight," "My Stars," and "Grande Finale" came off like mini-epics with a slightly progressive edge, Alice Cooper still managed to maintain their raw, unrefined punk edges, regardless. Other highlights included the rowdy "Public Animal #9," the mid-paced "Luney Tune," and the sinister, cabaret-esque "Blue Turk."" - Allmusic

There are no review yet. Be the first!

Product Review

You must login or register to post reviews.
Laser Pic

customers also bought

SEE ALL
  • Superb return to form from these German masters of melodic progressive metal. Beyond Daylight exhibits many similarities to The God Thing and may well prove out to be their best effort yet.
    $15.00
  • The late Michael Hedges was one of the great visionary guitarists of our lifetimes. He used tapping techniques on acoustic guitar to create a wall of sound. He was influenced by John Fahey and Leo Kottke and made us all rethink what can possibly be done with an acoustic guitar.  Introspective but addictive.  If you have any interest in guitar you need to hear this album.
    $8.00
  • "If you listened to the Mahavishnu Orchestra in the 1970s you are familiar with his keyboard wizardry. If you’re a fan of the Indiana Jones movies you have heard his piano. You might also have come across his works by watching US documentary films or TV series. Indeed, this man has “more than one iron in the fire”, as the saying goes. Since the 1980s Stu Goldberg is a highly requested soundtrack composer and session musician for Jerry Goldsmith, Lalo Schifrin and the like. Yet in recent years he began recording as a jazz musician again, and by doing so, resumed his early career which was exceptional in every way.Having caused a sensation at the Monterey Jazz Festival, when he was merely 17, Goldberg became a member of John McLaughlins Mahavishnu Orchestra, toured the world and played with Al Di Meola, Freddie Hubbard, Wayne Shorter, Billy Cobham, Jack Bruce and Alphonse Mouzon from the 1970s on. But it was the teamwork with the latter who finally set the ball rolling for Goldbergs solo career. And Joachim Ernst Berendt, of course, on who you can put the blame for many gems in the MPS vault. Since it was Berendt who produced Stu’s first LP “Solos – Duos - Trios” (1978) which already revealed Goldberg’s open-minded, organic and at the same time experimental philosophy, as he paired his piano and synthesizer with the guitar by one Larry Coryell and the Indian violin of L Subramaniam. Encouraged by label owner Brunner-Schwer, Goldberg created another three contributions to the MPS catalogue on his own, culminating in the album you now have in hand, which was long out-of-print and now is available on CD. It certainly ranks as the most elaborate and best thought-out work in Goldberg’s solo discography.Recorded and mixed in Hollywood in the August of 1981 “Eye Of The Beholder” holds many surprises: The title track is a rollicking opener which shows Stu in a virtuoso mood developing his solo parts in a very organic way. Teaming up is his brother Ken on sax whose recording debut we can witness here. “New Love” is a lavishly orchestrated piece with piano and strings under the lead of violinist Doug Cameron creating rich colours – it also features a tremendous bass solo by Jim Lacefield and plainly points at Goldberg’s cinematic capacity. This is also the case with “Song Burst”: Energetic and equally lyrical it unites a burning band with the driving pulse of drummer Dave Crigger (whom Goldberg knew through their common work in Don Ellis’ band) and quartet interludes of a nearly baroque character. “Daybreak, Sunbeam” and the following “Daybreak” must be seen as a suite, revealing a wide range of influences from the romantic period of Chopin and Rachmaninoff to daring modern jazz improvisation along its course, the two Goldberg brothers often playing side by side before Stu recaptures the first part with a splendid solo. “Montreal” once again shows all the qualities of this album, displaying a fine interaction between jazz band and strings with space for solo highlights, notably Ken on flute this time, and conga player Lee Pastora adding his skills to the Latin touch of the final section."
    $24.00
  • Woodenhead are one of the great US fusion/prog bands you may not be familiar with.  For the past forty years the band has been ensconced in New Orleans rarely straying outside of the Louisiana area.  The quartet is led by virtuoso guitarist Jimmy Robinson (who you may have seen in that recent AARP commercial!).To encapsulate Woodenhead's sound is actually pretty easy - take 3/4 parts Dixie Dregs and add 1/4 part Happy The Man.  Shake and stir.  Top it off with some local spicy cajun flavor.So while you may not have heard of Woodenhead in your part of the world, they are quite well known in New Orleans.  They have performed there continuously playing at all the local haunts and festivals.  To commemorate the band's 40th anniversary the band has dipped into the archives.  They have released highlights from a gig recorded at the legendary Tipitina's in December 1993, mixed from live tapes previously forgotten and recently unearthed.  Expect a white hot set of cajun fusion.  Highly recommended. 
    $12.00
  • One of the great rarities in the prog world finally sees the light of day on CD. Rialzu was a short lived band from the isle of Corsica, off the coast of France. This one and done band recorded this album in 1978 and it was only released in Corsica. Now you can understand why an original copy fetches over $1,000. The album consists of two long tracks and one short one. The music has a very dark quality that has a distinct zeuhl feel fused with Corsican folk and progressive rock influences. Instrumentation consists of keys, violin, guitar, bass, drums and chanting vocals. The lead vocals of Christophe Mac Daniel are sung in his native tongue which sounds more Italian than French. This is the type of band that would have recorded on a label like Crypto. If you dig bands like Metabolisme, Magma, and Potemkine you can find a lot to sink your teeth into here. The CD is enhanced with 2 live bonus tracks and a brief video clip. There is even nice liner notes and photos. All in all a well executed reissue from Soleil Zeuhl that is essential for any fan of French progressive music.
    $18.00
  • Archival release on Long Hair Music of a German prog duo that never recorded a proper album.  Interesting that the lineup consisted solely of organ and drums.  Gunter Kuhlwein takes a Brian Auger meets Keith Emerson approach to his playing and drummer Walter Helbig has a bit of a jazz leaning.  Kuhlwein sings a bit as well but this is mostly instrumental.  If you are fan of early ELP, The Nice, Hardin & York, or even a very obscure German band called Sixty-Nine (anyone remember Circle Of The Crayfish?) you need to check these two kats out.  They rip it up!
    $18.00
  • Special edition CD/DVD set arrives in a digipak. The bonus DVD contains Steven Wilson's mixes: DTS 5.1, Dolby AC3 5.1 and 24/48 Stereo LPCM tracks (no idea why it's not 24/96). You also get a lot of documentary footage as well.This should probably suck but it actually doesn't. Because of a rift between Ian Anderson and Martin Barre this is being put into the market as "Jethro Tull's Ian Anderson". As you by now surmise this is a musical sequel to the original album. Again its a concept album updating us on the life of the main character Gerald Bostock. In live performance, Anderson's voice is shot. Within the context of the studio recording he plays it smart and never takes his voice where it doesn't want to go. Lots of Hammond organ and flute gives it the authentic 70s Tull flavor. Admittedly my expectations were pretty low but I have to say that this is far better than it has any right to be.
    $24.00
  • Perhaps because of the timing, but I always considered this to be their "Foxtrot". "Pawn Hearts" features the epic masterpiece "A Plague Of LIghthouse Keepers" which for lack of a better comparison is the band's "Supper's Ready". This remastered edition comes with extensive liner notes, photos and a host of bonus tracks. Originally conceived as a double album, there were a number of tracks still sitting on the shelf, unreleased. They are: "Theme One" (original mix), "W" (original version), "Angle Of Incidents", "Ponker's Theme", and "Diminutions". Absolutely essential.
    $10.00
  • Consider The Source are a brilliant instrumental trio from New York.  Their music touches on world music, fusion, prog rock and more.  All three members are virtuosos but the spotlight is squarely on guitarist Gabriel Marin.  He plays fretted and frettless guitars - single and double necks.  He triggers synth patches, he plays all kinds of acoustic stringed instruments.  The sounds he creates will utterly blow your mind.  If you caught the band on tour with Morglbl you know what I'm talking about.  Their music has a strong foundation in improvisation - so much so that they are well absorbed into the jam band scene but the band proudly embrace their appeal to prog fans as well.  His 2CD set burns from beginning to end.  Highly recommended."World War Trio (Parts II & III) is the second installment of Consider The Source's epic grand vision. Following the dense, nearly 24 minute, five part composition that comprised World War Trio (Part I), this double album begins with the trio of masterful technicians' progressive rock, metal and jazz foundation, then draw from Middle Eastern and Indian traditions- balancing shifting moods and tempos, cerebral and emotional jabs and intellectual and primal pursuits- into a dynamic audio experience that has been described by one critic as "the soundtrack to an alien invasion"."
    $16.00
  • "In an odd bit of programming, Columbia placed the ballads from Miles Davis' February 12, 1964, concert on My Funny Valentine and the uptempo romps on this LP. Davis, probably a bit bored by some of his repertoire and energized by the teenage Tony Williams' drumming, performed many of his standards at an increasingly faster pace as time went on. These versions of "So What," "Walkin'," "Four," "Joshua," "Seven Steps to Heaven," and even "There Is No Greater Love" are remarkably rapid, with the themes quickly thrown out before Davis, George Coleman, and Herbie Hancock take their solos. Highly recommended and rather exciting music, it's one of the last times Davis would be documented playing a full set of standards." - Allmusic
    $5.00
  • Hancock continues to explore his African roots blending jazz, rock and ethnic sounds with the Mwandishi band. He even plays Mellotron! Comes housed in a digipak. A breathtaking album - highly recommended.
    $12.00
  • "Unfortunately: it's all too seldom that an American rock band will come on to the scene, seemingly out of nowhere, to shake things up on some sort of musical level. Singer Lynnette Shelley's vocal prowess is so extremely formidable, that it stands unrivaled in today's world of advancement-based music. Her vocal delivery, both strong and passionate, is insistently astounding, and whilst never overbearing to the intent of her lyrical matter, often lends a helping hand of credence to it. This is a sign of musical maturity, and far too few are willing to examine this presentation, or to strip away their own influences in the hope of creating something new; Thankfully, Ms. Shelley helps her style of music to break its own mold. The band alongside her is comprised of top-notch musicians [Brandon Ross, Vonorn and Andrew Kowal], who compose and play a fresh new slant in a school of music whose major proponents lost their sense of immediacy long ago. They work long and hard together on the compositions, and it shows. Within the framework of "normal" instrumentation (meaning guitars, keys, bass and drums), and a few not-so-ordinary (like the erhu), The Red Masque exceed the parameters of PROG which time and again have reproduced formulaic results, and therefore go well beyond the norm of their contemporaries."
    $9.00
  • Its been quite some time since we've heard from Guy LeBlance and Nathan Mahl.  He's been busy touring with Camel and now having to deal with some serious health related issues.Justify finds Nathan Mahl with a reconstituted lineup.  Guy displays his prodigious keyboard abilities once again but this time he's also playing drums.  The new lineup features a twin guitar attack and bass.  For a keyboard player he sure as hell gives a lot of room for the two guitarists to stretch out and shred.  The album is split about 50/50 between instrumental and vocal oriented tracks.  You can tell his time in Camel has rubbed off on him - just check out the albums finale "Infinite Light".  It features a guest appearance on guitar and keys from none other than Andy Latimer!  Highly recommended.
    $15.00
  • This is without question the most "prog" album The End has released on their label. Unexpect are a unique 7 piece ensemble from Quebec. It's somewhat hard to dissect this avant metal band but the closet comparison I can come up with is Sleepytime Gorilla Museum. Musicianship is insane - be it guitar, violin, keys, drums, or 9-string bass. The vocals are a predominantly clean mix of dual male/female harmonizing. It can be a cacophonous mix of shifting meters and then gorgeous melodies - all with the space of 30 seconds. A real grower of an album that really grabs your attention. Highly recommended.
    $10.00