Selling England By The Pound (Remix/Remaster)

2007 Nick Davis remix/remaster edition. Some consider this their best album - it could be hard to argue against that notion...

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  • Dream Theater began their mammoth A Dramatic Tour Of Events world trek in July 2011 with the final leg in South America taking place in August 2012. It was here at the Luna Park arena in Buenos Aires, Argentina that they decided to film the two nights that go to make up this DVD release. It was Dream Theater's first tour with new drummer Mike Mangini and all the tracks from their first album together A Dramatic Turn Of Events are included in either the main show or the bonus performances. Dream Theater are rock s supreme virtuosos with many awards to their name and here in concert they bring all the power and drama of their music to life with breathtaking performances of classic tracks from across their career.Features many of their classic tracks including: Metropolis Pt. 1 , The Silent Man , Pull Me Under , The Root Of All Evil , The Test That Stumped Them All , The Spirit Carries On and the recent On The Backs Of Angels .Bonus FeaturesDocumentary / Trailer / Behind The Scenes / Cartoon IntroTrack ListingDVDDisc One Main Show1) Bridges In The Sky 2) 6:00 3) The Dark Eternal Night 4) This Is The Life 5) The Root Of All Evil 6) Lost Not Forgotten 7) Drum Solo 8) A Fortune In Lies 9) The Silent Man 10) Beneath The Surface 11) Outcry 12) Piano Solo 13) Surrounded 14) On The Backs Of Angels 15) War Inside My Head 16) The Test That Stumped Them All 17) Guitar Solo 18) The Spirit Carries On 19) Breaking All Illusions 20) Metropolis Pt. 1Disc Two Bonus Tracks1) These Walls 2) Build Me Up, Break Me Down 3) Caught In A Web 4) Wait For Sleep 5) Far From Heaven 6) Pull Me Under
    $14.00
  • "Although I had no idea what has been running inside his head, I have always known that Michael Kiske, once the leading vocalist of HELLOWEEN and one of the prime candidates that was suggested to replace Bruce Dickinson in IRON MAIDEN back when the latter left in 1993, would come back big. Along with his old partner in crime back in the hungry days of 80s HELLOWEEN, Kai Hansen, and with members of PINK CREAM 69, including the wonderful producer Dennis Ward on bass, and Kiske's other band PLACE VENDOME, the UNISONIC band was born. Though it's not the rebirth of old HELLOWEEN but more of a mix with melodic Hard Rock music following GAMMA RAY signatures, this joint force showed true class just as it was expected from these veterans with a superb self-titled debut under Edel / Ear Music. Just for the record, I had the feeling that I won't be stumbling upon a Power Metal album as for Kiske obvious Hard Rock notations over the years that kept him somewhat locked out from the Metal world. I can't count his guest appearances as those weren't enough for new fans to accumulate this guy's amazing abilities. Though his band of late, PLACE VENDOME, has been playing something that is near Metal and its second album, "Streets Of Fire", knocked me to my feet, I knew, just like many others, that no matter how soft Kiske would go and no matter his opinions regarding the evil side of Metal, that is where he belongs. The UNISONIC band proves it pretty well. Kiske might not have the long standing high pitches of the past, yet he has more than enough vocal qualities that top most of the old guard of vocalists. As for his partner and amazing artist, Kai Hansen, it seemed as if his place was to be next to Kiske all along, together they made wonders and I believe that two "Keeper Of The Seven Keys" albums are enough as elaborations. When it comes to UNISONIC, I must say that I was glad it wasn't a sort of continuance to the old HELLOWEEN era, even if the opening hit "Unisonic" blasted as if it was a blast from the past straight from the glory days, yet with the addition of a superstar second lead guitarist in the image of Mandy Meyer. Though heavier and more Metal than anything other thing that Kiske has been involved in the last two decades, UNISONIC still relies on the vibes of melodic Hard Rock. The Metal edge serves as an appetizer and a little spicy ingredient to energize things up. "I've Tried" and "We Rise" delivers true class right to your table. Kiske voice sounds so rich, still full of youth while spewing majestic singing rhythms and I can't also ignore the emotive and crunchy soloing of both crushing guitarists. To this fine selection of high quality features I can account also "My Sanctuary", "Never Change Me", "Never Too Late" and blazing "Star Rider". Kiske, Hansen, Ward, Meyer and Zafiriou delivered a well written Hard Rock / Heavy Metal album with plenty of taste. In general I felt the touch of Kiske rather tuned the band to treads a lightly than if Hansen was at the helm, but with a voice like this and such amazing talents, which also involved a striking production, only good can come from this." - Metal Temple
    $14.00
  • "This is the second expanded edition of this 1968 paean to psychedelia to have appeared in just 28 months -- it was preceded by a "Deluxe Edition" two-disc hybrid SACD/CD edition from Polydor's European division in the late winter of 2006; apparently, those in charge of the label either didn't think the U.S. could support that high-priced package, or that the Super-Audio CD market is purely a European and Japanese phenomenon. Whatever the reason, this edition has shown up here with no multi-channel SACD layer, but with the remastered CD sound from that hybrid release. In Search of the Lost Chord was originally the most poorly-served of all the Moodies' original albums on CD, with a late-'80s edition from Polydor that literally had a crack in the sound on one song. Since then successive remasterings have made it one of the group's more satisfying CDs, as the nuances and layers are brought out -- the original album was done in a spirit of experimentation that was unusual for a pop album, with the members very consciously seeking out the richest, most outre sounds that they could generate in the studio, piling on one exotic instrument after another, along with many layers of voices; they would get better and bolder at this process over the next two albums (until they realized, in 1969, that they'd painted themselves into a corner as far as actually performing their new material on-stage); but beneath the psychedelic sensibilities on numbers like "Voices in the Sky," "The Best Way to Travel," "Legend of a Mind" etc., as one listens to the cleanest, crispest mix the record has yet had on CD (and one should state here that the multi-channel SACD mix on the European Deluxe Edition does outdo it), in the layers of finely nuanced playing, one does get a real sense of five musicians reveling in their own skills (and perhaps a recently ingested controlled substance or two) and the freedom to take them as far as the moment will carry them. That experimental nature has always resided just below the surface of what was otherwise a very pretty and smooth exercise in pop music mysticism ("Visions of Paradise" is still one of the most profoundly beautiful records this reviewer has ever heard from the psychedelic era) -- but here it's a little more up front, amid the enhanced clarity, and one would like to think it could help this album hold and renew its audience for another 40 years. The sound is so good that it's almost a shame that anything was put on here after "Om," the original album closer, but it was obligatory in these times that there be bonus tracks -- and as there was less room here than on the Disc Two of the Deluxe Edition, some decisions had to be made about removing some extras. The released Mike Pinder-sung version and the alternate Justin Hayward-sung take of "A Simple Game" are present, bookending the bonus tracks, whilst the rest includes the Mellotron track for "The Word," the lost Hayward song "What Am I Doing Here," two BBC performances ("Dr. Livingston, I Presume," "Thinking Is the Best Way to Travel"), and extended, unfaded versions of "Om" etc. They would be certain to delight serious fans, except that it's hard to imagine too many of the latter not having already bought them on the Deluxe Edition of this album over the preceding two years. Still, they may open the door to the group's sound a little further for the casually curious." - Allmusic
    $20.00
  • Latest album from this UK band that used to embrace doom metal but ultimately morphed into a Pink Floyd inspired band with metal influences. This time around the band continues to ramp up the atmosphere quotient and seems to downplay the metal aspects. So what we have here is a heavy version of Radiohead or Porcupine Tree. An easy recommendation but if you are looking for metal stay away. Great album now available at a midline price.
    $13.00
  • "This four-disc collection comprises three CDs and a DVD (NTSC / Region Free) featuring all of the surviving radio and television broadcasts in the BBC archive transmitted on radio and television in the UK between 1972 and 1982. The set features on CD Todd’s solo 1972 BBC Radio One "In Concert” performance, recorded soon after the release of his seminal album "Something Anything”, the classic 1975 performance by Todd Rundgren and Utopia at Hammersmith Odeon, London, (including a previously unreleased track ‘Something’s Coming’) – on the first ever UK concert tour of Todd Rundgren and Utopia, a 1977 performance at the Oxford Polytechnic by Todd Rundgren and Utopia (promoting the "Ra”) album, and a DVD featuring three different performances for the classic "Old Grey Whistle Test” series; the 1975 Todd Rundgren and Utopia session, a film of Todd Rundgren & Utopia at the Bearsville Picnic in 1977 (performing ‘Singring and the Glass Guitar’) and the entire recordings made for a 1982 solo Todd Rundgren Whistle Test special (including two songs not featured on the original TV broadcast).This set is sure to delight the legions of Todd Rundgren fans and is a superb document of Todd’s continuing development as both a solo artist and with his band Utopia between 1972 and 1982."Todd Rundgren at the BBC” has been remastered and authored from the original BBC masters and is presented in a clamshell box with a booklet featuring a new essay."
    $44.00
  • "Released on 16/11/09. CD1 – Thunder Steel. This 1988 album takes everything that was metal at the time and is a classic combining thrashing guitars and pounding percussion indicative of the underground thrash movement of the time. It has more riffs than Anthrax and undertones of the hair metal that was riding the charts at that time. It is a classic and has everything that makes metal great! CD2 – The Privilege Of Power. This 1990 album saw the band augment their state-of-the-art heavy metal sound with horns, courtesy of the Brecker Brothers and Tower Of Power. It also features guest vocals by Joe Lynn turner (rainbow). The album employs 10 complex tracks that work as a single unit."
    $16.00
  • "The Phantom Agony marked the start of the now decade-long and world-wide career of the Dutch group EPICA. The album was recorded at The Gate Studio in Wolfsburg, Germany, under the leadership of the renowned producer and engineer Sacha Paeth (a.o. Aina, After Forever, Rhapsody, Kamelot) and at its release it was critically acclaimed to be one of the most impressive Dutch Epic Metal debut albums ever. The classically trained mezzo-soprano vocalist Simone Simons is a true revelation, confronting a complete choir & orchestra just as easily as she battles the shrouds clad grunts. But it is the incredible arrangements and production, this band of ex-After Forever guitarist Mark Jansen gives a unique place in Dutch rock history. “Pain and beauty blend into a musical experience that will saturate all the listener's senses”, one critic wrote after listening to the overwhelming CD. He could not have put it better.Ten years after its original release, The Phantom Agony is back in store. Remastered from the original master tapes, as a double CD. The expanded edition comes in a deluxe digipack and contains 15 bonus tracks, including 7 previously unreleased versions and one previously unreleased song. The 20 pages thick booklet will provide unique photos and memorabilia, plus liner notes by guitarist Mark Jansen.Track listingTMD-071  2CD EPICA - The Phantom Agony – Expanded EditionChapter 11. Adyta 1:27 “The Neverending Embrace”2. Sensorium 4:49 3. Cry for the Moon 6:44 "The Embrace that Smothers - Part IV"4. Feint 4:195. Illusive Consensus 5:00  6. Façade of Reality 8:10 "The Embrace that Smothers - Part V"7. Run for a Fall 6:31   8. Seif al Din 5:46 "The Embrace that Smothers - Part VI"9. The Phantom Agony 8:5910. Veniality 4:3711. The Phantom Agony 4:33 - single version12. Triumph of Defeat 3:54  Chapter 21. Adyta 1:28 - orchestral version2. Sensorium 4:53 – orchestral version3. Cry for the Moon 6:40 - orchestral version4. Feint 4:18 - orchestral version5. Illusive Consensus 5:02 - orchestral version6. Basic Instinct 4:07 - orchestral track7. Run for a Fall 6:26 – orchestral version8. The Phantom Agony 9:00 - orchestral version9. Veniality 4:35 - orchestral version10. Feint 4:53 - piano version11. Cry for the Moon 3:30 - single version12. Run for a Fall 4:29 - single versionTracks 1 - 8 previously unreleasedThese recordings have been exclusively restored and dynamicallyremastered in the 24-bit domain from the original digital masters"Debut release from the Dutch beauty and beast gothic metal band Epica. The band was put together by Mark Jensen, the former guitarist for After Forever. Musically speaking the similarities to After Forever are striking with mezzo-soprano vocalist Simone Simons acting as the counterpart to Floor Jansen. The music has that gothic epic grandeur with classical overtones through out. All of this is due to the always lush production of Sascha Paeth and the implementation of a large string section and choir. Apparently Jansen had a falling out with the rest of After Forever and essentially set up a parallel band. I can't say this is actually better than After Forever but on early listens I'd say it's pretty damn close or just as good. Highly recommended.
    $18.00
  • CD version of the live show from Katowice, Poland in 2005. Basically the audio soundtrack of the DVD previously available. Digipak - supposedly a limited edition.
    $16.00
  • "Mystic Prophecy is one of the best up and coming metal bands coming out of Germany. It’s hard to believe that Killhammer is the bands eighth studio album and the third with the current line up of RD Liapakis (vocals), Markus Pohl (Rhythm guitar), Laki Ragazas (Lead guitar), Connie Andreszka (Bass), and Tristan Maiwurm (Drums). The band straddle the fine line between energetic thrash, power, and classic heavy metal with finesse and have been cranking out albums since 2001. The band are just beginning to hit their stride, playing ProgPower USA metal festival in 2012.The title track kicks things off with a blast of sinister metal aggression in the tradition of early Black Sabbath. Vocalist RD Liapakis’ gritty delivery fits the song perfectly. Armies of Hell takes things up a notch with pounding double bass drums of Tristan Maiwurm and blistering guitar riffs from lead shredder Laki Ragazas. The chorus is a raise your horns in the air shout-a-long. Their latest single/video for To Hell and Back is a sing-a-long mid tempo rocker with a melodic verse and a powerful memorable chorus with soaring harmony vocals. Kill the Beast is another fast paced high-octane metal anthem with a heavy verse and an almost thrash metal shouting chorus. Hate Black begins with a middle-eastern flair and kicks into a headbanging Metallica inspired mid tempo guitar riff reminiscent of the title track of their last album Ravenlord. A shred-tastic guitar solo by Ragazas. The next song Children of the Damned (no not the Maiden song!) is a pounding heavy and melodic metal skullcrusher. This is the type of song that the band excels at, a blend of heaviness and melody with a strong chorus.The band shows their penchant for writing powerful thrash metal anthems with the blitzkrieg of 300 In Blood, which judging from the lyrical content, is based on the graphic novel/film 300. Angels of Fire is a power groove of a metal song with RD’s growling yet melodic vocals taking no prisoners during the chorus.The boys take on epic fantasy war metal subject matter on Warriors of the Northern Sea and Set the World On Fire. The last track, a cover of the Ozzy classic Crazy Train, while well done, is unnecessary to cover such a renowned song and could have been left off the album to make way for another original song or to have a more cohesive effort with ten strong tracks. In comparing Killhammer with the bands previous effort Ravenlord, I found many similarities in the writing style between the two albums. The band knows their sound and they don’t try to push boundaries by incorporating different styles or genres into their music. Killhammer is exactly what it sets out to be, no frills, balls out heavy fucking metal, and there ain’t nothing wrong with that!" - Lady Obscure 
    $15.00
  • Arena return after a 6 year hiatus. New lineup includes new vocalist Paul Manzi, John Jowitt is back replacing Ian Salmon, Clive Nolan, John Mitchell, and Mick Pointer. Its a conceptual work focusing on the last hour of life and the following hour in the afterlife. High concept indeed! 
    $11.00
  • The band gave Terry Brown the boot as producer. Peter Collins came in and kicked the band's ass a bit. The tunes are a bit more progressive sounding but radio fodder like "The Big Money" made these guys trillions.  Remastered edition.
    $5.00
  • Gowy is an undiscovered French band but that won't be for long... This is a new quartet assembled by guitarist Gregory Francois. We were contacted by Greg due to his friendship with Christophe Godin of Morglbl. He thought it might be up our alley and he is spot on. The music on Gowy's debut is primarily instrumental although there are some tunes with French vocals. Musically speaking Freak Kitchen frequently comes to mind with more than a bit of Vai, Zappa and Morglbl tossed in as well. The keyboards, bass and drums all play a supporting role for Greg's extraordinary guitar excursions into outer space. This is much more clever than the typical chops-from-hell disc. Is Essential Tracks really essential? Well I know its essentially clear that a buzz will develop soon. Highly recommended. Check 'em out: Gowy's MySpace Page
    $14.00
  • "Alternative Rock is not a genre that graces my ears very often, but as always, they are open; as is my mind. The funny thing is, any time I am exposed to something I wouldn't normally find myself listening to, there is always something about that band that has my wanting attention for one reason or another, be it the sound of the vocalist, the mixing, or those infectious hooks in the chorus. For its genre, the ANNEKE VAN GIERSBERGEN (formerly AGUA DE ANNIQUE) is perfectly postulated and is a leading act, with their non-repetitive writing (something I hear too often in commercial rock), excellent vocals and songs leaving you burning with an urge to sing along.Their latest release, "Drive", is no exception; as an album, it proves to be versatile, with no two songs sounding identical, but every song keeping the rhythm and mood to make the album fit piece by piece. "We Live On" feels like a typical pop-rock track, upbeat and driving, with an extremely powerful vocal performance in the choruses by Van Giersbergen. "Treat Me Like A Lady" does not want to be treated like a lady, and takes a noticeably heavier tone, brimming with attitude. "She" begins ever so modestly, making us think we're brought back to some level of calm, but explodes into an incredibly fast-paced chorus for such a Rock band, and includes yet another infectious chorus; something that is fast becoming an obvious highlight. "Drive" – I adore the sound of the bass in this song, the way it is dislocated from the drums, adds another dynamic. Van Giersbergen's even more stellar performance in the chorus demonstrates her large vocal range and versatility. Save for electric bass, "My Mother Said" is an entirely acoustic song and is the softest, most heartfelt song on the album; the band's namesake flawlessly demonstrates her ability to fit her voice around any song to emote any mood wants. "Forgive Me" is especially different, demonstrating unusual chord progressions, totally different instrumentation, and revealing even more, the extent of control that Van Giersbergen has over her range. "You Will Never Change" is upbeat and punchy, through-and-through with an – okay, let us just assume that every song on this album has an infectious chorus; definitely one of my favorites on the album. "Mental Jungle" begins with a strange, Arabic-sounding vocal melody, also featured on the chorus; I do indeed also love this chorus, as well as the interesting chord progressions. Quite easily the most unique song on the album, it strays from the pipeline rock sound that this record has been purveying. "Shooting for the Stars" takes the cake for the 'radiorock' track on the album, where every note, every beat, every lyric, screams commercialism and airtime. Not necessarily a bad song, but not the most interesting on the album. The album closes with "The Best Is Yet To Come" which makes me thing, Anneke has even better music to offer us in the future? The song itself takes first place on the album for me; the presence of the overdriven guitars and bass compliment her voice perfectly to create a powerful and catchy, yet Heavy Rock track, with interesting and unpredictable licks and hooks.Van Giersbergen and her band are quickly cementing themselves as one of Europe's currently most powerful and gorgeous-sounding rock groups, whom don't necessarily always cling to the commercialized, radio cliché sound, although no doubt perfectly suited to long air time. Coming from a metal head who listens to a fair share of female singers, I believe she could sing anything she wanted to, and the band of musicians that have got together and recorded this organic album with her have done so masterfully, and I'm not sure if the best is yet to come." - Metal Temple
    $8.00
  • "Death’s widespread influence on death metal has never been in denial, but picking one favorite album from the Florida act is no easy feat. Some factions prefer the raw death metal days, while others look to the free-forming arraignments heard on The Sound of Perseverance and Symbolic. Though it’s hard to choose the defining Death album, Leprosy can be argued as the most important release in the development of Death’s future. Released just a year after Scream Bloody Gore, Leprosy was an admirable sophomore effort from the mind of a musician still finding himself creatively. Chuck Schuldiner was not working from some patented formula; he was penning the death metal manifesto as he was going along. Playing unpolished and straightforward music was not to Schuldiner’s liking, and Leprosy was where his focus became clearer. The songs became more composed, the production was much improved, and the instrumental playing started to get craftier in execution. Schuldiner handled the guitars and bass yet again (Fun Fact: though Terry Butler is credited as the bassist, he did not play on the record). This time, guitarist Rick Rozz help share some of the load, and he and Schuldiner had enough interplay to make it work. Drummer Bill Andrews, on the other hand, was average at best. He had to follow-up Chris Reifert’s amazing work, and Andrews wasn’t on the same skill level. Also, the production put an odd echoing effect on the snare, making it louder than the rest of the instruments. A smart move made by the band was to pare down the amount of songs to eight, which would later become a standard for much of ‘90s death metal. By doing this, it allowed Death to eliminate any chances for filler. While only one song would remain a prominent set-list favorite (the premier anthem “Pull The Plug”), a claim could be made to the slow-burning title track or the progressive finisher “Choke On It.” Just because Death tried to expand their creative palettes was not an indication that their first album was a one-off experiment. Most bands put their best songs up front, but Leprosy reached its peak near the end with the double attack of “Open Casket” and “Primitive Ways.” Any sense of the future was replaced by a blood-thirsty sonic bombing of death metal so fast that a few vertebra had to have been snapped by head-banging listeners. To Schuldiner, Death was more than just a guts-and-blood death metal group, and Leprosy was the beginning of that transformation. The band began to get more technical and progressive, with the help of an array of temporary bandmates. Leprosy was not just a bland sequel to Scream Bloody Gore, but a worthy second act to a band that had plenty more to come. For continuing to help set the guidelines for the death metal genre, Leprosy gets the nod for this week’s Retro Recommendation." - About.com
    $12.00