Shadows

SKU: AFM479-0
Label:
AFM Records
Category:
Power Metal
Add to wishlist 

"What do you get when you take a rough and ready Germanic power metal band and add two members of Blind Guardian? You get a better rough and ready Germanic power metal band. Sinbreed is that band and features the talents of Blind Guardian guitarist Marcus Siepen and drummer Frederik Ehmke, which gives them some instant musical credibility and clout. Their 2009 debut When World’s Collide was a rock solid slab of slick, but angry metal in the vein of modern Accept, Herman Frank and Paragon and Shadows improves on that template with even more raspy, Udo-like vocals and thrashy guitar lines. These cats don’t go in for the frilly aspects of Euro-power and prefer to pummel and attack with aggression while maintaining enough melody to hook you in. That makes Shadows a feisty, ill-tempered collection of speedy riffs, catchy choruses, and pissed off attitude, and when power metal is done this well, it’s pretty hard to resist. Not revolutionary, but it sure satisfies that need for edgy power sans pirate shirt.

If you loved the last two Accept albums, songs like “Bleed” and “Call to Arms” will go down gangbusters. Lots of fast, in-your-face riffs and the excellently raspy roar of Herbie Langhans combine for some headbanging good times with all the Germanic flair you expect from acts like Grave Digger, but this is much better and more jacked up. It’s one speedster after another, each with a more than adequate chorus and ample nutsack. Sometimes they remind a bit of Steel Attack (title track), others times there’s a distinct Steel Prophet feel to the songs (“Leaving the Road”). Regardless of what influences they borrow from, they keep things straight-ahead, simple and rocking.

Tunes like “Reborn,” ”Black Death” and “London Moon” have simple, memorable refrains and manage to be catchy without dialing back on the aggression. Most songs ride along on simple, but heavy riff patterns and rely on Herbie’s vocals to do the heavy lifting, pausing only for some satisfying, if typical power metal solos. It’s a simple approach, but it works for them, though there isn’t much difference from song to song and things do start to bleed together a little on the album’s back-end.

Speaking of Herbie’s vocals, he’s a helluva good front man for this type of music. He has the raspy, gravely style down pat and reminds me a lot of new Accept singer Mark Tornillo. He has quite the powerful range and can hit all sorts of interesting notes when he so desires. He also has a bit of Bruce Dickinson’s flair and swagger hiding between his harsher approach (especially on “Standing Tall”) and it helps put the music over and make an impression. Marcus Siepen and Flo Laurin deliver the badass riffage required for this style and their solo work is pretty nifty (especially on “Broken Wings”). Nothing they do will make you fall out of a chair, but they manage to keep things moving for all ten songs and the album feels like it goes by quickly, which is a good thing.

A typical dose of Teutonic terror, but a very good one, Shadows blasts away with all barrels, stays very consistent and checks all the required boxes on Yea Olde Power Metal Checklist. These guys are one of my favorite bands of this ilk and between them, Accept and Herman Frank, I get all the Germanic rage I can handle at my advanced age. If you need more muscle in your power metal, these guys have the iron injection ready to go. Go heavy or go home." - Angry Metal Guy

There are no review yet. Be the first!

Product Review

You must login or register to post reviews.
Laser Pic

customers also bought

SEE ALL
  • "With a career spanning 25 years, German Heavy Metal / Hard Rockers AXXIS have come around with a sequel to their first full length, "Kingdom Of The Night". It's a real wonder why these metal veterans are as underrated as they are. The sequel is as Glam and driving as the genre gets, sure to draw in fans of EDGUY, GAMMA RAY and SCORPIONS.The title track is a solid opener, with synth and guitar-driven riffs reminiscent of modern EDGUY and lyrics that are the coy kind of cheesy that you can't help but enjoy. Listen on if you are enjoying the screamingly obvious domination of catchy and melodic hooks, since they dominate this track and the majority of the album. "The War" is a driving, mid-tempo groove with ingeniously creative riffs, again with the band's ever-present catchy chord and melodic progressions. Again, this is another track which may be respectfully compared to EDGUY, particularly their slightly more progressive "Age of the Joker". I thoroughly enjoyed that album, so I stress this to be taken as a compliment!"Soulfire" is a more upbeat track that blends slightly more aggressive riff construction, with liquid, melodic and easy-listening verses, and terrifically powerful choruses, where Bernhard's seemingly safe voice displays an impressive range. This track especially conveys the pop-infused infectiousness of 80's Glam with modern Power / Heavy Metal. "Bites Inside" display a somewhat heavier side to the band, whilst still keeping the immortalized sound of Euro Metal alive and shredding. What really drew me to the track were Bernhard's vocal similarities to Austrian vocalist Georg of SERENITY; both have a graceful, catchy voice with unique, melodic inflections that are capable of surprising displays of power.AXXIS is certainly a band to fit right in with the famous cadre of German Melodic Metal bands aforementioned, with whom they have been known to share various stages; tried and true, Euromelody-infused Heavy Metal." - Metal Temple
    $15.00
  • Mystery is the long running Canadian band led by guitarist/keyboardist Michel St.-Pere.  In its earlier incarnation the band had a heavily AOR sound but the band has been moving more and more into a straight on prog direction of the years.  Of course most people know the band because Yes plucked vocalist Benoit David from their ranks.  David has left Yes and rejoined Mystery.  St-Pere has added on Nick D'Virgillio on drums and Spaced Out basisst Antoine Fafard.  Now its hard not to hear the Yes influence but a touch of melodic AOR still filters through.  All in all probably the best thing I've heard from this band.
    $15.00
  • 2CD limited edition mediabook features a bonus CD with 1 extra track as well as 5 acoustic versions."Beer soaked and battered from the epic battle with the Terrorsquid, Captain Bowes and his merry band of Scottish pirates were able to proceed further northbound. The quest for gold and desire for plundering alcohol was too strong, especially in these days when the golden age of piracy was nearing its end. However, with enough energy as men in their mid-20's could muster, the buccaneers "scraped the barrel" yet again for new innovative ideas to add to the folkified brand of metallic pirate songwriting. With nothing to lose....the band fuels the most fun of the adventures to date.Following in the footsteps of men like Francois l'Olonnais, who ate a fucking heart, or Jean Lafitte, who told King George to suck it, or even Blackbeard's mentor, Benjamin Hornigold, who just didn't give a shit, Bowes, Evans, Murdock, Alcorn and Vernon relish in the spoils of others....stealing their rum, turning ships into cannon fodder, and calling out the Spanish and Japanese bastards that turned them into peg legs. Sailing the high seas like the days of yore isn't an easy task in the 21st century, so they get their fair share of weird looks, critical analysis citing stupid silliness and comparisons to Jack Sparrow. Pirates care not, they take and steal.This volume of adventures includes a new round of war, silliness, and mishaps. There's pompous and overbearing keyboards (that's not a bad thing when it comes to these lads), ridiculously engaging choruses, the occasional black metal screech (from Elliot Vernon) and bizarre speed changes that really harken back to the "golden age" of hardcore punk a la Attitude Adjustment, Ludichrist/Scatterbrain, Agnostic Front, and The Meatmen with that hallmark metallic edge. Songs like "Wooden Leg" and "Surf Squid Warfare" are nearly straight up punk, again another hallmark of Alestorm releases. As for production, it's Lasse Lammert, so expect perfection and he delivers.The single biggest "change" with this release is that the fun side is ratcheted up quite a bit more. I've never heard a collection of songs that are so perfect for the band's already stellar live shows. Oddly, the most fun comes in the form of the Taio Cruz cover "Hangover," the controversial hip hop song that sounds way more like a normal Alestorm song than a Top 40 megahit. It so suits the band's live image that it easily is my favorite song on the album, though I wouldn't be shocked if it was met with utter hatred. It compliments the first single "Drink" even more than the "ironic" before and after title effect. "Magnetic North" is the first song since Running Wild's "Jennings Revenge" that truly makes you feel like you are on the high seas.Alestorm clearly isn't for everyone. You either love them or hate them, mostly having to do with whether you decide to accept the "old pirate bullshit." I stand by my plea that metal needs bands like Alestorm, if only to immerse oneself in the cheesy silliness of life. If you've seen the band live, or Bowes' other equally silly fun power metal act Gloryhammer, you cannot help fist pumping or waving a drink. This album is even more fun than Tobias Sammet's new Edguy release. Drink up mateys...the Golden Age won't last forever!Highs: The most fun pirate album EVER.....Lows: ....if you like that sort of thing. Alestorm has it's haters, and they will be out in droves with this one.Bottom line: Alestorm scrapes the barrel yet again....and a new "sunrise on the Golden Age" is seen on the horizon." - Metal Underground 
    $16.00
  • "When people think of Melodic Power Metal from Finland, obviously two of the biggest acts that come to mind are STRATOVARIUS and SONATA ARCTICA. ASTRALION are another quintet pumping out that addictive, uplifting Euro Power Metal sound on their debut, self-titled album. Forming in 2011 and containing two ex-OLYMPOS MONS members in vocalist Ian Highhill and bassist Dr. K. Lundell, they also have two musicians from the Thrash band THE ADDICATION in their ranks with drummer Arnold Hackman and guitarist Hank Newman. Keyboardist Thomas Henry rounds out the lineup, so the experience in terms of players and musicianship makes this 11 song record much easier to ingest than the average ‘newer’ act attempting to breakthrough on this very active scene.The foundation of ASTRALION’s style cements itself in the early to mid-90’s Power Metal movement: chord structures that have a touch of that mead hall/ cultural thematic feel, as well as those larger than life choruses that BLIND GUARDIAN, GAMMA RAY, and HELLOWEEN made a staple of their sound. The keyboards certainly have that Finnish meets FREEDOM CALL happy tone – the opening strains of “At the Edge of the World” reminding me at times of “Hunting High and Low” from STRATOVARIUS. Of course you’ll get the prototypical speed numbers featuring guitar/keyboard synchronized arpeggio-like runs as the double bass cruises and the vocals hit ultimate bird call highs – “When Death Comes Knocking” and “Five Fallen Angels” textbook Power Metal 101 arrangements that should go down a storm.Beyond the mid-tempo ‘ode to what we love about the genre at hand number “We All Made Metal;” I also enjoyed the theatrical/ semi-Symphonic nature of the dramatic “Computerized Love” as well as the 13 minute epic closer “Last Man on Deck” that opens in ballad form before picking up the Neo-Classical pace and giving Hank and Thomas ample solo break / ‘can you top this’ moments. Ian may not tickle all the right notes vocally at times, but his passion and personality makes up for any small deficiencies. I come away every time singing the chorus to “Mysterious & Victorious”, and isn’t that half the battle in winning over consumers in this style?ASTRALION are off to a high quality start, so those who miss the 1990’s style of Power Metal would be wise to scoop this up." - Metal Temple
    $15.00
  • Third and best album from this Italian band that started out in a psych/proto-prog direction. Great example of "Rock Progressivo Italiano". Long suites filled with spacey keys and slashing guitar leads. The keys really make this album - 'tron, phat Moog sounds blast into the ether. Dynamic listening experience with quiet interludes and vocal harmonies interspersed with exciting outbursts of keyboard/guitar interplay. In that respect I'm reminded of Le Orme's Felona E Serona. I've seen this album get knocked on some prog forums and for the life of me I can't imagine why. To my mind this one is a classic and a must own. Highly recommended.
    $15.00
  • Axxis has been around since 1988 with "Time Machine" being their ninth album. This German band emphasizes melody and hooks with subtle touches of speed and crunch. Mixed by Dennis Ward it features very full production. This is the limited edition digibook and features and enhanced CD with a multimedia section.
    $9.00
  • Fronted by the fiery-tressed Charlotte Wessels, Delain is the brainchild of ex-Within Temptation keyboardist, Martijn Westerholt. Originally conceived by Westerholt as an all-star studio project, the success of the debut album Lucidity tipped his hand and Delain evolved into a full blown band. The immediate impact of their debut “Lucidity”, put Delain on tour. An instant live hit, the band’s popularity continued to grow with the release of their 2nd album “April Rain”. The band found themselves on tour through out Europe, USA, Mexico, and Brazil. Highlights of the tour included festival performances at Wacken Open Air, Sonisphere, Lowlands, ProgPower USA, and Hellfest. As the band’s popularity grew they evolved from a support act for Kamelot and Epica into full fledged headliners across Europe.“We Are The Others” is the band’s third album. It was produced by the team of Jacob Hellner (Rammstein, Apocalyptica), Fredrik Thomander and Anders Wikstrom (Scorpions, Backyard Babies). At first glance some song titles on “We Are The Others” may sound mysterious and conspiratorial, but there is a very serious background: The lyrics to the title-track were inspired by the hate-crime against a British girl named Sophie Lancaster in 2007. She and her boyfriend were beaten comatose by a gang of youths, because of their goth looks. Sophie died from her injuries. This tragedy sent shock waves throughout the world. Delain’s response to this tragic case is expressed through the song We Are The Others.The band met Fear Factory’s Burton C. Bell at Wacken Open Air. As a result he guests on the track “Where Is The Blood”. The Sensory special digipak edition features four bonus tracks. The steampunk influenced cover art was created by noted pop surrealist Glenn Arthur.
    $14.00
  • "After some high profile releases and particularly impressive ubiquity, the ex-DREAM THEATER / A7X drums God Mike Portnoy is back again with his new musical partner the magnificent Bass Maestro Billy Sheehan (NIACIN / TALAS / DAVID LEE ROTH / MR BIG / STEVE VAI / PSMS), under a power trio format, completed by none other than one of the most gifted Guitarist of his generation once Sharpnel Records alumni Richie Kotzen but this time no instrumental trickery, no instrumental knitting, because Kotzen beside his absolute skilled six strings wizardry is also indeed an hell of a fantastic soulful singer and a very underrated vocalist of the best brand. This is a  supergroup, a Dream Team hell yeah…but mostly a great band.With such a busy time schedule for both workaholics Portnoy & Sheehan, we could have feared a fast almost sloppy affair, luckily with this first album is exactly the opposite. Sheehan & Kotzen were working many years together with MR BIG and in fact the sound of THE WINERY DOGS isn’t that far from what Sheehan, Paul Gilbert , Pat Torpey and Eric Martin have magnificently achieved.The album start with groovy 70s infused blast of “Elevate” and followed by the heavy Funk flavor of “Desire” each track feature an intense rhythmic groove with short but impressive unison synchronized lead bass / lead guitar whirlwind licks of exuberant virtuosity, some unexpected harmonies that coming out of the Jazz-Rock / Rhythm N' Blues recipe book owned by Kotzen, but every song carries most of all a strong focus both on the catchy melodies and on the sing-along hooks which are everywhere boosted by rich Backing vocals (“The Other Side” or “The Dying”) really magnetic & irresistible. Those who are familiar with the prolific superb Kotzen’s discography knows that he’s an hugely skilled songwriter with a lot of style in his arsenal, so THE WINERY DOGS debut album is out of the same tradition as THE MOTHER HEAD'S FAMILLY REUNION, “Not Hopeless” contains however some over the top sharing duo between Richie & Billy, in the real MR BIG's shredding frenzy fashion, like a modern day GRAND FUNK RAILROAD with full injection of high tech dexterity.Cuts like “One More Time” or “Six Feet Deeper” seems to be outtakes from the breath taking 1990s “Fever Dream”, with furious playing and great musicality concentrated for an even more efficiency. The Japan only bonus track, “Criminal” is strangely one of the most commercial song with an almost AOR chorus, a syncopated bridge and another outstanding lead guitar solo spot in two parts with a tasty sound. The closing number “Regret” is the sole composition handled exclusively by Mr. Kotzen: it’s a soul music track with slight Hammond layers and a real harmonious balanced to finish this album in a positive way. The pristine production is powerful and crystal clear, still organic with a strong vintage feel but not muddy, in fact it sounds like how Classic Rock in its purest form should sound in 2013. Just unadulterated genuine Rock played by an exemplary bunch of extremely talented musicians and it’s an understatement.After an imposing huge list of albums and projects under his belt, Mike Portnoy with the help of another all-star lineup show to the incredulous crowd of jealous fellows, how his playing field is broad and how he can multiply in an almost monthly omnipresence the recording with the same prestige and the same success as FLYING COLORS / NEAL MORSE / PSMS / ADRENALINE MOB and the forthcoming BIGELF." - Metal Temple
    $14.00
  • "Even if I’d spend a decent amount of time, I don’t think I would be able to find an average album in BRAINSTORM’s discography. You can try it for yourself but I am sure you’ll realize that this German band has been releasing very good albums being extremely reliable to its fan base. I am sure some will object to my statement by saying that the albums are indeed good but not stellar. Then you’d reach to the dilemma of what a metalhead prefers his favorite band to release; a couple of really good albums or keep a constant quality level? On the other hand, over-thinking music takes a huge chunk of just-having-fun time, so I will leave all these questions to the hands/minds of the deep thinkers because “Firesoul” comes with ten great songs to sing and headbang along.“Erased By The Dark” opens the album and the trained ear should not have a single problem recognizing the (by now) trademark BRAINSTORM sound. Andy B. Franck’s powerful voice is once again delivering a hearty collection of vocal melodies that do not need a lot of time to get you humming or even singing along. The guitars have a US Power Metal quality that is hard to miss and impossible to fail, so please crank the volume up during the fat rhythm of the self-titled track and “Entering Solitude” (love the opening guitar groove here). “Shadowseeker” steps on the gas and throws in the mix some killer leads that guide the song to a climax during the solo before passing the baton to the album’s highlight, “Feed Me Lies”. This song could easily be a BRAINSTORM showcase for those who have missed this band completely bringing along; the dialogue-like mix of the lead-vocals, the collection of catchy melodies (I challenge you to resist singing along the chorus) and the awesome double guitar action that tops everything off. The band’s German ancestry comes to surface through the solid rhythm that can make you think of PRIMAL FEAR or SINNER; in other words, Power Metal in its finest and obviously I am not talking about the cheesy/cookie cutter one. I have no idea about the bonus material (I will hunt the vinyl edition anyway) but having the album in repeat-mode made me think that the mid-tempo and kind of dark “…And I Wonder” leads to the faster and heavier album’s opener in a natural way, so it will keep you listening.After listening more than it would be enough to write my thoughts/opinion about it, I realized that “Firesoul” is better than the last two albums and I think I enjoyed it as I did “Liquid Monster” that placed BRAINSTORM under my music-radar. This album is the perfect way to starting dealing with this band that I think has not received the deserved recognition (yet) and I will again refer you to its high-quality backcatalogue." - Metal Kaoz
    $15.00
  • As female fronted metal becomes more and more established it seems predictable that the bands in the genre would take a more accessible approach to their music. As it was with Lacuna Coil, Within Temptation, and Delain, so it has come to pass for Lyriel. This German band's fourth album finds them cranking the amps up a bit. There is still a folk element present in that violin and cello figure prominently again. Jessica Thierjung continues to be a real asset offering a warm, soulful and inviting voice. I'll stand by my past comparison to a heavier version of Kingfisher Sky.
    $15.00
  • Originally known as Spriguns Of Tolgus, the band led by the husband and wife team of Mike and Mandy Morton got signed to Decca and became simply known as Spriguns.  The band's stock in trade is traditional British folk very similar to Steeleye Span.  Violinist Tom Ling plugs in adding a bit of a rock feel.  
    $17.00
  • "Probably Bulldozer's most advanced release ever, Neurodeliri starts with a dramatic pipe organ intro that quickly evolves into the massive title track. Although this album still features many of the band's familiar traits, the result is considerably more focused, intense and memorable than IX. Despite some more serious touches, the music on the whole remains strangely uplifting and captivating. Highlights include the awesome title track and Art Of Deception, not to forget about Ilona Had Been Elected which appears to be another amusing song about the band's favorite Ilona Staller. These compositions are not without their rough edges, but eventually all the pieces fit together quite nicely and you can't help really liking some of this release. It seems that with Neurodeliri Bulldozer finally refined their style to the maximum effect." - Classicthrash.com
    $16.00
  • Salvaged from the vaults of RCA Italy is this legendary prog album from Morgan Fisher and Co. Anyone who is a fan of British progressive rock must own this keyboard intensive masterpiece. New remastered edition gets the Mark Powell/Esoteric love. Essential.
    $17.00