Sky Pilot

Sky Pilot

BY Black Sun Ensemble

(Customer Reviews)
$11.00
$ 6.60
SKU: CAM033CD
Category:
Psychedelic
Add to wishlist 

"A dangerous combination of mental illness, drug-fueled paranoia, and religious fervor precipitated the decline of Arizona's fabled Black Sun Ensemble and its leader, guitarist Jesus Acedo. BSE, so raw and powerful in its prime, was the stuff of psychedelic legend. Quixotic frontman Acedo could spit blasts of dragon-fire or conjure the exotic, iridescent mystique of peacock feathers with a single stroke. Alongside his Ensemble accomplices, the mercurial Acedo raged at the heavens or reveled in dream-like visions.
In a fit of holy delusion mania, Acedo destroyed his instruments and most copies of BSE's final recording, 1994's PSYCHO MASTER EL. These tapes, remastered and stripped of the original session's pained vocals, resurfaced in 1999 as SKY PILOT. Acedo thunders from his mount, a deranged preacher delivering a sweeping psychedelic sermon--declamatory metallic chords, gusts of feedback, seething quicksilver pick-work, and liquid modal ornamentation. The Ensemble churns behind him, a doomed chorus of guitarists, percussionists, and bassists wailing and flailing in their self-destructive throes. Apoplectic and apocalyptic fever-dream music of the highest order. SKY PILOT also rescues the sweet "Staying Power," Acedo's rare Sky Saxon-esque "pop" single, and previews the recently reincarnated BSE with a scintillating, 22-minute Southwestern reverie, "Sky Pilot Suite."" - Allmusic

There are no review yet. Be the first!

Product Review

You must login or register to post reviews.
Laser Pic

customers also bought

SEE ALL
  • Although their international success was only short-lived, Alquin was an eclectic band filled with inspiration.Over the course of six years, they made four critically acclaimed studio albums. Marks (1972) was a promising kick-off to Alquin’s recording career and showed a band searching for a definitive style.As several tapes from the original sessions were unearthed earlier this year, The Marks Sessions contains a fascinating one-hour journey through the making of the album, featuring demo-versions of I Wish I Could, Oriental Journey and Marc's Occasional Showers, among many others.In addition, this 2cd-set features a recording of the concert Alquin performed at the Circustheater in Scheveningen on July 2nd, 1972. This gig represents the band in their first line-up, just before the recording of Marks and already pointing musically of what was to come on its follow-up The Mountain Queen.The recordings have been exclusively remastered from the original master-tapes. In addition, The Marks Sessions contains an informative booklet with the complete Alquin story and rare memorabilia.Track listingCDP-1109  2CD ALQUIN – The Marks Sessions – Expanded EditionCHAPTER 1 – The Marks Sessions1. Oriental Journey 4:45 – demo 12. Oriental Journey 3:28 – demo 23. Soft Royce 9:12 – demo 14. Soft Royce 7:05 – demo 25. I Wish I Could 11:52 – demo 16. I Wish I Could 3:13 – demo 27. You Always Can Change 3:08 – demo 18. You Always Can Change 3:01 – demo 29. Marc's Occasional Showers 8:47 – demo 110. Marc's Occasional Showers 4:04 – demo 211. Catherine’s Wig 2:38 – demo 1Tracks 1 – 11 previously unreleased sessions 1972TOTAL PLAYING TIME: 61:28CHAPTER 2 – Live At The Circustheater1. Overture / The Least You Could Do Is Send Me Some Flowers 9:042. Hard Royce 2:443. Soft Royce 9:484. Marc’s Occasional Showers 9:175. I Wish I Could 10:026. Mr. Barnum Jr.’s Magnificent And Fabulous City 10:05Tracks 1 – 6 previously unreleased live concert 1972TOTAL PLAYING TIME: 51:02
    $20.00
  • Second album from this US psychedelic band features Dug Pinnick on bass and vocals.  If you like space rock/psych jams along the lines of Ozric Tentacles, Quantum Fantay, and Gong you need to these guys.  Wicked stuff.
    $15.00
  • Previously unreleased third album from this great British acid folk band. Alongside Comus, Jan Dukes De Grey are considered to be the Godfathers of the entire "freak folk" movement. This set languished in the vaults and is being released for the first time with an assortment of bonus tracks as well.
    $9.00
  • Remastered edition of the second solo album recorded in late 1973. Beautiful fusion album that allows Tolonen to show off his prodigious gifts on acoustic and electric guitar. There is some beautiful interplay between the two reed players and rhythm section. "Impressions Of India" is a stone cold killer. With flute playing in unison with the guitars you can smell the patchouli in the air. Great disc.
    $21.00
  • I have to plead ignorance.  Until recently I never heard of Innes Sibun.  Turns out the guy is a world famous British electric blues guitarist.  Back in 1993 he was a member of Robert Plant's touring band and has a signficant solo career.  Can't Slow Down was recorded with his quartet live at the Estro in Harderwijk, Netherlands on March 12, 2011.  This disc burns beginning to end.  If you are a fan of Rory Gallagher or Roy Buchanan and even guitarists along the lines of Hendrix and Trower you need to hear this guy.  Serious wah wah laced guitar driven excursions with backing of keys and a solid rhythm section.  A scorcher!!  Highly recommended.
    $14.00
  • Like Uriah Heep?  Deep Purple?  What about Black Bonzo?  Yeah???  Well we've got a band for you.  Tarot are a trio from Australia.  Using the pseudonyms of The Hermit, The Hierophant, and The Magician they whip up some awesome retro-hard rock/proto prog that will make you think you are listening to some recently unearthed archival album from 1972.  Heavy swirls of Hammond organ and analogue synths abound underpinning the old school guitar solos.  Is that a real 'tron?  No clue but it sounds close enough for me!!This CD is actually a compilation that pools together the bands previous cassette releases and adds on 2 new tracks.The spirit of Jon Lord wafts through the aether as you listen to this one.  Its got the vibe through out.  If they would have just added some flute I think they would have sent me over the edge but as is its a non-stop killer that pushes all the right buttons.  BUY OR DIE!"Here's a very intriguing release brought to us by Australian label Heavy Chains Records, the latest from psych/prog/hard rock act Tarot (not to be confused with the veteran Finnish metal band of the same name). The Warrior's Spell contains songs from various 2014 cassette & compilation releases and brings them all together on one CD. Tarot are comprised of The Hermit (guitar, organ, synths, vocals), The Hierophant (bass), and The Magician (drums)...not household names by any means, but their music is just as mysterious as their stage names. "The Watcher's Dream" and "Twilight Fortress" offer swirling, '70s styled prog rock keyboards, effects laden vocals, and heavy rock guitars, and the nightmarish "The Wasp" gives the listener a heavy dose of occult rock mixed with some serious Deep Purple & Uriah Heep influences. You'll hear some vintage Wishbone Ash on the soaring "Eyes in the Sky" as well as the title track, two majestic rockers with plenty of searing lead guitar, Hammond organ, acoustic guitar, and emotional vocals. Other highlights include the heavy "Street Lamps Calling", complete with irresistible harmony guitar work, the gritty blues/prog rocker "Mystic Cavern" (which could have been a leftover from Deep Purple's Machine Head), the evil sounding "Dying Daze", the lumbering psych/doom that is "Life and Death", and the dark yet groove laden "Vagrant Hunter".To be honest, there's not a weak track to be found here on The Warrior's Spell, an album full of surprises and more than a healthy nod to classic sounds of the '70s. Though a name change would probably be recommended to differentiate themselves from Finland's Tarot, either way this is a serious band with some serious talent, and this new release is going to get some major time in my CD player for the foreseeable future. Highly recommended, and a band to keep your eye on." - Sea Of Tranquility 
    $10.00
  • "Henry Fool's Men Singing is an ambitious four track instrumental album featuring members of No-Man, I Monster and Roxy Music. Equal parts dynamic drums, spiky guitars and atmospheric washes of fluttering flutes and vintage keyboards, the album was produced and arranged by Stephen Bennett (keyboards) and Tim Bowness (guitar), and mixed by Jarrod Gosling (I Monster/Regal Worm), who also contributes Mellotron, glockenspiel and artwork. Appearing on two of the four tracks, Phil Manzanera's legendary guitar skills can be heard in the context of long-form instrumental music for the first time since his celebrated stint in 1970s mavericks Quiet Sun. Other contributions come from Peter Chilvers (bass), Michael Bearpark (guitar), Andrew Booker (drums), Myke Clifford (sax/flute) and violinist Steve Bingham. A vibrant and instinctive contemporary take on Progressive, Psychedelic and Jazz Rock styles, Men Singing is available as a limited edition cd in vinyl replica artwork. Mastered by Pink Floyd sound engineer, Andy Jackson."
    $15.00
  • In the late 80s/early 90s the British space rock/psychedelic scene exploded with so called "festival bands".  Many of these bands recorded one album and disappeared (anyone remember the great Cherokee Mist or Tubilah Dogg?).  Delerium Records signed many of these bands and zines like Ptolemaic Terrascope and Crohinga Well helped cultivate and nature the bands.  One of the bands signed to Delerium was a band called Omnia Opera.  Blim is actually an offshoot of Omnia Opera, with drummer Neil Spragg being the common thread.Blim recorded two professionally done albums that were only released on cassette.  This was still a popular medium and I imagine much easier for the bands to bring along with them to gigs and send through the mail.  Like many of the bands at the time Blim shared a musical affinity with Ozric Tentacles.  In other words the music had roots in the psychedelia of Gong and the space rock of Hawkwind.  In the case of Blim there were slight jazz undertones thrown into the mix.  You will hear similarities to Ozric Tentacles but you wouldn't think of them copying them.  Zero finds the band as a six piece and No Frills has a paired down lineup (now as a quartet). Blim deserved a better fate than what they got.  These guys could really play and their music was as good as any of the bands that got a deal.  If anything there music had a bit more complexity than most of their counterparts and that made their music all the more interesting.This 2CD set includes both cassette releases and each album has bonus tracks.  Over all its 150 minutes of prime space rock.  Highly recommended.
    $20.00
  • "In October of 2012, Motorpsycho entered Brygga Studio in Trondheim for the first time in many, many moons -- this being the studio where they recorded a few of their first albums some 20 years ago -- the vibes were good, and the music happened like it was supposed to. As this was the first time in quite a while that the band recorded stand-alone songs -- as opposed to pieces connected by a concept or a narrative -- it felt quite odd working in this way again, but it was also a refreshing approach that highlighted other aspects of their work that perhaps had been ignored over the last few years. In the end, it still very much felt like Motorpsycho music, albeit with a twist: for three days of the two-week session, the core trio was augmented by guitarist Reine Fiske. Best-known for his work in Swedish psych-combos Dungen and The Amazing, Reine is an old acquaintance of the band, and his recent exploits with Ståle Storløkken's Elephant9 made the pairing seem like a potentially interesting one for Motorpsycho as well. It's always good to have a wild card and someone from the outside to mirror your work, and the fruits of Reine's involvement, as presented on this album, speak for themselves: his finger-picking dexterity on the acoustic guitar provides both "Barleycorn" and the old Love chestnut "August" with a solid organic bed for the musical escapades of the other three, and on "The Afterglow," his tasteful guitar shadings and mellotron work adds immensely to the mood of the song. But it's on "Ratcatcher" that his talents shine the best: he slips right in there, and proceeds to glue Snah's lead guitar and Bent's "lead bass" together in a different way than heard before, adding light and shade and splashes of color to the musical repartee, but never getting in the way or hogging center stage in an unwelcome fashion. It's the work of a musician with huge ears and an uncanny musical insight."
    $18.00
  • Melodic prog from this songwriter/guitarist associated with the neoprog scene. On his three solo albums he's been able to align himself with a "who's who" list of prog musicians and this third disc is no exception. Making appearances are Pete Trewavas (Marillion / Transatlantic / Kino), Nick D'virgilio (Spocks Beard / Genesis), Gavin Harrison (Renaissance / Porcupine Tree / King Crimson), Tony Levin (King Crimson / Peter Gabriel / Liquid Tension Experiment), John Giblin (Peter Gabriel / Brand X / Fish / Jon Anderson / Alan Parsons), John Beck (It Bites), John Mitchell (It Bites), Gary Chandler (Jadis). Comes with a 28 page booklet - get your reading glasses on.
    $15.00
  • After their last performance at Nearfest Apocalypse, Anglagard's lineup went through a bit of an upheaval.  Luckily it didn't materially affect the band's sound.  Anglagard is still Anglagard.  Prog Pa Svenska is a 2CD set that documents the band's three day residence at Club Citta in Tokyo, Japan back in March 2013.  Material is drawn from all three studio albums.  The recording is beautiful and the performances are stellar.  What else do you need to know?  How about this review:"May 14th of this year will see the release of a new Änglagård live album: Prog på Svenska—Live in Japan. Some of you may have been lucky enough to have been following Änglagård from the very beginning, but if you’re anything like me, you came into the game when Änglagård’s small catalog of music was either out of print or near impossible to find without spending a fortune; that is, with the exception of one little disc which somehow was available when snagging a copy of albums like Epilogue seemed to be a Herculean feat. That album was Buried Alive, the live recording of Änglagård’s last show prior to their 1994 breakup. While the liner-notes of Buried Alive reveal a band that was not 100% satisfied, 20 years later with the release of Prog på Svenska—Live in Japan, Änglagård is back and going strong with a new live recording that is rich in dynamic and deep in maturity, a performance that I am confident that they are proud to immortalize for their fans.Prog på Svenska represents the first of three consecutive nights that the masters of dark Swedish prog delivered at Club Città in Japan alongside The Crimson ProjeKCt (featuring the legendary Adrian Belew and Tony Levin). For me personally this is a special album that transports me back to when I witnessed their unbelievable performance only three weeks later at Baja Prog. Among a plethora of canonized acts at the festival (such as Hackett, New Trolls, and Three Friends), Änglagård’s remarkable performance showed that they stand in no one’s shadow. While there’s nothing like being there in person, Prog på Svenska is about as good a live recording and performance as I’ve ever heard on disc. I certainly am jealous of the Japanese fans who got to see them three nights in a row last year.The live-set on this album shows a balanced representation of the old and the new, featuring two tracks from each studio release along with an unreleased intro track which I assume (and hope) will be on Änglagård’s next studio production. So that the anticipation doesn’t kill anyone, I’ll start right off with the new song: ”Introvertus Fugu Part 1.” Perhaps the first thing to know about this track is that it’s our first look into the composition of the new band featuring Linus Kåse and Erik Hammarström alongside Anna, Johan, and Tord. I can happily say that “Introvertus” shows a band that knows how to move forward without abandoning the distinctive identity that they are known for, a fact that strongly hints at a powerful album to come in the future. The opening moments of the song show the band increasingly incorporating elements of modern classical and atonal music through the delicately dark chord changes on the piano before constructing a wave of tension with ambient bass noise, a distinctive guitar motif,  and a descending melody on flute playing against tuned percussion. As the ambient textures continue to swell, a big percussive crash shockingly interjects, setting the stage for an ominous swelling of Mellotron chords, resulting in an eerily delightful sound. The intensity continues to build with a drum roll on snare and cymbals that transition the piece into an aggressive angular instrumental attack featuring howling Minimoog modulation; enter a fiercely dark melody which is doubled or harmonized on most instruments before the band takes the listener into their signature dose of woodsy folkiness. Johan and Linus continue pounding in the rhythm section before the eerie central motif returns to bring “Introvertus” towards its close with the full force of Anna and Linus’ dueling woodwinds, one hanging on the melody while the other produces chaotic squeals before withering off the melody in a very unsettling (but cool) way.After kicking it off with an exciting intro the band takes us back 20 years with “Hostsejd.” The rich dynamics, especially the meticulously controlled Mellotron swells, really shine on this one while some small differences in instrumentation (such as the sax on the first main melody instead of flute) really keep the piece fresh and exciting. Although I was craving the intro on the follow up track, “Längtans Klocka,” the supreme level of interplay between all instruments that starts off the piece is fantastic. Furthermore, the guitar/Mellotron duet at about 6:30 that leads into a memorable theme is quite the highlight. Finally, the circus-y melody towards the end of the song somehow becomes even more diabolic in this slightly stripped down version as Tord’s demented waltzy riff serves as a perfect backdrop for the drunken saxes. Speaking of Tord, it certainly is nice to see him back in the band, and I must add that his guitar playing and sense of emotion is perfect for the band and has improved over the years. This is perhaps most clearly demonstrated on “Jordrök,” a quintessential song in Änglagård’s catalog. The reality of the matter is that despite the fact that the band was quite mature at the time of Hybris‘ release, their capacity to bring out all the nuances in pieces like this shows that they are musicians who have truly refined their craft over the years. “Jordrök” sounds more alive than ever; the Mellotron flute section in the middle, one of the band’s absolute trademark melodies, is to die for, and Linus’ superb use of phrasing and pacing in the piano intro certainly takes this classic piece up several notches.Moving deeper into the performance we see “Sorgmantel,” one of my personal favorites from Viljans Öga. The first thing I noticed about this particular performance is that the intro sounds much more raw due to differences in instrumentation, this version starting out with a guitar and bass call and response. While I absolutely adore the studio version, this new arrangement and performance was also wonderful and brought its own set of advantages to the table. First, the bass/guitar duet at the beginning really exposes the melody and shows you that its not just about fancy instrumentation, it’s a gorgeous melody through and through. Second, the band is not concerned in the least bit with rushing through the performance of this piece; the pacing is delicate, precise, and emotional with plenty of space for ritard and sway as the intro melody gets passed around from guitar to bass and flute and is then countered by the piano, making the fugue-nature of this piece even more evident. The playing is incredibly tight but busting with dynamic throughout as “Sorgmantel” takes its many twists and turns before working its way to a quiet ending; graceful… even breathtaking.To wrap up the night, Änglagård once again goes back to the early 90′s, this time with “Kung Bore” and “Sista Somrar.” Although the former leans more on the folky side of the band, as does much of their first album, the highlight of the piece actually ended up being the mysterious and ambient middle section where the band shows that they have mastered perhaps one of the most difficult aspects of music: playing quietly with vibrant emotion. Between the light swells of guitar, weird effects on bass, a steady organ pattern in the upper register, and a lightly beating drum, this section goes beyond merely doing justice to the original. Finally, the depth and emotion of “Sista Somrar’s” slow, dark intro is, quite frankly, deadly, and goes miles deeper than the original studio recording (which was in and of itself very impressive) as an ominous sax melody flanked by stormy percussion and effects guides us to the unleashing of an uncanny tron female solo voice that will haunt your nightmares for weeks to come.In my opinion, Prog på Svenska—Live in Japan is an essential live album that you don’t want to miss out on. Quite honestly, I am a person who rarely enjoys live albums because oftentimes the performances and production are either significantly worse than the studio recording, or the live version ends up being stripped down to the point where there’s just something missing, or the band simply doesn’t offer an experience which is significant enough to enjoy the live version deeply; in most cases you sort of ‘had to have been there’ to get what’s so great about it. Such is not the case with Änglagård’s latest live documentation. From the performances to the production and the differences in detail from the originals, Prog på Svenska is a stellar capturing of live art through and through. And of course, I might add that if you ever get the chance to see Änglagård perform, take the opportunity; if your significant other isn’t a prog fan, take them anyways. Änglagård’s extreme level of delicacy in phrasing and dynamic is a tough match to beat in progressive music and should hold up even in the face of the snootiest of music connoisseurs." - Progulator
    $18.00
  • Special edition CD/DVD set arrives in a digipak. The bonus DVD contains Steven Wilson's mixes: DTS 5.1, Dolby AC3 5.1 and 24/48 Stereo LPCM tracks (no idea why it's not 24/96). You also get a lot of documentary footage as well.This should probably suck but it actually doesn't. Because of a rift between Ian Anderson and Martin Barre this is being put into the market as "Jethro Tull's Ian Anderson". As you by now surmise this is a musical sequel to the original album. Again its a concept album updating us on the life of the main character Gerald Bostock. In live performance, Anderson's voice is shot. Within the context of the studio recording he plays it smart and never takes his voice where it doesn't want to go. Lots of Hammond organ and flute gives it the authentic 70s Tull flavor. Admittedly my expectations were pretty low but I have to say that this is far better than it has any right to be.
    $24.00
  • Yet another brilliant work from this Norwegian prog band.  The Greatest Show On Earth is the band's third effort.  While the first album Identity delved into alternative/prog realms bearing similarity to Radiohead, their second album All Rights Removed was full on Pink Floyd worship.  This latest effort carries on in similar fashion.  There are parts of the album that were written with tracing paper.  It evokes the mood and feel of Dark Side Of The Moon, Wish You Were Here, and maybe even a bit of The Wall.  This isn't to say the band doesn't inject any personality of their own - they do.  There are contemporary elements, its just that when they go into full on Pink Floyd mode its so apparent and so well executed that it blinds you to everything else that is going on.  What Bi Kyon Ran is to King Crimson or The Watch is to Genesis, Airbag is to Pink Floyd.  Original?  Truth be told not really.  It doesn't matter, its so well executed that you will just immerse yourself in the listening experience.  Highly recommended.
    $15.00
  • Darker is the long awaited second album from Swiss progressive rock band Dawn. It has been 6 years since the quartet rocked the prog world with their expert take on old school symphonic rock.Dawn formed in Montreux, Switzerland in 1996.  Since then the band has performed at the famed Montreux Jazz Festival, as well as at Swiss prog rock festivals Progsol, and Montreux Prog Nights.  The band has also opened for Kansas and Fish.  After a series of line up changes the band began to focus on their sophomore release in 2010 and perform them in concert.Dawn’s music is riddled with vintage keyboard sounds and flowing guitar solos.  Plaintive vocals ascribe a kinship to the British Canterbury prog family tree.  The album is conceived as a series of compositions dealing with Man in the 21st century: his fears, his conception of life, his reaction to technology, nuclear power, and the planet’s suffocation.  Darker was recorded in 2013 by Olivier Charmillot and mastered by noted audiophile engineer Bob Katz.
    $14.00