Slow Motion

SKU: ECLEC2062
Label:
Esoteric
Category:
Progressive Rock
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"Originally released in 1974, Slow Motion was another classic album in the catalogue of Welsh rock legends, Man. Touring extensively to support the record, Man delivered a stunning series of concerts and made a triumphant return to the USA early the following year. As part of Esoteric s reissue programme of the MAN catalogue we are proud to present the re-mastered album and with a selection of studio out-takes and four previously unreleased live tracks recorded in California in May 1975. With superbly re-mastered sound and lavish booklet with notes by Man s Deke Leonard, this is yet another essential release for fans of Man."

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  • Newly remixed by Steven Wilson. Lots of stuff here. The CD features the original stereo mix plus three bonus tracks - trio versions of "Red" and "Fallen Angel" plus the full version of "Providence". The real action takes place on the 5.1 DVD remix. In addition to the album completely remixed into 5.1 you get bonus video taken from that legendary French television performance from 1974. That in itself is worth the price of the set. As far as the DVD goes there are lots of options in terms of audio playback. If you are one of the 3 people on the planet with a DVD-Audio player you can play this back in 24/48 5.1 or 24/96 stereo. Any DVD player can play back the 24/48 DTS 5.1 surround mix but there is also a 24/48 LPCM stereo mix as well.
    $19.00
  • "Frontiers Records won't be wasting any time in early 2013, as the label has a host of upcoming releases sure to thrill lovers of melodic hard rock & heavy metal. The latest from Norwegian vocalist Jorn Lande and his band is called Symphonic, a collection of songs from throughout his career with added classical orchestrations. In some instances the songs were completely remixed to add even more room for the orchestrations, but what's cool about this collection is that none of the songs lose their bite, but have become even more majestic with the added elements.Now, for all you Jorn fans out there, no doubt you already own or have heard these songs before, so I'm not sure how much of an 'autobuy' Symphonic will be, but as someone who also fall into that category, this is most certainly a fun and intriguing listen. The orchestral arrangements were conducted by Lasse Jensen, and in some songs they play a large role, and on others simply complementary. Some of the heavier rockers, like "I Came to Rock", "Like Stone in Water", "Burn Your Flame", and "Man of the Dark" sound even more powerful and grandiose with the added symphonics. Basically, these are all great songs, but for those that like the sounds of acts like Kamelot or Nightwish, there will be even more appeal to these tunes now. The Masterplan classic "Time to Be King" (which Lande has now adopted as his own seeing as he is no longer part of that outfit once again) is given roaring new life here, and the cover of Dio's "Rock and Roll Children" is simply marvelous with the extra orchestral arrangements. Throw in a few lush ballady type pieces in "Black Morning", "The World I See", and "Behind the Clown" (which are tailor made for this project), complete with soaring arrangements and Lande's emotional delivery, and you have a very enjoyable reworking of some standout Jorn material. And, wait till you hear the Black Sabbath gem "Mob Rules" with the added orchestra...wow.In summary, Symphonic might not be essential to most, but for loyal Jorn fans it should prove to be a lot of fun." - Sea Of Tranquility
    $15.00
  • "By the start of 1970, young Peruvian musician Gerardo Manuel Rojas already had an impressive body of work with various rock bands: The Doltons (in Ica), Los Doltons (in Lima), Los Shain's and The (St. Thomas) Pepper Smelter; he had recorded to that point five LP's and many 45 rpm records. He was 24 years old. And Gerardo's work would continue with the implementation of a recording studio at the El Virrey label office. The label had hired German engineer Gerhard Nieckau for the installation of a new Neumann 4-channel recording console; they also asked Gerardo to act as Nieckau's partner, and asked him to get musicians to perform the first test runs of the recording set up. The musicians came to the studio to record and rehearse during the hours that the studio was not in use, from ten at night until sunrise. What resulted was a kind of "ghost" band that recorded throughout the night. For this project, Gerardo joined with guitarist "Pico" Ego Aguirre, bassist Jorge "Coco" Pomar (both from Los Shain's) and drummer Freddy "Pure" Sources of the group La Nueva Cosecha (The New Crop). After a month of testing the new studio, (they had already recorded more than 200 hours there), El Virrey suggested that they release an album with some tracks from those sessions. That album, "Apocallypsis," was the first hard rock album recorded in Peru; it was released on vinyl in August 1970. The album includes five original songs, plus versions of tracks by Grand Funk, Liquid Smoke, Jimi Hendrix, and Question Mark and the Mysterians. Before the LP came out, El Virrey released two 45rpm singles that are included on the CD as bonus tracks. This special edition of a South American classic also includes a booklet with some terrific photos and memorabilia + liner notes and lyrics."
    $15.00
  • Embossed limited edition box set comes with:Special Edition of the album1x vinyl size picture book, 60-pages1x t-shirt1x two-sided poster1x photo collage poster1x download code for "Into The Sun", "Deliverance (Instrumental)" & "Medusa (Tarja Solo Version)""Imagine this - you're thrust into the metal world and, as a classical singer, it's pretty alien. But you do your job, sing your songs and the money comes in. And your name gets bigger. And the band become enormous and before you know it - you're literally singing for your supper. Your ultimate passion becomes your job. But is the world of metal really a place for a classical singer? Many thought that, once ousted by Nightwish, Tarja Turunen would soon return to her classical roots. Not quite. She began producing symphonic tinged material that, dare we say it, took the same path as the band that brought her success.The cynics are always going to be around, and I admit, I had the tendency to be one of them - Tarja is clearly only sticking with the guitars because it pays the bills, right? If it was up to her, she'd be singing 'Ave Maria' until the cows came home, right? Some of you stubborn lot will never shift from that point of view, no matter how many metal albums she releases, but it has become clearer than ever whilst listening to 'Colours In The Dark', that Tarja has found the beauty of orchestral metal just as captivating as Nightwish fans and her conviction is growing ever more powerful - if you don't believe it, check out the Romanticide-styled outro of 'Never Enough'. There's plenty more headbangs left in those raven locks - know that!'Victim Of Ritual' highlights the way Tarja commands a song vocally and suits it's position as opening track. The rolling 'R' in the title refrain and the silence she will inevitably conjure during live renditions of the accapella bridge stand to prove why she is such a beloved vocalist. Musically, the track deals in 'Phantom Agony'-era Epica, orchestra-lite and guitar heavy. It also has the most addictive refrains on the album, so it's position as single is proven correct. Likewise 'Never Enough' is instantly enjoyable - the chorus still sounds as vibrant and exciting as when it premiered. The real standout, surprisingly, is the Peter Gabriel cover though. 'Darkness' is not half as pop-ready as her take on 'Poison' and much more Tarja-friendly than 'Still Of The Night' - it shows just how successfully she can transform a cover and make it into her own. The thick strings and swooping instrumental wrap around her versatile vocals as Tarja switches between sinister and emotional at the drop of a hat.It can be a little taboo to mention the language problems, but the purity in which Tarja approaches her English lyrics is both a positive and a negative. Whilst there are the odd cringe-worthy blips throughout ('A conquest of fear, lonesomeness and dislike'), there is a richness to the lyrics of songs like '500 Letters' that simply tell a story, without killing it with too many pretence-laden metaphors. Tarja's infamous pronunciation also serves in her favour on the record - as minor as it may seem, her slightly peculiar delivery brings an unfamiliar flavour to the songs and possesses the ability to coat any banal lyrics with seductive and intriguing overtones just with a twist of a syllable.The record does have plenty of moments to excite you, as I mentioned, but it's not an entirely smooth ride. Too often, the songs feel a little lengthier than they should. I noted in my review of 'Never Enough' that the closing guitar riff went on for too long and a lot of the songs have a similiar fate. None of the tracks are skippable and every single one has it's merits, but it feels as if their strengths may be washed aside by a niggling thought in the back of your head, pondering whether you can bother to venture into a seven minute song for three minutes of beauty. 'Lucid Dreamer' is one such track that would have benefited from a little chopping. 'Mystique Voyage', too, could have seen a shorter track length further highlight the triumphant classical influence on the chorus.Though I exaggerate her operatic past, Tarja has spent most of her vocalist talent and career amongst metal music and it has really shown. What is both frustrating and rewarding, though, is that she is learning as much as the fans are. The music she has produced so far has been on a huge upward curve. The saccharine tendencies of 'My Winter Storm' pale in comparison to 'What Lies Beneath' and it's fantastic manipulation of orchestra, ambiance and metal. 'Colours In The Dark' comes as the next step up - slightly better than it's predecessor but, and this is where the frustration might set in, not quite as brilliant as you predict the next release will be. Editing the tracks a little more and emphasizing the true moments of beauty that linger within the songs is the next mission for team Tarja to take on.Watching an artist grow into the music that gave her the career she has  is not something you see everyday and Tarja is truly and deeply passionate, something many musicians don't retain after many years of the same old record-and-touring routine. She has eager ears and versatile lungs that want to explore. They want to learn and they want to become better. Listen to that aforementioned discography and you'll see how much Tarja has grown and become a force to be reckoned with in metal. 'Colours In The Dark' is nowhere near perfect but it's another chapter in the increasingly refined career of a woman that is, quite rightly, sticking her middle finger up at those who have written her off much too soon." - The Sonic Reverie
    $45.00
  • Limited edition digipak of the live performance of She also contains 2 CDs with the audio soundtrack (not the studio version). These actually do go out of print eventually and become collectable.
    $32.00
  • Guitarist Steve Thorne has once again assembled an incredible cast of musicians. Appearing are Tony Levin, Nick D'Vigilio, Pete Trewavas, Geoff Downes, John Mitchell, Dave Meros, and Gavin Harrison.
    $16.00
  • Here's a band that has the potential to blow up big.  Purson is the latest signing to Rise Above Records. Lee Dorrian has a real affinity for sniffing out bands that fit the retro-British sound.  Purson is led by vocalist/guitarist Rosie Cunningham.  This quintet is obsessed with a pure early 70s sound.  Think of a mash up of Black Sabbath, Trees, Julian's Treatment and King Crimson.  Keys are dominated by organ and Mellotron with dual guitar leads.  Pastoral folky passages marry doom laden riffs all whipped together with a Abominable Doctor Phibes feel.  If Hammer ran a recording studio in 1972 it would sound something like this.  Highly recommended."Straight out the gate, UK doom rock newcomers Purson’s debut album achieves something awfully impressive: its own sound. ‘The Circle and the Blur Door" dabbles in the same oh-so-au courant 1970s hard rock circles as Ghost and Uncle Acid and the Deadbeats, but the similarities end there, as the band takes an unexpected turn towards 60s pop, loopy prog, and vintage horror. A jaunty, carnivalesque organ guides “Well Spoiled Machine”, as Rosie Cunningham’s throaty, knowing voice glides through a thicket of fuzzy riffs, fiery leads, and jumpy drum fills. It’s an eerie, toothsome morsel, and one of a strange album’s strangest moments. Overall, the band’s whimsical, folk-influenced approach is very English (think dark country roads and haunted manors), and not a without a slight undercurrent of menace." - Pitchfork 
    $13.00
  • Second album from the Swedish quartet of Nicklas Barker (Anekdoten), Mathias Danielsson (Makajodama), Ronny Eriksson, and Tomas Eriksson. Like their first album, I Wash My Soul In The Stream Of Infinity is pure psychedelic bliss. The songs have their roots in jam sessions. Overall there is a very German underground/krautrock feel. These long jams vary in tempo - from the buzz saw opener "Fire! Fire!" on through the blissed out Yatha Sidhra-like acoustic "Pagan Moonbeam". Lethal guitar leads augmented by dollops of Mellotron and organ are the order of the day. All served up with phat analogue sound. If its possible to get high from a round aluminum disc this is the one that will do it for you. Highly recommended to those you seek to explore the innermost nooks and crannies of their brain.
    $15.00
  • Japan only release of the new live album from Anekdoten. Concentrating on material from "From Within" and "Gravity" it also features two unreleased tracks. This is pure fire. Highly recommended.
    $18.00
  • CD/DVD in a digibook.  The DVD is the complete show and the CD maxxes out due to the time limitations."In May 2012 Anathema released Weather Systems, the most acclaimed and successful album of a career that has spanned over two decades. The album scored high in numerous critics end of year polls around the world and cemented their reputation as one of the most exciting and progressive bands around. Following the release of the album, the band embarked on a lengthy world tour. The European leg of the tour opened with a triumphant one-off show at the ancient Roman theatre of Philippopolis with the Plovdiv Philharmonic Orchestra in September 2012. Directed by celebrated filmmaker Lasse Hoile, Universal captures the magic of the event ."
    $17.00
  • Formed at the beginning of the nineties, Wuthering Heights emerged from the Danish metal scene and began to draw attention of the rest of the world. Their brilliant epics of symphonic speed/power metal with progressive and folk roots became the trademark of their entire discography. Their previous albums were very well-received by fans and media worldwide and solidified Wuthering Heights' status as one of the most interesting bands to emerge on the international heavy metal scene. At last, after 3 years of silence, the time has come for the 5th album, ‘Salt’, to be released. Featuring the same line-up as seen on their last album ‘The Shadow Cabinet’, guitarist/songwriter Erik Ravn and the boys have created another epic album which is undoubtedly their strongest to date. While writing its lyrics, Erik discovered that the imagery of the sea was a perfect setting for his dark tales of personal and global Armageddon. Consequently the music has traded some of its Celtic delicacy for the rawness of the sailor’s tunes. Never before has the end of the world sounded so uplifting!
    $8.00
  • "After CYNTHESIS and its amazing second recording, the pertinently titled album, “ReEvolution”, the ultra talented Californian geminis Brothers, Troy & Jasun Tipton (ex ZERO HOUR), are back with another chapter in their instrumental project discography…ABNORMAL THOUGHT PATTERNS and once again the expansion of their genuine style and the maturated development is terrific, the release date is set for late June…The band broad universe is so extended that the term "limitless" seems underrated and non-representative of their extraordinary and unstoppable musical dominion!The young Guitar God Jasun Tipton, owner of a great fat tone, perform in his finest way as you would have expected, fluid, majestic and without effort (“Blindsight”), quite easy to understand why this man is worshiped by Guitar enthusiasts everywhere, but more than ever, it seems that his brother the Bass maestro Troy Tipton takes a even bigger role, while playing his typical two hand tapping licks, also some more ambitious melodic lines and sharing some hallucinating unison amazing arpeggios between Bass & Guitar (“Distortions Of Perception”)!This instrumental trio is apparently becoming a quartet with the recruit guitarist Richard Shardman, still featuring the former ex ZERO HOUR's drums expert Mike Guy (ex DEATH MACHINE), is providing everything, from stripped down ambiance to a flurry Shredding parts (“Delusions”), in a complementary unreal association, a syncronization similar to something that is identical to the special and unique twin brothers spirit/relationship (“Subliminal Perception”).The Bass guitar realm of low frequencies is honored with the superb track “Synesthesia” (An awareness of synesthetic perceptions that varies from person to another with confusion of colors/numbers and shapes, born from a neurological phenomenon that leads involuntary experiences in a second sensory or cognitive pathway to a disinhibited feedback triggered by specific sounds) where Troy is duelling with two other Bass monsters, namely the legendary Fretless player Michael Manring and the criminally undervalued John Onder (remember the great Shrapnel’s releases like “Infra Blue” by Joey Tafffola (???)/”Extreme Measures” by Vitalij Kuprij or 2000’s “Machine” by ARTENSION and even MSG’s “Adventures Of The Imagination”) another patented mix of elusive etheral soft moments that develops before entering again in a frenzy of note under a Neo-Classical style, built in total opposition with the hypnotic middle break in a new age approach!To prove their absolute artistic freedom ABNORMAL THOUGHT PATTERNS dare to break the all instrumental rules by adding some harsh lead vocals performed by the BETWEEN THE BURIED AND ME singer Mike Rodgers, in the detuned “Nocturnal Haven”…But at the slot N°6 they offer us another superb rendition of the same theme, but this time in a fully instrumental version with some additional solo spots by Canadian citizen Tim Roth from INTO ETERNITY, however both tracks contains some lava sweeping avalanche by seven strings rising star Jeff Loomis (ARCH ENEMY/ex SANCTURAY/ex NEVERMORE)!While their latest CD “Manipulation Under Anesthesia” was more extreme and ferocious than hell, pushing the intricacy at the maximum with some almost bio-mechanism rhythmic method and improving in the ultra-hi-tech reaches onto stellar and virgin territories: “Altered States Of Consciousness” is a concept album centered around neurobiologic sensations, in coherence it's a more enriched atmospheric disc, more spacey, groovy, layered with organic textures and full of emotional sequence, with still plenty of sudden bursting of agressive triplets-staccatto-trick, but clearly more accessible and not restricted to please a bunch of Guitar-Fretboard geeks, obviously the talent and the technical ability of the virtuoso musicians involved here, is still head and shoulders up above the level of the average new generation of Prog Metallers…The abnormal musical thoughts are welcome!" - Metal Temple
    $15.00
  • Overlooked gem from the Decca catalog seeing its first time release on CD courtesy of Esoteric Recordings Originally released in 1971, Stud was a trio consisting of former Blossom Toes guitarist Jim Cregan and Taste rhythm section of Richard McCracken and John Wilson. They are augmented by Family violinist John Weider. The music kicks off with a blues Taste-like "Sail On". When the band hits "1112235" they veer off into jazz rock laced jams. With "Harpo's Head" things really start to blister. Apparently after this release the band kicked around in Germany and recorded two more albums. Hopefully Mark Powell & Co. will dig 'em out for us to hear! Solid stuff.
    $17.00
  • "Blue Öyster Cult tried a new producer on Mirrors, replacing longtime mentor Sandy Pearlman with Tom Werman, a CBS staffer who had worked with Cheap Trick and Ted Nugent. The result is an album that tries to straddle pop and hard rock just as those acts did, emphasizing choral vocals (plus female backup) and a sharp, trebly sound. But this approach appeared to displease longtime metal-oriented fans without attracting new ones: "In Thee" became a minor singles-chart entry, but the album broke BÖC's string of five gold or platinum albums in a row. The real reason simply may have been that the songs weren't distinctive enough. Much of this is generic hard rock that could have been made by any one of a dozen '70s arena bands." - All Music Guide
    $7.00