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  • "The successor to "Obsessions" (2011) was mixed and mastered by Jacob Hansen at Hansen studio in Denmark (Volbeat, Pretty Maids, Amaranthe a.m.m.)Beside band leader Samuel Arkan, the following vocalists and musicians contribute to"Fantasmagoria": Tom S. Englund (Evergrey) Henning Basse (ex-Metalium, ex-Sons Of Seasons, Mayan) Ida Haukland (Triosphere) Matt Marinelli (Borealis) Tezzi Persson (Between The Silence) Mike LePond (Symphony X) Léo Margarit (Pain Of Salvation) Julien Spreutels (Ethernity) Simone Mularoni (DGM)The quite unusual thing is that all these guests came to the Noise Factory studio (Belgium) to track down their parts. Nobody recorded his/her parts at home, like with some many other projects."I wanted the whole thing to get a real "band" feeling", Arkan says. "Therefore having all vocalists and musicians here was very important to me. We got to know each other better and better while spending time together. The new material sounds very fresh, dark, heavy, modern and "true" with "straight in the face" guitar riffs, intense voices and melodies, massive work on progressive atmospheres and orchestral parts. All the artists who participated in this album gave their soul to it, gave their best, they travelled deeper into sensitivity and sincerity. That's probably the best words which define this next album... sincerity & spontaneity! This album comes from the heart of each musician and vocalist who worked on it, and you can feel it when you listen to this new EPYSODE album."Compared to the debut "Obessions" the new material is a step forward in every way, with even better songwriting, a massive sound, powerful production and an intensity you rarely find these days.With the top notch vocalists that are gathered here (a.o. Evergrey’s Tom S. Englund, who is contributing to 5 songs) the "Fantasmagoria" concept story comes to life in a very intense and thrilling way, with lots of facets, expressive singing, deep & dark emotions. Englund’s duet with Ida Haukland (Triosphere) on the album’s title track especially gives goosebumps to the listener. There is also a plot to the "Obsessions" album and many fans of concepts will have their pure delight in discovering the story behind the story.The "Fantasmagoria" recordings took place from December 2012 to end of April 2013. Responsible for all keyboards, piano, arrangements was again Julien Spreutels, "my brother in crime, without him Epysode would not be as it is", Samuel says. "He did one more time an outstanding job and gives magic to Epysode, It's always a pleasure and very inspiring to work with him". "
    $15.00
  • Since the release of 2013’s In Crescendo, Kingcrow toured North America in support of Pain Of Salvation, and headlined a European tour.  Kingcrow kept busy in 2014, touring Europe with Fates Warning and at the same time crafting the material that would become Eidos.“Eidos” is a new conceptual album about choices, consequences, dealing with regret and disillusion. Their earlier album Phlegethon dealt with childhood and In Crescendo about the end of youth.  Eidos can be considered the third part of a trilogy about the path of life. Musically it sees the band exploring new territories and pushing the extremes of its complex soundscape with a darker atmosphere and a more progressive attitude.Describing the band today is quite a difficult task, but one could state that the influence of such artists as Porcupine Tree, Riverside, Opeth, Anathema, Radiohead , King Crimson and Massive Attack are all present in the music of Kingcrow.With each release Kingcrow has taken a step further away from their original roots as a classic metal band and is now one of the most personal and exciting bands that Italy has to offer.
    $13.00
  • "This is not a new Lost Horizon record.There, we got that sorted out. The good news is that Daniel Heiman is finally back where he belongs: in metal. For its third outing, Harmony tapped this fan-favorite singer, but unlike recent, however successful, hijack jobs (think Michele Luppi with Secret Sphere, or further back, Urban Breed with Bloodbound), this is still one hundred percent a Swedish, religious power metal experience.After a promising start with Dreaming Awake, and a superior sophomore effort in Chapter II: The Aftermath, Chapter III at last gives us the Harmony record that I always knew the Swedes had in them. Retaining the band’s signature solemn style and subtle sense of melody, Theatre Of Redemption is bigger, better, and an overall top contender for 2014’s album of the year.Just how much has this to do with Heiman himself? Of course, hiring a man of his not inconsiderable talent is certain to lend your work that extra flavor. This isn’t to say that Henrik Båth held the band back (about as much as Mikael Dahl did/does in Crystal Eyes), but that Heiman touch is fan-favorite for a reason. The superhuman wails, the natural emotion, the unrivaled raw power, all of that bigger and better than before as well. In whatever dark corner of the music industry this man has been lurking in for all these years, he’s picked up a thing or two. A tender and soulful performance like the one on “What If” could simply not have come from him in his Lost Horizon-days. Goosebumps, ladies and gentlemen, entire flocks of geese.Logically, even Daniel freakin’ Heiman can only thrive when the songwriting is there to support him. Harmony stepped up its game considerably in this department, opting for shorter, tighter material here. Theatre Of Redemption is trademarked by sharp and poignant riffs, simple but gripping melodies, and an overdose of class. “Son Of The Morning” and the title track sound like the basic but effective kind of songs that Kamelot used to churn out in its heyday, boasting oriental effects, a mystic atmosphere, and an ominous chorus. “I gave it aaall – for – NOTHING!” More geese and whatnot.Not all of it is down and plodding, though. Introspective opener “Window Of My Soul”, the celebratory “Crown Me King”, and self-referencing closer “In Search Of” root Harmony firmly in the national style. Anyone attempting to chronicle the rich history of Swedish power metal should do well to include them. For filler tracks, to conclude, look further, because Harmony wastes no time making every single song one worthy of remembrance and appreciation.This is not a Lost Horizon record. Instead it’s the best album Harmony has ever released, and one of the best this year has seen so far. Daniel Heiman returns gloriously to be crowned as king (only to disappear, as he’s only a guest on this album), and aids Harmony in releasing its full potential. Fans of Heiman, Harmony, and (Swedish) power metal in general should purchase this blindly." - Black Wind Metal
    $15.00
  • Third album from a band that is essentially a mash up of members from Sieges Even, Sun Caged and Dreamscape.  Their music carries on very much in the style of the later Sieges Even albums.  In other words progressive rock that leans towards the heavier side of the spectrum.  Rush, Rabin-era Yes, Saga, and Dream Theater come to mind as influences.  Quite melodic and if you are so inclined you'll hear some incredible chops from guitarist Markus Steffen.  The band corraled Stream Of Passion's Marcela Bovio for a guest vocal appearance, dueting with Arno Menses.This is the deluxe 2CD edition.  It sports a really cool looking 3D cover.  The bonus CD is a live concert recorded in Mannheim in 2012.
    $19.00
  • Long overdue album from one of the best bands in the prog metal genre and they deliver the goods.  With Damian Wilson out front it can't be bad - can it?  Threshold has shuffled vocalists over the years but there are constants - melodic based songs with stellar musicianship and more than enough complexity.  Always loved the keys in this band.  Highly recommended.
    $13.00
  • After toying with the neoprog genre for some time, Portugal's Forgotten Suns lets its freak flag fly and goes full bore with a fantastic prog metal disc. The band is led by virtuoso guitarist Ricardo Falcao who has definitely spent some time listening to John Petrucci. The band has a new vocalist in Nio Nunes. He's got a great voice and fits into the new found sound perfectly. So what is the new sound exactly? Well it consists of more than a few dips into the Dream Theater pool - laser beam keyboard solos, stunning guitar solos, and expressive vocals. There is no doubt - while there are some prog rock underpinnings the Marillion influences have gone by the wayside - this is as good a prog metal album you will hear this year. If you dig chops from hell but with melodies that will stick with you - you need to hear this disc. Think of this band as Portugal's answer to Spheric Universe Experience. Buy or die!!
    $3.00
  • New 2 CD set features the audio tracks of the already out of print DVD as well as bonus tracks recorded in the US and Germany. An excellent cross selection of material drawn from their three studio albums as well as some cool covers like "21st Century Schizoid Man" and "America".
    $15.00
  • 2nd album is a fine one but Damian Wilson is replaced by Glynn Morgan who is fine in his own right but I dig Wilson better. New edition with bonus trax!
    $18.00
  • Prospekt are a British Progressive Metal band influenced by bands such as Dream Theater, Symphony X, Opeth and Circus Maximus, as well as film scores and fusion. Prospekt combine the fierce technicality of progressive metal with the symphonic elements of contemporary prog.From brutal riffs coupled with odd time-signatures, to majestic melodies, the principle of Prospekt’s music is to create an intelligent and atmospheric mix of melodic, modern progressive metal. Incorporating passionate higher ranged vocals, frenetic guitar work, haunting orchestration and solid grooves, every composition remains both interesting and original.The Colourless Sunrise was mixed by  Adam "Nolly" Getgood of Periphery and mastered by Jens Bogren at Fascination Street.
    $13.00
  • "Formed in 2008 under the (thankfully dropped) name Rightdoor, Within silence are a melodic power metal band in the vein of Blind Guardian. As such you can expect huge swathes of guitar, souring vocals and banks of keyboards all vying for space amidst the pounding rhythms and heroic soloing. Growing steadily, the band have taken their time to draft their debut offering, the gleaming ‘gallery of life’, and it appears that it has been time well spent because the rehearsals, the time spent writing and then honing material on the road with the likes of Blaze Bayley has paid off with this confident and powerful album.Opening with a short, choral ‘intro’, ‘gallery of life’ immediately sets out its stall as an ambitious body of work designed to be heard as one contiguous piece. The intro builds nicely to the powerful guitars of ‘silent desire’. A perfect opening song, ‘silent desire’ immediately highlights the fact this is a production that oozes quality. The guitars are razor sharp, the choruses soar memorably and the playing is ultra-precise. It shows that Within Silence will settle for nothing less than perfection and there’s a sparkling ambition here that is impossible to ignore. ‘Emptiness of night’ is a fast-paced rocker with blazing guitars and a full-on vocal performance that is both powerful and brimming with confidence. There’s a strong Iron Maiden influence underpinning the cracking pace and guitar work, and it’s clear that the band have nothing less than world domination in their sights. Keeping the energy levels high, ‘Elegy of doom’ is another taut rocker with a rampaging riff and just the right amount of keyboard to add atmosphere without overpowering the song. It’s an early highlight of the record and make no mistake, within silence are a band who like to rock! It’s a trend that continues on the equally stunning, ‘The last drop of blood’, a full-on belter of a track that sounds like the band channelling Metallica, Maiden and Judas Priest all at once. It’s one of those adrenalin packed tracks that will get the blood pumping no matter what, and it must surely be a live favourite with its brutal riffs and memorable chorus. The track reaches its peak, however, with the excellent extended solo that runs wild over the second half of the song. Showing a lighter touch, ‘Love is blind’ keeps the energy levels maxed out but offers up a more pop-infused side of the band than found elsewhere, and whilst it still remains on the metallic side of the musical spectrum, it shows that Within silence have both the talent and confidence to fully explore their genre.The band briefly slow their pace for the more subtle opening strains of ‘anger and sorrow’, although the song does not take long to explode into a typically multi-stranded beast complete with extended solos and deft changes. Representing Within Silence at their most commercial sounding, ‘Judgement day’ is the sort of rollicking heavy metal ride that would have been all over the radio back in the eighties. Powerful and driven by a chorus that is only slightly less addictive than crack, ‘judgement day’ is a beast of a track. Next up, pounding drums lead us into ‘the world of slavery’, a song with a strong folk influence. Another track that benefits from some stunning guitar work, ‘the world of slavery’ is a metal epic that only gets better with repeated listens. The album concludes with ‘road to paradise’ which dips into ‘seventh son…’ era Maiden for inspiration. Another epic length track, it is a last chance for the musicians to spread their wings and soar, something which they duly do in impressive fashion. A short ‘outro’ sees the disc spin to a halt with choral voices echoing in the dark. It is a suitably dramatic ending for a CD that takes the listener on a wonderful journey from start to finish.Power metal can be, all too often, a genre where the keyboard elements overshadow the metallic elements. Thankfully, Within Silence, perhaps because of their lengthy time spent out on the road, keep their sound hard-edged throughout and the result is an album that packs a similar punch to the classic Maiden albums of the early eighties. There are crunchy riffs galore, endless solos and the sort of huge, soaring choruses that have made Blind Guardian such a powerful force. Talented, oozing confidence and with a wonderfully powerful set of songs, Within Silence have arrived and metal fans had best sit up and take notice, because these guys have the skill and the burning ambition to go far." - Sonic Abuse
    $14.00
  • NTSC region free 2 DVD set featuring the German neoclassical guitarist in concert. His band features Hardline vocalist Johnny Gioeli, ex-Steeler bandmate Volker Krawczak on bass, Rough Silk keyboardist Ferdy Doernberg, and Rage's monster drummer Mike Terrana.For those of you who don't know...Pell is a combination of Blackmore/Malmsteen/Roth all rolled into one. The concert was recorded in Germany in May 2002. The bonus DVD features interviews, the band in the studio, video clips, etc.
    $24.00
  • Evergrey are back and better than ever!  I think the general consensus is that as the band became more and more popular the music became a bit more commercial and the production slicker.  Tom Englund has gone back to the basics and its clearly the right move.  Jonas Ekdahl (drums) and Henrik Danhage (guitars) have returned to the fold and production has been handed over to Jacob Hansen.  This is a return to the "classic" Evergrey sound - that perfect balance of melody and heaviness with the right amount of "prog" injected when necessary.  COMEBACK ALBUM OF THE YEAR!  BUY OR DIE!"One of the leading names in the power/progressive metal world is the Swedish five-piece, Evergrey. Forming in 1995, the band has released eight full length albums, with number nine releasing this fall. The band has been known for relatively dark lyrics and concept albums since their debut, and because of this fact, it was very difficult for me to get into their music. I can easily count the amount of times I thought “I should listen to Evergrey” on one hand. Though I wasn’t well versed in their discography, what I had heard was moving quite slowly, was downright melancholic, and just couldn’t catch my attention. That was until the Hymns for the Broken album landed in my inbox.First off, the notable changes in the lineup, with the return of Jonas Ekdahl (drums) and Henrik Danhage (guitar) grabbed my attention immediately. Though the band briefly spoke about the addition of the two previous members on their Facebook, “What can we say? We missed each other.” I truly believe that this decision, and the amazing mixing by Jacob Hansen (Volbeat, Amaranthe, Primal Fear) and production quality are what set this album up for its coming success.The album kicks off with a very eerie intro track, then jumps into the first single and video, “King of Errors”. Even without being an Evergrey fan in particular, I have always known who Tom Englund was, as his voice is so unique and legendary in the industry that I couldn’t ever really escape it. This song is a great display of the power and ability he has as a vocalist to truly bring a wonderfully written song to an entirely new level. The blend of the guitar riffs and keyboard work is perfection to say the least, but when the awe-inspiring guitar solo hit, I knew this album had me by its teeth.Immediately following is another one of the strongest tracks on the album, “A New Dawn” with a strong and hard-hitting guitar and bass riff that doesn’t ever really let go throughout the song. This song features one of the more beautiful keyboard solos on the album, but yet again that guitar solo just comes out of nowhere and destroys any solo I have ever heard this band release. “Black Undertow” is another perfect example of why Englund is so well-respected in the music world. It begins with his chillingly lower vocal range, but builds back up to where he truly shines. This song not only features another soaring and strong chorus, but the rhythm work between all instruments keeps it dark and eerie, though the keyboard lightly dances above it all.The title track to the record explodes into this phenomenal musical intro, but fades just as quickly as it hits. Boasting some of the strongest, most emotional lyrics on the album, the song hits a chord in many personal ways. “Scream loud, these hymns are for the broken,” are just some of this crowd enticing chorus that Englund sings flawlessly throughout. Bringing the album to a close is the over seven minute song “The Aftermath” which begins in a ballad-like fashion, but builds to a very strong finale. The tempo remains slow, but the flawless movement in the instruments keeps it absolutely enthralling. The last half of the song is entirely instrumental, and the conversations between keyboard, bass, and drums is something that I could listen to on repeat for hours, especially when the haunting lead melody soars above it all.If you can’t tell, I can’t think of a single moment on this album I don’t absolutely love. As someone who could never get hooked by an Evergrey album, I can assure you this is not just ‘fandom’ talking. Hymns for the Broken is a perfect album that even after weeks of constant play, I can not get enough of. Perhaps it is indeed perfection, or perhaps it just hit me at the right time in my life, either way I am in love. Easily a current contender for album of the year, it’s so full of beautiful melodies and amazing arrangements that any fan of power or progressive metal will absolutely love. I don’t doubt that all previous fans of the band will appreciate this album as much as I do, but I sincerely hope that new listeners give this record a fair and objective chance as well.This is definitely their most ambitious release yet, and they absolutely nailed it!" - Metalholic 
    $15.00
  • Long running German thrash band led by female vocalist Sabine Classen. Agony Of Death features lots of special guests including Ferdy Dornberg (keyboardist from Rough Silk and Axel Rudi Pell) as well as guitarist Ralph Santolla. This is the limited edition that comes with bonus tracks and special features.
    $15.00
  • Magenta's latest finds them returning to an overtly progressive rock sound and the music is all the better for it.  The Twenty Seven Club is a concept album based around famous rock stars that died at the age of 27 (Janis Joplin, Jim Morrison, Jimi Hedrix, Kurt Cobain, ao).  The core lineup is Rob Reed, Christina Booth, and Chris Fry.  For this album the band is rounded out by guest drummer Andy Edwards of IQ.  Reed's keyboard work is back in the fore and Fry's Howe-isms on guitar always bring a polish to the music (and grin on the face).  Christina Booth's voice is a real gift and she shines as always.  Overall the music makes some overt references to Yes and Genesis so you get that old school flavor that the band hasn't offered in many years.  The album arrives in a special edition with a bonus DVD.  You get the complete album in a 5.1 mix, documentary footage and a promo video for one of the tunes.  Highly recommended.
    $18.00