Sounds Like This (2CD Digipak)

2 CD remastered set loaded with unreleased material.  One of the great ones.

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  • With the anticipation of a new Marillion album on the horizon, we are going to hold back for just a short while on our next concept album. That doesn't mean however... that we don't have something very special to hold you over until the next epic is complete...  We present our new "bridge album" to take you from Edison's Children's last epic to out next, entitled:"SOMEWHERE BETWEEN HERE AND THERE..."is a non-conceptual album featuring several songs that have been kicking around the E.C. laboratory for a few years but will doubtfully ever see the light of day otherwise. It's not that we don't love them... they simply don't fit the "concept albums"of the past or the future. They are however, quite exciting pieces of music in their own right.• 15 never before heard tracks/remixes including 7 all new songs + 2 Downloadable Bonus Tracks(including the 3 new songs that were performed at the Marillion Montreal Weekend)- Growing Down in Brooklyn- Someone Took My Heart Away- Winter Solstice (instr.)- Stranger In A Foreign Land- Ever Be Friends- The Darkness (instrumental track intended for The Final Breath Before November but never used)- Sinner's Minus (instrumental track intended for The Final Breath Before November but never used)• 3 songs from the original version of "The Final Breath Before November" - originally mixed by King Crimson's Lead Singer Jakko Jakszyk incl: the original and slightly longer "whispery ending" of Where Were You!- Where Were You (14:10)- Light Years-  The Seventh Sign• The Longing (orchestral) - Mike Hunter originally gave us 2 mixes... a full on Rock Mix of The Longing as well as a far more orchestral version. We wound up using the "Rock Mix" for TFBBN. Hear for the 1st time what the orchestral version sounded like!• Never before released live version of A Million Miles Away from the 2013 Marillion Wolves WeekendThis is a full 80 minute album!
    $12.00
  • "Nik Turner, the founding member of pioneering space-rock band HAWKWIND, returns to his intergalactic roots with his mind-blowing new CD titled "Space Gypsy". Featuring all-new material, "Space Gypsy" boasts guest appearances by fellow HAWKWIND alumnus drummer Simon House, and GONG guitar legend Steve Hillage, along with Nicky Garratt of the UK SUBS, Jurgen Engler of German industrial band DIE KRUPPS, and Jeff Piccinini of '70s punk icons CHELSEA. Making the CD release even more exciting, Nik Turner has filmed a dark, hypnotic new video called "Time Crypt featuring Simon House". This is the second video Nik has released in support of "Space Gypsy", the first being "Fallen Angel STS-51-L"; from the album's first single about the Space Shuttle Challenger disaster." 
    $15.00
  • Killer second album from this instrumental fusion quartet from Japan. The band is led by violinist Akihisa Tsuboy, who's effortless playing reminds me a bit of Geoff Richardson back in the glory days of Caravan. Keyboards play a prominent part in the band's sound and Toshi Takahashi kicks butt big time keeping pace with Tsuboy, trading solos back and forth. This time around I hear a bit more of a Canterbury feel creeping in but this is still fiery fusion at it's best. I dig it when Tsuboy's violin SCREAMS!! Highly recommended.
    $15.00
  • Of all the Yes albums that needed a remix this is the one that needed it the most!"Relayer (1974) is the third in a series of remixed and expanded Yes albums.Presented in a mini vinyl replica gatefold card sleeve (with protective inner sleeves) with booklet featuring new sleeve notes by Sid Smith, along with rare photos and archive material, the album has been remixed into stereo and 5.1 Surround Sound from the original studio masters by Steven Wilson and is fully approved by Yes.The blu-ray also contains the original album mix in high-resolution, a complete alternate album running order drawn from demos and studio run-throughs. Additional exclusive Blu-Ray features include extra demo/studio run-throughs, full album instrumental mixes, a full album needle-drop of an original UK A1/B1 vinyl pressing, single edits, live tracks, and needle-drops of the banded tracks from the original US vinyl promo album.Restored artwork approved by Roger Dean, the release of which coincides with the 40th anniversary of the album’s original late 1974 appearance."
    $25.00
  • "A new interpretation of a classic RPI title! This is quite an undertaking, but it comes off in an outstanding way, giving new life to old friends. In contrast to so many reworkings of old pieces that I've heard in recent years, this one does not leave me only wishing to listen to the original. Rather, the new work stands well on its own, not only helping me listen to the original with new ears, but also bringing new insights and experience.In 1972, Latte e Miele released their debut, an incredibly ambitious work based on the Passion of St. Matthew, "Passio Secundum Mattheum." This is one of the seminal titles of 1970s RPI and has rightfully stood the test of time. The band would never equal this album, although the subsequent title, "Papillon", came close. After that the band broke up for a time, until drummer Alfio Vitanza reformed the band, with new members including bassist Massimo Gori. Their only album, "Aquile e Scoiattoli", has its moments but is inferior to the first two, and the band disbanded a few years later after moving toward more commercial music.In 2008 the band reformed, including all three original members (Vitanza and songwriter/keyboardist Oliviero Lacagnina, as well as guitarist Marcello Giancarlo Dellacasa) and Massimo Gori, bassist from the second generation of the band. The quartet released "Live Tasting", an excellent live album that portended of the good to come. Their time together also produced a wonderful new album, "Marco Polo: Sogni e Viaggi" in 2009.Over the years, Lacagnina never stopped composing his masterpiece, his "Passio". Now the quartet has recorded anew their masterpiece, adding those "new" compositions into the narrative. For example, "Il Pane e il Sangue dell'Alleanza" has been inserted right after "Ultima Cena", and "Il Rinnegamento di Pietro" and "Il Prezzo del Sangue" between "Il Pianto" and "Giuda". Also, the ending has been fleshed out significantly, with four new songs, and the final song, "Come un Ruscello che..." includes the final themes previously entitled "Il Dono della Vita". Also of note, a solo organ piece entitled "Toccata per organo" is placed just before "Calvario"--this is special, as it is an original take from 1972!The instrumentation is true to the spirit of the 1972 piece, although with an updated sound. Ditto the choir, which sometimes on the 1972 version is muted and thin--here the choir parts are strong, lush, and vibrant. The majority of the pieces that were rerecorded for this edition also maintain their compositional structure, although there are a few changes inserted (notably in "I Falsi Testimoni", the new version of "I Testimoni" parts 1 and 2). There is nothing that violates that spirit of the original work, though it is impossible to duplicate its wonderful innocence.Another unique feature of this album is the presence of several prominent figures from RPI providing the spoken Evangelist parts. These include Alvaro Fella (Jumbo), Lino Vairetti (Osanna), Silvana Aliotta (Circus 2000), Paolo Carelli (Pholas Dactylus), Aldo de Scalzi (Picchio dal Pozzo), Sophya Baccini, Elisa Montaldo (Il Tempio delle Clessidre), Giorgio D'Adamo (New Trolls), Max Manfredi, Simonluca, and Paolo Griguolo (Picchio dal Pazzo). It's a nice touch that really rounds out the album.The CD comes in a jewel case with a lyric booklet. I'm told that the pending Japanese version will contain a newly recorded composition as a bonus track. But don't wait for that one--go out and grab this one. You won't be disappointed. Four plus stars (Gnosis 13/15).Edit: I can't stop listening to this! Though it's not quite as good as the original, it's very close. I'm bumping it up to Gnosis 14/15, which is five stars on PA." - ProgArchives
    $16.00
  • District 97, is the only progressive rock band in the world to feature an American Idol finalist and a Chicago Symphony Orchestra virtuoso cellist.The band was formed in the Fall of 2006 by drummer Jonathan Schang, keyboardist Rob Clearfield, bassist Patrick Mulcahy and guitarist Sam Krahn. The foursome from Chicago honed a no-holds barred style of Liquid Tension Experiment-inspired instrumental rock before deciding the right vocalist was needed to complement their sound; enter 2007 American Idol Top 10 Femal Finalist, Leslie Hunt. With a look, sound and stage presence comparable to a young Ann Wilson, Leslie's dynamic performances pushed the band into a new direction that forged a unique marriage between accessible, cathy vocal melodies and an adventurous instrumental prowess.After attending a show and being highly impressed, Katinka Kleijn, cellist extraordinaire from the world renowned Chicago Symphony Orchestra joined the band. She was soon followed by one of Chicago's finest young guitarists, Jim Tashjian. With this new lineup of peerless musicianship in place, District 97 began wowing crowds and establishing a devoted fan base through packed shows at legendary Chicago venues such as House Of Blues, Schubas and Martyrs.Hybrid Child balances a meticulous attention to detail and studio-craft with the visceral power of a rock band that is firing on all cylinders. Running the gamut from Meshuggah-inspired metal, the epic majesty of Yes, and the melodicism of The Beatles, Hybrid Child unveils District 97 as a true force to be reckoned with, and one that is poised to take the music world by storm. With fans ranging from high school students to world class musicians, this process is clearly well underway.
    $14.00
  • Woodenhead are one of the great US fusion/prog bands you may not be familiar with.  For the past forty years the band has been ensconced in New Orleans rarely straying outside of the Louisiana area.  The quartet is led by virtuoso guitarist Jimmy Robinson (who you may have seen in that recent AARP commercial!).To encapsulate Woodenhead's sound is actually pretty easy - take 3/4 parts Dixie Dregs and add 1/4 part Happy The Man.  Shake and stir.  Top it off with some local spicy cajun flavor.So while you may not have heard of Woodenhead in your part of the world, they are quite well known in New Orleans.  They have performed there continuously playing at all the local haunts and festivals.  To commemorate the band's 40th anniversary the band has dipped into the archives.  They have released highlights from a gig recorded at the legendary Tipitina's in December 1993, mixed from live tapes previously forgotten and recently unearthed.  Expect a white hot set of cajun fusion.  Highly recommended. 
    $12.00
  • "It’s been five years since their last album, Buried Alone: Tales Of Crushing Defeat, but in that time, the lord of Knifeworld, Kavus Torabi, has been very busy indeed. He’s been part of Gong and various other bands, hosted a prog radio show with snooker legend Steve Davis (who is in fact, more interesting than people might have ever suspected) and of course spent his time working on more Knifeworld material.Since his days with Monsoon Bassoon, Torabi has always been someone who writes dense yet strangely hookladen songs. With Knifeworld things are no different, if anything this album is about as ambitious as anything in Torabi’s long and extensive career to date. The Unravelling is an eight song cycle, is performed as an octet, and is nothing if not grandiose in its intensions. The idea of a song cycle might well sound pretentious, and perhaps it is, but what keeps The Unravelling from unravelling into a unwieldy mess is Torabi’s deft songwriting nous and keen ear for a hook. These songs might well form a cycle, but they are all quite capable of operating independently too.Opening track I Can Teach You How To Lose A Fight starts in muted fashion with delicate keyboards and strummed acoustic guitars complimenting Mel Woods’ beautiful but understated vocals. The whirring of clock parts and machinery in the background give a wonky Victorian feel, but also suggest that the cogs that drive the album are slowly clunking into life. Before long the full band has launched into a freakish prog-hymn, like a kind of feral Rick Wakeman freakout. “Why’d you grow those teeth in your heart?” asks Torabi sounding as if his has been chewed up and spat out by an evil Queen. It’s essentially the dialogue of a relationship winding down, but with its winding musical motifs, joyful honking sax parts mixing with solemn vocals and dramatic guitar stabs, the introduction to the album feels like a kind of synopsis of what’s to follow or an overture of sorts. There’s joy, threat, love, anger, fun and a fair bit of magic too.Send Him Seaworthy starts life as a kind of lurching boy’s own adventure, with nautical themes and a sense of wonder seeping into the orchestration, but come the telling conclusion it becomes tale of paranoid love. Don’t Land On Me meanwhile meanders along in a faintly jazzy way until a sharp stabbing rock riff cuts across its bows. Suddenly, it becomes a curious mix of swing, The Osmonds‘ Crazy Horses and Kenny Rogers‘ version of Condition. The Skulls We Buried Have Regrown Their Eyes meanwhile is a woozy old-school nursery rhyme that contains a requisite amount of grotesque imagery.Destroy The World We Love is the pop nugget around which the album truly revolves. It possesses a laid back lollop, a very deliberate hook with the line “secret in your hands” digging deep into the ears early on, but it quickly reveals itself to be an expansive and exquisite journey. Fans of Genesis (and naturally Cardiacs) will find plenty to appreciate here but as usual Knifeworld stop short of being self-indulgent and ensure that the song never disappears up its own firmament.If The Skulls We Buried hinted at something a little unsettling, then This Empty Room Was Once Alive confirms that there is something genuinely creepy lurking under the surface of this album and it just so happens to be in the form of a Victorian ghost story. Fortunately I’m Hiding Behind My Eyes quickly takes over and steers back towards folk inflected prog before things get to terrifying. Once again, the Octet are in fine form creating a bucolic world for the band to inhabit and explore.The key to this album is in its title. It is well written, and beautifully performed, but in order to get the most out of it, a certain amount of unravelling needs to be done. The five year wait has been worthwhile, and Torabi’s Knifeworld seems ready to begin creating its own universe. As strange and creepy as it seems at first, it is fun to spend time exploring." - MusicOMH 
    $15.00
  • "Death.Taxes.Ozric Tentacles.Since 1984 this loose collective have been releasing reliably great music from the mind of leader Ed Wynne. Their margin of error is enviably tiny – there is no such thing as a bad Ozrics album. Sure, some are better than others, but the body of work is as inescapably consistent as mortality and societal contributions. Technicians of the Sacred is their fifteenth studio album, second double album and the first release in this format since Erpland in 1990. It is also one of the best they have ever recorded.The blend of electronica and inner-space rock is instantly recognisable with ‘The High Pass’. World music and gently undulating synths take their time to ease us back into the required frame of cosmic consciousness. It takes almost 6 minutes for the secret weapon, Wynne’s signature lysergic lead guitar, to be deployed and that is the modus operandi of the whole album – nothing is rushed, each track unfolds lotus-like.‘Changa Masala’ distils all the band’s ingredients into a spicy side-dish. Sequencers, vocal samples and a reggae skank provide the base while acoustic guitar rips like a John McLaughlin solo, interjecting a nod to their past, a musical in-joke for the fans, which I won’t spoil for those who haven’t yet heard it.The Steve Hillage (Gong, System 7 and sometime Ozrics collaborator) influence is foregrounded in the first disc’s closer, ‘Switchback’. Tap-delay guitar slithers over a web of ambient keyboard washes. Portamento bass notes slide and glide their way through the patchouli-scented psychedelic haze.f the first disc was an aromatic treat, then the second is manna. ‘Epiphlioy’ recalls the classic ‘Saucers’. Its serpentine twelve-string acoustic riffs employ Eastern modes to evoke a scene that is paradoxically earthy and otherworldly. Staccato strings conjure Kashmir while a celestial orchestra of whooshing keyboard pads threatens to levitate us into the stratosphere and beyond. We are back in the bizarre bazaar, folks. Brandi Wynne pins down the ethereal mix with a heavy dub bassline. The track changes constantly. This is the most compositionally complex music the band has ever produced.While there are references to Ozric history and a more organic feel similar to early classics with the occasional use of non-electric instruments and ethnic voices, the album as a whole is a step forward. The painstakingly crafted symbiosis of synthesised sounds and rock instrumentation, coupled with a slick production, lend Technicians of the Sacred a holistic integrity not heard since Jurassic Shift (which incidentally entered the UK charts at a very respectable number 11 in 1993). The whole gels together and flows with the multi-layered sophistication of a symphony while retaining some of the jam-band aesthetic of the free festival days.‘Smiling Potion’ features interlocking sequences even Tangerine Dream would be proud of and a tribal metronome-sense beat straight out of Peter Gabriel’s soundtrack for The Last Temptation of Christ.As ‘Rubbing Shoulders With The Absolute’ throbs along on a blissed-out dub rhythm artificially generated voices ensure the weirdness meter is kept firmly in the red.Hungarian drummer Balázs Szende makes his first studio appearance and throughout the album he proves to be a superb addition to the group, whether approximating the tight programmed style of The Hidden Step era or, as on the closing track, ‘Zenlike Creature’, tackling elusive prog time signatures with ease and finesse. As Ed Wynne winds up a solo worthy of fusion maestros Mahavishnu Orchestra he introduces a shimmering Hillage-esque repeating motif that stays in the mind long after the music has stopped.Technicians of the Sacred, for all its dynamic shifts and intricacies, is a very chilled-out release, one for relaxing to and for transportation to the other, wherever that may be. There are no jarring wig-out rock guitar hero sections or all-out sonic attacks like ‘The Throbbe’. Rather this is Ozric Tentacles’ most cohesive and accomplished effort in almost 20 years and a highlight of a long and peerless career." - Echoes And Dust
    $13.00
  • White Willow's third album receives new treatment from Jacob Holm Lupo's Termo Records.  This remastered edition comes with new artwork and liner notes as well as 3 previously unreleased bonus tracks.White Willow is one of the most significant progressive groups of the current eraThe Billboard Guide To Progressive MusicWhite Willows third album "Sacrament" is a mystical blend of gothic atmospheres and intricate, classically influenced progressive music. Having firmly established themselves around the world as one of the premier progressive ensembles, "Sacrament" is one of 2000s most anticipated progressive rock releases.The Norwegian bands 1995 debut "Ignis Fatuus" is enshrined in the Top 100 releases of Billboards Guide To Progressive Music. This album launched the band into the world spotlight culminating in a highly acclaimed performance at Progfest 95 in Los Angeles. The 1998 follow up "Ex Tenebris" brought further attention to the group with its mystical blend of gothic, folk, and classical music within a progressive rock framework."Sacrament" shows the maturity of the band. Perhaps a bit heavier than before but with all their trademark ingredients in place, White Willow will easily once again capture the attention of progressive rock fans around the world. Imagine a blend of The Gathering, King Crimson, and vintage Jethro Tull and you have just scratched the surface of the intense sounds this band creates. Soaring female vocals, mondo-Crimsonoid guitar leads, and blistering flute work set against a backdrop of symphonic rock keyboards will effortless ignite the imagination of the dedicated progressive music listener.Also of note is the stunningly transparent and three dimensional audiophile sound.
    $16.00
  • "Esoteric Recordings are pleased to announce their next release in the continuing series of reissues of the entire catalogue by the legendary classical rock band Sky. Unavailable for over 20 years, "THE GREAT BALLOON RACE” has been newly re-mastered and the original album artwork is fully restored. The booklet features a new essay."
    $16.00
  • The madcap French jazz metal trio return with their sixth album.  Morglbl consists of guitarist Christope Godin, bassist Ivan Rougny, and drummer  Aurelian Ouzoulias.  The band has toured extensively around the world – USA, Europe, Russia and even China!  They have shared the stage with Liquid Tension Experiment, Bumblefoot, and Umphrey’s McGee among others.These three virtuosos are also well endorsed clinicians and have developed a following individually but when they come together the fireworks really start.  Tea Time For Punks doesn’t deviate from the tried and true Morglbl formula.  Take equal parts fusion and crushing metal power chords, then inject a healthy dose of tongue in cheek humor and you’ve got the perfect Morglbl album. The band is often described as Primus meets Steve Vai and Allan Holdsworth, with flavors of Frank Zappa! 
    $13.00
  • In Crescendo is the fourth studio album from this Italian progressive band.  While originally working in a purely metal direction, the band has expanded the scope of their sound to encompass elements of progressive rock as well.  There is a very strong atmospheric component similar to Riverside, Porcupine Tree, and Pink Floyd but the heavier, metallic side of Opeth and Dream Theater is clearly present as well.Over the past two years Kingcrow has expanded their fan base with a European tour in support of Redemption and Jon Oliva as well as appearances at ProgPower Europe and ProgPower USA.  An announcement about 2013 US tour dates is imminent. 
    $13.00
  • Excellent new band from Finland that blends folk, klezmer and progressive sounds. Musical brethren to the glorious Piirpauke. The band will be performing at Nearfest 2003 - check 'em out!
    $16.00