Storia Di Un Minuto

Emerging from the post-Beat era band I Quelli, Premiata Forneria Marconi (or PFM) is one of the most important progressive rock bands of all time. Storia Di Minuto is the album that kicked it off. The interplay between violinist/flautist Mauro Pagani and guitarist Franco Mussida is breathtaking. Keyboardist Flavio Premoli is perhaps one of the most overlooked virtuosos of the progressive rock era - every much the equal of Emerson and Wakeman.

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  • Stunning Italian progressive band similar to PFM. One of the best. Jewel box remastered edition.
    $10.00
  • "When dissected carefully, The Pros and Cons of Hitch Hiking becomes a fascinating conceptual voyage into the workings of the human psyche. As an abstract peering into the intricate functions of the subconscious, Waters' first solo album involves numerous dream sequences that both figuratively and symbolically unravel his struggle with marriage, fidelity, commitment, and age at the height of a midlife crisis. While the songs (titled by the times in which Waters experiences each dream) seem to lack in musical fluidity at certain points, they make up for it with ingenious symbolism and his brilliant use of stream of consciousness within a subconscious realm. Outside from the deep but sometimes patchy narrative framework, the music slightly lacks in rhythm or hooks, except for the title track that includes some attractive guitar playing via Eric Clapton. David Sanborn's saxophone is another attribute, adding some life to "Go Fishing" and "The Pros and Cons of Hitch Hiking." But it's truly the imagery and the visual design of the album that is front and center, since the importance lies in what Waters is trying to get across to the audience, decorated somewhat casually by his singing and the music. With Pink Floyd, the marriage of Waters' concepts and ideas with the talented musicianship of the rest of the band presented a complete masterpiece in both thought and music, while his solo efforts lean more toward the conceptual aspects of his work. With this in mind, The Pros and Cons of Hitch Hiking continues to showcase Waters' unprecedented knack of addressing his darkest thoughts and conceptions in a most extraordinary fashion." - allmusic.com
    $8.00
  • The US "35th Anniversary Edition" is now out of print and truth be told it sounded like crap. This is the UK edition overseen by Kerry Minnear and is light years better. It features better sound, nicer package and a lot of live bonus tracks. One of the greatest prog albums of all time. A cornerstone album for any collection.
    $10.00
  • "After what has been a rather public and unseemly split from Nightwish (déjà vu anyone...?), onetime Alyson Avenue front-lady Anette Olzon returns with her first solo album, Shine. For anyone expecting something akin to the Nightwish bombast and bluster, it is an album set to surprise, possibly shock and ultimately disappoint. However, for those willing to simply take this album at face value, the surprise will be of an altogether different variety; a classy mix of Pop hooks, grandiose arrangements, intimacy and a sprinkling of the eccentricity which marked Kate Bush out, creating a quite beautiful, confident record that really does indeed shine very brightly indeed. What Shine also allows Olzon to do, is to illustrate a voice that soars, whispers, commands and seduces, revealing far greater facets and variety than her previous musical situation could ever have allowed. Put simply, like the music here, or not, there's absolutely no denying that Anette Olzon is mightily impressive.Thankfully, it is also extremely easy to give in to the music's charms, Olzon surrounding herself with a crack team (Stefan Orn, Johan Glossner, Johan Kronlund) of songwriters, producers and mixer-masterers, to craft a set of songs that are reasonably simple, memorable and thoroughly captivating. The likes of "Lies" hits like a shimmering Evanescence, "Invincible" is a string and voice (and plaintive guitar as the song builds) masterclass of stark melancholia, "Moving Away" a Scandi-folk tinged piece of adult Pop which works tremendously well. Add to that opener, "Like A Show", which fuses strings to slow electro-beats and a fragile vocal; "Falling", which I could imagine a stripped back Scorpions attempting, and the wonderful, soaring, is it Pop, is it Rock of the album's title track and not only do each and every one of the songs hit their mark, but they do so with enough eclecticism to stand up to repeat listens. And I haven't even mentioned the Kate Bush "Army Dreamers" clone "Floating", which while landing possibly too close to this particular Bush, is still a highlight. Factor in the commercial nous of Abba in places, and Shine really becomes a rare beast. An intelligent, yet utterly accessible and singalongable Pop come Rock album.Some may have thought that Anette Olzon's departure from Nightwish signalled the beginning of the end of her career in the limelight. On the strength of Shine, it is only just the beginning." - Sea of Tranquility
    $8.00
  • "Quite the misleading band name, ya know? Project Arcadia isn’t much of a “project” as it is a Bulgarian outfit fronted by the ever-awesome Urban Breed, he of Tad Morose, Bloodbound, and currently, Trail of Murder fame. Prior to Breed joining, the band released From the Desert of Desire in 2012 to rather muted results, as in, no one on this side of the pond gave a flying toss. Sure enough, add Breed to the fold, record a new album in the form of A Time of Changes, and viola, Nightmare Records takes care of the rest. Not a bad deal.Hovering around traditional power metal and 80s metal protocol (the accompanying bio cites MSG and the Scorpions, which there is scant correlation), Project Arcadia wisely focus on the considerable vocal talents of Mr. Breed. He’s given ample breathing room to allow for his superbly melodic and hefty pipes to get their kicks, like on the soaring chorus for “I Am Alive,” and the acoustic-led “The Ungrateful Child,” which sees the Swede go full-on tender. But for the most part, the band plays it muscular, hitting some brute riffs in stride on “Formidable Foe” or finding some double-bass happenings on opener “Here to Learn.”The addition of Breed is sure to bolster Project Arcadia’s profile immediately. However, being that Breed is also known for being a bit of metallic nomadic, one had to wonder how long he’ll stick it out with the band. But the songs are certainly here on A Time of Changes, suited perfectly for Breed, who ten years after his shining moment on Tad Morose’s Modus Vivendi, can still hang with the best of ‘em. If the Swede was smart (and he is), he’ll stick with this, and Trail of Murder and keep on being productive…" - Dead Rhetoric
    $12.00
  • Archangel is the side project of Ubi Maior (and former The Watch) keyboardist Gabriele Manzini.  Like the first album, this one is a concept piece.  I guess vampires are in vogue these days so we get stories of Countess Bathory, Nosferatu, et al.  The musicians on the album are drawn from Ubi Maior, Red Zen, and some other Italian bands.  The key to the album is the return of Damian Wilson who once again stands out as one of the featured vocalists.  The music is squarely in the prog rock vein with a keyboard orientation but with an overall harder edge.  The overall tone of the album is gothic dark.  Manzini includes two cover tunes - he takes his own spin on BOC's "Nosferatu" and Roxy Music's "My Only Love".
    $15.00
  • "Tracer release their new album ‘Spaces In Between’ on October 3rd (UK release) on the Cool Green recordings label.  The Australian desert rockers, who are based in Adelaide, comprise of brothers Michael and Leigh Brown and Andre Wise. They have had success with two previous independent releases, but ‘Spaces In Between’ will I feel launch Tracer to new heights.Tracer’s blend of 90’s stoner and 70’s classic rock is steeped in epic guitar sounds, clever hooks and raw, uncompromising vocals.I hope (and imagine) that Tracer can reproduce live on stage the intensity and passion and raw rock n roll that is so evident in this album. With the UK tour coming up I think we should all go and check out these Aussie contenders!“So what’s the album really like?” I hear you say.   The album starts with ‘Too Much’ and a great start it is. A guitar riff straight from the 70’s classic-rock bible. A solid, constant rhythm throughout. A very catchy rock song, which is understandably the first single from the album.Check out the video belowTrack two; ‘Push’ has a more laid back feel. It still rocks, but in a groovier kinda way. If Jimi Hendrix and Paul Rodgers had a lovechild, it would sing like this!‘Walk Alone’ continues the 70’s rock vibe. A solid drum beat throughout which has a simple yet traditional guitar riff over the topThe fourth track, ‘Louder Than This’ is stoner rock at its finest. Distorted vocals over a solid pounding drum beat, with guitars turned to eleven. There is almost a Slade vibe to this song. I can imagine Noddy Holder belting this out in the 70’s.The next track ‘Devil Ride’ goes back to the rockier tempo of track one. Definitely the catchiest chorus on the album so far.  I have a feeling that ‘Devil Ride’ might just be the next single.Track six is another thumping tune. ‘ The Bitch’ is the song which will get the crowd going wild in the mosh-pit, although they will still sing along to the chorus, with devil-horns flying high.The seventh track, ‘Voice In The Rain’ has a much slower pace than most on the album. The Paul Rodgers comparison to Michael Browns vocal is most evident here. A great performance.The album’s title track ‘Spaces In Between’ is the stand out track. The bass line complements the raw guitar sound and you find yourself singing along to ‘The Spaces In Between’ line of the chorusTrack nine is ‘Dead Inside’. This starts slow and Bluesy, rocks in with screaming vocals and guitar solos, slows back down again then totally rocks out towards the end. A clever song, which highlights the bands musical talents.‘Save My Breath’ is another pulsating rocker with some nice stop/start moments and even a little psychedelic middle eight!‘All In My Head’, the eleventh track, is a mellow rocker with another catchy chorus.The album closes with ‘Won’t Let It Die (Run Mary)’. A shot of Bad Company, a dash of Led Zeppelin and topped up to the brim with Jimi Hendrix.  Get the idea? A laid back song but with great guitar work, especially the solo. This will have you singing along by the end." - I Review Rock
    $12.00
  • Remastered edition of the iconic first album from Ritchie Blackmore's Rainbow. At the time frontman Ronnie James Dio was an unknown singer from an upstate New York band called Elf. This released turned the hard rock world upside down. "Man On The Silver Mountain", "Catch The Rainbow", "Still I'm Sad"....it didn't get better than this...ever!
    $5.00
  • "Balansia is the third release from the instrumental prog outfit from Finland called Hidria Spacefolk. Their music, I discovered, is a more clearer description of what could be truly termed "acid rock" in my mind. Mikko Happos' guitar work explodes like a shooting star that rides, reaches, and discovers an endless night. Janne Lounatvuori accentuates the ride with pulsing, hypnotic synths, electric & acoustic piano, and organ, especially on the songs "Astroban" and "Pajas." The six tunes, which total just over 50 minutes, channel fluidly from the hot (as in molten core) rhythms of Sami Wirkkala's intricate guitar weaves, Kimmo Dammerts' steady bass, and Teemu Kilponen's pounding drums. Hidria Spacefolk is a proper name for this band, as the use of trumpet, cello, slide, vibraphone, and marimba help make the journey complete, adding folk instruments to their sonic approach for a unique sound. The band soars, roars, and rambles through the outer limits of galaxies not yet discovered. Highly recommended!" - Sea Of Tranquility
    $13.00
  • "Germany's Mob Rules hit an absolute home run in 2010 with their album Radical Peace, and the band is back with the equally stellar Cannibal Nation. Don't let the title fool you into thinking that the veteran power/prog metal act has gone all horror on us, as Cannibal Nation is another sizzling collection of melodic, heavy, power & progressive metal songs. With a singer as good as Klaus Dirks, Mob Rules already has a step up on the competition, and he once again delivers a stunning performance here. "Tele Box Fool", "Lost", and the brilliant opener "Close My Eyes" all feature his confident, powerful vocals amidst plenty of catchy melodies and challenging metal arrangements. "Ice and Fire" has been picked as the first single from the CD, and it's a hook laden slice of melodic power metal with Dirks' soaring vocals over tasty guitar riffs & solos from Matthias Mineur & Sven Lüdke with just the right amount of keyboards courtesy of Jan Christian Halfbrodt. The CD has its share of heavy thumpers too, like the headbanging "Soldiers of Fortune" and the crunchy, harmony guitar laden title track. For those that like the more proggy side of Mob Rules, there's the atmospheric "Scream for the Sun (May 29th 1953)" and the textured "Sunrise", both heavily melodic and dripping with emotion.Cannibal Nation is another fine, classy release from Mob Rules, a band that consistently delivers one winner after another without relying on traditional European power metal or progressive metal characteristics." - Sea Of Tranquility
    $15.00
  • "A Sound of Thunder's third full length album, Time's Arrow (2013), features 11 powerful and supremely catchy songs in the band's trademark classic metal style. The steel-armored wail of prodigal vocalist Nina Osegueda (called by some "the lovechild of Rob Halford and Bruce Dickinson") tops off deft performances by a band that knows how to deliver the goods. From the infernal metal intensity of "Queen of Hell", to the brooding and brutal "My Disease" (featuring Iron Maiden vocalist Blaze Bayley), to the fist-pumping anthem "I Will Not Break", A Sound of Thunder delivers a timeless album full of metal classics."
    $14.00
  • I can't remember a buzz on a band's debut since Circus Maximus.  Perhaps due to the album being released in Japan a year ago and its unavailability elsewhere, maybe because they are lined up to play ProgPowerUSA.  Whatever the reason the album finally gets a wide debut and it was worth the wait.  Damnation Angels is a British symphonic metal band fronted by a Norwegian singer.  He goes by the name PelleK and was a contestant on Norway's version of X Factor.  The band's stock in trade is epic sounding metal that pays a huge debt to Kamelot.  The instrumental passages take on the grandeur and scope of Nightwish.  PelleK does a sold job out front - he's obviously listened to a Khan quite a bit.  Highly recommended.
    $14.00
  • Second album from this New York based prog trio.  The band is heavily influenced by early period Rush but elements of Yes and Kansas pop up as well.  The album highlight is the near 18 minute epic "The Eternal Spring".
    $11.00