Swaddling Songs

SKU: ECLEC2044
Label:
Esoteric Recordings
Category:
Folk Rock
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New edition of one of the most gorgeous psychedelic folk albums of all time. Comes with detailed liner notes. Fans of Trees and Fairport Convention must own this. Actually everyone must own this.

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  • Brilliant double live set clearly demonstrates that Mr. Hackett can still bring the thunder to the stage. The set was drawn from shows in Paris, London, and New York during the 2009/2010 tour. With a great line up and a set list that digss into his solo career as well as Genesis gems, this is impossible to pass up. Simply awesome!
    $12.00
  • "Esoteric Recordings are proud to announce the release of a deluxe 2CD edition of The Crazy World Of Arthur Brown. The Psychedelic Rock classic burst forth in 1968, topping the albums charts on both sides of the Atlantic and spawning the hit single Fire. The rock world discovered the delights of rocks supreme showman Arthur Brown and his influence would be felt the following decade when Alice Cooper acknowledged his debt to Arthur’s genius.Produced by WHO manager Kit Lambert and Who guitarist Pete Townshend, this classic album has been re-mastered and expanded to a two disc edition by the inclusion of rare single tracks, a BBC Radio One session from April 1968, alternate Mono mixes from the album sessions, and a version of Nightmare from the 1968 film, The Committee .Lavishly packaged in a slipcase with an extensively illustrated booklet with new essay, this is the ultimate edition of The Crazy World of Arthur Brown."
    $12.00
  • "First album (1970) of underrated Dutch band. A powerful collection of freaky, powerful progressive rock tracks with psychedelic leanings, dominated by composer, vocalist flute and sax player Bertus Borgers. Their music style was quite original and reminds sometimes to early Colosseum with frenetic sax and fuzz guitar riffing; also good use of organ and electric piano. A well done album which should have a wider audience. Informative booklet with band history by Bertus Borgers. From the masters."
    $21.00
  • From beginning to end their best (and probably proggiest) album. Masterpiece.
    $15.00
  • "Nefertiti, the fourth album by Miles Davis' second classic quintet, continues the forward motion of Sorcerer, as the group settles into a low-key, exploratory groove, offering music with recognizable themes -- but themes that were deliberately dissonant, slightly unsettling even as they burrowed their way into the consciousness. In a sense, this is mood music, since, like on much of Sorcerer, the individual parts mesh in unpredictable ways, creating evocative, floating soundscapes. This music anticipates the free-fall, impressionistic work of In a Silent Way, yet it remains rooted in hard bop, particularly when the tempo is a bit sprightly, as on "Hand Jive." Yet even when the instrumentalists and soloists are placed in the foreground -- such as Miles' extended opening solo on "Madness" or Hancock's long solo toward the end of the piece -- this never feels like showcases for virtuosity, the way some showboating hard bop can, though each player shines. What's impressive, like on all of this quintet's sessions, is the interplay, how the musicians follow an unpredictable path as a unit, turning in music that is always searching, always provocative, and never boring. Perhaps Nefertiti's charms are a little more subtle than those of its predecessors, but that makes it intriguing. Besides, this album so clearly points the way to fusion, while remaining acoustic, that it may force listeners on either side of the fence into another direction." - All Music Guide
    $5.00
  • The band's second album, originally released on Brain in 1973, is another stone cold killer. You have to love this - a disc filled with long jamming tracks of frenetic sax, guitar and organ soloing. The 14 minute "Trash Man" picks up speed as it moves through the track and totally blasts off with undercurrents of Santana-esque percussion driving it along. Monster stuff long over due. Now it comes to us with great sound, a 12 minute unreleased bonus track, liner notes, etc. Highly recommended. Essential listening.
    $21.00
  • Reissue of the band's long out of print album from 2001, originally released on Monster Zero.  The band's sound at this point is a bit more primitive and raw in a way - its definitely guitar freak out psychedelia but there is a desert/stoner rock feel.  More overly like Monster Magnet and Kyuss.  The brain blower is the near 20 minute "Elektrohasch" in wich guitarist Stefan Koglek really lets it all hang out.
    $16.00
  • Woodpecker is the debut release from singularly named Swedish vocalist AnnaMy (her spelling not mine).  Its a gorgeous album.  This is beautifully recorded gentle, melodic psychedelic folk.  Plenty of electricity here - most notably on electric guitar courtesy of Reine Fiske.  Undercurrents of flute and organ spice up the mix but the focus is on AnnaMy's stunning voice.  The overall sound pays homage to the greats of the 70s.  Think in terms of Trees, Mellow Candle, Caedmon, and Vashti Bunyan.  This one is a real grower.  Highly recommended.
    $16.00
  • New edition housed in a mini-lp sleeve."Vita sul pianeta" is a concept album released in 1973 by Car Juke-Box record label - the same of the first Le Orme's LP's - and recorded by Laser, a five-piece band from Rome previously named "Il Laser di Elvezio Sbardella" after their founder's name.Even if most people is interested in the album because it is extremely rare - one of the rarest ones in the Italian progressive rock field, printed in few hundred copies - music has to be re-estimated here, especially if we consider that the LP was recorded with a very limited budget and in just one take. Music is really varied, a hard rock guitar and keyboard-based, with hints of beat and blues.The band sadly split up right after the release of "Vita sul pianeta", due to the lack of support from the record label and the keyboard player leaving to join the military service. Very difficult to find also in its 2000 reissue, the album is now available again as a papersleeve CD and vinyl replica."
    $15.00
  • 1975's Warrior On The Edge Of Time finally sees a reissue courtesy of Esoteric Recordings.  This iconic album features the classic lineup of Dave Brock, Nik Turner, Lemmy, Simon House, Simon King, and Alan Powell.  The album was reissued on CD years ago and has been out of print for a couple of decades.  The band or their management never gave clear explanation at to why the album remained out of print.  One assumes a rights issue that remained unresolved.  This newly remastered version is transferred from the original analogue master tapes and features one bonus track - the b side "Motorhead".
    $17.00
  • In the late 80s/early 90s the British space rock/psychedelic scene exploded with so called "festival bands".  Many of these bands recorded one album and disappeared (anyone remember the great Cherokee Mist or Tubilah Dogg?).  Delerium Records signed many of these bands and zines like Ptolemaic Terrascope and Crohinga Well helped cultivate and nature the bands.  One of the bands signed to Delerium was a band called Omnia Opera.  Blim is actually an offshoot of Omnia Opera, with drummer Neil Spragg being the common thread.Blim recorded two professionally done albums that were only released on cassette.  This was still a popular medium and I imagine much easier for the bands to bring along with them to gigs and send through the mail.  Like many of the bands at the time Blim shared a musical affinity with Ozric Tentacles.  In other words the music had roots in the psychedelia of Gong and the space rock of Hawkwind.  In the case of Blim there were slight jazz undertones thrown into the mix.  You will hear similarities to Ozric Tentacles but you wouldn't think of them copying them.  Zero finds the band as a six piece and No Frills has a paired down lineup (now as a quartet). Blim deserved a better fate than what they got.  These guys could really play and their music was as good as any of the bands that got a deal.  If anything there music had a bit more complexity than most of their counterparts and that made their music all the more interesting.This 2CD set includes both cassette releases and each album has bonus tracks.  Over all its 150 minutes of prime space rock.  Highly recommended.
    $20.00
  • Third album from Isotope has been long out of print. This new remastered edition comes courtesy of Esoteric Recordings. By this time the band had fractured again, with Gary Boyle and Nigel Morris adding Dan Brown on bass and the keyboards of Zoe Kronberger and Frank Roberts. Its their least successful album as a touch of funk crept into the writing. Comes with four bonus tracks that consist of remixes from 2001.
    $17.00
  • Legit reissue with 5 bonus tracks from this 1970 monster UK rarity.  Red Dirt were a raw blues based quartet  but their music had progressive and psychedelic overtones.  Rippin' guitarwork through out.  Recommended to fans of Incredible Hog, Human Beast, and Groundhogs."Red Dirt were a blues band formed in East Yorkshire around 1968 comprised of Dave Richardson (vocals), Steve Howden (guitar), Kenny Giles (bass) and Steve Jackson (drums) who built up an impressive live reputation in clubs and venues in the North of England. They were subsequently signed to Morgan Bluetown, When released in 1970, on the Fontana label, their self-titled debut album sunk without trace and legend - or rumour - has it sold something like 100 copies. In the last forty years Red Dirt has become a rare and expensive album with more people having heard about it than actually seen an original copy. Although valued in the 2010 edition of the Record Collector Rare Record Price Guide at E650 copies have sold for over £800 on eBay.But what was the story behind Red Dirt? Amazingly, when Record Collector announced the first vinyl reissue of the album in late 2009 the article was read by an aspiring American journalist Betsy Green who was in touch with original guitarist Steve Howden, now working as a delivery driver in Hollywood. Green interviewed Howden and four decades later we finally found out that the band came together after drummer Steve Jackson approached Howden in a pub in Bridlington in their native East Yorkshire. Howden was keen and Jackson's friends Kenny Giles and Dave Richardson were drafted in on bass guitar and lead vocals. Richardson had worked with future Hull legend Mick Ronson as well as Michael Chapman.The band attracted the interest of Morgan Bluetown who signed them. Red Dirt were put into the studio with producer Geoff Gill. "We recorded the album in Morgan studios London," recalls Howden, "McCartney finished his album in there which was a big buzz for us. They booked us in from midnight onwards, to six in the morning and the album didn't take that long, around twelve hours I think. They managed overdubs for the vocals to get them right but I don't think they ever put them on. It was all very rushed and was only ever released in England" In fact the album was licensed by Morgan to the Fontana label who released Red Dirt in 1970 and it literally vanished without trace.There has been much speculation in recent years as to whether legendary record sleeve designer Barney Bubbles was responsible for the eye-catching sleeve image of a red Indian with 4 bullet holes in his forehead dripping blood. The rear sleeve credits the design to Teenburger, Bubbles Notting Hill based company. As a number of people worked for Teenburger it is impossible to confirm if Bubbles had a hand in the, sleeve design.As for the music, Red Dirt is a lost classic. There is an element of the Doors Morrison Hotel period and a whiff of Captain Beefheart and The Magic Band in the rocking driving blues of tracks like Death Letter and Problems. Song For Pauline on the other hand harks back to the Delta of Robert Johnston comprising of only slide guitar and vocals. Memories and In The Morning were probably considered as songs fit for release as singles as both have a compelling commercial edge and benefit from more extensive arrangements which the band augmented by what sounds like a mellotron and an organ that gives their powerful music more texture and depth.That Red Dirt's natural musical chemistry was honed on the live circuit is demonstrated on the riff and harmonica prowl of Ten Seconds To Go and the driving locomotive engine of Maybe I'm Right. There is also the acid smoke-folk of Summer Madness Laced With Newbald Gold which opens with Richardson groaning and laughing against a dirty guitar riff and the song is then propelled forward by drum pattern straight out of Safe As Milk. "It seems as if the red dirt is blowing into my eyes," sings Richardson on this outstanding track which sadly reflected the critical and commercial indifference that greeted the release of the album. It appears that the band later returned to the studio to record additional material earmarked for a second album that was, according to one press report when the band were supporting Mott The Hoople on a tour in January 1971 "nearing completion and should be available shortly".Sadly, the young Red Dirt dudes never did issue that second LP but this CD features five bonus tracks featuring Ron Hales on guitar who had replaced Steve Howden. So, as well as enjoying their debut you can also get down in the dirt and wrap your ears around From End To End, Yesterday And Today, The Circle Song, I'd Rather Go Back 15 Years and Tolly Cobbold. Thanks to Secret Records you don't have to pay an arm and a leg to do so!by Ian Shirley, Record Collector magazine" - Rockasteria
    $6.00
  • "2013 five CD set containing a quintet of albums from the shock rock legend, each housed in a miniature LP sleeve. Includes the albums Pretties For You (1969), Easy Action (1970), Love It To Death (1971), Killer (1971) and School's Out (1972)."
    $22.00