Target Earth (Ltd Mediabook)

"Voivod is timeless. That doesn’t mean that the Quebec progressive thrash metal band is frozen in stasis. Rather, it’s a testament to their uncompromising insistence on ever-changing, experimental futurism, with every album existing outside of contemporary style in some alternate universe where guitar pickups are wormholes and drumbeats ripple gravity wells." - Montreal Gazette

Limited edition mediabook includes 2 extra live songs, an expanded booklets and 2 stickers.

 

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  • First part of a trilogy from this German band enamoured with the idea of the rock opera.  Perhaps similar to an Ayreon album, it straddles the line between progressive metal and rock but with an overarching symphonic angle.  Like all traditional rock operas, various singers perform roles of characters in the story.  Lots of guest musicians/vocalists on this one."The world is under siege by an alien force –The Minders. They have declared war on the earth because they know that the humans will soon destroy the “mighty equation” in space. Humanity has become intelligent and technologically advanced but lacks the imagination and wisdom to see the devastation they wreak. The Magistrate has decided to annihilate the entire human race before its greed and pursuit of power can reach beyond its own planet. They send devastating solar storms to snuff out all life on Earth. The last surviving human “elite” fight to liberate their world and vow to “turn over a new leaf.” But a brave soldier named John believes that they have a very different plan…Beside the core of Flaming Row, Kiri Geile, Martin Schnella, Marek Arnold and Niklas Kahl, there are a lot of well-known guest musicians like Jimmy Keegan (Spock’s Beard, Santana), Leo Margarit (Pain Of Salvation), Kristoffer Gildenlöw (Ex-Pain Of Salvation / Rust), Ted Leonard (Spock’s Beard / Enchant), Magali Luyten (Ayreon / Beautiful Sin), Johan Hallgren (Ex-Pain Of Salvation), Dave Meros (Spock’s Beard), Eric & Nathan Brenton (Neal Morse), Arjen Anthony Lucassen (Ayreon / Star One), Gary Wehrkamp & Brendt Allman (Shadow Gallery), Diego Tejeida (Haken) and many more playing and singing on „Mirage“.So this time Martin Schnella reached his aim again. Putting the high musicality of unknown and famous musicians of the progressive rock/metal scene on one CD."
    $15.00
  • Expanded CD/DVD edition. The CD comes with 5 bonus tracks.  The DVD contains a 5.1 surround mix and a ton of documentary/interview footage.Without abandoning the sense of melody and dynamics that remain the Magenta trademark, Metamorphosis sees the band taking a darker, more intense path with powerful, sometimes disturbing subject matter."I think this album is going to surprise a lot of people," says keyboardist Rob Reed "It will challenge many people's preconceptions of what Magenta are, and what we are capable of musically. Most of it was written on guitar, so some of the material is heavier than before, whilst retaining most of the elements of the Magenta sound."The album also marks the band's return to long-form pieces of music, with two 20 minute-plus songs, and a new, richer sound with the addition of strings. "Watch out for some brilliant performances on the record." Reed says. "Christina Booth's vocals are just astonishing, Tim Robinson delivers a virtuoso performance on drums and Chris Fry has pushed the bar even higher than usual with some amazing lead guitar. I have no doubt that this is, by far, our finest album to date."Magenta was formed in 2001, quickly capturing the attention of progressive rock fans around the world with a sound influenced by the icons of the past. Over the years the band has performed at virtually every major progressive rock festival in the world including gigs at Rosfest, BajaProg, and Nearfest. Year after year, the band has received awards from various progressive rock publications. In 2007, the band won two awards from the esteemed British Classic Rock Society including Best Band and Best Female Singer.The album was mastered by Grammy winning engineer Bob Katz. To further enhance the package, Metamorphosis features startling artwork from the noted graphic design house Killustrations.
    $15.00
  • "I was first exposed to Cardiacs’ oddly compelling world when the video to ‘Tarred And Feathered’ aired on The Tube on April 17 1987. Six musicians wearing old-fashioned vaguely military-style uniforms, covered in badly applied make-up and cranking out the most eccentric music I had ever heard broadcast on TV, against a backdrop that looked as though it had been stolen from a 70s children’s show. I had no idea what to make of it but it certainly made an impression. A friend of mine said he liked it, until he realised that the seemingly chaotic nature of the tune was in fact scripted mayhem, written down as notes and not improvised at all. This had the opposite effect on me. I wondered how someone could write such music and what on earth their influences could be.When I briefly moved to Cambridge aged 18, my best friend there was a Cardiacs obsessive who used to terrorise his poor live-in-landlord by constantly screening their Seaside Treats video at full-throttle volume. There was something about those films - the childish petulance of the musician’s behaviour, the industrial surrealism of Eraserhead transposed instead to the garish English seaside - that I found irritating. But after a few listens, splinters of melodies had embedded themselves in my brain (abetted no doubt by the eruption of electronic mayhem that follows the command "take it Sarah" on ‘To Go Off And Things’) and resistance was no longer an option. I went out into the city centre and bought my first Cardiacs album, A Little Man And A House And The Whole World Window. Although subsequent releases by the band would mean I was forever revising which was my favourite, it was to mark the beginning of a lifelong love of their music.Perhaps their best known recording, ALM&AH&TWWW was Cardiacs’ fourth album and the first to be recorded in a proper studio - The Workhouse in the Old Kent Road in London, which was gutted by a fire soon after. Three cassette only albums, The Obvious Identity, Toy World and The Seaside, had preceded it, along with the Big Ship mini-LP. The classic line up of brothers Tim and Jim Smith on lead vocals/guitar and bass/vocals respectively, Sarah Smith on saxophones and clarinet, William D. Drake on keyboards and vocals, Tim Quay on marimba and percussion, and Dominic Luckman on drums, was expanded to include strings and a brass section. Ashley Slater added tenor and bass trombone, Phil Cesar brought trumpet and flugelhorn, while Elaine Herman completed the picture on violin. The band’s main creative force Tim Smith produced the album, which contained the nearest thing they ever had to a hit single, ‘Is This The Life?’ Tim once told me that demand for the single far outstripped stock from the initial pressing and although he tried to get more pressed up as quickly as possible, the plant where they were being made was also pressing copies of Kylie Minogue’s ‘I Should Be So Lucky,’ and was already at maximum capacity cranking out copies of her massive breakthrough hit. A quick look at the timeframe suggests the story could have been true, but as this was exactly the kind of self-penned apocryphal tale that Tim could never resist indulging in, I’m still unsure as to whether I believe it or not." - The Quietus
    $18.00
  • Cheap copies of the iconic fourth album from Yes.  This is not the remastered edition - so this could be good or bad depending on your point of view.  Some people prefer the earlier editions.
    $5.00
  • "Sinbreed is the project around 27 year old Guitarist Flo Laurin who joined forces with dedicated artists of the European metal scene. The blistering combination of speed, melodic and aggressive arrangements combined with high and soaring vocals characterizes Sinbreed's distinctive Power metal, and they now present their debut album "When worlds collide".The project has been in the making since the late nineties by founder Flo Laurin, and piece by piece everything has fallen in place; from the style of the music, the influences and the band members. Three demo’s were recorded, and the last one was voted “Best newcomer of the month” in Germany’s Heavy Magazine. During spring 2009 a deal was made with Sweden’s Ulterium Records, and the band started to work hard on their debut album.The members of Sinbreed are Frederik Ehmke [Blind Guardian] on drums, Hebie Langhans [Seventh Avenue] on vocals, Alexander Schulz on bass and Flo Laurin who handles guitars and keys. For the mixing and mastering of the album the band decided to work together with the highly acclaimed producer Markus Teske, famous for his work with Symphony X, Vanden Plas, Neal Morse among others.Guests on the album includes Thomas Rettke [Redkey, Ex. Heaven's Gate], Joost van den Broek [Ayreon, Star One] and Morten Sandager [Pretty Maids]. The artwork was created by Felipe Machado Franco [Iced Earth, Ayreon, Pyramaze] and the booklet by Markus Sigfridsson [Darkwater, Harmony]."
    $15.00
  • Long out of print 2nd album from this Los Angeles based thrash band featuring Gene Hoglan on drums.  2008 versions with 8(!) live bonus tracks.
    $8.00
  • OK WE GOT A HOT ONE HERE!  Latest album from keyboard maestro Lalle Larsson is full-on balls to the wall fusion.  He's hooked up again with Richard Hallebeek, who is one of the great Holdsworth clones out there.  The rest of the band is Stefan Rosqvist (rhythm guitar), Jonas Reingold (bass), and Walle Wahlgren (drums).  Larsson lays down lethal synth leads and swaps back and forth with Hallebeek who matches him with dexterous legato runs.    Time will tell but I think this may be Lalle Larsson's best solo album yet!  Highly recommended.
    $16.00
  • Kingfisher Sky is a new Dutch ensemble put together by former Within Temptation drummer Ivar De Graaf along with classically trained vocalist Judith Rijnveld. Ivar left Within Temptation to pursue other musical interests. His collaboration with Judith produced a brilliant debut that encompasses progressive rock, gothic metal and mystical Celtic themes. At times the music bears some similarities to the more mainstream direction that Within Temptation went with their latest release, but the music has more of a prog rock feel. There is a heaviness that permeates the album due to the background of the rhythm section (bassist Eric Hoogendoorn was in Orphanage) but despite the crunch of the guitars it never quite crosses over into metal. Judith's vocals are simply amazing - she sings with incredible control and range - somewhere between Sharon Den Adel and Christina Booth. This is not hyper-complex prog. It relies on moods created by the vocals and writing. The moodiness of the ballads evokes Kate Bush, Tori Amos, Peter Gabriel which the more agressive tunes suggest Porcupine Tree, Within Temptation and even Pink Floyd. For my particular taste this is a different kind of album that pushes the right buttons. If it was a bit heavier we'd probably be referring to it as a metal album but it's not (I do love that crunch though). The band's label is trying hard to not ride the Within Temptation connection too heavily, hoping that the band's music will stand on its own - it does and then some. Having said that it's impossible to deny the musical connection. Highest recommendation! Kingfisher Sky on Myspace
    $6.00
  • "NoSound is an Italian band headed by Giancarlo Erra on vocals, guitars, and keyboards; including: Marco Berni, on keyboards and vocals; Alessandro Luci, on bass, upright bass, and keyboards; Paolo Vigliarolo, on acoustic and electric guitars; and joining them for their fourth album is accomplished drummer and former Porcupine Tree member, Chris Maitland.As a fan of the band it was great to receive this promo copy of the album.Here are my thoughts on 'Afterthoughts'.'In My Fears', opens with the solo electric guitar strumming familiar on many a NoSound album. Only this time it sounds like something far away…approaching through the mist, like a boat on the still ocean, or someone walking on the beach and slowly coming into sight,. The screeching guitar/keyboard effect that whirls around the original lead guitar only adds a soft breeze to the mystery. Giancarlo's first vocals enter the realm of consciousness, "I still feel the glow of this morning light". "I wish I could stay". "Days are so bright". Perfect. Soft, intricate piano, surrounded by waves of guitars and bass, with drums rising like wave crests. Wishin' you were there…huh?'I Miss the Ground' starts with a deeper pitched electric guitar echoing in that familiar way that Giancarlo creates mystery. Then, "I started all over again". And yes, the sound of the band has changed. There are the familiar waves of emotion which follow the guitars and keyboards, only this time more direct and somehow with more power. Erra's vocals are clearer than on past albums. Maitland's touch is different. The clashes and crashes shimmer more brilliantly than before.'Two Monkeys' opens with some beautiful trademark piano, surrounded by soft bass and soaring guitar, drifting off into the distance. Then Erra's vocals unfold the emotional and deep story of the two monkeys. "When I was young I believed there were two monkeys here". "Living in the trees between my arms and the sea". "Someone told me once that was their home". "But their life was sad because they were alone". The piano and keyboards are full of emotion. The writing and singing is…as always full of intense emotion. An even more powerful sounding version than the EP.'The Anger Song' opens with very interesting and unique guitar sounds. Then Maitland takes the stage to add his signature drum sound as the keys and guitars weave mystery around the soundscape. This track has an ever engulfing sound of waves of ocean and emotion which has always been a trademark of the band. It takes me back to "About Butterflies and Children", only this is the other side of happiness and bliss. If it is anger, it is soft anger, until Maitland picks it up a notch and drives louder as the waves of sound crash harder . The waves of guitar and keyboards crest and fall like waves, with Maitland adding the whitecaps to everything brilliantly.'Encounter', opens with wandering piano and drifting guitar chords mixed well with soft tapped drums. Giancarlo's voice enters, "I waited for you at the airport today. To hear what you wanted to say". The sad cello accompanying him brings out the full range of emotions filling the air. The keys surrounding, add mystery to this encounter.'She' is full of brilliant piano and soft tapping drums at the start. The excellent grinding electric guitar which enters with Maitland's drums and keys is sizzling white hot. Erra's vocals bring the emotion, reaching out to touch the subject of the story.'Wherever You Are' is full of more soft emotion and excellent acoustic guitar. Keys surround the mix, but not the waves from before, only soft cello – mixed symphonic keys providing a rich contrast to what has already been heard. Maitland's drums help pick up the pace and pour forth another helping of shimmering and solid sound.'Paralyzed', opens with more soft piano and soft electric guitar. That electric guitar later launches into full blast to pierce the sky and rain down cymbals full of glow. The guitar work on this track is some of the best on the album.'Afterthought', is full of some of the best piano on the album. It opens like the sunrise with soft piano crawling its way to your ears. Erra's vocals are at their peak and the bass, keyboards and drums deliver their best for this closer.This is a dreamy, surf riding wave album full of emotional undercurrents. Maitland's addition to the band has brought more highs and a more powerful drum delivery. The clarity which rains supreme on the mix of this new album points the compass in a new direction. The waves of guitar and keys fill the air and Erra's vocals are clearer and more emotional than on past albums. As always, this band performs as consummate professionals. No afterthoughts or worries on this album. It is another stellar performance. Don't miss this latest chapter in the story.The 2 disc edition of 'Afterthoughts', will include a DVD-A/DVD-V (NTSC 16:9, Region Free) version, with stereo and 5.1 surround high resolution 24bit / 96kHz mixes, plus DTS and Dolby Digital 5.1 surround versions. " - Sea of TranquilityNosound - Wherever You Are (from Afterthoughts) from Kscope on Vimeo.
    $15.00
  • Great third album from this Canadian occult hard rock outfit.  Blood Ceremony's music is steeped in the sounds of the early 70s.  Female vocals, flute, Hammond organ, and good old crunchy guitar riffs woven together with mystical lyrics are the tried and true formula and damned if it doesn't work again!  Its not quite as over the top as The Devil's Blood in terms of lyrical content but they definitely drink from the same gene pool.  Some softer, folky bits creep in but there is no doubt that this is a hard rock band.  Highly recommended. 
    $13.00
  • Darker is the long awaited second album from Swiss progressive rock band Dawn. It has been 6 years since the quartet rocked the prog world with their expert take on old school symphonic rock.Dawn formed in Montreux, Switzerland in 1996.  Since then the band has performed at the famed Montreux Jazz Festival, as well as at Swiss prog rock festivals Progsol, and Montreux Prog Nights.  The band has also opened for Kansas and Fish.  After a series of line up changes the band began to focus on their sophomore release in 2010 and perform them in concert.Dawn’s music is riddled with vintage keyboard sounds and flowing guitar solos.  Plaintive vocals ascribe a kinship to the British Canterbury prog family tree.  The album is conceived as a series of compositions dealing with Man in the 21st century: his fears, his conception of life, his reaction to technology, nuclear power, and the planet’s suffocation.  Darker was recorded in 2013 by Olivier Charmillot and mastered by noted audiophile engineer Bob Katz.
    $14.00
  • "Don’t let the Appearance Of Nothing distract you from hearing A New Beginning, because, despite such deception, there’s a lot to be enjoyed from one of Switzerland’s few progressive metal bands. I’ve decided to adopt a policy of responding to stupid band names with stupid puns, and I won’t stop until they do. Appearance Of Nothing plays straightforward melodic progressive metal that’s heavy on the melodic. The band has been around for about ten years, and this is their third album. For fans of their first two albums, as well as fans of the more accessible forms of progressive metal, this is a very strong release.Expect synth and guitar heavy music. Every song is carried by crunchy rhythm guitars, and I’m happy to report that the recording and production is spot on to allow them to really shine. As far as distinct strengths of the album: look no further the choruses. Every single one, particularly on the daunting 14 minute title track, is remarkably catchy. This memorability, along with the consistently driving pace of the album, makes it a very easy and enjoyable listen. The lead vocal performance is also pretty great, and the songwriting even manages to accommodate interspersed harsh vocals. Usually throwing harsh vocals into melodic prog is a quick turn-off for me, but I applaud Appearance Of Nothing for pulling it off.Where drawbacks are concerned, I can’t point to any specific “problems”, but there are a few minor disappointments. For a pretty heavy synth presence, strong vocals, and ample songwriting diversity, I was disappointed with the overall atmosphere of the album. While the songs were certainly strong, they lacked a unique identity. This isn’t so much a drawback as it is lost potential for a band that’s got everything else they need to be really, really good.Certainly check out the single “Chains Of History”, as well as the title track. As common to great progressive music, it’s often that the longest song ought to be the best, and that’s certainly true here with the title track. I again applaud solid work from the studio to draw out a powerful performance so that it actually sounds powerful. Where technically proficient progressive metal meets great melodies and an excellent performance, you can’t go wrong." - Black Wind Metal
    $15.00