Three Fates Project

SKU: 3020671652
Label:
Varese Sarabande
Category:
Progressive Rock
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Three Fates Project is a collaborative effort from the Keith Emerson Band and the Munchner Rundfunkorchester conducted by Terje Mikkelsen.  The material is drawn from the ELP catalog but also covered are pieces by Marc Bonilla, Alberto Ginastera as well as Emerson's solo work.  Its an all instrumental orchestral interpretation of the compositions augmented by the Keith Emerson Band.  Surprisingly its rather refined.  Emerson does play a variety of synthesizers but they don't really jump out strongly in the mix, instead piano seems to dominate his playing.  The centerpiece of the album is Tarkus.  Its the track where the band lets their hair down - Bonilla gets a bit heavy handed with his guitar distortion, Emerson gets a bit nuts with the Moog, and the rhythm section goes all Carl Palmer on us.  All in all its a true integration of band and orchestra and not just the band being backed by the orchestra.  I'm not one for mucking around with the classics but this is really tasteful and is a fun listen.  Highly recommended.

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  • "The phrase, "A New Dawn" has become one widely used these days with the ascension of the Obama presidency in the United States, and certainly, that is a breath of fresh air for most of us. However, it’s also a good time for a metal band, with that phrase as a name, to make a serious arrival on the international music scene.A New Dawn isn’t really new. They’ve actually been around since 1998 in one form or another, although they began as a side project. Several demos and one semi serious EP and DVD later, the band has released the title under review here and is primed for a run at the big time.The band is a 6 member group headed up by a duel female lead. That lead, Sanne Kluiters and Jamila Ifzaren do something of an operatic front end. The guitars are provided by Elbert de Hoog, bass by Michel van Beekum and drums are compliments of Rik Bruineman. The final member is Michiel Glas whose responsibilities include vocals and grunting. Poor Michiel has the unenviable task of replacing the lovely Monica Janssen who played bass and was clearly the most impressive female grunter in metal. She was always, for me, a significant interest in this band and will be missed, but, as they say, the show must go on.It should be noted, however, that this CD was actually produced with a different lineup, and Monica is the grunter and bass player here. The additional clean vocals are done by a friend of the band, David van Santen. Willem Cremer performed on guitar and Peter van Toren did drums on this recording. With the completion of the CD, the changes came about, so this is the swan song for Monica. And that’s unfortunate but certainly not devastating. Lineup changes in European bands, unlike many American bands, are like changing your clothes in the morning.Doesn’t matter really who does the grunting, this is a B & B Gothic metal band. That Beauty and the Beast approach serves as the focus of A New Dawn and carries through much of the music presented here. And, as B and B bands go, this one is pretty good. They’re Dutch of course, and utilize a style found in numerous western European bands, even if the composition is a little unique. The sound, however, is pretty much mainstream metal, with a few twists.Falling from Grace opens with a beautiful little piece called Black Lotus, the two female leads doing an operatic harmony over a lovely symphonic background. You get the feeling we’re in for a lovely bit of harmonic Gothic, heavily orchestrated. Something like what we’d hear for a movie about life in the Middle Ages. David van Santen even joins in with a lovely male vocal component to augment this direction. The tome lasts some 1:22. . .. and then things change.As mentioned previously, A New Dawn is Gothic Metal, fairly hard Gothic Metal over a solid guitar base. The vocals, the female vocals anyway, are operatic, but they ride a cushion of heavy guitars to get where they’re going. Living Lie begins this journey, and pretty much introduces the real A New Dawn. And Monica’s grunting provides a highlight to the composition.Arguably, the most interesting song might be the following title, Veil of Charity. It made the Sonic Cathedral release A World of Sirens and gets significant airplay on the radio outlet. The song opens with an interesting guitar line over a metal core. Things heat up fast and flow to the duel female lead, which is juxtaposed against the grunting female vocals. This is, of course, the core of the A New Dawn sound and is probably the best implementation of that sound on the CD. Guitars are always secondary to the vocals with A New Dawn but they cannot be ignored, especially on this title. They are solid and get significant solo time, as well they should.The CD being somewhat new I haven’t been able to get lyrics online. However, the English of singers Kluiters, Ifzaren, Janssen and David van Santen is excellent so you can pretty much understand everything they’re singing. That’s not always the case with European bands, especially as they move further to the east. When you get to the Russians, they quit trying.A New Dawn does most of its work in heavy mode. However, there are exceptions. Wisdom of Hindsight is actually something of an acoustic number, at least at first. Vocals are different as well. The band does a sound like a Medieval Folk song on occasion, and this is one of those numbers. However, even here, the metal comes back at some point, but the movement back and forth is really interesting. There are almost three or four distinct styles here in one song.The acoustic sound carries through on other numbers as well, especially as an intro. A short number, Prelude to a Farwell, uses this technique to serve as a mid point on the CD, almost like an intermission, very beautiful and moving.That midpoint takes us to the second part of the CD, introduced by Kissed Goodbye. Again, the song starts slowly with a moving guitar that takes us to the lead female vocals. It should be pointed out that these vocals are not all that similar and are used differently, even when done at the same time. One is more operatic, the other less so, and they work in different ranges. Very different in the style and effect. Anyway, the slow stuff doesn’t last long, the guitars crank up and the metal goes full tilt.Much of the second part of the CD follows this format, slow and dreamy intros that lead to a crunching guitar guiding the female vocals to their face offs with Monica’s grunting.The final number, Ascension, Part III, is worth mentioning. It’s been a favorite of mine for some time and has video clips on YouTube where you get to see Monica (and the rest of the lineup at that time) in performance. This is one of the songs where the grunting is more up front, the guitars are a bit harder and we get the image of A New Dawn on stage. Of course, the two female vocalists are a delight and the band performs this number in much the same style as they would on stage, there is an electricity to their sound that transcends the recording.I’m sure that, in all respects, the band is every bit as good as ever, but I’m sure going to miss that little brunette bass player with the killer voice. Fortunately, we still have the strong contributions from the two female leads who carry the majority of the load.Oh well, progress is inevitable, and, in this case, we move with the tides. A strong offering from a band we will, no doubt, hear much more from in the future." - Sonic Cathedral
    $17.00
  • "Machine Men is a group of young Finnish men (all in their early 20’s) playing traditional melodic heavy metal. The band formed in 1998, and after some demo activity, finally recorded their debut album, Scars & Wounds in 2002 on Dynamic Arts Records in Finland. Earlier this year, Machine Men signed a worldwide deal with Century Media Records. That brings us to the present, which sees Machine Men released their sophomore album, Elegies.Although they are from Finland, Machine Men have not followed the easy path of becoming another Stratovarius / Sonata Arctica clone. Instead, the band has chosen a more traditional metal flavor for its sound. A very obvious Iron Maiden influence flows through the entire album, yet the production gives the album a feeling more similar to Bruce Dickinson’s recent solo albums. Anthony, Machine Men’s lead vocalist sounds like Dickinson’s twin brother more than just a few times on this album. He doesn’t possess quite the range or power as the “Air-Raid Siren” himself, but Anthony is certainly an excellent vocalist that is perfect for this band. Just to make the Iron Maiden / Bruce Dickinson comparison more complete, I’ll point out that Machine Men (the band’s name) is also a song title from Dickinson’s Chemical Wedding album. That’s not all, check out the last track of Elegies. Yes, that version of Freak is a cover of the opening track of Accident of Birth!Well, after what you’ve read up to this point, you can surely guess that this album is not exactly original or groundbreaking. True. However, Elegies is an excellent album, proving that the band is great at what they do, and able to create songs that have a definite lasting value. Aside from the outstanding Dickinson vocal performance, strong guitar work is a key ingredient to the band’s music. Of course, the band loves to employ lots of dual leads and classy guitar solos. The rhythms forge ahead with a force and heaviness very similar to the heavier side of Accident of Birth. However, songs such as October and From Sunrise to Sunset see the band delve into slow and mid tempo territory, and they pull it off quite well. The guitar work is still crunchy and authoritative in both instances, which gives the songs a sense of urgency despite their slower approach. All around, the guitar sound is heavy, not sounding at all like a retro tribute to Iron Maiden. As I said earlier, the guitar sound is has a tone similar to Bruce Dickinson’s solo about, but technically executed in a way very similar to classic Iron Maiden. Having said that, Machine Men make no secret to hide their chief influences, yet they are able to add their own touch, and thus create an inspired and personal sounding album. Before I know it, 45 minutes is up, and the album comes to a close. That can only be considered a good thing, I suppose. Each of the songs is a keeper, no filler on this album at all. The guys add a nice, but not overpowering melodic quality to their music. A very nice balance is struck between heaviness, vocal prowess, and catchy, melodic parts. This all adds up to produce an album with lasting power that is sure to please. Although the Iron Maiden / Bruce Dickinson influence is inescapable, Machine Men are able to add just enough of their own touch to the music. Furthermore, the guys are just great songwriters.I hadn’t heard of this band before, but Elegies is enough for me to become a fan of Machine Men. This is the type of album that can easily stay in your listening rotation for weeks at a time and not get old. Obviously, fans of Iron Maiden and Bruce Dickinson’s solo work should check this album out. These guys certainly provide another dimension to the Finnish metal scene. As long as the guys keep coming up with quality songs and consistent albums such as Elegies, there’s no reason not to expect them to have a successful career." - Metal Reviews
    $4.00
  • Brilliant classically influenced Italian prog album. Pierrot Lunaire was a trio led by keyboardist Arturo Stalteri.  Delicate music that easily fits into the "Rock Progressivo Italiano" movement.  One of the great ones.
    $15.00
  • "Symphonic Power/Progressive metal group Wind Rose are sure to impress with this epic new album Wardens Of The West Wind. If you appreciate groups like the rousing metal bands Fairyland and Blind Guardian then I do suggest that you give Wind Rose a go.This is their second full-length album, and although I haven't heard Wind Roses's first Shadows Over Lothadruin from what I have read as impressive as that album was the Italian band has stepped up their game with Wardens Of The West Wind. That very cool cover art is by Felipe Machado Franco his other work can be seen on metal albums by the likes of Blind Guardian, Brainstorm, Rage and Rhapsody Of Fire. Bass player/producer Cristiano Bertocchi a former member of the prominent Italian metal groups Labyrinth and Vision Divine had also spent time working with Wind Rose and he joined the band in 2014.Folk ingredients are present and with the inviting sounds of traditional instruments and male chants on "Where Dawn And Shadows Begin" this is the precursor to some rather spirited metal on "Age Of Conquest". "Heavenly Minds" is very memorable with a touch of Symphony X in the chorus. Though the band is inspired by Symphony X and also Blind Guardian and Dream Theater. Wind Rose's songs really captivate, Francesco Cavalieri's excellent lead and those male group vocals are very likeable and they are integrated to great effect. The musical side of Wind Rose is also riveting with a fair degree of complexity, power and that symphonic charm plus while yes it's present Wind Rose's songs aren't constantly locked in rapid metal mode.The longest track a potent epic called "Skull and Crossbones" is just over seven minutes, but there is no need for those over extended songs on Wardens Of The West Wind when the ten on offer should more satisfy your epic musical needs. Wardens Of The Wind should go a long way to ensure a steady increase in the number of Wind Rose fans." - Sea Of Tranquility
    $15.00
  • "Finish symphonic metal titans, Nightwish, return with their new epic masterpiece Imaginaerum. The highly anticipated release is more than a new album but the inspiration and soundtrack to the upcoming full length fantasy movie, Imaginaerum. Special edition contains a 2CD set with the full length album as well as a Bonus CD with all instrumental tracks from the recording."
    $17.00
  • Wonderful new Christian Vander/Magma tribute set coordinated and released by Soleil Zeuhl. There are 25 different bands participating - some of the "higher profile" names include Minimum Vital, Klaus Blasquiz, Pochakaite Malko, Patrick Gautheri, Setna, Simon Steensland, Forgas Band Phenomena, Guapo, Jannick Top, Gerard Prevost Trio, Neom, and as they say...many more!
    $11.00
  • Dream Theater began their mammoth A Dramatic Tour Of Events world trek in July 2011 with the final leg in South America taking place in August 2012. It was here at the Luna Park arena in Buenos Aires, Argentina that they decided to film the two nights that go to make up this DVD release. It was Dream Theater's first tour with new drummer Mike Mangini and all the tracks from their first album together A Dramatic Turn Of Events are included in either the main show or the bonus performances. Dream Theater are rock s supreme virtuosos with many awards to their name and here in concert they bring all the power and drama of their music to life with breathtaking performances of classic tracks from across their career.Features many of their classic tracks including: Metropolis Pt. 1 , The Silent Man , Pull Me Under , The Root Of All Evil , The Test That Stumped Them All , The Spirit Carries On and the recent On The Backs Of Angels .Bonus FeaturesDocumentary / Trailer / Behind The Scenes / Cartoon IntroBlu-Ray1) Bridges In The Sky 2) 6:00 3) The Dark Eternal Night 4) This Is The Life 5) The Root Of All Evil 6) Lost Not Forgotten 7) Drum Solo 8) A Fortune In Lies 9) The Silent Man 10) Beneath The Surface 11) Outcry 12) Piano Solo 13) Surrounded 14) On The Backs Of Angels 15) War Inside My Head 16) The Test That Stumped Them All 17) Guitar Solo 18) The Spirit Carries On 19) Breaking All Illusions 20) Metropolis Pt. 1Bonus Tracks1) These Walls 2) Build Me Up, Break Me Down 3) Caught In A Web 4) Wait For Sleep 5) Far From Heaven 6) Pull Me Under
    $15.00
  • Kaipa's first two albums were probably the pinnacle of 70s symphonic rock in Sweden.  The band featured a very young Roine Stolt on guitar.  The band also featured keyboardist Hans Lundin who also handled vocals (in Swedish so be forewarned).  Lundin resurrected Kaipa and they are still going now.The first album from 1975, features a sound that is very much an amalgam of popular British bands like Yes and Genesis.  Hell - toss in a touch of Camel if you like.  Lundin's upper range vocals will remind you a bit of Jon Anderson in places but he never goes for the stratosphere.  On the other hand his keyboard work features a fair amount of Mellotron - never a bad thing.This 2015 remastered edition comes with two bonus tracks.
    $12.00
  • This is Steve's full on forray into Brazilian music. He worked with local Brazilian musicians coming up with an interesting blend of progressive rock and world music flavors.  New digipak edition comes with bonus mp3 tracks.
    $11.00
  • "Orang-Utan were in fact a London-based band called Hunter, featuring vocalist Terry "Nobby" Clarke (of psych-pop legends Jason Crest), guitar player Mick Clarke, drummer and songwriter Jeff Seopardi and bass player Paul Roberts. They recorded their sole album in 1971 at DeLane Lea studios. In a bizarre twist of events, their producers/managers ran with the tapes to the U.S., where they placed the album on Bell Records under a new band name: Orang-Utan, without telling any of the band members. A lost classic of blazing, early hard rock with minor psychedelic hangover vibes, a twin-guitar attack, and waves of fuzz/wah, along with powerful vocals. Think Leaf Hound, Budgie, Bang, Sir Lord Baltimore, Hard Stuff. First-ever legit reissue done in co-operation with the original band members. Includes an insert with rare photos and liner notes by Jeremy Cargill (Ugly Things/Got Kinda Lost), telling the bizarre story of the band for the first time."
    $29.00
  • Fantastic third album from Flower Kings bassist Jonas Reingold's side project. New lineup includes Lalle Larsson on keyboards - he's one of the sickest, badest mo-fo players on the planet. Classically trained and chops from hell but plays with real sensitivity - not just blazing fast runs. Goran Edman is back on vocals as is drummer Zoltan Csörsz and Krister Jonsson on guitar. FK keyboardist Tomas Bodin guests as does Andy Tillson and Theo Travis - both from The Tangent. The album opens up with the 20 minute "Send A Message From The Heart" - a monster track that out-Flower Kings the Flower Kings. All killer - no filler. 100% prog guaranteed. Highly recommended.
    $11.00
  • Digipak edition - limited to 5000 for the world."Prophets Cynic are not, yet they did see the writing on the death metal wall around the mid-90’s, so that counts for something. At that particular point in time, the death metal scene was swelling to uncontrollable proportions, with creativity at an all-time low and labels signing anyone who could mimic Cookie Monster and palm-mute some diminished chords. Pair that with the then-burgeoning black metal scene, and death metal circa 1994 to 1997 essentially had no chance. As it stands, Cynic officially broke up in 1994 and formed the short-lived Portal, which is the point of discussion for this review.Comprised of the core members of Cynic’s Focus lineup (drummer Sean Reinert, guitarist/vocalist Paul Masvidal, guitarist) Jason Gobel, bassist Chris Kringel), Portal added vocalist/keyboardist Aruna Abrams, who was the benefactor of the band’s new-found “trippy” sound. And that’s really the defining term when it comes to Portal – they’re very light, not so metal or technical…just trippy and highly atmospheric.One could see where Cynic wanted to go with Portal for their eventual reformation album, 2008’s Traced In Air. The lush dynamics of “Endless Endeavors,” “Costumed in Grace,” and “Road to You” demonstrate the band’s ability to take prog rock and make it flow like a river, a cerebral river at that. Abrams’ vocals are suitably poised and reserved, blending in seamlessly with supple keyboard strokes and ambient uh, ambience. There’s a dearth of the progressive metal flair the band showed on Focus, as the songwriting mode of “Karma’s Plight” and “Crawl Above” showcase a jazzier, more free-form side to Cynic that was practically itching to come out a few years prior.Cynic’s new-age crowd might find something of value with The Portal Tapes, as it’s a direct reflection of Traced In Air and last year’s Carbon-Based Anatomy EP. The old death metal crowd that helped break the band won’t have anything to do with this, and methinks had they heard something like this in 1995, then they’d be running back to their Broken Hope and Monstrosity albums almost instantly." - Blistering.com
    $15.00
  • 2nd album from this Swedish band is another fantastic effort. Along with a new vocalist the band seems to be charting a new direction for their music as well. "II = I" straddles the line between straight up progressive rock and metal. At times I'm reminded of bands like Arena, Nemesis and Flower Kings but when guitarist Johan Reinholdz kicks it into metal overdrive I hear the embodiment of bands like Pain Of Salvation and Dream Theater. Laserbeam synth leads alternate with clean shred guitar solos over a mega-tight rhythm section. Highly recommended - this disc kicks butt!!New remastered edition on Inner Wound Recordings.
    $15.00
  • “The Atomized Dream” is the fourth full length release from this Georgia based instrumental metal band. With a new expanded lineup, the Canvas Solaris “sound” continues to evolve.The band has shown tremendous growth since their beginnings in 1999, evolving out of the death metal/mathcore scene. Dropping their vocalist along the way the band decided to emphasize intricate arrangements, creating compositions that only the most adept musicians could play. Canvas Solaris’ music resonated equally with fans of technical metal co-horts Behold The Arctopus and Spastic Ink as well as bands like Don Caballero and Dillinger Escape Plan.Following the recording of their third album, Cortical Tectonics, the lineup saw a radical change. Band founders Nathan Sapp (guitars) and Hunter Ginn (drums) replaced departing guitarist/bassist Ben Simpkins with 3 new members. Joining are Chris Rushing (guitars), Donnie Smith (analog synth), and Gael Pirlot (bass). While the core sound has remained these new members have clearly made their mark. Keyboards now play a more prominent role, while the twin guitar interplay is mesmerizing. The band continues to contrast hyper-technical metal passages with spacey and quiet acoustic based interludes.A recent tour with Behold The Arctopus and Dyshrythmia brought attention to the band and they plan on continuing the momentum with additional shows in 2008.The band is always interested in presenting their work with interesting graphics. They are honored to have noted low brow artist Mars-1 provide the cover art. Once again the album was produced by Jamie King (Between The Buried and Me) and mastered by Grammy winning engineer Bob Katz.
    $4.00