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  • One of the great hard rock albums of the 70s.  After Uli Jon Roth left the band he was replaced by Matthias Jabs.  His guitar technique was far removed from the neoclassical stylings of Roth, taking a more traditional hard rock/melodic metal approach.  Returning to the fold is Rudi's brother Michael Schenker.  With streamlined songwriting it all comes together.  A non-stop killer.
    $7.50
  • New remastered edition of the classic electronic album from Gong's keyboardist Hi T. Moonweed.  Arrives with bonus tracks!"Esoteric Recordings are pleased to announce the release of a newly re-mastered edition of the classic 1977 ambient masterpiece “Crystal Machine” by Tim Blake. Tim first came to prominence as a member of Gong where his synthesiser experimentation and mastery was demonstrated on albums such as Flying Teapot”, “Angel’s Egg” and “You”. He would also join Hawkwind from 1979 – 1980 and from November 2007.After departing Gong in 1975 he teamed up with French lighting designer Patrice Warrener to form Crystal Machine, pioneering the use of lasers and synthesisers in a live setting.Blake’s debut album, “Crystal Machine”, was originally released in 1977 on the French experimental label Egg and featured two pieces recorded live in the UK and in France.Now regarded as a truly pioneering work, this edition of “Crystal Machine” has been newly remastered and includes three bonus tracks. ‘Surf’ was recorded in 1976 at Chateau d’Herouville studios in France and issued as a very rare single under the pseudonym Saratoga Space Messengers. The reissue also includes both sides of the rare Spanish single ‘Synthese Intemporel’ as bonus tracks.The booklet features a new essay and fully restores the original album artwork."
    $15.00
  • "With 1985's Metal Heart, German metal institution Accept attempted to add catchier choruses and melodies to their high-octane guitar riffing in a clear ploy to crack the American market. Not that this move in any way upset the balance of their thus-far smooth-running metal machine, which had been gaining momentum with every release since the start of the decade. No, Metal Heart was certainly a step toward accessibility, but a cautious one at that -- and, frankly, there was no toning down when it came to the lacerated larynx of gifted lead screamer Udo Dirkschneider. You gotta hand it to Accept, they sure knew how to make an entrance by now, and the apocalyptic title track is about as dramatic as it gets (the operatic "Bound to Fail" comes close), with guitarist Wolf Hoffman taking the helm on a long, mid-song solo excursion containing equal nods to Beethoven (very nice) and Edward Van Halen (get real). First single "Midnight Mover" is next, and along with the even more melodic "Screaming for a Love-Bite," it places obvious emphasis on hooks and melodies (and proved to be the toughest to stomach for the band's more hardcore fans). But despite another strange detour into jazz territory with the bizarre "Teach Us to Survive," Accept still packed amazing power, heaping on their Teutonic background vocals for the ultraheavy "Dogs on Leads" and gleefully pile-driving their way through relentless moshers like "Up to the Limit" and "Wrong Is Right." The brilliantly over-the-top "Too High to Get It Right" finds Dirkschneider screeching like never before, and to cap things off, the band really cooks on "Living for Tonight" -- arguably the best track all around. A winning set." - Allmusic Guide
    $7.50
  • Amazing how these guys are still able to bring it. A Night For Baku turns it up a notch and then kicks it into overdrive finding the boys from Cali unleashing their usual assortment of psych-tinged progressive mayhem. Somewhere...someplace...the Progressive Gods are looking down on us with a big grin on their faces...Djam Karet have delivered the real goods again.
    $15.00
  • Take what Allmusic says with a grain of salt.  This is one of my all time favorite Tangerine Dream albums.  Sonically its impeccable and throws a deep soundstage.  Music will take you into deep space.  If one of the main themes sounds familiar it was because it was used in the movie The Keep."Tangerine Dream suffers from a slight case of growing pains on Logos: Live at the Dominion, having recently turned off their lava lamps and opened up their programmers' manuals. Chris Franke, recently-joined Johannes Schmoelling, and the ever-present frontman Edgar Froese seem to be leaning on their new equipment more than usual, making this concert sequentially denser than previous ones. The results are frequently bland, as if they expected the machines to write the songs for them as well. Still, the trio follows their trusted formula of lengthy exploration in six to eight parts, continuing some degree of organic looseness. As part one begins, synths gurgle to life, ghostly strings float over a slow DX7 pulse that gives way to drum machines within the first minute, and they're off to what may have seemed revolutionary at the time: three men slouched over ominous-looking patch bays and consoles to produce exotic textures of science fiction. Six or seven minutes later, things ease back to an anthemic keyboard rock that, structurally at least, puts them in more familiar territory (albeit bland). Next, at the 14-minute mark, the foundation is laid for what borrows liberally from (and builds on top of) Steve Reich's Music for 18 Musicians, precisely sampled and included either out of respect, or leaned on for necessary inspiration (consequentially, it's debatable as to who gets credit for this high-point; Reich or the Krautrockers). Part two carries out a waltz of sorts for the first ten minutes of icy electronica, but then a curious, mechanical march breaks through the gates and shuffles gradually towards another cold pop section. Froese leaves his electric guitar behind for this concert, but the keyboard solo here shows similar abandon over laser harp arpeggios. At 17 minutes, another roll-the-credits passage of down tempo synth rock unfurls it's flag, and this time it just feels like the finale, with an easygoing spirit and syrupy melody line. The enthusiastic London audience apparently clapped loud enough to hear "Dominion," a short-form futuristic pop number for the encore (rare for their earlier live albums to include this novelty) that's compositionally a bit heavy on formula, and a bit light on personality. Several moments on Logos meet with the same fate, but perhaps it's the new machines to blame, as much as the men relying on them." - Allmusic Guide
    $13.00
  • This is the album that really broke the band in North America.  Hit after hit..."After years of writing hook-laden choruses and triumphantly buzzing riffs, this German band finally perfected the formula. A fine mix of poise and passion, Love at First Sting appeals to both angry metalheads and Top-40 aficionados." -- Jon Wiederhorn
    $7.50
  • THE DARK LORD RETURNS... After many vinyl releases, legendary Italian doom metal guitarist Paul Chain is back with his first ever CD - and it burns from start to finish! Captured live in concert, Paul Chain, bassist Baka Bomb, and drummer Eric Lumen display their awesome improvisational talents throughout this 60 minute disc. Paul Chain's fans will not be disappointed. This is every bit as dark and heavy as you hoped for! Watch out for Paul's new studio album "Deus Irae", a symphony of dark electronics.
    $13.00
  • On their new album Raum, Tangerine Dream develop the concept of its precursor EP (Probe 6—8) further. Composed and produced with full access to Edgar Froese’s Cubase arrangements (and Otari Tape Archive with recordings from 1977-2013), Thorsten Quaeschning, Hoshiko Yamane and Paul Frick deliver late-night real time compositions combined with classic studio productions, sequencer driven haunting soundscapes alternate with anthemic warm synthesizers. Composed in a time of social distancing and cancelled shows, the tracks cannot exactly be recreated (or will at least need significant re-instrumentation for a live performance). With the 17-minute ‘In 256 Zeichen’ they lay the fundament of this record. ‘Continuum’, with its repetitive sequence and broken beat shows glimpses of acid sounds and increasing choral atmospheres. ‘You Are Always On Time’ is built on PPG wavetable sounds and eerie field recordings. The title track ‘Raum’ makes a nod towards the early live studio performances like ‘Zeit’ and ‘Phaedra’ - the melody accompanied by a chorus-like Roland Jupiter 8 part. An ambient rave Moog Minitaur sequence highlights the final peak, till the violin slowly transports the listener out. A heavy Moog bass marks the beginning and the end of this 15-minute piece. ‘Raum’ is the band’s second studio album after the passing of the founder Edgar Froese in 2015. With deep respect for the sound of the previous five decades, this record continues in the ever-evolving pathway of Tangerine Dream. 
    $15.00
  • New 2CD/DVD edition.  Includes bonus tracks, the original mix remastered (better this time), a new stereo mix, and hi-res 5.1 and stereo.The band's second album for Charisma is a dark masterpiece. It features some of their best known material like "Pioneers Over C", "Killer", etc. Robert Fripp makes a prominent appearance as well. This remastered edition comes with new liner notes and photos as well as two great bonus tracks - the 15 minute "Squid 1/Squid 2/Octopus" and the original version of "The Emperor In His War Room". Essential. 
    $33.00