Time's Arrow

SKU: 804551198342
Label:
Neptune Records
Category:
Power Metal
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"A Sound of Thunder's third full length album, Time's Arrow (2013), features 11 powerful and supremely catchy songs in the band's trademark classic metal style. The steel-armored wail of prodigal vocalist Nina Osegueda (called by some "the lovechild of Rob Halford and Bruce Dickinson") tops off deft performances by a band that knows how to deliver the goods. From the infernal metal intensity of "Queen of Hell", to the brooding and brutal "My Disease" (featuring Iron Maiden vocalist Blaze Bayley), to the fist-pumping anthem "I Will Not Break", A Sound of Thunder delivers a timeless album full of metal classics."

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  • 24 bit remastered edition of the first album from Flash. After Peter Banks was punted from Yes he set about putting a new band. Although Tony Kaye is on board he was not an official member of the band. The rest of the lineup is a bunch of unknowns but it didn't really matter. The band was tight and quite good...sounding remarkably similar to what Yes sounded like at that time (think The Yes Album). Nice detailed liner notes and photos. This one has held up nicely - better than I remembered it in fact.
    $18.00
  • Now this stuff in weird and interesting...Vulture Industries is a Norwegian metal band that has been around for almost 20 years but this is only their third album.  Apparently they were originally a black metal band.  That may be true but there are only vestiges of that in their current sound.  Vulture Industires play the weird metal card - I'd classify them as "avant garde metal", very similar to bands like Arcturus, Diablo Swing Orchestra and Devin Townsend.  Hey what the hell - toss in some Faith No More as well.  This is heavy, guitar driven music with some of that carnival atmosphere that these oddball bands some to love to throw in to keep you off kilter.  The real standout is vocalist Bjørnar Nilsen, who has a real commanding presence on this disc.  Lots of emotion and angst.  A fascinating band.  Highly recommended.
    $12.00
  • "“Oblivion” is the early episode of a conceptual saga set to be released in a trilogy format by this Multinational band called EXXILES, the man behind all that is the former REIGN OF THE ARCHITECT’s drummer Mauricio Bustamante (EVANGELIUM) from Mexico, he started working on his new production right after his departure from R.O.T.A. with a new goal in mind : Created a new entity under a variable geometry size, working as a band with a core of fellow Mexicain players, like guitar player Sergio Aguilar (AGORA), on Bass the talented Simon Rojas , Noel Martinez on keyboards or axeman Antonio Rivera (from the Death Metal band SOLITUDE) and a bunch of illustrious guests coming from every corner of the Prog Metal Universe, in order to form a community around a musical project with a strong focus on the human relationship notion.Of course the renowned musicians around Mauricio are coming from different area of the world and some are quite popular, as their original bands are among the most respected in the whole genre : namely SYMPHONY X / SAVATAGE / T.S.O./ REVOLUTION RENAISSANCE or CIRCUS MAXIMUS but also more underground but quite highly regarded such as COMMUNIC /AGORA or STREAM OF PASSION and to complete the team, some less known musicians yet hyper talented from the fertile Scandinavian ground, with members from LOST IN THOUGHTS/SPIRAL ARCHITECTS…Indeed, Øyvind Hægeland is brilliantly taking the Lead Vocal role on the odd timing driven pace of “Hopelessness”…Generous in circonvolutions and complex to the max!Musically very rich, it’s not easy to understand it at the first encounter, but I immediately discerned some obvious qualities, notably in the vocal department… Indeed the performances by Zak Stevens (CIRCLE II CIRCLE/ ex SAVATAGE) in the opening cut “A Better Legacy ” is convincing in his traditional majestic mode, but most of all the sonic enlightement comes from the great vocals provided by the Brazilian citizen Gus Monsanto (SYMBOLICA/ex ADAGIO /ex REVOLUTION RENAISSANCE / HUMAN FORTRESS) which are uppar with the most exigeant taste or in total coherence with the excessive perfectionism of some HM bloggers!This album will expand its qualities later, in a precise and clever way little by little, a long process to fully enjoy it in its fullness, the tagged identity is based around a Dark classy sound with some Melodic method and some intricate harmonic arrangements, more dramatic in the ambiances than it seems, while the smartness and the complex shape of their creative ways are updated by an evolutive style in a thick schema of Heaviness, and this intrepid proof of their capacity to created some unexpected ideas in a fresh theory and a regenerated light!Another great surprise is the Wilmer Waarbroek (already known from AYREON) vocal input at the end of the album in the duet of song “Awakening Part I (Dark Renaissance)”& “The Messenger”, ultra rewarding numbers, those songs along with Marcela Bovio in the Spanish song “Llorona” is another persuasive addition and a good alternative to the superb cast of vocalist!However, the superb singer Gus Monsanto is quite omnipresent while singing on 50% of the songs, this man is holding a serious set of pipes, giving a demonstration of his great polyvalency and contrast (“Page of the Night”), each track is well arranged, the succession of different pace is salvatory sharing some subtle progressive moments with some more Heavy spark in a very dense manners (the fantastic pair “Dictator of Trust”/”Anthem Of Lies”), some epic bombastic instrumental parts like in the unvocalized track “Entropy”,  a few piece of Prog Symphonic Metal with weird structure and some experimental orchestral sounds to create an impressive outcome, very well written with some incredible talented writing and utmost playing skills in every area, notably in the soloing sector, thanks to the guest appearances of some terrific players such as Mats Haugen (CIRCUS MAXIMUS) or David Grey (LOST IN THOUGHT) is the icing on the cake, the ultimate uplifting details to complete the whole .After the overflowing of essential releases in this genre, the ambitious EXXILES “Oblivion” first chapter is another good advice for the Smart-Metal-music avid fanatics and a tip for those who already missed PANTOMMIND ,,Searching For Eternity” or SOUL SECRET ,,4”…This time I hope my reminder will not fall into oblivion." - Metal Temple
    $12.00
  • Archangel is the side project of Ubi Maior (and former The Watch) keyboardist Gabriele Manzini.  Like the first album, this one is a concept piece.  I guess vampires are in vogue these days so we get stories of Countess Bathory, Nosferatu, et al.  The musicians on the album are drawn from Ubi Maior, Red Zen, and some other Italian bands.  The key to the album is the return of Damian Wilson who once again stands out as one of the featured vocalists.  The music is squarely in the prog rock vein with a keyboard orientation but with an overall harder edge.  The overall tone of the album is gothic dark.  Manzini includes two cover tunes - he takes his own spin on BOC's "Nosferatu" and Roxy Music's "My Only Love".
    $15.00
  • Epic, bombastic, crazy over the top, power metal from Italay a la Rhapsody Of Fire."Somewhere in Italy there lies a well. In that well, there exists a special water that most Italian musicians drink from to obtain the gifts that few possess in the music world. After hearing Luca Turilli’s Rhapsody reach the sky with “Ascending to Infinity,” I thought it was nearly unattainable for any band to come close to it ever, let alone within months after its release. In fact, I thought the only band with a shot to match it would be Rhapsody of Fire....until now. Suddenly up from the fires of Hades...er, the former Olympic city of Turin, rumbles Sound Storm with its sophomore effort, “Immortalia.” Rather than presenting its form of symphonic power as “Rhapsody straight up,” Sound Storm serves it up as “Rhapsody and Wuthering Heights with a twist of jalapeño.” With its own modus operandi, Sound Storm expands the sound by adding a touch of extreme, which to me spells pure excitement.Like Parmigianino painting a beautiful landscape in the 1500's, Sound Storm paints its own masterpiece with each band member adding broad strokes to the soundscape of "Immortalia." Melody upon melody, the album is relentless in its ability to wrangle the imagination of the listener. The mesh of masterful guitar work from Valerio Sbriglione and the perfect atmosphere cast by keyboardist Alessandro Muscio, amid the thundering rapid fire drumming of Federico Brignolo and bass work of Massimiliano Flak, set up the devastating vocals of Phillippe D’Orange (a/k/a Filippo Arancio). The huge standout is the band’s use of harsh vocals a la Sbriglione, which accent D’Orange’s soaring “Fabo Lione meets Nils Patrik Johansson” range in a way that surpasses the male/female “beauty and beast” style.With Sound Storm’s unique approach, there is something for everyone within this 58 minute opus. Here the band covers an element sorely missing on many European power metal releases - a nod to the extreme. After witnessing Fabio Lione screeching near black metal on Rhapsody of Fire’s dazzling “Reign of Terror,” it hit me that symphonic power acts could add this little touch and change the very complexion of an album. It certainly doesn’t need to be overpowering or draw any attention away from the pageantry. On “Immortalia,” Sound Storm employs this tool as a secret weapon on songs like “Call Me Devil,” “The Curse of the Moon,” and “Faraway,” the latter of which is one of the finest on the album. It took some time to pick the winner when every song shines, but the rapid fire riff reminiscent of Rock N Rolf on “Wrath of the Storm” completely satisfied an undying hunger for speed.One of the things I really appreciate about this album is meticulous attention to the smallest of details. Sure, it’s easy to get caught up in the sweeping majestic symphony of the album, but there are tons of little sounds, time changes, and little inflections that come out from nowhere to grasp the listener. Few albums gave me so much enjoyment from start to finish because of this. Right then, you want examples: how about the stunning duet of D’Orange and guest vocalist Ilaria Lucille on both “Blood of Maiden” and “Call Me Devil” with Sbriglione’s evil grunts circling them both like a serpent. Or perhaps the “modern day Beethoven” composition in the middle of “The Curse of the Moon,” or the little psychotic guitar whips on the main verses of “Promises.” Add to those the beautiful piano interlude at the start of “Faraway,” and the heavily Middle Eastern influenced “Seven Veils.”“Immortalia” quite simply puts the band’s debut “Twilight Opera” to shame. The song writing and compositions are truly remarkable. There is no doubt “Immortalia” will top my list for 2012, as it has already crept into the same company as some of my all time favorite releases...just like that.Highs: Some of the most breathtaking compositions in symphonic power metal.Lows: Fans who desire less orchestration will find this gaudy.Bottom line: Sound Storm's sophomore effort is undoubtedly "Immortalia."" - Metal Underground
    $15.00
  • "‘Idiosynchratically beautiful’. These are two words that have stuck with me for nearly 20 years and which I recall almost every time I hear or read the name Arcturus. These words were quoted on an advert for the Norwegian band’s 1997 release, ‘La Masquerade Infernale’ within an issue of either Terrorizer or Metal Hammer magazine; I can’t remember which. What I do remember was that I was deeply into a stage of black metal discovery at the time and this quote resonated with me for some reason. I took the punt and received the album as a Christmas present. It wasn’t love at first listen; instead it was a slow and steady slog that has ended in a lasting and deep love affair. It was the track ‘Ad Astra’ that was the catalyst for repeat listens. Full of drama, avant-garde vaudevillian oddness and a compelling crescendo, it impressed me and forced me to listen to the remainder of the album more than perhaps I might otherwise have done.It is arguable that in the intervening years, Arcturus have never managed to hit the heights of ‘La Masquerade Infernale’. Neither 2002’s ‘The Sham Mirrors’ nor ‘Sideshow Symphonies’ spoke to me in the same way and despite containing some outstanding moments, I came away both times with feelings of slight disappointment. And that, as they say was that. In terms of original studio albums, nothing has been released since; indeed after the release of ‘Shipwrecked in Oslo’ in 2006, the band called it quits with the individual members going on to do different things. And so it has remained until now.Rumours were rife from around 2011 when various members made comments that alluded to a resurrection of the band and later that year the rumours were confirmed. However, for one reason or another it has taken until 2015 for a new original recording to see the light of day, a development that has been greeted with great euphoria amongst the loyal Arcturus following.Arcturus version 2015 is comprised of Steinar Sverd Johnsen (keys), Hellhammer (drums), Knut Magne Valle (guitar), Hugh ‘Skoll’ Mingay (bass) and ICS Vortex (vocals). Together, they have created an album very much worthy of their lofty status and one that I would argue just about manages to match the quality of ‘La Masquerade Infernale’. The only reason I hedge my bets and say ‘just about’ is because I’ve only had about three days with ‘Arcturian’ as opposed to the 18 years I’ve had to enjoy ‘La Masquerade Infernale’. That said, I’ve listened to ‘Arcturian’ more times than I care to mention in recent days and it gives me chills on each and every listen. It is complex, quirky, brilliantly composed and professionally executed. I have no doubt that with even more time and attention, it’ll delight and captivate me even more than it does already.The one thing that perhaps I wasn’t expecting was the sheer amount of melody and accessibility that ‘Arcturian’ displays. It’s no exaggeration to say that for all of the complexity and raw heaviness, almost every track on the album contains a melody, lead vocal or some kind of hook that makes me sit up and take real notice. When I listen to new music, I have a tendency to make an ‘oooh’ noise and smile broadly if something excites me. I suspect that there will be some of you out there who do something similar. On ‘Arcturian’, I admit to ‘ooh’-ing all over the place.One of main reasons why this album feels so melodic and accessible is, I believe down to vocalist ICS Vortex. Yes he is an acquired taste but so unique is his delivery and so impressive is his range that seemingly very little is off-limits. He complements the music beautifully, managing sound both majestic but also a little unstable, as if he could spiral out of control at any moment. I mean, at times, he sounds like he’s yodelling for heaven’s sake; it’s superb.Onto the compositions themselves, they are all dense, multi-layered affairs that contain an abundance of richness. There are no songs that tend to extend over six minute mark and yet, such is the ambition of Arcturus that it feels like a million different ideas are injected into each composition, testing the listener and toying with them at every turn. I strongly suspect that this has been done with a certain playful, yet mischievous intent. Those strong Vaudervillian overtones of the band’s past make a welcome return, as do a number of various influences that pull Arcturus away from being simply discarded as a black metal band. As they demonstrate on ‘Arcturian’, there are elements of black metal to their underlying sound but they deliver so much more that to pigeonhole them in such a way would be inaccurate and disingenuous.Opening track, ‘The Arcturian Sign’, starts off somewhat disconcertingly with weird electronic noises and sounds. It’s a typically eccentric beginning which soon gives way to those unmistakable vocals of ICS Vortex and, at its core, a black metal meets prog composition. Dominated by powerful synths and relentless double pedal drumming, those odd sounds like laser guns nevertheless re-surface throughout. But within the tumult and idiosyncrasies is a really catchy, hook-laden chorus.‘Crashland’ has a light and breezy feel to it, taking in influences from space rock, folk music and more extreme climes. The sweeping synths are immediately reminiscent of the ‘La Masquerade Infernale’ era, as they are during my personal standout track, ‘Game Over’ with its addictive melodies and the way it builds and morphs so elegantly from one guise to another almost imperceptibly, ending in a crescendo of sorts that elicits another ‘ooh’ from my lips.‘Angst’ is a powerful and more extreme slab of metal, dominated by a blistering tempo, tortured screams atop another strong synth melody and the threat of a descent into chaos on more than one occasion. ‘Warp’ on the other hand introduces more electronic influences but has such an imposing and catchy melody that it’s impossible to ignore. ‘Demon’ has demonstrable Gothic synth pop overtones whereas ‘Pale’ delights with a marvellous driving central riff, a great chorus of sorts and some of the most varied and brilliant vocals on the entire record. The album ends with ‘Bane’, a track that further backs up the gorgeous ‘The Journey’ by providing amongst other things, some truly beautiful and subtle acoustic guitar playing which is a real joy.For all that, I have to say that ‘Arcturian’ is an album that’s best enjoyed in its entirety rather than picking and choosing individual songs. The album has a distinct flow and overall feel that helps to make it as special as it is, something that could be lost if listened to in a piecemeal manner.For the sake of balance, my only small gripe relates to the production which I think is a little on the weak side and robs some of the aforementioned richness from the music. Occasionally, the layers of music come together is a slightly messy muddle of impenetrable white noise which is a bit disappointing. But then again, there’s a certain ‘old-school’ charm to the mix too, reminding me of their heyday more than once. Maybe therefore, the production is entirely deliberate, those naughty scamps.It’s almost impossible sum up ‘Arcturian’ in a concise manner and do it the justice it deserves, except to say that if you’re a fan of Arcturus at their most original, challenging, audacious and quirky, prepare to take ‘Arcturian’ straight to your heart." - Man Of Much Metal
    $16.00
  • There is no denying that Nemo's JP Louveton is one hell of a guitarist. His staunch commitment to having French lyrics with Nemo's music has stiffled the band's exposure within much of the progressive rock community. Wolfspring is a new project he has put together - but with English vocals. The music isn't particularly symphonic like Nemo. Instead he goes for a contemporary guitar driven sound that rocks hard. Nemo keyboardist Guillaume Fontaine is also a member of the band but he definitely takes a supporting role. Louveton's guitar takes center spotlight through out.
    $3.00
  • ""SKIN” is the latest album from CLASSIC ROCK PROG Poll winners PANIC ROOM and is one of the most eagerly anticipated albums by a band on the new wave of British Progressive Rock groups. The album, the band’s third, is arguably the finest yet by ANNE MARIE HELDER (Vocals, Guitar, Keyboards, Flute), JONATHAN EDWARDS (Keyboards), PAUL DAVIES (Lead Guitar, Backing Vocals), YATIM HALIMI (Bass) and GAVIN GRIFFITHS (Drums). "SKIN” is a dark and shimmering jewel, featuring 11 new and original tracks which all bear the hallmark sound of Panic Room - both powerful and intimate, passionate and playful, epic and yet truthful and heartfelt.

The album has a vast and expansive feel : gracefully weaving its way through rock-solid riffs and potent grooves, there are moments of intense power, heart-stopping gravity, and delicate beauty.
 This is the sound and dynamic of Panic Room... brought to a new level. Featuring the unique style-play and musical freedom that Panic Room are famous for, and which has seen them transcend any genre or limitation, the album also unveils a distinct and deliciously dark sound all of its own... the sound of 'SKIN'. A stunning collection of songs, all telling a story of their own, the album has a definite feel and continuity at the same time; a distinct mood of its own.'SKIN' is... beguiling, hypnotic, dark...sensual, emotional, and raw...beautiful, reflective, and true… The album title reflects all of the key elements in the music PANIC ROOM has created - the intimacy, the rawness and the power that is "SKIN”."
    $17.00
  • Third album from this Swedish stoner rock band takes equal parts Mastodon, Pink Floyd, and Baroness and jumbles it together.  Toss in a touch of retro-folk in places (I guess that would make it unequal).  It can get a bit sludgy at times and then turns around and blasts off into space.  All I know is I want what they're smoking!"New Keepers Of The Water Towers are a Stoner Metal Band who have been going since 2006 and have a loyal following within the Stoner Metal scene. They have released two well-received albums – 2009’s Chronicles and 2011’s The Calydonian Hunt.Their blend of high voltage Stoner Metal riffs mixed with Fuzz and a slight hint of Sludge Rock made these hugely talented Swedes a band to look out for. Well things are about to change big time for the band thanks to their stunning new album – Cosmic Child.For the 3rd album – the band have went under a spacey transformation of sorts. Cosmic Child sees the band incorporating huge elements of Progressive Rock and Space Rock into their already set great sound.So if you’re a fan of Pink Floyd and Mastodon then your surely going to dig this like I did. Cosmic Child is the band’s creative and most daring work to date. They are a band reborn. This is New Keepers Of The Water Towers like you have never heard before. The band has reflected this in the 47 minute running time. An almost epic length by their standards.First track – The Great Leveller – is the perfect 6-minute introduction to show you the bands new sound and outlook on all things Stoner Metal. Blending Progressive Rock riffs with Space Rock shows you this band have taken a more direct Sci-Fi vibe to their music. What else would you expect with the excellent album cover and cool title?Imagine if NASA wanted the world’s finest Stoner Metal bands to record an album about Space Exploration then The Cosmic Child would be that awesome result. New Keepers have created an astonishing album that will take you to different galaxies and dimensions without ever leaving the comforts of your own home.2nd track – Visions Of Death – might start as a cheerful Space Rock opera but listen to the lyrics and you find something dark and mysterious lurking in the background. Before the album takes you off for an epic journey into the cosmos. 9 mins on show here feel like light-years instead of mins. However, you will not know the difference as you will be enjoying the ride too much. Just more action-packed riffs to show you that New Keepers Of The Water Towers have evolved as musicians and writers since their last release. Wait until the 5:30 minute mark before an amazing Space infused Stoner Rock riff comes out of nowhere.3rd Track – Pyre For The Red Sage – is another magical epic journey through Time and Space. Well 12 minute to be precise but you get another outstanding track, which takes time building the listeners emotions before letting rip with more top-notch Space Rock riffs. Throw in great vocals and lyrics and this album is now firmly in the realm of brilliance. This is a love letter to Pink Floyd as it contains some highly recognisable rock passages that legendary band were known for.I had the feeling when listening to the album that the band had been reading or watching 2001 – A Space Odyssey or other philosophical sci-fi classics as some of their ideas on the album might actually need a degree of some sort to fully understand. However, the riffs contained on the album will keep fans happy for many years to come.The last 3 songs follow the same path as the first 3 songs. More epic progressive space rock riffs blended with sublime Stoner Metal riffs. 18 more mins to keep you transfixed from start to finish.Best track of the remaining 3 is the 12:32 minute instrumental epic – Lapse – which showcases some of the bands finest instrumental work to date. Ambient noises have been beautifully added to create a world that is unnerving as it is exciting. Damn – this track is a work of art at times. Moods and atmospheres collide with intent and purpose. Just close your eyes and let the riffs take you on another great journey into the vastness of space.All in all – The Cosmic Child – is a wonderful album for everyone to experience. It has soul and heart like you would never imagine. It’s expertly produced and played by all involved.The Cosmic Child is going to launch New Keepers Of The Water Tower onto another level within the Stoner Metal scene.Excellent and Highly Recommended." - The Sludgelord Blogspot
    $14.00
  • "Aria is the second collaboration of ASIA founder Geoff Downes and singer/bass player John Payne. On Aria, John Payne’s voice is more powerful than ever and every single track is a massive thunderclap. As a special feature the Aria Special Edition contains the video for the song Anytime. The cover artwork was done by the legendary Roger Dean (Yes, Uriah Heep) and the album has been digitally remastered."
    $14.00
  • With their departure from the label, AFM Records has seen fit to release this lavish compilation. The 2 cd set is 130 minutes worth of 24 bit remastered album material, videos, unreleased live and studio material.
    $14.00
  • Remastered edition finally taken from the original master tapes and transferred utilizing 24 bit / 96 khz technology.
    $10.00
  • Stupidly expensive German import arrives as a 2CD set in a hardbound digibook. There is a bonus track as well as an orchestral CD version of the album.Their previous album, Unia, was pretty much reviled by this Finnish band's fanbase. They moved away from the Stratovarious style speed metal and went for something a bit slower and perhaps a touch more progressive. This new album has more uptempo material than Unia but its not a return to the old style either. Its quite symphonic in sound - almost as though they are emulating countrymates Nightwish.
    $25.00
  • 180 gram double LP vinyl set of this debut release from this great Norwegian prog band.  This features a new analog mix for vinyl as well as some new modified artwork.Airbag is a new young prog band from Norway. Their music has a dreamy quality that will have you floating in the clouds. If you are fan of Riverside's lighter moments you will spooge over this. Definite references to Radiohead and Porcupine Tree will spring to mind as you listen. The music never explodes - it takes the slow fire approach creating constant tension. Lots of beautiful melodies wafting through your skull from the first listen. Highly recommended. These guys could potentially break big.
    $23.00