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"The sophomore effort from the extraordinary drummer Sebastiaan Cornelissen featuring an all-star lineup - guitarists Alex Machacek, Mike Otram, Susan Weinert, Richard Hallebeek; keyboardists Gary Husband, Scott Kinsey, and Steve Hunt; and bassists Hadrien Feraud, Jimmy Earl, Gary Willis, and Tom Kennedy among others. Since first coming on the scene in the early 2000s, composer and drummer Sebastiaan Cornelissen has emerged as one of the most distinctive new voices on the European fusion scene. Whether acting as a leader, sideman, or group member, Cornelissen's playing combines a sharp sense of empathy and staggering technique with impressive improvisational grace and intensity."

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  • Budget price but nicely slipcased 2CD set from this superb acoustic progressive band from Netherlands.  Set includes "Variaties Op Een Dame" and "Gevecht Meet De Engel""The Year 1978 , one of the most productive years of Progressive music in Europe . Specially in Italy , Netherlands , France , Germany ,Greece & Belgium . During my trips to these countries , i've discovered bands like Sensation's Fix , Machiavel , Parzival , Can , New Trolls , PFM , Banco , le Orme , PLJ band , and so many others . Surely i had also the first album released by Flairck in 1978 by hazard , from amsterdam airport , i really liked the sleeve cover first , THEN , back to Lebanon the same day , had a special flavour in my life . This album was & still the best progressive work i've ever heard in 40 years . I have no words to describe such beauty , except it was the first & the last interresting & excellent work by Flairck . Still i'm not disappointed by some of their works during 30 years . This instrumental album full of harmonies & new musical inspirations is a must for all proggers , it contains maybe the first trips in fusion between Classical / jazz / rock / blues & folk . Varieties is a real complete journey between these genres of music in a perfect globe . Tracks are all amazing , they have the same value , and i can't skip anyone . Erik Vesser was really accurate in selecting these songs , specially Variations on a lady (21 minutes) & Voorspel in Sofia , these two tracks are amazing & adorable , it's a progressive rock music played by essential classical equipments . this album took more than two years in the making , but got a perfect recognition all over Europe , specially in France / Belgium / Italy / , and went Platinium in Netherlands . So , if you haven't discover this magnificient Dutch band yet dear proggers , this is the right place to start with Flairck ( Variations on a lady ) 5 Stars for musicianship , 5 stars for all songs included , 5 stars for the technic used in combining Classical - Folk - blues - jazz & rock , and 5 stars for the sleeve cover . One of my best 10 albums ever , and a Masterpiece of progressive music , suit yourselves and Enjoy this wonderful piece of art . Highly Recommended " - ProgArchives"I'm not too much of a folk fan but this band from Holland has always been at the top of my folk charts. Their ambitious compositions and instrumental craftsmanship have a drive and timeless quality that could charm folkies, lovers of classical music and progrock fans alike. Next to the brothers Visser on acoustic guitars and Peter Weekers on flutes, the band is completed with Sylvia Houtzager on violin. Her name translates to 'Sawyer' in English so playing the violin must have been her born destination. The band would continue to perform in that line-up throughout the 80's.Gevecht Met De Engel is Flairck's strongest studio offering and can successfully claim not to have one wrong or misplaced note for its entire 44 minutes of dazzling virtuosity. Each part radiates with playing pleasure, regardless whether it's melancholic and quiet or fast and cheerful. One of the secrets is the perfect interplay between all members. The leading instrument is the acoustic guitar, complemented by dazzling bass guitar and an array of flutes and violin. The arrangements have plenty of breathing space though and never get overcrowded nor bombastic.While it's difficult to point out any particular standout piece, the main focus of the album is on its 3-part title track, a 23 minute tornado raging through European folk music, ranging from Spanish, Celtic and Eastern European traditions. It's particularly essential as it doesn't feature on any of the official Flairck live albums. If you want to hear it then it will have to be here.Gevecht Met De Engel is probably one of the best acoustic folk albums ever made. Given its impressive compositions it's nothing short of essential in any prog rock collection. So it's particularly distressing having only one other reviewer on this page joining me in my praise for this masterpiece." - ProgArchives[[{"type":"media","view_mode":"media_large","fid":"12269","attributes":{"alt":"","class":"media-image","height":"200","width":"200"}}]][[{"type":"media","view_mode":"media_large","fid":"12270","attributes":{"alt":"","class":"media-image","height":"202","width":"200"}}]]
    $14.00
  • We manufactured Delain t-shirts for the band's gig at ProgPower USA. We sold out of men's shirts and came back with some women's shirts. They are fitted women's shirts - not like in the image shown which are boxy. High quality Gildan 100% cotton shirt.
    $16.00
  • Latest in the 40th anniversary series featuring remixes by Steven Wilson.  Here is what you get:CD contains a new stereo remix plus 3 alternate mixes.  The DVD contains 5.1 remix of the album, a 24/96 and 24/48 stereo remix, the original album mix and alternate takes and mixes in 24/48.  The video content is the complete Beat Club performance and is worth the price alone.  
    $20.00
  • Dial is the new project put together by Kristoffer Gildenlow upon his departure from Pain Of Salvation. His partners are Liselotte Hegt and Rommert van der Meer, formerly of Dutch prog metal band Cirrha Niva. The music has a modern feel with emphasis on mood and textures. I'm reminded a bit of Kate Bush. Some nice male/female harmonies. The band is rounded out by Elegy drummer Dirk Bruinenberg with contributions on vocals by Devon Graves (Dead Soul Tribe). Certainly a bit different and nothing at all like PoS.
    $3.00
  • THIS NORTHERN VIRGINIA BASED BAND is a three-piece at heart, musically rooted in the raw energy and rhythmic interplay of RUSH and KING’S X. Fans of dark, guitar-driven rock bands from ALICE IN CHAINS, DEFTONES to the contemporary metal riffing of LAMB OF GOD and PANTERA, will connect to the heavy core of IRIS DIVINE’s sound. Add to that progressive complexity and moody synths inspired by DREAM THEATER and PORCUPINE TREE, and a liberal dose of memorable hooks and melodies, to understand some elements of IRIS DIVINE’s sound. And yet, the band has a distinct identity, not quite sounding like any of the aforementioned bands, and with an emotional urgency that pulls subtly from alternative and other influences.KARMA SOWN IS A TRIUMPH OF A DEBUT ALBUM, immediate and memorable but revealing layers and depth upon repeated listens."Progressive metal is in a rough period right now. The old guard are either releasing sub-standard albums that only make it more obvious how far they have fallen, or they are drastically uncool with anyone who didn't become a fan when progressive metal was first being created. Progressive today tends to mean djent, a style that has sapped all the life and humanity out of music, turning metal into a math equation of time signatures, and not songs that anyone can actually remember. There was a time when progressive metal remembered the ultimate goal of music; to have listeners enjoy the songs so much they would return to them again and again. Today, progressive metal is mostly the sort of music that could pass for muzak, if you don't turn the volume up too loud.Iris Divine wants to change that. They set out with the mission of writing progressive metal that is intricate and challenging, but still produces the kind of songs that listeners who don't have an advanced degree can love and sing along to. It's a challenge, and it goes against the tide, but it's a desperately needed revolution if progressive metal is going to flourish anytime in the near future.I knew from hearing the pre-release track “A Suicide Aware” that Iris Divide was special, and the full album reinforces the point. “The Everlasting Sea” comes out of the gates with plenty of tricky riffing and unusual rhythms, but they lead into big melodies with strong hooks and vocals. Their progressive playing isn't meant for show, it's a tool used to set a tone that juxtaposes with the more melodic moments. Finding the proper balance between these elements is not easy, and many a band have failed miserably trying to do so, but Iris Divine doesn't. On their debut record, they show a skill some bands have spent their entire careers failing to learn.What I love most about the record is that it can be seen in many different lights. If you like straight-ahead metal, there is plenty of heavy riffing and pounding drumming here to keep you satisfied. If you like progressive music, these songs have twists and turns, and Rush-like keyboards, in enough quantity to match the djent crowd. And if you're a fan of old-school radio rock, the choruses in these songs will be music to your ears. Keeping all three of these in mind at the same time can be tricky, but it's worth the effort.For being a trio, “Karma Sown” is a massive sounding record. The production is flawless, big and clear, without ever sounding too polished. The heavy parts are heavy, the vocals are up front, and you would never believe this was a self-produced record that was crowd-funded. I can put it up against many, many of the big label releases, and it would win the fight.In fact, I can think of a dozen so-called progressive metal bands that should immediately hand over their label contracts to Iris Divine, because it's a crime that a band that is advancing progressive metal in the right direction doesn't have the backing of one of the labels. Not to name names, but this album would be bigger than half of the progressive metal released this year if it had the media push behind it.In case you haven't noticed, what I'm saying is that “Karma Sown” is a fantastic debut, and the future of progressive metal. Iris Divine isn't a Dream Theater clone, and they're not djent. What they have done is integrate all the strains of progressive metal into a singular sound, one that could set the standard moving forward. If every band sounded this good, progressive metal wouldn't need to be underground. “Karma Sown” is the best progressive metal album of the year, bar none." - Bloody Good Horror
    $13.00
  • "A new interpretation of a classic RPI title! This is quite an undertaking, but it comes off in an outstanding way, giving new life to old friends. In contrast to so many reworkings of old pieces that I've heard in recent years, this one does not leave me only wishing to listen to the original. Rather, the new work stands well on its own, not only helping me listen to the original with new ears, but also bringing new insights and experience.In 1972, Latte e Miele released their debut, an incredibly ambitious work based on the Passion of St. Matthew, "Passio Secundum Mattheum." This is one of the seminal titles of 1970s RPI and has rightfully stood the test of time. The band would never equal this album, although the subsequent title, "Papillon", came close. After that the band broke up for a time, until drummer Alfio Vitanza reformed the band, with new members including bassist Massimo Gori. Their only album, "Aquile e Scoiattoli", has its moments but is inferior to the first two, and the band disbanded a few years later after moving toward more commercial music.In 2008 the band reformed, including all three original members (Vitanza and songwriter/keyboardist Oliviero Lacagnina, as well as guitarist Marcello Giancarlo Dellacasa) and Massimo Gori, bassist from the second generation of the band. The quartet released "Live Tasting", an excellent live album that portended of the good to come. Their time together also produced a wonderful new album, "Marco Polo: Sogni e Viaggi" in 2009.Over the years, Lacagnina never stopped composing his masterpiece, his "Passio". Now the quartet has recorded anew their masterpiece, adding those "new" compositions into the narrative. For example, "Il Pane e il Sangue dell'Alleanza" has been inserted right after "Ultima Cena", and "Il Rinnegamento di Pietro" and "Il Prezzo del Sangue" between "Il Pianto" and "Giuda". Also, the ending has been fleshed out significantly, with four new songs, and the final song, "Come un Ruscello che..." includes the final themes previously entitled "Il Dono della Vita". Also of note, a solo organ piece entitled "Toccata per organo" is placed just before "Calvario"--this is special, as it is an original take from 1972!The instrumentation is true to the spirit of the 1972 piece, although with an updated sound. Ditto the choir, which sometimes on the 1972 version is muted and thin--here the choir parts are strong, lush, and vibrant. The majority of the pieces that were rerecorded for this edition also maintain their compositional structure, although there are a few changes inserted (notably in "I Falsi Testimoni", the new version of "I Testimoni" parts 1 and 2). There is nothing that violates that spirit of the original work, though it is impossible to duplicate its wonderful innocence.Another unique feature of this album is the presence of several prominent figures from RPI providing the spoken Evangelist parts. These include Alvaro Fella (Jumbo), Lino Vairetti (Osanna), Silvana Aliotta (Circus 2000), Paolo Carelli (Pholas Dactylus), Aldo de Scalzi (Picchio dal Pozzo), Sophya Baccini, Elisa Montaldo (Il Tempio delle Clessidre), Giorgio D'Adamo (New Trolls), Max Manfredi, Simonluca, and Paolo Griguolo (Picchio dal Pazzo). It's a nice touch that really rounds out the album.The CD comes in a jewel case with a lyric booklet. I'm told that the pending Japanese version will contain a newly recorded composition as a bonus track. But don't wait for that one--go out and grab this one. You won't be disappointed. Four plus stars (Gnosis 13/15).Edit: I can't stop listening to this! Though it's not quite as good as the original, it's very close. I'm bumping it up to Gnosis 14/15, which is five stars on PA." - ProgArchives
    $25.00
  • Great third album from this Canadian occult hard rock outfit.  Blood Ceremony's music is steeped in the sounds of the early 70s.  Female vocals, flute, Hammond organ, and good old crunchy guitar riffs woven together with mystical lyrics are the tried and true formula and damned if it doesn't work again!  Its not quite as over the top as The Devil's Blood in terms of lyrical content but they definitely drink from the same gene pool.  Some softer, folky bits creep in but there is no doubt that this is a hard rock band.  Highly recommended. 
    $13.00
  • Import hardbound "mediabook" edition with the Iron Man bonus track.So here's my personal confession...after Neal left I felt that Spock's Beard lost their way.  Nick is a fine vocalist but there was something quirky about Neal's writing that had a reverential old school quality that I found lacking.  The albums didn't grab me.  Nick left and Ted Leonard took over on vocals.  Whether it was Enchant or Thought Chamber, he's always stood out and he fits Spock's Beard quite well.  The new drummer Jimmy Keegan slipped into the blend with no dificulty.  The result is (to my mind) a resurgence from this band.  Ryo Okumoto always puts on a show - in particular his heavy reliance on Hammond organ reminds me quite a bit of Steve Walsh.  In fact the sound of the whole album has a Kansas vibe. Coincidentally David Ragsdale guests on one track.  I'm not sure I can remember the last time I said this about a Spock's Beard album - Highly recommended."Very few bands are so recognizable that you know who you are listening to within 2 seconds.  That is all it takes at the beginning of the first track on The Oblivion Particle to know you are listening to Spock’s Beard.  There is no slow buildup or keyboard swells, just straight BAMM!, here we go.  And if the opening notes don’t get you, the organ 5 seconds in will.  The band’s 12th studio album, this one the second with singer Ted Leonard and drummer Jimmy Keegan, is a culmination of years of perfecting a sound and identity, one that not even 2 major lineup changes could fracture. With this new album, Spock’s Beard up their game again and show that this lineup is here to stay.If there was a track that defined what Spock’s Beard are, it might be the opening track, “Tides of Time.”  There are certain checklist items that mark their sound and they are all in this track.  The organ, the harmonies, the acoustic breakdown, the rocking middle and the epic ending.  Each member finds their moments to shine on this one and it provides a jaw-dropping sound overload that could leave one satisfied at that moment; only there is another 60 minutes to go.The album zigs and zags through a few more experimental moments, mixing in some surprises with more traditional Prog elements.  The album’s second track and first single is “Minion”, is a perfect example.  The opening a cappella harmonies provide the sort of memorable chorus and harmonies we’ve come to expect from the group.  While, the following distorted keyboard section is also standard Spock’s Beard.  But the verse and middle of the song is much darker and takes us on a surprising journey.The most unique song the album is the brilliantly titled “Bennett Built a Time Machine”, which the album’s cover is based on.  Drummer Jimmy Keegan takes lead on the vocals here and sounds incredible.  His voice actually fits the track better than Leonard’s probably would have.  The song is one of the album highlights and helps keep the record from sounding redundant.  It is almost a pop song most of the way through until turning on the jets and shifting into Prog mode.There are some heavier moments such as “Hell’s Not Enough” and “Get Out While You Can”. “The Center Line”, however, might be the most similar to something you might have found on their group’s previous album “Brief Nocturnes…”  The track opens with an expansive piano recital piece, before turning into a combo Prog-Western bounce with acoustic guitars carrying the groove. Ted’s voice lifts the choruses flawlessly and creates an almost cinematic soundscape.Even with all of these great moments, it is the album’s closing track that is the best song on the album.  “Disappear” might be one of the best songs the band has recorded since Neal left the group.  “We could disappear, you and me, we could be, anyplace else not here” sings Ted in the chorus as he wonders what might be if we left with no one knowing what happened.  The song is really the closest thing to a ballad on the album, but it doesn’t stay that way for long.  2 minutes in, the song stirs into a frenzy just before a brief cameo by Kansas’ David Ragsdale, appearing with his violin.  Of course, the big epic orchestral ending takes us home as Alan Morse provides the finishing touches with his unique finger picking soloing excellence.Spock’s Beard are Prog rock’s most reliable unit.  They have yet to disappoint and always provide comfort to their faithful fans with music that is both inspiring and breathtaking.  And while The Oblivion Particle shows a harder edged Spock’s Beard, it also displays a group that shows no signs of slowing down and is ready to take on all comers." - The Prog Report 
    $18.00
  • "Live release from the British modern classic rock band. In 2014, Mostly Autumn released the highly acclaimed Dressed in Voices. They decided, after much consideration, that the concept album Dressed in Voices deserved to be played live in its entirety at every show. It proved to be the right decision and seemed to hold audiences spellbound, so much so that they were overwhelmed with requests for a live recording and here it is! Box of Tears - named after the final track on the album - is a live version of Dressed in Voices recorded during the band's 2014 tour. Winners of Best Live Concert and Best Female Vocalist 2014 in the Classic Rock Society awards, they have earned themselves a name for their outstanding live shows and have been described as 'the best band you have never heard'. The album really comes alive in a concert environment and the emotion shines through - you can hear a pin drop between songs as the audience becomes enthralled in the drama."
    $14.00
  • 4 Destinies is the third album from Italian keyboardist Alex Carpani.  Its clear from this album that he has a great love for old school prog and "Rock Progressivo Italiano".  This is a concept album that consists of 4 epic length pieces.  Carpani's keyboard work shifts from the delicacy of Tony Banks to the pyrotechnics of Keith Emerson.  This is very much a symphonic rock album - plenty of Mellotron and Hammond organ through out.  Carpani handles vocals along with Joe Zal.  I'm not sure who is singing which parts but one of these guys reminds me a bit of Bernardo Lanzetti.  The lyrics shift between Italian and English.  Carpani has assembled an interesing band that includes The Watch guitarist Ettore Salati and drummer Alessandro Di Caprio of Ubi Maior.  A higher profile guest is ex-VDGG saxophonist supreme David Jackson.  Highly recommended."4 Destinies is a progressive rock concept album composed by Alex Carpani and based on 4 eventual destinies that a man can find on the path of his life. Four destinies that irradiate, moving from the same point, in four different directions of life...Musically speaking, this album represent a further step ahead in Carpani’s music production with more space for lyrics and vocals and less virtuoustic passages, with more atmospheric and contemporary rock moments compare to the previous works, even if Carpani’s symphonic songwriting is well recognizable, as well as his keyboards complex textures.The project involved all members of ACB: Ettore Salati on guitars, GB Giorgi on bass, Alessandro Di Caprio on drums and Joe Sal on additional vocals, plus David Jackson as special guest, and has been produced by Cristiano Roversi (Moongarden, John Wetton Band, Submarine Silence, CCLR). The album has been released by british label Festival Music, part of F2 Music Ltd."
    $16.00
  • "To be in a band remotely related to the realms of Progressive and Power, is to be an immensely accomplished instrumentalist in your own right. However, it is all too easy for entire bands to be lost in the sea of generic driven mass, regardless of the title of 'progressive', swamped in unusual and atonal melodic progressions and multi-rhythmic drumming. Sometimes even the lyrics can become a drawl; who wants to hear about the same knight fighting the same dragon across 10 different bands? This is where Floridians SKYLINER come into play, ablaze with fresh ideologies, tried-and-true Power Metal establishments with Progressive embellishments, and very real lyrical philosophies.The intro track blew me away with its eerie soundscape and powerful vocal delivery, not unlike a cross between VOLBEAT's Michael Poulsen and ex-ICED EARTH vocalist Matthew Barlow. Pulling no punches is "Symphony in Black" delivering a speedy and uplifting cascade of riffs steeped in creative melodies. Jake delivers a unique vocal effort, sticking to an aggressive Heavy Metal approach with unusual, yet catchy inflections in his melodies. "Forever Young" is a powerful track that hits home with passages evolving in both speed and technicality, with abrupt crescendos marked by drastic blast-offs in tempo; an incredibly solid track with creative drumming and even more diverse vocal performances.I would devote a significant portion of my writing towards the epic "Worlds of Conflict", wherein the lads "pulled a DREAM THEATER" and wrote an enormous, 21-minute track. Rarely does one hear something of such epic proportions. Never stale, it seamlessly weaves in and out of passages of their own individuality that coalesce into powerful crescendos, or on the other hand may diverge into various sentient soundscapes. The bass work in this track is thoroughly impressive, going past a meat-and-potatoes approach to offer an astounding array of dynamics to add to a track that would ordinarily require a great amount of fleshing-out. I stress, this is not something you would chuck on to fit the mood. Absorb it, and embrace it.Individually, the tracks are excellent. The 21 minute monster is at a masterpiece level, I cannot get enough of it. If I had a single qualm it would be that each of the tracks are 'too' different from the next, that the album feels more like a collection of works as opposed to, well, an 'album'. But then, I could be wrong; I could be too used to listening to 2-hour, drawlish concept albums. It is my belief that the end product was their 100% intention. They have done this right." - Metal Temple
    $15.00
  • Previously unreleased third album from this great British acid folk band. Alongside Comus, Jan Dukes De Grey are considered to be the Godfathers of the entire "freak folk" movement. This set languished in the vaults and is being released for the first time with an assortment of bonus tracks as well.
    $9.00
  • New remastered edition of Sirens and The Dungeons Are Calling. Originally conceived as all of their debut album, the material was split up because it was too long for vinyl release. Jon Oliva states that this is the first time the material is appearing as it was conceived. This "complete session" release includes one new bonus track recorded by Oliva in 2010.
    $14.00