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  • Excellent debut release from this progressive folk band from Italy.  The band is led by multi-instrumentalist Valerio Smaldoni who sings (in English) and plays keyboards and some guitar.  The music has a definite prog flavor particularly from the keyboard work - some nice atmospheric Mellotron-type sounds as well as Mini-moog soloing.  Guitarwork is acoustic based that never gets overly agressive.  I'm reminded of Celeste and W&W period Genesis.  This is the kind of thing I can listen to as a Sunday morning wake up call.  
    $18.00
  • Latest studio album that was previously only available as an expensive Japanese import. Tuscany reunites Annie Haslam with Michael Dunford and Terence Sullivan. Ex-Camel keyboardist Mickey Simmons fills in for John Tout (who does appear as a guest). Ok...ok...Jon Camp isn't here and did you really expect it to sound like Novella??? Frankly it's far better than it has any right to be - Annie still sounds wonderful. Hey - Roy Wood is on here also!
    $13.00
  • AOR/Melodic metal fans will drop dead when they hear this killing album. Cornerstone consists of Royal Hunt's Steen Mogensen and former Rainbow vocalist Dougie White helped out by an array of musicians including RH's mainman Andre Andersen. No surprises here - it really does sound like a cross between Rainbow and Royal Hunt.
    $12.00
  • French female fronted band with an extreme metalcore sound similar to compatriots Kells. Vocalist Candice Clots mixes up the clean and harsh vocals with the former dominating. Produced by Fredrik Nordstrom (Arch Enemy, In Flames). This is the international English vocal version.
    $15.00
  • Its been a bit quiet on the prog metal front as of late but hopefully this new band from Norway will shake things up a bit. Dimension Act pretty much adheres to the Dream Theater formula although there is a healthy injection of prog rock as well. Plenty of keyboard solos to go around and killer guitar work. If you rachet down the complexity one notch you will be reminded a little bit of Spheric Universe Experience.
    $3.00
  • "In what seemed like an eternity since the details on the second Darkology album surfaced in December 2013, the running joke was that the second album should be renamed “Fated to Never Be Released.” “Official leaks” of demo tracks surfaced ahead of a European tour “in support of the album” (and without Carptenter who had other commitments). The demos only served to deepen fan desire for the release, as they revealed vocalist Kelly Sundown Carpenter (ex-Firewind live, Adagio) absolutely KILLING IT with a sharpened buzz saw edge that makes Ripper Owens look like an absolute chump. Flash forward to 2015 and finally a release date through Prime Eon and/or Nightmare (depending on where you live) would happen in late Spring. Was it all worth the wait, agony and hype? You betcha it was.The album is a steamroller from start to finish – with some parts here and there that tend to drift slightly (the title track for one) – but it never disappoints. As evidenced in the demos, Carpenter proves why he should be a vocalist in demand as he drives home the heaviness with his ultra-sharp brilliant delivery. Unlike most singers who like to live in the rafters, Kelly pulls it off with zero annoyance. His shredding high end is absolutely essential given the musical assault of riffs (from the great Michael Harris of Thought Chamber) and pounding rhythms (from bassist Michael Neal and drummer Brian Harris) that back it up. Though not similar in style per se as total impact, “Fated to Burn” gives me the same feel as the first time I heard Winter’s Bane’s “Heart of a Killer” and Sanctuary’s “Refuge Denied,” where the first blush with both the young Ripper Owens and Warrell Dane were absolutely life changing. If you add a little dose of “Breaker” era Accept and a tiny drop of Symphony X you have just the tip of just how brilliant “Fated to Burn” truly is.The Harris brothers have struck upon an exciting formula of U.S. power and traditional with just a touch of progressive. In terms of comparison with 2009’s “Altered Reflections,” this album packs five times the punch and power, sure to please fans that prefer metal heavy, guitar driven, and with shredding vocals. The album is a flurry of amazing grinding riffs with Kelly’s lethal vox that make tracks like “Shadows of Oth,” “Quantum Genocide,” “Kill Me If You Can,” “21st Century Frankenstein (Nobot 2)” and personal favorite “Festival of Fear” sound, and in many ways exceed, “Painkiller.” In fact, Darkology is a Metal Church for a new generation – and “Fated to Burn” leaves such an indelible vibe of “The Dark” that I swear the spirit of circa-1986 David Wayne seems to have implanted itself inside of Kelly.In one of the most exciting and pure metal releases in well over a decade, “Fated to Burn” is well worth the wait. Darkology stakes its claim in a busy circuit and with one flap of burning wings created an album that can easily be labeled an instant classic, thus raising its stock as one of the best U.S. bands out there today. This isn’t a mere claim only to be dashed away by a short time – this is the real deal! If you call yourself a fan of metal than heed these words….”Fated to Burn” lives up to and exceeds any hype you may have for it. If you haven’t familiarized yourself with the band, then you picked the right time, because the album isn’t “fated to burnout” anytime soon. Darkology has arrived.Highs: One of the best pure metal albums in a decade, Kelly Sundown Carpenter shines.Lows: Some songs drift a little, but not by much.Bottom line: Darkology strikes back with an album that is "Fated to Burn" into the memory for a long long time." - Metal Underground
    $16.00
  • I lost track of this band's work after their first release some years ago. This is actually their sixth album! Magnesis are a French symphonic rock band dedicated to creating progressive music in the classic dramatic style of bands like Ange and Atoll. L'Immortel Opera is a conceptual work that features dynamic compositions emphasizing the vocal talents of Eric Tillerot. At times the music is a bit precious reminding me of Japanese bands like Pagaent and Outer Limits but overall it is true to the spirit of 70s French prog.
    $15.00
  • "When one thinks of countries that are a hotbed of prog metal bands, places such as Norway, Sweden, and Finland come to mind. However the Land Down Undah’ otherwise known as Australia has been churning out amazing prog metal bands for the past decade. Bands such as Hemina, Voyager, Lord, Carnivool, Caligula’s Horse, Teramaze and Melbourne’s Vanishing Point have been wowing the prog metal scene for the past decade. It’s been seven long years since the release of Vanishing Point’s The Fourth Season, but the melodic metal quintet consisting of Silvio Massaro (Vocals), Chris Porcianko and James Maier (Guitars), Simon Best (Bass), and Christian Nativo (Drums) have finally returned with their fifth studio album Distant Is The Sun on AFM Records. The band has stayed true to their unique blend of progressive, power, AOR metal and have secured the talents of Sebastian “Seeb” Levermann of Ordan Ogen for mixing duites on Distant Is The Sun. Picking up right where The Fourth Season left off, the musicianship and songwriting on Distant Is The Sun is exceptional.The album kicks off with the short instrumental track Beyond Redemption and powers right into the first song King of Empty Promises. The double bass drum attack from Nativo and melodic keyboards lead the way and the harmonious soaring vocals during the chorus are a perfect way to officially start the album.The title track is next and begins with a heavy groove and transforms into a light piano tinged verses with Massaro’s impressive vocals leading to a catchy and melodic chorus. The twin guitar harmony lead attack from Porcianko and Maier is a thing of beauty during the solo section.Symphonic keys signify the start of When Truth Lies, an epic slab of energetic melodic progressive metal with a driving headbanging beat. Sonata Arctica frontman Tony Kaako lends his melodic pipes to the fast and furious power metal of Circle of Fire. Kaako and Massaro’s vocals compliment each other extremely well and create an amazing metal duet.The keyboard prominence on Denied Deliverance is pronounced in the mix but never overshadows the heaviness of the track, it just adds to the overall melody of the song. A blazing guitar solo section highlights the middle portion of another stellar song. Let the River Run has an impeccable acappella vocal harmony section that begins this mid tempo metal gem. The beautiful vocals during the chorus will be stuck in your head for days after listening.The album slows down for the piano based Story of Misery but don’t be fooled into thinking this is a traditional power ballad. The emphasis is on POWER with a emotive vocal performance from Massaro. Era Zero speeds things right back up with a frenzied double kick attack with plenty of soaring melodic vocals throughout and a shredding guitar solo from the tandem of Porcianko/Maier and culminates in a symphonic ending and bursts right into Pillars of Sand which keeps the hard and fast metal flowing.The eerie keyboard intro of As December Fades melds into a Maiden-esque guitar harmony and a glorious AOR sounding chorus with a symphonic element that is reminiscent of Within Temptation. A bright piano melody signals the beginning of Handful of Hope. Once again Massaro gets his chance to shine with an impressive vocal performance filled with passion and emotion. The bands penchant for writing catchy power metal is on display on Walls of Silence. The brilliant symphonic melodies and heavy guitar compliment each other perfectly. The album closes with the acoustic guitar tinged instrument titled April, an understated yet effective piece of music with a keyboard accompaniment underneath in the mix. It is a curious choice to end the album, but well done nonetheless.After a seven-year absence, the world of melodic prog welcomes back Vanishing Point with open arms and hopefully Distant Is The Sun will shoot the band to the next level of popularity outside their native Australia. This goes to show that like a fine wine, Vanishing Point only improves with age!" - Lady Obscure
    $15.00
  • Second album from this interesting Danish band incorporating elements of thrash, death and even melodic metal in an usual way. Curiously enough this was created as a binaural recording and should be listened to with headphones. Recommended to fans of Meshuggah and Soilwork.
    $10.00
  • "The amazing musicians from Uzbekistan are back with “Sodom and Gomorrah,” a concept CD that features the acclaimed original FROMUZ line-up of Vitaly Popeloff (guitars), Albert Khalmurzaev (keyboards, guitars, vocals, harmonica), Vladimir Badirov (drums), and Andrey Mara-Novik (bass), plus Evgeniy Popelov (keyboards, vocals).“Sodom & Gomorrah” was originally composed by multi-instrumentalist Albert Khalmurzaev as the soundtrack for a theatrical musical production of the same name at the Youth Theatre of Uzbekistan. Reinterpreting the Biblical tale of “Sodom and Gomorrah” as a conceptual foundation, it tells the story of our modern world, ravaged by global addictions and vice that can only be remedied through a change from within the very heart of the human condition.This concept is conveyed through the well-established passion and incendiary musicianship that has become the hallmark of FROMUZ.  This is modern progressive rock at its very finest.FROMUZ originally performed “Sodom and Gomorrah” live over the course of three years, starting in 2004, actively working with the Youth Theater in Tashkent, Uzbekistan, as well as performances at prestigious theater festivals in St. Petersburg, Russia, the International Chekhov Festival (Moscow, Russia), and more.  The band recorded the soundtrack during this time-frame, but it wasn’t until 2012 that the decision was made to return to those tracks, editing, mixing, and mastering them for an official release."
    $12.00
  • Remastered edition finally taken from the original master tapes and transferred utilizing 24 bit / 96 khz technology.
    $10.00
  • 2 track CD single taken from the "Remagine" disc, features the single version of "Being Everyone" as well as the previously unreleased track "Taste The Day".
    $2.00
  • "Dancer and the Moon is Blackmore s Night 8th studio album. Despite Ritchie Blackmore s past as a guitar player in Deep Purple and Rainbow, he is now in another stage of his musical life, concentrating on modern Folk, Renaissance and Progressive Rock music. Besides Ritche s incredible talent as aguitar player, the other selling point for Blackmore s Night is vocalist Candice Night, the beautiful wife of Ritchie Blackmore who could be described as a younger, and folkier, version of Stevie Nicks."Deluxe digipak CD/DVD edition.  The DVD features a documentary as well as acoustic versions of 3 tunes that are on the album and one that is not.
    $19.00