The Yes Album (CD/DVD)

SKU: GYRSP40106
Label:
Panegyric
Category:
Progressive Rock
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The Yes Album is the second in a series of remixed and expanded Yes albums.

Presented as a double digi-pack format in a slipcase with a booklet featuring new sleeve notes by Sid Smith, along with rare photos and archive material, the album has been mixed for 5.1 Surround Sound from the original studio masters by Steven Wilson and is fully approved by Yes.

The CD features a new stereo album mix by Steven Wilson, the studio version of Clap and an extended version of A Venture.

The DVD-A features:

- a 5.1 DTS Mix and High Resolution Stereo mixes.
- DVD-A players can, additionally, access a 5.1 Lossless audio mix (24bit 96khz).
- the new album mix in high resolution stereo
- the original album mix in a hi-res flat transfer from the original stereo master tape source.
- alternate version of The Yes Album drawn from live tracks, singles edits & an extended mix

CD - New Stereo Mixes:

1. Yours Is No Disgrace
2. Clap
3. Starship Trooper: Life Seeker / Disillusion / Wurm
4. I've Seen All Good People: Your Move / All Good People
5. A Venture
6. Perpetual Change

Additional Tracks:

7. Clap (Studio Version)
8. A Venture (Extended)

DVD-A (Region 0, NTSC):

- Album mixed in 5.1 Surround from original multi-track sources.
- New Album mix in High Resolution Stereo
- Original Album mix (flat transfer) in High Resolution Stereo
- Alternate version of The Yes Album drawn from live tracks, singles edits & an extended mix

NTSC Region 0 hybrid DVD-A, compatible with all DVD players & DVD-rom drives.

DVD-A - Full Track Listing :

New Stereo Mixes 24/96 MLP Lossless:

1. Yours Is No Disgrace
2. Clap
3. Starship Trooper: Life Seeker / Disillusion / Wurm
4. I've Seen All Good People: Your Move / All Good People
5. A Venture
6. Perpetual Change

Surround Mixes (24/96 MLP Lossless):

1. Yours Is No Disgrace
2. Clap
3. Starship Trooper: Life Seeker / Disillusion / Wurm
4. I've Seen All Good People: Your Move / All Good People
5. A Venture
6. Perpetual Change

Original Stereo Mixes (Flat Transfer from original master 24/96 MLP Lossless):

1. Yours Is No Disgrace
2. Clap
3. Starship Trooper: Life Seeker / Disillusion / Wurm
4. I've Seen All Good People: Your Move / All Good People
5. A Venture
6. Perpetual Change

Additional Material:

The Alternate Album :

1. Yours Is No Disgrace (Live, London 1971)
2. Clap (Studio Version)
3. Starship Trooper (single edit)
Life seeker
4. I've Seen All Good People (Live, London 1971)
5. A Venture (extended mix)
6. Perpetual Change (Live, New Haven 1971) 

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  • "Not many tunes delivered by bands from my southern neighbors, within the borders of Germany, are haunting my mind during these grim and frostbitten cold days of wintertime. Only melodies of Andy Kuntz & Co from prog metal act Vanden Plas, and one of last year’s best prog metal debuts “The Old Man and the Spirit” created by Beyond the Bridge are still able to cradle me to sleep. The question is then how the hell has prog rock/metal act Dante gone unnoticed by my eyes and ears so many years? That is still a mystery to me. I guess it’s time for some changes now. After watching the official trailer of the full album “November Red” describing it as “A New Masterpiece of Progressive Music” and getting my face slapped by words like Power, Passion, Epic, lyrical, Progressive and Breathtaking, I have packed my gear and ready for a great adventure into their musical universe. Will you follow me on my musical adventure? I’ll leave that up for you to decide, but if this has sparked your curiosity, then please keep on reading our fellow reader. You will not regret…Let us start from the beginning. Seven years ago guitarist & bassist Markus Berger, who sadly passed away early this year (R.I.P. metal brother), teamed up with his longtime friend Markus Maichler on keyboards & piano, and created prog rock & metal act Dante after playing around with some of their own musical ideas in Berger’s own studio. Two positions were still left open, so they recruited vocalist Alexander Góhs (former frontman of Berger’s previous act “Twelve”) and drum machine Christian Eichlinger to complete their crew of musicians in control of this new German prog machinery. With some fine tuning of this machine based in Berger’s recording studio, they unleashed after two years their self-produced & self-financed debut “The Inner Circle”, which was applauded and met with great respect by many metal reviewers all around our globe. Same year bassist Michael Neumeier was hooked up, and took over the bass duties of Berger, and then became a permanent member of the band. Two years later in 2010, and the sophomore album “Saturnine” saw the light of the day, released by their new label ProgRock Records, continuing the success of the band. The following year bassist Michael decided to leave Dante, and they welcomed guitarist Markus A. Bader on board their prog metal flagship instead, and Berger returned to his old role as the bass player of the troop.So finally here they are, welcoming 2013 with their long awaited third craftsmanship entitled “November Red”, ready to quench the thirst of many progheads out there…My great adventure through the challenging musical landscapes created by Dante has sudden come to an unexpected end after counting more than one hour of total playing time. It was a continuous bombardment of my ears with strange & complex rhythms, tempo changes, awkward time signatures, mellow passages, gorgeous 70’s styled keyboard sounds blended with heavy and crunchy guitar riffs and solos, all complemented with symphonic influences to make it an interesting and pleasant listening experience. Maybe they borrow some ideas from legendary prog titans Fates Warning and Dream Theater, but arresting them for being a copycat would not hold up in court. It’s a roller coast ride through the whole album, and each of the seven songs is molding our ear wax as different as night and day. The opener “Birds of Passage” is a soft and mellow introduction, whereas the following song “The Lone And Level Sands” is exploring the more heavier and aggressive sound of Dante. “Beautifully Broken” is walking on a total different path, and is the only ballad song included. It’s a melancholy song told with beautifully and mesmerizing piano melodies and by the voice of Alex singing with great control and emotion in his preferable low to mid range registers. Fourth song, and the star of the show is “The day That Bled” a tune delivering myriads of shades and musical colours for you prog enthusiasts to delve into. Next on the list is the song “Shores of Time” following in the footsteps of its predecessors, followed up by the softer and slower song “Allan”. The title song “November Red” is the final destination of our journey, and closing of with a big bang. It’s the epic of the album, delivering some of the most heavy and aggressive moments, broken up by mellow passages.Production-wise, this is wrapped into a high quality package, and the musicianship is first class, but it still suffers in the vocal department. Vocalist Alexander Góhs would not be my first choice in the front seat of a traditional prog band, because of his lacking range and dynamics in his vocal performance. He knows his weaknesses and strengths, and mostly stays in his comfort zone the low to mid range registers, and then actually becomes quite enjoyable. His voice definitely takes time to get used to, but is one of the band’s signature sounds for better and worse.So let’s cut to the chase. The latest creation “November Red” delivered by Dante is not a quantum leap forward for progressive music, but they still have a huge and very unique distinct sound of their own. It’s a moody and melodic progressive music experience, and if your ears find comfort in listening to the likes of Fates Warning and Dream Theater, then don’t let this release slip through your fingers. “November Red” takes time to grow on you, but stay open-minded, and it will bury itself deeper and deeper under your skin. It’s definitely one of those progressive bands I’ll keep my eyes and ears locked on too for many years to come." - Power Of Metal
    $15.00
  • "US band ODIN'S COURT have been around ever since 2001, with a good handful of productions to their name so far, and in terms of full length albums they have released six of them so far. Their most recent one, "The Warmth of Mediocrity", was issued through US label The RecordLabel.net's Progrock Records division towards the end of 2013.While this is a full length album, I guess the majority would really sort this one as a compilation rather than a bonafide studio disc, as the greater majority of the songs have been pulled from old releases. But as these songs have been both remixed and to some extent remade as well, due to the addition of Dimetrius LaFavors as lead vocalist, this really is a new album even if much of the material have been available in other versions previously.As far as style is concerned, Odin's Court is among those bands that venture back and forth across the border between the rock and metal part of the progressive universe, although the main emphasis appears to be on the latter of these. They explore, at least in recent years, a brand of progressive metal that explore the contrasts between grimy, gnarly dark toned guitar riff constructions and light toned, subtly exotic sounding keyboard textures, with ample room for movements of a more careful nature to alternate between the harder edged and more intense ones. The piano is employed for an additional delicate touch on several occasions, and what I presume to be digitally crafted orchestral backings also have their place in the material of this band. The dulcimer is also used to good effects to convey effects of a more careful nature within this landscape.From what I can recall of their older material, it would appear that their new vocalist is a good addition to this band. There are still some issues with the vocals however. That there are songs here not written with the new vocalist and his particular voice in mind is a fact, and that some of the vocal parts comes across as somewhat odd in structure and execution both is a detrimental detail at times. As is the band's slight tendency to hit off in a dramatic, technically oriented run with quirky staccato riff bursts in asynchronous patterns, although this latter aspect probably has more to do with personal taste and not quite as much to do with stylistic expression and structure as such.Personally I found the band to be most interesting when exploring territories of a more regular nature, with the remade version of Utopian Rust and the following instrumental Paradise Lost: Chapter 1 to be clear album highlights. The former a fairly traditional progressive metal creation sporting a fairly smooth, dark toned guitar riff and a fairly predictable but effective keyboard contrast as the dominant elements, with compelling harmony based guitar soloing and a nifty bass motif beneath that fits this song in this guise very well indeed. The latter of these two songs appears to be a case of progressive metal inspired by classical music, using orchestral details to supplement the guitars and organ that otherwise sets the mood and atmosphere. Opening and title track The Warmth of Mediocrity also warrants a mention, and again we're dealing with a more common variety of progressive metal with strong and distinct contrasts between guitar riffs and keyboards, majestic themes and a harmony based song in general expression and instrumental solo runs both.All in all a somewhat uneven production as far as I'm concerned, where the most experimental numbers also comes across as the least inspired of the lot. But when Odin's Court starts exploring a more common and predictable variety of progressive metal, then they are going strong with all cylinders firing in a fitting, majestic manner. A band and an album worth taking a look at if you're curious of a band that are at their best exploring traditional progressive metal Dream Theater style, while also having a go at assembling compositions of a more challenging nature that may not be quite as appealing - all of this very much depending on personal taste admittedly." - ProgArchives
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  • "Power metal has always been as fun as it is ridiculous. I may be overstepping my bounds, but if any bands care to disagree, let their dragons smite me where I stand. Dark Moor has been around since, what feels like, the beginning of time. Actually, it was closer to the late '90s when _Shadowland_ was released. Since their glorious debut into the golden halls of classical influenced power metal, the band has gone through serious line-up changes, including the 2003 departure of vocalist Elisa Martin. I would say that Dark Moor has changed drastically since 1999, but then again I would be overstepping my bounds. Fans have been divided over Martin led Dark Moor versus the new line-up with rich tenor Alfred Romero taking vocal duties. _Ancestral Romance_ is the band's eighth album, continuing the tradition of making music which sounds like battle themes for "Final Fantasy" games. _Ancestral Romance_ travels down well worn paths dug and paved by Blind Guardian, Helloween and Stratovarius. In fact, Dark Moor does nothing which breaks tradition with European power metal as well as previous releases. Despite its conceptual shortcomings, _Ancestral Romance_ does everything it should, at the right time and with the level of energy which soars straight through a vaulted roof.Stark realism hasn't always been a popular subject for power metal, as most albums are dedicated to high fantasy and various forms of speculative fiction. _Ancestral Romance_ deviates slightly with its pastoral paintings dedicated to Spanish folklore. If I could describe a song as framed and gilded in ornate gold, I would. While there is some historic truth to many songs, the level of fiction present is enough to make Rhapsody of Fire blush. Everything is inspired by actual events, and those events have been dramatized, exaggerated and heavy diffused. There are some obvious Spanish songs, such as the Don Quixote ballad " Tilt at Windmills", while others are more specific, like the Rodrigo Díaz de Vivar centered "Mio Cid". The Spanish Golden Age is usually not a popular period of inspiration, however, "Ah, Wretched Me" and its tribute to Pedro Calderón de la Barca says otherwise. _Ancestral Romance_ reads like the syllabus to a grad level Spanish literature class. It's exclusivity and somewhat obscure subject matter makes this portion of the record a highlight and selling point.There are, however, downfalls such as the middle selection entitled "Just Rock". I would try to brush this song off as a poor translation, but anything named "Just Rock" has one unfortunate conclusion. The congratulatory nature of "Just Rock" and masculine celebration of music in general feels silly as a midpoint pep rally which no one asked for. I am not pointing any fingers, but "Just Rock" may or may not have the lyrics "You feel the beat, you get a shock / when your soul harmonized with rock". This song completely disrupts a perfect afternoon with a coerced battle hymn. Dark Moor interrupts your picnic by dragging their muddy feet on the blanket. Luckily, after this shipwreck, the album moves along swimmingly until the end._Ancestral Romance_ could also be praised for its position on tempo. Speed, for Dark Moor, isn't necessarily the end goal as with most power metal. While the ferocity of DragonForce and Sonata Artica is fun, it is sometimes treated as a technical checkmate. Dark Moor coasts at midspeed while still showing off technical prowess and unnecessary bass solos. The cruising speed of Manowar's _In Glory Ride_ and Iced Earth's _Night of the Stormrider_ worked fine in the past and works again for _Ancestral Romance_.It is hard to fault a band for doing everything with textbook style and predictable grace. Dark Moor has made it apparent they intend on skipping forward with little to no change. There is some admiration granted to an artist working through a style over the course of eight albums. Each album is another step in becoming folk heroes or possibility having their faces engraved on coins. _Ancestral Romance_ , for better or worse, is everything you expect it to be and nothing more." - chroniclesofchaos.com
    $6.00
  • "Germany's Brainstorm turned the corner from traditional Teutonic power metal with 2008's Downburst, by offer a little more intrigue in their musical compositions. Yet, the band hasn't veered from mainstream melodic heavy metal at any time. This year's On the Spur of the Moment continues the current path with some subtle nuances.While still melodic, the songs seem heavier, maybe even darker, than previous material. Nevertheless, from chord structure to vocal arrangements, melody and harmony remain. Notable is the opener Below the Line, No Saint No Sinner, and the impressive In These Walls. Additionally, many songs have a strong metal-rock groove that adds to their accessibility: check out Temple of Stone, A Life on Hold, or No Saint No Sinner. One surprising feature is the nature of the guitar solos. Many are both traditional and fiery as on A Life on Hold, Still Insane, and Temple of Stone. Then, sometimes they're muted as on In the Blink of an Eye and No Saint No Sinner. Considering the breadth and depth of the guitarists' skill, I'm not getting this at all. Conversely, there are some impressive performances by individual members: most significant is Dieter Bernert's drum work on Temple of Stone and My Own Hell.Characteristic of a talented and proven band, Brainstorm's On the Spur of the Moment is consistent and entertaining material. Definitive, visionary or breaking new ground? Perhaps not. But fans of traditional melodic heavy and power metal should be pleased. Recommended." - Dangerdog.com
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  • Penumbra Diffuse is the second full length release from this Georgia based instrumental tech-metal trio. It also marks their debut effort for Sensory after the successful release of "Sublimation" for Tribunal Records.The band has shown tremendous growth since their beginnings in 1999, evolving out of the death metal/mathcore scene. Dropping their vocalist along the way the band decided to emphasize intricate arrangements, creating compositions that only the most adept musicians could play. Canvas Solaris' music resonated equally with fans of technical metal co-horts Spiral Architect and Cynic as well as bands like Don Caballero and Dillinger Escape Plan."Penumbra Diffuse" demonstrates musical artists that continue to mature. Now drawing inspiration from progressive Gods like King Crimson, Voivod and Mr. Bungle, they have added more textural elements, with keyboards and acoustic instruments playing a more prominent role in the music. The music now has a more expansive sound but still retaining their trademark technical elements.
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  • "Quite the misleading band name, ya know? Project Arcadia isn’t much of a “project” as it is a Bulgarian outfit fronted by the ever-awesome Urban Breed, he of Tad Morose, Bloodbound, and currently, Trail of Murder fame. Prior to Breed joining, the band released From the Desert of Desire in 2012 to rather muted results, as in, no one on this side of the pond gave a flying toss. Sure enough, add Breed to the fold, record a new album in the form of A Time of Changes, and viola, Nightmare Records takes care of the rest. Not a bad deal.Hovering around traditional power metal and 80s metal protocol (the accompanying bio cites MSG and the Scorpions, which there is scant correlation), Project Arcadia wisely focus on the considerable vocal talents of Mr. Breed. He’s given ample breathing room to allow for his superbly melodic and hefty pipes to get their kicks, like on the soaring chorus for “I Am Alive,” and the acoustic-led “The Ungrateful Child,” which sees the Swede go full-on tender. But for the most part, the band plays it muscular, hitting some brute riffs in stride on “Formidable Foe” or finding some double-bass happenings on opener “Here to Learn.”The addition of Breed is sure to bolster Project Arcadia’s profile immediately. However, being that Breed is also known for being a bit of metallic nomadic, one had to wonder how long he’ll stick it out with the band. But the songs are certainly here on A Time of Changes, suited perfectly for Breed, who ten years after his shining moment on Tad Morose’s Modus Vivendi, can still hang with the best of ‘em. If the Swede was smart (and he is), he’ll stick with this, and Trail of Murder and keep on being productive…" - Dead Rhetoric
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  • Live album that was originally only released in Japan. This is a remastered and expanded edition.
    $24.00
  • Adam Wakeman is a very busy man. While not playing keyboards and guitar for Ozzy Osbourne, he has kept his foot in the progressive rock waters with the formation of Headspace. The band features Damian Wilson on vocals (need we say more??) as well as Pete Rinaldi (guitars), Lee Pomeroy (bass), and Richard Brook (drums). Some of you may be familiar with Pomeroy's work with Steve Hackett, It Bites, and Adam's dad Rick Wakeman.This is one of those albums that treads the line between progressive rock and metal. Wakeman's keyboards are quite prominent, trading lick for lick with Rinaldi but there is a heaviness to the album that would probably sit very well with any Dream Theater fan. In all its a really good balance that should find an audience with the broader prog community. Chops aside - I can listen to Wilson sing the phone book. Great production courtesy of Jens Bogren who mixed this monster. 73 minutes packed with epic length tracks. This one is easily going to be on everyone's top 10 list at the end of 2012. Highly recommended.
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  • "While Ki was a rambling, spacious and highly melodic trip through a futuristic world of transcendental art rock and Addicted was a sparkling, sugar-drenched turbo-riff glitter bomb, the final two parts of Townsend’s latest masterwork take both him and his legion of listeners on a far less expected and disorientating journey. Part three, Deconstruction, is arguably the most deranged, complex and extreme record that Devin has ever made. Fans of Strapping Young Lad will almost certainly feel at home with its bug-eyed maze of riffs and breathtaking dynamics. Fans of Devin’s more mellow work will have to grit their teeth and hold on for dear life."
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  • "Black Symphony was a unique concert at Rotterdam's Ahoy Arena on February 7, 2008 sold out months in advance. Within Temptation performed to 10,000 fans with the 60 piece Metropole Orchestra and a 20 voice classical choir, as well as on stage stilt performers, costume changes, and an array of stunning pyrotechnic and lighting effects." US edition of Black Symphony arrives with the main DVD and CD from the performance...but its NTSC version. If you want the longer versions with the extra discs you will have to settle for PAL editions at a much higher price.
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  • Last copies of the Brazilian digipak."Veterans in the Power/Progressive Metal scene, Brazil’s ANGRA set the world on fire right out of the gate on their debut album “Angel’s Cry” – at the time in 1992 a throwback to the classic Kiske-led HELLOWEEN era with its “Keepers of the Seven Keys” uplifting melodies and speed/ guitar harmony attack. Since that time they’ve blazed their own trail, surviving key member changes in the vocal and drummer departments as well as expanding their musical template into more of an original, Progressive Metal sound. Their eighth studio album “Secret Garden” will be another barometer test for their fans, as RHAPSODY OF FIRE vocalist Fabio Lione steps in the singer slot – and drummer Bruno Valverde slides into the percussion position. What does this mean overall for ANGRA? Will it be a step into the past- or a move into the future?After a solid 20 playbacks, this will probably be one of the favorite ANGRA records in their discography due to the quality and dynamic diversity for these 10 tracks. Those who expect Fabio to soar to high heavens solely on this record, well expand your minds because he truly delivers one of the best performances of his career – stretching out his lower and middle registers more so on this record than ever before. Check out opener “Newborn Me” and the serene ballad “Silent Call” for new facets to his range – emotionally connecting like never before. Musically you can hear a lot of the South American nuances plunging head first into more New Age/ jazz-like Progressive textures on highlight “Upper Levels”, something I would appreciate more from DREAM THEATER and helps ANGRA achieve that surprise element necessary beyond their obvious instrumental talent level.Those who desire the fast paced, double bass, scream to the sky Power anthem material, well “Black Hearted Soul” or “Perfect Symmetry” should give you the fist-pumping adrenaline workout you crave. Special guests include EPICA’s Simone Simons on the dramatic, Symphonic-laden title cut ballad and early Metal icon Doro Pesch who does a vocal duet with Guitarist Rafael Bettencourt on the heavier, bouncier “Crushing Room”. Add in a conceptual storyline that features a fictional account of a scientist seeking happiness after dealing with the tragic loss of his wife in an accident and stunning production values where all parts shine (including the bass heroics of Felipe Andreoli) and I’m sure this 49 minute record will receive consistent airplay for not just 2015, but an eternity as the best albums should.“Secret Garden” could be ANGRA’s best album to date: rich in Progressive Metal highlights but also remembering the right balance in terms of individual songwriting and melodic/hook aspects, this should be a benchmark for other bands to study and up their creative game. A great start to 2015 for sure." - Metal Temple
    $14.00
  • Though they were a product of the beat group age, Group 1850 were the Netherlands’ first progressive band — in every sense of that word. Constantly changing, constantly evolving, Group 1850 were musical extremists on a do-or-die mission to explode all expectations. Sparks flew, ideas flared, feedback swirled through misty nights, the dead walked, skeletons danced, flies buzzed, mountains fell, words rained fire from angry purple skies. Group 1850 raised all kinds of Hell. My god, were they good.Although the group made two deservedly revered albums, Agemo’s Trip to Mother Earth (1968) and Paradise Now (1969), some of their best work can be found on their singles, where their borderline insane hyper-creativity was focused into highly-concentrated, radically potent three-minute songs like Misty Night, Mother No-Head, Zero, We Love Live (Like We Love You), Don’t Let It Be (We Have to Do It Now), and the magnificent Have You Ever Heard. The A- and B-sides of all their singles can be found on this unique CD in their original mono mixes, mastered from the original tapes. A number of previously unreleased demos are also included. Mother No-Head: Their 45s comes packaged in a breathtaking digipack cover with rare archival photos, memorabilia and liner notes by Ugly Things’ Mike Stax.Track listing1. Misty Night 3:29 – mono 2. Look Around 2:34 – mono3. I Want More (Finger Tips) 2:03 – mono4. I Know (La Pensée) 3:11 – mono5. Mother No-Head  3:25 – mono6. Ever Ever Green 3:17 – mono7. Zero 3:28 - mono8. Frozen Mind 3:39 – mono9. We Love Live (Like We Love You) 4:28 – mono10. Little Fly 4.17 – mono11. Don’t Let It Be (We Have To Do It Now) 3:13 – mono12. Sun Is Coming (So We’re Calling You) 3:00 – mono13. Fire 2:30 – stereo14. Have You Ever Heard 3:34 – stereo15. Mother No-Head 3:29 – French version – stereo16. Mother No-Head 3:36 – instrumental – stereo17. 1.000 Years Before 2:37 - stereo18. Dream Of The Future 2:33 – stereo19. Sun Is Coming 3:06 – demo - mono20. Don’t Let It Be 3:08 – demo - mono21. Falling Mountains 3:34 - demo – stereo22. Liar 2:31 – demo - stereo23. Dream Of The Future 2:51 – demo - stereo24. 1.000 Years Before 2:39 - demo - stereoTracks 19 – 24 previously unreleasedTotal Playing Time: 77:00
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  • The latest album finds Steven Wilson returning to the epic length tracks just like in the old days! Guest contributes from Robert Fripp as well. All is good in the world. Special pricing while supplies last.
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  • Japanese SHM-CD in a mini-lp sleeve."Kill 'Em All may have revitalized heavy metal's underground, but Ride the Lightning was even more stunning, exhibiting staggering musical growth and boldly charting new directions that would affect heavy metal for years to come. Incredibly ambitious for a one-year-later sophomore effort, Ride the Lightning finds Metallica aggressively expanding their compositional technique and range of expression. Every track tries something new, and every musical experiment succeeds mightily. The lyrics push into new territory as well -- more personal, more socially conscious, less metal posturing. But the true heart of Ride the Lightning lies in its rich musical imagination. There are extended, progressive epics; tight, concise groove-rockers; thrashers that blow anything on Kill 'Em All out of the water, both in their urgency and the barest hints of melody that have been added to the choruses. Some innovations are flourishes that add important bits of color, like the lilting, pseudo-classical intro to the furious "Fight Fire with Fire," or the harmonized leads that pop up on several tracks. Others are major reinventions of Metallica's sound, like the nine-minute, album-closing instrumental "The Call of Ktulu," or the haunting suicide lament "Fade to Black." The latter is an all-time metal classic; it begins as an acoustic-driven, minor-key ballad, then gets slashed open by electric guitars playing a wordless chorus, and ends in a wrenching guitar solo over a thrashy yet lyrical rhythm figure. Basically, in a nutshell, Metallica sounded like they could do anything. Heavy metal hadn't seen this kind of ambition since Judas Priest's late-'70s classics, and Ride the Lightning effectively rewrote the rule book for a generation of thrashers. If Kill 'Em All was the manifesto, Ride the Lightning was the revolution itself." - Allmusic
    $16.00