Live In Krakow DVD

Metal Mind Productions
Region 0
Metal/Hard Rock
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All region NTSC DVD featuring a live concert and videos from this killer gothic metal band.

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  • "Allow yourself to be transported to another world by PHANTASMA - a project sprung from the collective energy of Georg Neuhauser (Serenity), Oliver Philipps (Everon) and Charlotte Wessels (Delain). The release features memorable songs and intense arrangements centered around included novella ‘The Deviant Hearts’.PHANTASMA was born from the longstanding ambition to create a story driven concept record of Georg Neuhauser, vocal force behind Tyrolean Symphonic Metal outfit Serenity. He found his partner in crime with multi-instrumentalist composer, producer and vocalist Oliver Philipps (Everon) who gladly embarked on this new mission that allowed him to reconnect with being a musician in the first place, as a welcome change from working for other bands, which he has done extensively over the years, providing the rich sound connoisseurs of the genre have come to expect from him. As Oliver worked with DELAIN since their debuting record, a request at Charlotte Wessels’ address was made to complete the dynamic trio of PHANTASMA. To introduce Charlotte Wessels to any connoisseur of Symphonic metal would be like carrying coals to Newcastle - she is, after all, since 2005 the vocal figurehead of Dutch grandees DELAIN. It is therefore not only surprising, but also gratifying that Charlotte now even found some leisure time, to lend not only her voice to PHANTASMA but also her debut novella ‘The Deviant Hearts - which was written especially for the project.With PHANTASMA she can let her beautiful and variable voice run free like the wind - sometimes tender like on “Runaway Grey”, plaintive on “Let It Die”, and the duet “The Lotus And The Willow” - makes Charlotte’s passion for Nick Cave abundantly clear, matching even the intensity of “Where The Wild Roses Grow”. Meanwhile Georg’s dedication for classic rock acts like Queen and Meatloaf shine through in tracks like “Crimson Course” and “Novaturient”. Giving a face to other characters in the story are noted guest vocalists, such as Tom Englund, who performs on title-track “The Deviant Hearts”, Cloe Lowery on the heart-wrenching ballad “Try” alongside Dennis Schunke, who can be heard also on the comforting “Carry Me Home”."
  • Limited edition 2CD mediabook with expanded booklet."Dutch band DELAIN have become symphonic metal darlings. Their sound has always been dark and arresting, filled with drama and spontaneity. Lead singer Charlotte Wessels belts out the songs with sheer potency and passion, with thousands marvelling at her vocal output. And the band have steady elevated over the years. With five records under their belts, they have morphed into a true player in the symphonic metal bracket. And under a live setting, they’re truly engrossing to watch. And the Dutch music scene is explosive at the moment. There are so many acts walking upon the hallowed pathway of metal, trying their hardest to set themselves apart. DELAIN have it all in their cannon, blasting through the mediocrity like a bullet. And their sound is progressive and often laced in poetic, but dark wordplay.The band’s new record Moonbathers is a bashful offering complete with empowering guitar lines and infectious vocal work. And the act are always looking at new ways of expressing themselves and their musical qualities, by doing so, they’ve certainly fulfilled their desires. They’re also clearly ambitious, not letting the guard down, never forcing the music, never polluting the vibes. And the symphonic wonders also like to create an atmosphere within their music. The songs all have that dark, melodic, imprint. They’re magical in their deliverance. Wessels has a distinctive voice. We all knew that, but on Moonbathers, she naturally elevates her hooks. It’s balanced with great composure, struck like an empowering chord. Her vocals are never strained; they’re never stretched out or completely lost in the instrumentals. It’s all beautiful and charismatic.Hands Of Gold starts proceedings. It begins with a blistering guitar riff that powers on. Wessels sings with authority, belting out the darkened lyrics. She has a stern grasp musically. The Hurricane starts with Wessels’ vocals and a soft drumbeat, it then lifts up and the chorus meets perfectly with the guitar influence. It is a fantastic burst of energy. Pendulum opens with dirty guitar strokes and sincere vocals. It never calms or loses momentum.DELAIN are a band that have a great backbone. They’re talented musicians that love the dark side and its glorious undercurrent. Their music isn’t volatile, but it does hold up to the metal name. It carries the band forward, without any inevitable missteps. Moonbathers is a brilliant compendium that strikes fire into the belly and powers up the mind. It commits to the genre well indeed." - Distorted Sound
  • New 2 disc expanded edition of Shallow Life comes with a bonus disc with live tracks and b-side tunes and 2 new acoustic versions of "Spellbound" and "Closer".
  • CD/DVD digipak version.  The DVD contains a "making of" documentary."It feels like it’s been longer than two years since Lacuna Coil’s last release, Dark Adrenaline, but where that album fell a little short, Broken Crown Halo feels like a true return to form for the band and this is perhaps one of the band’s strongest releases to date.Broken Crown Halo begins with Nothing Stands In Our Way, which slowly builds up into an absolute earworm of a tune and it’s no wonder that this was the track chosen to represent the album because it just has everything – fantastic vocal performances from both singers with a small hint of heaviness amongst the melody, and this wonderful heavy tone to the guitars atop of crushing drums.It’s not just the opener that will get stuck in your head however; with this album it really does feel that Lacuna Coil have crafted a whole collection of wholly memorable tracks. There’s Zombie, which features one of the best vocal performances from Andrea to date, with him seamlessly blending harsh and clean vocals together, and then there’s Die And Rise which begins with an introduction so catchy it’ll be stuck in your head for days. In all honesty, there isn’t a single track on the album that stands out as being bad.In essence, Broken Crown Halo is an exceedingly strong release from the band. It’s adventurous and fresh, whilst still retaining the classic Lacuna Coil ‘sound’ – and it’s excellent." - Soundscape
  • "A very special semi-acoustic live set from this seminal gothic metal band. The album captures their favourite songs specially rearranged for this event, while also including reworked cover versions of songs by Slayer and Nick Cave, the latter featuring guest vocals from Tiamat's Johan Edlund."
  • With the demise of After Forever, Epica has taken the throne as the kings (queens?) of beauty and the beast metal.
  • Lots of different versions of this album coming out from Century Media. This is a CD/DVD digipak. It comes with a poster, sticker, and custom guitar pick. What's on the DVD? Here is what the promo sea:"The DVD, 'Dark Passengers,' contains six intertwining vignettes, each one featuring a different band member".Sixth album from Italy's best export since the invention of neapolitan style pizza. The band gets a bit of heat since they achieved break out success. Far from a sell out, Lacuna Coil is as heavy as ever. The band's focus remains on the co-vocalists Christina Scabbia and Andrea Ferro. Filled with chunky riffing and some slick production, not a hell of a lot has changed. Lacuna Coil's music has always been laced with hooks. You want to call it poppy? Go ahead but its what they have always done. Want to hear where Evanescence got their sound? Check out Lacuna Coil. They may not have been the first in the genre but they are certainly one of the standard bearers. Highly recommended.
  • I'm going to get straight to the point.  If you are a fan of female fronted metal you must own this album.  The Human Contradiction is a complete triumph.  It finds the band returning a bit to their roots.  There are still poppy elements - that's part of their core sound - but there is a heaviness that will remind you of Lucidity.  Nightwish's Marco Hietala returns contributing on clean vocals. Also back is Orphanage vocalist George Oosthoek who is one of the best growlers in the metal scene.  Arch Enemy vocalist Alissa White-Gluz makes a guest appearance.Timo Somers' guitar riffs are chunkier, Charlotte's voice is impeccable as always, and Martijn's keyboards are simply epic.  The album was recorded at Studio Fredman and sounds massive.  Weaving the whole album together is a sci-fi theme borrowed from the writings of Octavia Butler.This is an album filled with a enough earworm hooks to drive you crazy but at the same time its heavy!  For my taste its a top 10 album for 2014.  BUY OR DIE!Limited edition 2CD mediabook edition.  The bonus CD contains 2 additional new studio tracks as well as live tracks and two orchestral versions of tracks from The Human Contradiction.  Essential.
  • Limited edition 2 CD version includes an acoustic bonus disc."EPICA is a widely known and regarded Symphonic Metal band from The Netherlands. Formed in 2003, the band had previously released seven full-length albums. “The Holographic Principle” is the band’s eighth, and contains twelve tracks. “Eidola” is the tone-setting lead-in song. The symphony is tentative and mysterious, especially from the fat whole notes that establish the baseline. Some chanted vocals make it sound like something out of a heretic’s church, and the percussion really shines here. “Edge of the Blade” roars in direct and quickly. Simone’s clean vocals are all over the place…soft and delicate at times, harmonic during other times and far reaching as well. I find myself gravitating towards the vocals over the music in this track. “A Phantasmic Parade” is about the same length, but the harmonized vocal progressions remind me of Eastern influences, and the supporting instrumentation would agree. The bridge section really gathers steam, from the thundering double bass in particular. I love the vocal peaks in the chorus as well.“Universal Death Squad” sound about like what you would expect. It’s ominous and heavy at times, like an army of the undead marching in perfect unison. Other times the melody comes through more, temporarily distracting you from what looms out there. Harsh vocals accentuate the point. “Beyond the Matrix” has some really nice piano work that plays in unison with the clean vocals. Once again I pick up on some Eastern influences with that brief guitar fill before the chorus. Following a sweet bridge is a darker passage with more pronounced heavy guitars and harsh vocals, and a truly outstanding lead guitar solo. As is often the case with the softer songs on EPICA’s albums “Once upon a Nightmare” does not disappoint. It allows Simone’s voice to really soar and the band’s sense of grand melody to take center stage. “Ascension – Dream State Armageddon” combines comely vocals with heard and heavy riffs. The harsh vocals rattle in pretty strong here as well. The Symphonic elements are in the forefront of the song, as good as any seasoned orchestra. “Dancing in a Hurricane” is an interesting song title. The opening part of the song does indeed sound like you are watching a street dancer, clothed in a “bedlah” and hypnotizing you with her moves. About half-way in, the hurricane arrives, with prominent low brass, staccato strings and Death vocals.The closing song is the title track, an eleven minute orchestral piece that expands upon their depth of knowledge of various instruments, and how to connect them into a cohesive piece. The song has a core sound, but man do they find ways for it to stretch out. This is a very difficult accomplishment. It’s the kind of song that really sets this band apart in this genre and puts some distance on their peers. I could literally write a few pages on just this song, and all the nuances, complexities and various techniques that the band uses to tell this tale, but I will spare you the overblown verbosity. Overall, the album is excellent. It is quintessential EPICA in every sense, and might be the best album they have released to date. There aren’t a ton of surprises in the sense that it sounds about what you would expect, but that is a good thing because what this band does well is really unmatched out there." - Metal Temple
  • Second album from this French gothic metal band masterminded by Vynce Leff.  Odd situation...for a couple of years the band was fronted by Clementine Delauney, elevating the band's status as they went on tour with Delain.  Clementine left before this album was recorded, touring with Serenity so there is no studio documentation of her as a member of the band.  She has now been replaced Elvyne Lorient. Whyzdom's music is definitely molded in a similar fashion to Delain and Within Temptation.  Its very heavily symphonic and Leff has incorporated a choir into the mix lending an even bigger, more bombastic sound.  Fans of Delain's April Rain should check this one.
  • Limited edition with one bonus track."Following the departure of vocalist Lisa Johannson in 2011, fans of Sweden’s pillar gothic/doom metal act Draconian were left wondering about the future of the outfit. Enter Heike Langhans, formerly of The Great Sleep, to take the helm. The band’s newest, Sovran, surprisingly, sounds like nothing ever slowed them down. It’s an album that, while business as usual for the sextet, demonstrates that a major lineup change has done the band some favors in the way of memorability and songwriting.It’s basically a given that Draconian’s first two albums — 2003’s Where Lovers Mourn and 2005’s Arcane Rain Fell — are some of the most important goth/doom albums to be released in the past two decades. The band was never the type to rest on its laurels, but 2008’s Turning Season Within was too polished for its own good, and 2011’s A Rose for the Apocalypse, while offering more in the way of symphonic doom/death, left me cold.Sovran, by comparison, sounds rejuvenated, with the band finding a finally harmonious balance of the theatrical, morose, and menacing. Newcomer Heike Langhan’s vocals are less operatic than Johannson’s but are a better fit for the band’s current direction, with “Dishearten” providing one of the best examples of her range, both vocally and emotionally. Far more than just a pretty voice, Langhan’s voice adds feelings of yearning and pain where Anders Jacobsson’s growls fall short. Jacobsson, while not the most dynamic growler, is convincing enough in his delivery and prevents Sovran from turning into a weepy, saccharine mess as many goth/doom albums are apt to; the ugly, eerie doom riffs of opener “Heavy Lies the Crown” work wonderfully with his bellowing, fiery roars. Even if his main job is to provide the “beast” to balance the “beauty,” he does it effectively enough to where it doesn’t seem forced or cliched; similarly, Langhan’s voice is a driving force on many tracks rather than being relegated merely to choruses and “soft parts.”It’s the remainder band, however, that makes Sovran such a rich listen: “Rivers Between Us,” the ballad they’ve been hinting at for years, oozes with a fragile beauty that is elevated by Langhan’s vocals and the achingly sad guitar melodies, backed by violins, and album closer “The Marriage of Attaris” approaches Mournful Congregation in terms of sheer weight and grandiose arrangement. For being squarely in the goth/doom niche, Sovran is very much a guitar-based album, incorporating melodies reminiscent of My Dying Bride and early Swallow the Sun, with “Pale Tortured Blue” being a standout cut for its pure might and majestic power. When keyboards appear, they function as more than mere “atmosphere” and contribute layers of sound that, if not present, would make the songs feel hollow and incomplete. An array of mellotrons, violins, and strings appear throughout the album and add a tasteful elegance to the song structures without ever overstepping bounds into campiness or melodrama. Furthermore, Draconian are able to effectively navigate slower tempos without ever falling into mire, and the pickups in tempo are well placed, such as the driving double bass in “Stellar Tombs” and the ending section of “Dishearten.”Simply, Sovran is an album that works equally well as a full album absorbed in one listen or in smaller chunks; it’s not often that, in a genre that is capable of doing only a few things well, there are no throwaway tracks on an album — Sovran is the exception. The band’s chemistry, even with a major lineup change, has fallen into place. The songwriting is effectively paced and finds a balance between drawing listeners into a dusky atmosphere while still putting emphasis on the heaviness of the sound and the moods portrayed by the melodies. Miraculously, though this album has all the trademarks of the goth/doom niche, Draconian avoid being stereotypical and elevate the soft/loud & beautiful/ugly dynamics of the genre into a new place. Within the span of an hour, Sovran leads listeners through a gallery of despair and tragedy as well as offering glimmers of hope and catharsis. It has an artistic maturity and dead seriousness lacking in other artists of the genre, and it’s the same earnestness that has helped Draconian establish themselves as the forerunners of a sound that is endlessly aped and convoluted.Sovran will not change the opinions of those who aren’t fans of the band already, but it is an excellent album that re-establishes Draconian as masters of what they do — limited though the appeal may be, sometimes a band just needs to come along and show others how it’s really done." - Nine Circles
  • "The Phantom Agony marked the start of the now decade-long and world-wide career of the Dutch group EPICA. The album was recorded at The Gate Studio in Wolfsburg, Germany, under the leadership of the renowned producer and engineer Sacha Paeth (a.o. Aina, After Forever, Rhapsody, Kamelot) and at its release it was critically acclaimed to be one of the most impressive Dutch Epic Metal debut albums ever. The classically trained mezzo-soprano vocalist Simone Simons is a true revelation, confronting a complete choir & orchestra just as easily as she battles the shrouds clad grunts. But it is the incredible arrangements and production, this band of ex-After Forever guitarist Mark Jansen gives a unique place in Dutch rock history. “Pain and beauty blend into a musical experience that will saturate all the listener's senses”, one critic wrote after listening to the overwhelming CD. He could not have put it better.Ten years after its original release, The Phantom Agony is back in store. Remastered from the original master tapes, as a double CD. The expanded edition comes in a deluxe digipack and contains 15 bonus tracks, including 7 previously unreleased versions and one previously unreleased song. The 20 pages thick booklet will provide unique photos and memorabilia, plus liner notes by guitarist Mark Jansen.Track listingTMD-071  2CD EPICA - The Phantom Agony – Expanded EditionChapter 11. Adyta 1:27 “The Neverending Embrace”2. Sensorium 4:49 3. Cry for the Moon 6:44 "The Embrace that Smothers - Part IV"4. Feint 4:195. Illusive Consensus 5:00  6. Fa├žade of Reality 8:10 "The Embrace that Smothers - Part V"7. Run for a Fall 6:31   8. Seif al Din 5:46 "The Embrace that Smothers - Part VI"9. The Phantom Agony 8:5910. Veniality 4:3711. The Phantom Agony 4:33 - single version12. Triumph of Defeat 3:54  Chapter 21. Adyta 1:28 - orchestral version2. Sensorium 4:53 – orchestral version3. Cry for the Moon 6:40 - orchestral version4. Feint 4:18 - orchestral version5. Illusive Consensus 5:02 - orchestral version6. Basic Instinct 4:07 - orchestral track7. Run for a Fall 6:26 – orchestral version8. The Phantom Agony 9:00 - orchestral version9. Veniality 4:35 - orchestral version10. Feint 4:53 - piano version11. Cry for the Moon 3:30 - single version12. Run for a Fall 4:29 - single versionTracks 1 - 8 previously unreleasedThese recordings have been exclusively restored and dynamicallyremastered in the 24-bit domain from the original digital masters"Debut release from the Dutch beauty and beast gothic metal band Epica. The band was put together by Mark Jensen, the former guitarist for After Forever. Musically speaking the similarities to After Forever are striking with mezzo-soprano vocalist Simone Simons acting as the counterpart to Floor Jansen. The music has that gothic epic grandeur with classical overtones through out. All of this is due to the always lush production of Sascha Paeth and the implementation of a large string section and choir. Apparently Jansen had a falling out with the rest of After Forever and essentially set up a parallel band. I can't say this is actually better than After Forever but on early listens I'd say it's pretty damn close or just as good. Highly recommended.
  • Sixth album from Italy's best export since the invention of neapolitan style pizza. The band gets a bit of heat since they achieved break out success. Far from a sell out, Lacuna Coil is as heavy as ever. The band's focus remains on the co-vocalists Christina Scabbia and Andrea Ferro. Filled with chunky riffing and some slick production, not a hell of a lot has changed. Lacuna Coil's music has always been laced with hooks. You want to call it poppy? Go ahead but its what they have always done. Want to hear where Evanescence got their sound? Check out Lacuna Coil. They may not have been the first in the genre but they are certainly one of the standard bearers. Highly recommended.
  • The much anticipated second album from Delain is here and it does not disappoint! Its interesting to see how the band has evolved. Originally conceived by Within Temptation keyboardist Martijn Westerholt as a studio project, Delain has evolved into a full blown active band. The success of the debut Lucidity tipped Westerholt's hand and Delain became a REAL band. With Charlotte Wessels on vocals, Ronald Landa on guitar and grunt vocals, Sun Caged bassist Rob Vander Loo, and Sander Zoer on drums, Delain took the Netherlands by storm. Delain toured extensively, opening for many bands including sister band Within Temptation, and appeared at many festivals. Ultimately they became a headlining band. With that behind them they headed into the studio to create their sophomore work.April Rain is cut from similar cloth from Lucidity but different enough to hear the evolution mentioned above. Instead of the multiple guests that were featured on Lucidity, April Rain does benefit from the return of Nightwish bassist Marco Hietala who sings male vocals on two tracks, as well as world renowned cellist Maria Ahn.Martijin Westholt is clearly at the helm - the big symphonic sound is still in place. Those elements that he brought to Within Temptation are clearly evident. There is a difference though...perhaps because of Jacob Hansen's mix the sound is more focused and even grittier, crunchier (thank you Mr. Landa). Songs tend to be on the shorter side but they slam harder. Having been familar with Rob Van Der Loo's intense basswork with Sun Caged its great to see him bring that progressive element to the rhythm section. Charlotte Wessels is young but has developed into the perfect voice and face for Delain.The comparisons to Within Temptation will continue but its obvious that Delain has come up with their own sound that stands on its on.This is THE symphonic gothic metal album of 2009. Nothing will touch it. This is the North American digipak edition of April Rain - with the exclusive bonus track "Come Closer". BUY OR DIE.