Modern Drummer Festival 2005 (DVD)

Chris Adler and Jason Bittner, Live at Modern Drummer Festival 2005 features the full length performances of these two incredible drummers, along with in-depth interviews that include demonstrations, discussions of technique and practice routines, and specific playing examples from their MD Festival performances. Included is almost 30 minutes additional performance and clinic footage not included on the Modern Drummer Festival 2005 DVD!

Bonus Footage includes:
Chris Adler On The Road - Chris discusses his drums and cymbals, talks to his drum tech, talks about his daily routine while on tour, about warming up, and what it's like to be on road. Also features live clips of Chris with the Lamb of God.

Jason Bittner in Clinic - features excerpts of Jason in a great clinic from Ibben Germany shot with a Handycam. Also, an 18-minute lesson that includes Jason's actual, in-studio performance of The Light the Blinds and an explanation and demonstration from Jason of his drum part in that song.

Exclusive interviews with Chris and Jason, backstage at the Modern Drummer Festival 05, at pad kits, during which they talk about technique, warming up, double bass, practicing and more. And at various points during each interview intersections with their on-stage performance can be accessed with the DVD remote.

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  • "Not many tunes delivered by bands from my southern neighbors, within the borders of Germany, are haunting my mind during these grim and frostbitten cold days of wintertime. Only melodies of Andy Kuntz & Co from prog metal act Vanden Plas, and one of last year’s best prog metal debuts “The Old Man and the Spirit” created by Beyond the Bridge are still able to cradle me to sleep. The question is then how the hell has prog rock/metal act Dante gone unnoticed by my eyes and ears so many years? That is still a mystery to me. I guess it’s time for some changes now. After watching the official trailer of the full album “November Red” describing it as “A New Masterpiece of Progressive Music” and getting my face slapped by words like Power, Passion, Epic, lyrical, Progressive and Breathtaking, I have packed my gear and ready for a great adventure into their musical universe. Will you follow me on my musical adventure? I’ll leave that up for you to decide, but if this has sparked your curiosity, then please keep on reading our fellow reader. You will not regret…Let us start from the beginning. Seven years ago guitarist & bassist Markus Berger, who sadly passed away early this year (R.I.P. metal brother), teamed up with his longtime friend Markus Maichler on keyboards & piano, and created prog rock & metal act Dante after playing around with some of their own musical ideas in Berger’s own studio. Two positions were still left open, so they recruited vocalist Alexander Góhs (former frontman of Berger’s previous act “Twelve”) and drum machine Christian Eichlinger to complete their crew of musicians in control of this new German prog machinery. With some fine tuning of this machine based in Berger’s recording studio, they unleashed after two years their self-produced & self-financed debut “The Inner Circle”, which was applauded and met with great respect by many metal reviewers all around our globe. Same year bassist Michael Neumeier was hooked up, and took over the bass duties of Berger, and then became a permanent member of the band. Two years later in 2010, and the sophomore album “Saturnine” saw the light of the day, released by their new label ProgRock Records, continuing the success of the band. The following year bassist Michael decided to leave Dante, and they welcomed guitarist Markus A. Bader on board their prog metal flagship instead, and Berger returned to his old role as the bass player of the troop.So finally here they are, welcoming 2013 with their long awaited third craftsmanship entitled “November Red”, ready to quench the thirst of many progheads out there…My great adventure through the challenging musical landscapes created by Dante has sudden come to an unexpected end after counting more than one hour of total playing time. It was a continuous bombardment of my ears with strange & complex rhythms, tempo changes, awkward time signatures, mellow passages, gorgeous 70’s styled keyboard sounds blended with heavy and crunchy guitar riffs and solos, all complemented with symphonic influences to make it an interesting and pleasant listening experience. Maybe they borrow some ideas from legendary prog titans Fates Warning and Dream Theater, but arresting them for being a copycat would not hold up in court. It’s a roller coast ride through the whole album, and each of the seven songs is molding our ear wax as different as night and day. The opener “Birds of Passage” is a soft and mellow introduction, whereas the following song “The Lone And Level Sands” is exploring the more heavier and aggressive sound of Dante. “Beautifully Broken” is walking on a total different path, and is the only ballad song included. It’s a melancholy song told with beautifully and mesmerizing piano melodies and by the voice of Alex singing with great control and emotion in his preferable low to mid range registers. Fourth song, and the star of the show is “The day That Bled” a tune delivering myriads of shades and musical colours for you prog enthusiasts to delve into. Next on the list is the song “Shores of Time” following in the footsteps of its predecessors, followed up by the softer and slower song “Allan”. The title song “November Red” is the final destination of our journey, and closing of with a big bang. It’s the epic of the album, delivering some of the most heavy and aggressive moments, broken up by mellow passages.Production-wise, this is wrapped into a high quality package, and the musicianship is first class, but it still suffers in the vocal department. Vocalist Alexander Góhs would not be my first choice in the front seat of a traditional prog band, because of his lacking range and dynamics in his vocal performance. He knows his weaknesses and strengths, and mostly stays in his comfort zone the low to mid range registers, and then actually becomes quite enjoyable. His voice definitely takes time to get used to, but is one of the band’s signature sounds for better and worse.So let’s cut to the chase. The latest creation “November Red” delivered by Dante is not a quantum leap forward for progressive music, but they still have a huge and very unique distinct sound of their own. It’s a moody and melodic progressive music experience, and if your ears find comfort in listening to the likes of Fates Warning and Dream Theater, then don’t let this release slip through your fingers. “November Red” takes time to grow on you, but stay open-minded, and it will bury itself deeper and deeper under your skin. It’s definitely one of those progressive bands I’ll keep my eyes and ears locked on too for many years to come." - Power Of Metal
    $15.00
  • "Most progressive music fans will recognize guitarist John Wesley from his work as touring member with Porcupine Tree over the last several albums. Yet, Wesley also has an extensive solo collection as well, and he expands it with his sixth album, Disconnect.The album is defined by one singular element, Wesley's guitar playing. Disconnect is definitely a guitar driven prog record. His playing evokes the styles of David Gilmour, Alex Lifeson, Steve Wilson, and maybe even some Jeff Beck. (Lifeson guests on Once A Warrior.) Wesley's sound on many songs is generally sharp and high-pitched as with Once A Warrior, sometimes sounding psychedelic as within Disconnect, and then kinetic, yet muted, within Take What You Need.There's a lot of weight to many songs as well, definitely tipping the album towards progressive metal. When a song does appear to be somewhat lighter at the start, like Gets You Everytime or Mary Will, Wesley jumps in with those slashing guitar licks to slice your ears into tiny little pieces, like stir fry vegetables. If there is a drawback to the album at all, it's that the slashing sharpness of the guitar is pervasive and can get more than a little shrill at times. But there are some lighter pieces here, namely Window and more so Satellite, where Wesley dials up some acoustic guitar in the mix.Briefly, the other significant element here is Wesley's vocals. He has a great melodic voice, emotive and passionate at times, and definitely pleasing. With guitar in hand, a strong voice, and creative compositions, John Wesley has delivered another fine album with Disconnect. Easily recommended." - Dangerdog.com
    $10.00
  • European edition of Big In Japan features the same tracks on the CD but the DVD is completely different.  It has a 34 minutes version of "A Crystal Poem" and a 44 minute "Sequencers Are Beautiful".
    $21.00
  • "As band histories go, Skyharbor‘s is somewhat unique. Debut album Blinding White Noise was a bit of a (nevertheless beautiful) Frankenstein’s monster – bolted together gradually onto the skeleton of guitarist Keshav Dhar’s home studio demos. With members spread across three continents, live performances have been few and far between, limited to one-off festival appearances and just a couple of short tours – probably fewer than twenty shows in total. With the line-up solidified and a very successful crowdfunding campaign under their belts, Skyharbor have delivered their second album Guiding Lights.Right from the start it is clear that Guiding Lights is a more focused affair than its predecessor. Possibly with the benefit of having a better idea of what they are aiming for together as a band, it sounds much more cohesive and sure of its own identity.Guiding Lights is also slightly more restrained than Blinding White Noise. The guitars are more driven by texture than out-and-out riffing, and there are fewer djentisms. There’s also barely a vocal scream to be heard throughout its duration, which may be a disappointment to those for whom that kind of thing is important.Obviously, a significant chunk of the spotlight will fall on singer Dan Tompkins, especially because of his recent decision to re-join TesseracT – but Dan has used the time he spent apart from the band in which he really made his name to show how capable he is at managing multiple projects simultaneously. Since the summer of 2013 alone, as well as Skyharbor and TesseracT we’ve seen him record and perform with In Colour, White Moth Black Butterfly and Piano, not to mention a host of one-off guest appearances – yet it is clear that Guiding Lights received his undivided attention, and the result is potentially his most captivating performance to date. There is a shift in his approach in the direction of Maynard James Keenan, particularly in his phrasing, which both suits his voice and compliments the music.This is especially apparent on “Halogen“. Falling around halfway through the album, the song is very probably the best Skyharbor have written. A genuine masterpiece, with no fewer than three sections vying for the position of chorus. It is one of those rare tracks that practically demands skipping back for a second listen the moment it has finished. Glorious.Whilst there are some more uptempo passages, particularly in “New Devil“, the majority of the album is mid-paced. It carries a vibe that seems to draw inspiration from the likes of Tool, Karnivool and the dreamier parts of the Deftones‘ discography. Anup Sastry’s inspired drumming also has similar flavours to Stephen Perkins of Jane’s Addiction, which provides a subtle sense of urgency under Keshav and Devesh Dayal’s intertwining guitars.Guiding Lights feels particularly well-named. It shimmers, glistens and sparkles throughout its near 70 minute run-time with an uplifting feel that is frequently close to euphoric. But more than this, Guiding Lights is Skyharbor coming of age. Blinding White Noise showed what enormous potential this collection of musicians had together, and the album is all the stronger for having them all working together on the material from day one.Guiding Lights is an enthrallingly beautiful album that should help warm the hearts of progressive metal fans as the winter nights draw in. It would be easy to see Skyharbor as a kind of side-project supergroup, but that feels like it sells them short. We can only hope that with all the various commitments the members of Skyharbor have on their collective plates, they are able to carve out the time to keep the band as a going concern." - The Monolith
    $15.00
  • Classic mid-70s fusion album from ECM. Timeless features the trio of guitarist John Abercrombie, Jan Hammer on keyboards, and Jack DeJohnette on drums. This is non-stop firepower that will satisfy any Mahavishnu Orchestra fan. Jan Hammer goes off his nut on Mini-Moog and Hammond organ. Essential.
    $17.00
  • Pro-shot live DVD (with bonus CD) from this Scottish pirate metal band filmed in Australia and New Zealand in 2013.  I can't believe I typed "pirate metal".  Shiver me timbers!   
    $17.00
  • "Santana's fourth album, Caravanserai, finally being reissued and remastered by Columbia Legacy/Sony, is a landmark recording for the band. Originally released in 1973, this album marked a change for the band, as they were moving away from the Latin tinged psychedelic pop rock of their earlier recordings to a more ethereal, jazz fusion based sound. Change also brought about line-up shuffles, as after this album second guitarist Neal Schon and keyboard player/singer Gregg Rolie left the band to form Journey. Famed keyboard virtuoso Tom Coster made his first appearance on this release, and he later spent many years alongside Carlos Santana in various incarnations of the band. The influence of groups such as Weather Report, Mahavishnu Orchestra, Lifetime, Miles Davis, Larry Coryell's Eleventh House, and John Coltrane are heard all throughout this CD. Latin percussion mixes with swirling organ while Santana and Schon's guitar licks run rampant on each track. While the bands signature melody on "Song of the Wind" still remains a classic, it's the extended breakouts on tunes like "La Fuente Del Ritmo" , complete with an amazing electric piano solo from Coster, and the energetic "Just in Time to See the Sun" that really shine. Drummer Mike Shrieve comes into his own on this albums more jazzy context, and the percussive tandem of Jose "Chepito" Areas, Mingo Lewis, and the legendary Armando Peraza provide the perfect Latin rhythms. "Every Step of the Way" features some wicked guitar work from Schon and Santana, supported by manic percussion and raging organ from Rolie, and stands out as a classic example of Latin jazz fusion.My advice to you all, don't walk, but run to your local CD shop and indulge yourself in this timeless classic. The remaster job is superb, with every instrument crisp and clear, and you get a nice booklet that goes into the history behind the album. A must have!" - Sea Of Tranquility
    $5.00
  • "Forming in 2008, the floodgates appear to be wide open creatively for releasing full length product for this UK progressive metal act. Two albums within two years, as well as a prime support slot for the Devin Townsend Project across 12 countries in Europe during 2011 leads us to the third record Enigma. Filling out as a quintet with new keyboardist Shaz, the nine songs on this effort illustrate the ability to siphon the old, complex template with a modern, semi-staccato meets djent guitar style in shorter, compact arrangements.Aeon Zen isn’t afraid to add a light, jazzy horn break during the tranquil section of the somber “Seven Hills,” which contrasts the conventional Dream Theater-like musical montage that opens the record instrumentally entitled “Enter the Enigma.” Drummer Steve Burton is adept at death metal blasts just as he is twisting tempos at will- check out the Opeth-esque “Divinity” for his double bass maneuvers, lightning fast fills and impeccable sense of timing.Alongside the professional skills of vocalist Andi Kravljaca (Silent Call), three other vocalists appear to add their own texture to the band’s cause. Atle Pettersen (Above Symmetry), Jonny Tatum (Eumeria) and Nate Loosemore (Lost in Thought) give Enigma a deeper emotional platform, as the clean and extreme deliveries match the mood of each arrangement.It’s a younger generation who seem willing and able to push parameters and use technology to deliver a wider scope of feelings, emotions, and contrasts. Much like the peanut butter and chocolate argument of whether each is better separate or together, Aeon Zen has no qualms about loving Symphony X, Threshold, and Megadeth as much as Periphery or Between The Buried And Me- and making it work within their output.Melodic, modern progressive metal that should grab a wide scope in audience enthusiasm - Enigma could be a sleeper hit if these gentlemen land the right touring situations. " - Blistering.com
    $8.00
  • San Francisco's Orchid has been kicking around a bit, jumping around a bunch of small labels.  A buzz has been developing around the band so it was only a matter of time before they stepped up to the big time - they got snatched up by Nuclear Blast.  I would say that NB scored a major coup here.  Orchid's reputation has been built upon a doom metal sound that draws heavily from the early Black Sabbath canon.  Plain and simple.  These guys have the retro sound down pat and the look as well.  If you are into doom its not going to come any better than this.  Highly recommended. 
    $13.00
  • "SAUROM is a folk melodic metal band from Spain with sound influences of Iron Maiden, Helloween and Blind Guardian. SAUROM have a unique medieval sound and are well known for the strong Celtic feel to their music. Their music is compared with the popular Spanish band MAGO DE OZ with a heavier sound. Vida is their 6th album, full of melodic riffs, melodies, catchy choruses and medieval sounds."
    $12.00
  • Dutch symphonic metal band EPICA celebrated their 10th anniversary with a one-night-only event, dubbed Retrospect. The band was accompanied by the seventy piece Extended Reményi Ede Chamber Orchestra and the Choir of Miskolc National Theatre, playing an unforgettable 3-hours best-of set.According to respected Dutch newspaper the Volkskrant "The band wrote a chapter of Dutch metal History" this evening. Rock Tribune (Belgium) thought it was "an unforgettable show".Ten high definition cameras captured this very special sold-out show while Epica played in front of nearly five thousand ecstatic fans in Eindhoven, the Netherlands. In addition to a collection of the band’s biggest hits from across the spectrum of their entire catalog, this once-in-a-lifetime spectacular also features the live debut of “Twin Flames” and the previously unreleased “Retrospect”, covers of classics by Vivaldi, Pergolesi, and Oscar-winning film composer John Williams, two guest collaborations with the venerable Floor Jansen (Nightwish, ReVamp), and a very special performance of their breakthrough single, “Quietus”, with founding members Jeroen Simons, Ad Sluijter, and Yves Huts.Nuclear Blast will release Retrospect as a deluxe hardcover book with 32 pages. Both as a 2DVD/3CD and 2Blu-ray/3CD version. Retrospect will contain the following fan favorites:01 - Introspect02 - Monopoly on Truth03 - Sensorium04 - Unleashed05 - Martyr of the Free Word06 - Chasing the Dragon07 - Presto08 - Never Enough09 - Stabat Mater Dolorosa10 - Twin Flames11 - Serenade of Self-Destruction12 - Orchestral Medley13 - The Divine Conspiracy - Anniversary Edition14 - Delirium15 - Blank Infinity16 - The Obsessive Devotion17 - Retrospect18 - Battle of the Heroes & Imperial March19 - Quietus20 - The Phantom Agony21 - Cry for the Moon22 - Sancta Terra23 - Design Your Universe24 - Storm the Sorrow25 - Consign to Oblivion26 - Outrospect                                                                                                                                                                                 Retrospect features this massive performance in its entirety, as well as exclusive interviews with all band members and behind-the-scenes footage from the show. 
    $45.00
  • 2 track CD single taken from the "Remagine" disc, features the single version of "Being Everyone" as well as the previously unreleased track "Taste The Day".
    $2.00