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  • This one is a real mindblower.  One of Italy's best bands, La Maschera Di Cera, has created a musical sequel to Le Orme's Felona E Serona.  I can't recall any band ever doing something like this.  Like all of the band's work it remains faithful to the "Rock Progressivo Italiano" sound.  Apart from cleaner sounding sonics it could have easily pass for somethining recorded in 1974.  The music does in fact pick up on some of the core themes and melodices from FeS.  You want 'tron?  You got it!  You want flute?  You got it.  To wrap the whole package together the band licensed the cover art from Lanfranco, the artist responsible for the art for FeS.  So it really does feel like a sequel.  Please note there are actually two versions of the album.  This is the Italian language edition that will satisfy any RPI purist.  Highly recommended.
    $18.00
  • “Let us begin where it all began...”Progressive rock band Big Big Train return with Folklore, their first full-length studio album since the award winning English Electric. Folklore contains nine new songs with a total running time of 68 minutes.Despite the album title, Folklore is by no means a collection of traditional-sounding folk music pieces. On Folklore, Big Big Train are reimagining and breathing new life into traditional themes, and also creating a few new ones along the way. The crafts of songwriting and storytelling beat strongly at the heart of the Big Big Train and inform every track on the new album.Folklore features the same line up (eight piece band and brass quintet) that performed three sell out shows at Kings Place in London last summer, with the addition of a string quartet. The experience of bringing this complex music to the concert stage has honed the band’s sound, making Folklore a focussed and exciting listening experience. All the hallmarks of the Big Big Train sound can be found here: powerful and emotional vocal delivery, and dramatic extended song arrangements which showcase the musical ability within the band.Big Big Train proudly present Folklore: an epic progressive rock tour de force.“Heigh-ho, so we go. We pass it on, we hand it down-o...”Folklore Ancient stories told by our ancestors around the camp re, being passed down from generation to generation. The passage of time sees the coming of written language and electronic communication, but still we tell our stories and pass them on.London Plane Once upon a time, a great tree took root on a river bank, and watched through the years as a city grew around it.Along The Ridgeway A journey along an ancient pathway, where legends are reborn.Salisbury Giant Big Big Train tell the true story of a medieval giant.The Transit Of Venus Across The Sun When the astronomer lost the love of his life, he set a course for the stars. Inspired by the much-loved British TV astronomer and educationalist, Patrick Moore.Wassail The old ways get a 21st century reboot in this pagan- inspired progressive-folk groove. The title track from Big Big Train’s Wassail EP, it was nominated in the “Anthem” category at the 2015 Progressive Music Awards.Winkie A ripping action adventure story about a true life war heroine, the  rst to receive the Dickin medal in honour of her achievement. To the best of our knowledge, this is the  rst prog epic about a pigeon...Brooklands John Cobb, racing driver, lived life at high speed on the racing line. Time passes, but the ageing driver yearns for one more adrenaline  lled lap of the track... Cobb died in 1952 while attempting the world water speed record at Loch Ness.Telling The Bees Traditionally, bees were told of births, deaths and marriages within the bee-keeper’s family, as it was believed that otherwise they would leave the hive. When his father is killed in the First World War, a young boy takes on this responsibility, grows up to become a man,  nds love and starts his own family. “The bees are told... and we carry on...”.-------------------------------------------------------------------------------------------------Big Big Train: BackgroundDavid Longdon: vocals and  ute; Rachel Hall: violin; Dave Gregory: guitars; Rikard Sjöblom: guitars and keyboards; Danny Manners: keyboards; Andy Poole: guitars and keyboards; Greg Spawton: bass; Nick D’Virgilio: drumsFormed in Bournemouth, UK, in 1990 by Greg Spawton and Andy Poole, Big Big Train has charted an independent course through the British progressive rock scene, slowly developing a richly arranged blend of electric and acoustic instruments that mixes prog, rock, post-rock, folk and classical in uences. 2009’s The Underfall Yard was the band’s  rst album to feature the powerful vocals of David Longdon, alongside the guitar of Dave Gregory (XTC) and the drums of Nick D’Virgilio (Spock’s Beard), since when critical and public acclaim for the band has grown rapidly.The two-volume English Electric (2012-13) further developed Big Big Train’s favourite themes of English history, industry and landscape, and the band won the Prog magazine Breakthrough award in 2013. The following year, the Classic Rock Society awardedBig Big Train their Best Band and Best Track awards, while David Longdon won Best Male Vocalist, a feat he repeated this year.After 17 years as a studio-only outfit, Big Big Train returned to the stage in 2015 with three London performances which topped the Prog magazine Readers’ Poll for Best Event, with several band members also featuring in the instrument sections of the poll. The band has just released Stone & Steel, a Blu-ray featuring songs from the London gigs along with performances recorded in 2014 at Real World Studios. 
    $12.00
  • While Ayreon’s ‘Forever/Planet Y’ saga seemed to have reached its conclusion with the album 01011001, it’s clear that Arjen Lucassen’s creative muses had other plans. The new Ayreon album The Source revisits the Forever saga, adding a whole new chapter to Lucassen’s impressive body of work. With its top-flight cast of singers and musicians, compelling songs, overwhelming sound, and intriguing story, The Source offers everything that has gained Lucassen dedicated fans worldwide since he laid the foundations of Ayreon back in the mid 90’s.“Whenever I start something new, I usually have a solo album in mind”, Arjen Lucassen explains. “It gives me the freedom to go any direction I want. All options are still open, with regards to sound and style. This time around I initially felt that a new Star One album was appearing on the horizon because the guitars were so dominant. But after the first flutes and violins showed up, I realized I had a new Ayreon album in the making.”This album, to be released on April 28, saw Lucassen’s creative process take an unusual twist. Normally, finding and assembling the album artwork comes very late in the process, long after the music is finished. But to gain inspiration he began looking for artwork very early on, after writing just the first few songs.“While Googling I found the website of the French artist Yann Souetre. Right from the start I was fascinated by his imagery. It was industrial and futuristic at the same time. I was particularly captivated and inspired by a portrait of a woman under water, hooked up to various tubes. Not long after that I had an overall theme, a story line, and a visual aesthetic for the album. I contacted Yann, and after we agreed that his artwork would be available for the album, I continued composing songs with confidence and a clear vision.”The Story of The Source is set six billion years in the past relative to Earth. It begins on Planet Alpha, a world in the Andromeda system where computer intelligence has far surpassed that of humanity.  Alpha is facing a massive global crisis, with ecological and political catastrophes threatening all human life. The Alphans (our human ancestors) try to save their planet by entrusting the global computer mainframe—The ‘Frame—to find a solution. Given total control of the planet, the ‘Frame reaches the logical conclusion that its creators are the cause of all the trouble. The only way to solve Alpha’s problems is to exterminate humanity. This leaves the Alphans no other option than to try and escape their horrific fate. But their escape comes at a terrible price.“The most dramatic segment on the album is the song Condemned To Live. There is just one ship that is capable of making the journey to a new planet, and it can only carry a handful of people. So only those who have essential skills or other useful qualities are allowed to join. All the others have to stay behind. Those who are allowed to leave are, as the title goes, “Condemned To Live”, as they must wrestle with the unimaginable anguish of leaving their families—and the entire Alphan civilization—behind to certain doom.”It’s the beginning of a story that contains everything that has made the Ayreon epics so endlessly fascinating all these years. First there are the musical riches, then there is the layered story line. It can all be interpreted as strict science fiction, but Arjen Lucassen doesn’t shy away from making references to actual events.“I usually get inspired by scientific documentaries and facts. Just recently I heard that by around the year 2050, artificial intelligence will have surpassed human intellectual capacities, the ‘Technical Singularity’. What will the consequences be for humanity? I spend a lot of time thinking and philosophizing about this fascinating subject, and sooner or later some of these musings usually find their way onto my albums. Of course, everything is a product of my imagination, but at the same time I’d like to think that my stories could actually happen, at least theoretically!”Arjen Lucassen strives to make every Ayreon album a contrast to the one before. “If The Theory of Everything was my prog album, then The Source is my rock album. It’s more guitar oriented, which makes it heavier than previous Ayreon releases.  The Source is also more ‘accessible’ than The Theory of Everything: the songs are structured more conventionally, and the melodies are catchier.”The title of The Source invites various interpretations. It’s a reference to water—the source of life—and the water planet where the escaping Alphans find a safe new home after their long, arduous journey. The Source also points to the origins of humanity and the question of where we come from. The title also hints at the role that the album itself plays in the whole Ayreon catalogue. Given that it is a prequel, it can be thought of as the source of the entire Ayreon epic.The international status of Ayreon enables Arjen Lucassen to write his characters with some of the most respected singers in rock in mind: James LaBrie (Dream Theater), Tommy Giles Rogers (Between the Buried and Me), Simone Simons (Epica), Mike Mills (Toehider), Floor Jansen (Nightwish), Hansi Kürsch (Blind Guardian), Michael Eriksen (Circus Maximus), Tobias Sammet (Edguy, Avantasia), Nils K. Rue (Pagan's Mind), Zaher Zorgati (Myrath), Tommy Karevik (Kamelot) and Russell Allen (Symphony X). Special contributions were offered by guitarists Paul Gilbert (Mr. Big), Guthrie Govan (The Aristocrats, Asia, Steven Wilson), Marcel Coenen and keyboard player Mark Kelly (Marillion).Just as on his previous albums, The Source has Arjen Lucassen playing a wide variety of instruments, while the inimitable Ed Warby (o.a. Elegy, Gorefest, Hail Of Bullets) once again masterfully handles the drums.“For quite a while it was a self-imposed rule to avoid inviting a singer more than once for an Ayreon. I have a very close relationship with my audience, and frequently found them wishing that this vocalist or the other could have been present on my previous album. I then realized that my self-imposed limitation was doing the fans a disservice. That’s why The Source features many vocalists who have already sung on an Ayreon album before. In fact, about half of the singers made their debut on an Ayreon album.”The Source adds a compelling new chapter to a career that began in the mid-nineties in a cloud of doubt and uncertainty. After years of gigging and making records with Dutch hard rock bands Bodine and Vengeance, guitarist Arjen Lucassen set out to create his own rock opera—including all the bells and whistles—inspired by the works that he cherished in his younger years: The Who’s Tommy, Andrew Lloyd Webber’s Jesus Christ Superstar and Jeff Wayne’s The War of The Worlds. In the post-grunge era, the audacious ambitions of the tall Dutchman were met with stony indifference by most record labels. But Lucassen persevered and eventually his debut Ayreon offering, The Final Experiment, was released and managed to reach a huge international audience. The rock opera was back!Following the success of The Final Experiment, new Ayreon albums arrived every few years. Their musical impact was such that they all became successful in their own right, even though Lucassen—a self-proclaimed recluse—chose not to promote the albums with live shows. Instead he opted to remain safely within the walls of his private studio The Electric Castle to work long days on his musical projects. Most of his albums have appeared under his Ayreon-moniker, but he also allows himself the occasional lyrical and musical sidestep with other projects such as Ambeon, Stream of Passion, Guilt Machine, The Gentle Storm, and Star One. Whatever he’s done and whatever name he’s used, it’s all been embraced by a loyal community of international fans.2017 will be a particularly exciting year for Ayreon fans thanks to a unique chance to actually see Ayreon live. Limited to three exclusive performances, “The Ayreon Universe” will take place in September in the prestigious 013 venue in Tilburg, Holland. This unprecedented live event features the best of twenty years of Ayreon music, brought to life by a top cast of musicians such as Floor Jansen (Nightwish), Russell Allen (Symphony X), Damian Wilson (Threshold), Hansi Kürsch (Blind Guardian), Tommy Karevik (Kamelot), Jonas Renkse (Katatonia), Anneke van Giersbergen and various others. The reclusive Arjen Lucassen himself is also expected to make a rare appearance on stage. The tickets for all concerts – 9000 in total – sold out within a day, proving once again that the Ayreon magic is still very much alive and kicking.The Source is the first Ayreon album to be released by the renowned Dutch record company Mascot Label Group/Music Theories Recordings, which could be considered a new beginning for all things Ayreon. “Let me start by saying that I always make every effort to create the best Ayreon album possible. This time was no exception. I really wanted to deliver the goods, and I hope I did! I’ve got a very good feeling about it, mainly because of the way everything seemed to fall easily into place with this album. I’ve only experienced that twice before, with Into The Electric Castle and The Human Equation. The music, the story, the artwork and most of all the fantastic guest musicians just came together very naturally.”
    $16.00
  • I'm going to cut to the chase: if you are a fan of Fish-era Marillion...if Peter Gabriel's voice makes you spooge...then you need to own this disc.A Time Of Shadows is the second album from this Irish neo-prog band heavily influenced by vintage Marillion. Vocalist Liam Campbell is excellent and clearly from the Fish/Gabriel school. Good long tracks filled with melodies but still plenty of intricacies. Beautiful artwork from Ted Naismith rounds out a superb package. If the words "clutching-at-straws" gives you goosebumps you are a click away from musical nirvana. Highly recommended.
    $3.00
  • Sound Of Contact is a new band put together by Simon Collins and session keyboardist Dave Kerzner.  Yeah - Simon is Phil's son.  The apple doesn't fall far from the tree - Simon plays drums and he also sings.  His voice is eerily like his dad.  At times virtually indistinguishable.  The music follows a similar path to Phil's work with Genesis and solo.  Parts of the album are pure prog - in fact the album closes with a killer 19 minute epic called "Mobius Slip".  Other parts of the album exhibit a poppier more commercial side.  I don't think of the album as a pop album - its a prog rock album.  Kerzner provides some very interesting keyboard work - lots of intricacies through out the album.  There is that commercial element that reminds me of Genesis in the 80s.  With his voice sounding so much like his father, Simon will always be cursed with being compared to Phil.  That's a fact.  Overall I think he's come up with an interesting album that fans of more contemporary progressive rock will enjoy.
    $12.00
  • “The Atomized Dream” is the fourth full length release from this Georgia based instrumental metal band. With a new expanded lineup, the Canvas Solaris “sound” continues to evolve.The band has shown tremendous growth since their beginnings in 1999, evolving out of the death metal/mathcore scene. Dropping their vocalist along the way the band decided to emphasize intricate arrangements, creating compositions that only the most adept musicians could play. Canvas Solaris’ music resonated equally with fans of technical metal co-horts Behold The Arctopus and Spastic Ink as well as bands like Don Caballero and Dillinger Escape Plan.Following the recording of their third album, Cortical Tectonics, the lineup saw a radical change. Band founders Nathan Sapp (guitars) and Hunter Ginn (drums) replaced departing guitarist/bassist Ben Simpkins with 3 new members. Joining are Chris Rushing (guitars), Donnie Smith (analog synth), and Gael Pirlot (bass). While the core sound has remained these new members have clearly made their mark. Keyboards now play a more prominent role, while the twin guitar interplay is mesmerizing. The band continues to contrast hyper-technical metal passages with spacey and quiet acoustic based interludes.A recent tour with Behold The Arctopus and Dyshrythmia brought attention to the band and they plan on continuing the momentum with additional shows in 2008.The band is always interested in presenting their work with interesting graphics. They are honored to have noted low brow artist Mars-1 provide the cover art. Once again the album was produced by Jamie King (Between The Buried and Me) and mastered by Grammy winning engineer Bob Katz.
    $4.00
  • Excellent debut from this Venezuelan band. Echoes skirts the edge between progressive rock and metal. Clearly Dream Theater (and Rush to some degree) are an influence but the music isn't as heavy as most progressive metal bands. There are some great atmospheric parts that have more of a prog rock vibe. There are a number of guest vocalists that contribute to the album and they are all quite good. I'm surprised there isn't more of a latin influence going on - these guys could pass for a US band. I can see this easily appealing to fans of both prog rock and prog metal. Highly recommended.
    $3.00
  • In Crescendo is the fourth studio album from this Italian progressive band.  While originally working in a purely metal direction, the band has expanded the scope of their sound to encompass elements of progressive rock as well.  There is a very strong atmospheric component similar to Riverside, Porcupine Tree, and Pink Floyd but the heavier, metallic side of Opeth and Dream Theater is clearly present as well.Over the past two years Kingcrow has expanded their fan base with a European tour in support of Redemption and Jon Oliva as well as appearances at ProgPower Europe and ProgPower USA.  An announcement about 2013 US tour dates is imminent. 
    $13.00
  • APOLLO: The ancient Greek and Roman God of music and poetry.SONS OF APOLLO: The new supergroup featuring members of Dream Theater, Mr. Big, Guns ‘N Roses, and Journey.In early 2017, rumors began circulating about a new secret project including former Dream Theater members Mike Portnoy and Derek Sherinian. Finally, on August 1st, the duo revealed the details to the rest of the world, introducing their new band, SONS OF APOLLO.Reuniting to form SONS OF APOLLO, Portnoy and Sherinian join forces with guitarist Ron "Bumblefoot" Thal (ex-Guns N’ Roses), bassist Billy Sheehan (The Winery Dogs, Mr. Big, David Lee Roth) and vocalist Jeff Scott Soto (ex-Journey, ex-Yngwie Malmsteen's Rising Force). Their debut album, Psychotic Symphony, will be released October 20 on InsideOutMusic/Sony Music. Psychotic Symphony was produced by the dynamic production duo of Portnoy and Sherinian, also affectionately known as “The Del Fuvio Brothers,” the nickname given to them over 20 years ago during their time together in Dream Theater.SONS OF APOLLO formed very organically, its seeds planted with a predecessor group, as Portnoy explains: “Derek and I reunited shortly after I left Dream Theater in 2010 and we put together an all-instrumental touring band with Billy Sheehan and Tony MacAlpine. That was my first time working with Derek since the ‘90s when he was in Dream Theater, and it was just great to be working with him again. Ever since that tour, which was really just a one-off live thing, he has been nudging me to start a real, original, full-time band. The timing just had never been right, because I had too many other things on my plate. Long story short, the time was finally right to take the bait and put together a band.”“Mike and I work at a relentless pace in the studio,” continues Sherinian. “The music is modern, but we have an old-school soul. What is unique about SONS OF APOLLO is that we have true rock n’ roll swagger along with the virtuosity-- a lethal combination!”But what to call the next great supergroup? “Derek was mainly the one behind the name,” says Portnoy. “I have a list that I keep on my phone of about a hundred different band names, which I constantly have to refer to every time I have a new band every year (laughs). So I pulled up the list and Apollo was one of the names on the list. It was a word that both of us really liked. We started fiddling with different variations of the word. One of the original band names we were working with was Apollo Creed, the character from the Rocky movies, but after lots of different discussions on different variations, Derek suggested SONS OF APOLLO and it seemed to stick. Apollo is the god of music, so with that in mind it seemed like a fitting name.”With Portnoy, Sherinian and Sheehan having previously toured together in the aforementioned lineup that came to be known as PSMS, playing instrumental versions of various songs drawn from each member’s history, SONS OF APOLLO was the next logical step. They kept that fire burning and stoked it higher by bringing in a different guitarist, adding a vocalist, and creating all original material. The nine songs comprising Psychotic Symphony incorporate the progressive style and individual technical prowess Portnoy and Sherinian shared together in Dream Theater, combined with the swagger and groove of Van Halen, Deep Purple and Led Zeppelin.“I have known Mike and Derek for a long time, so when they came to me with SONS OF APOLLO, I jumped on this straight away,” says Thomas Waber, Label Manager/A&R International of InsideOutMusic. “However, the album they ended up recording exceeded my already high expectations by a long mile! We couldn’t be happier about it!”SONS OF APOLLO will hit the road in 2018 for their first worldwide tour.“This is a real band,” Portnoy declares. “This is going to pick up for me and Billy where The Winery Dogs left off, in terms of this being the next logical full-time thing for us. I’m not saying The Winery Dogs have broken up, because we haven’t, we’re just on a break. SONS OF APOLLO is absolutely going to be a full-time band and we plan on touring all over the world throughout 2018 and, honestly, it is the priority for all five of us.”Sherinian agrees, “We will go on a worldwide crusade in 2018 to bring SONS OF APOLLO to as many people as possible. Apollo was the God of Music, and we are his mighty offspring!”SONS OF APOLLO ARE:Mike Portnoy – drums and vocalsDerek Sherinian – keyboardsBilly Sheehan – bassRon “Bumblefoot” Thal – guitar and vocalsJeff Scott Soto - vocals 
    $18.00
  • Cynthesis is a new band that reunites three of the original members of Zero Hour (Jasun and Troy Tipton, and Erik Rosvold) along with Enchant drummer Sean Flanagan.ReEvolution is the middle part of a dystopian trilogy begun with 2011’s DeEvolution. The central character, a shaman, is sent out to gather more slaves. He comes across a tribe and senses a light within them that triggers a distant memory of his past.  He realizes this is the original tribe he was taken from.  He brings them back to the city and encounters what was done to the population and sets them free.While Cynthesis maintains much of the Zero Hour tech metal influence, it also demonstrates the more melodic and atmospheric side of Jasun Tipton’s songwriting.  ReEvolution will appeal to fans of both progressive rock and metal.
    $13.00
  • Since the release of 2013’s In Crescendo, Kingcrow toured North America in support of Pain Of Salvation, and headlined a European tour.  Kingcrow kept busy in 2014, touring Europe with Fates Warning and at the same time crafting the material that would become Eidos.“Eidos” is a new conceptual album about choices, consequences, dealing with regret and disillusion. Their earlier album Phlegethon dealt with childhood and In Crescendo about the end of youth.  Eidos can be considered the third part of a trilogy about the path of life. Musically it sees the band exploring new territories and pushing the extremes of its complex soundscape with a darker atmosphere and a more progressive attitude.Describing the band today is quite a difficult task, but one could state that the influence of such artists as Porcupine Tree, Riverside, Opeth, Anathema, Radiohead , King Crimson and Massive Attack are all present in the music of Kingcrow.With each release Kingcrow has taken a step further away from their original roots as a classic metal band and is now one of the most personal and exciting bands that Italy has to offer.
    $13.00
  • My Soliloquy is a British band formed in 2002 by multi-instrumentalist Pete Morten.  Since then the band has released a number of demos, gaining traction in the metal underground. The band had a number of notable support shows with Pagans Mind, Power Quest, Oliver and Rick Wakeman, and Threshold, as well as a second-to-headline set at Bloodstock 05 and a showcase at 2007’s ProgPower UK II.Since 2007, Morten has been an active member of British prog metal legends Threshold.  His membership has raised awareness (and created anticipation) for My Soliloquy’s long awaited debut.The essence of My Soliloquy is pure forward thinking metal – symphonic keyboards, shredding guitar leads, soaring vocals – all finely woven together with a blend of intricacy and melody.  The Interpreter was mixed and mastered by Rob Aubrey who has been a mainstay of Marillion’s camp for many years.
    $5.00
  • I can't remember a buzz on a band's debut since Circus Maximus.  Perhaps due to the album being released in Japan a year ago and its unavailability elsewhere, maybe because they are lined up to play ProgPowerUSA.  Whatever the reason the album finally gets a wide debut and it was worth the wait.  Damnation Angels is a British symphonic metal band fronted by a Norwegian singer.  He goes by the name PelleK and was a contestant on Norway's version of X Factor.  The band's stock in trade is epic sounding metal that pays a huge debt to Kamelot.  The instrumental passages take on the grandeur and scope of Nightwish.  PelleK does a sold job out front - he's obviously listened to a Khan quite a bit.  Highly recommended.
    $14.00
  • Second part of the English Electric concept dealing with life across the UK landscape.  What a beautiful album.  First off lets make it clear - Tony Banks and Mike Rutherford made a huge mistake.  Vocalist David Longdon should have been Phil Collins replacement in Genesis.  He would have fit like hand in glove.  The album features the band augmented by a variety of guest musicians including Andy Tillison of The Tangent who contributes organ, Moog, and Mellotron parts.  Its all very British sounding and once again a wonderful mix of old school prog and a more contemporary neoprog sound.  Highly recommended.
    $13.00