Atomic Ark

SKU: SR3067
Label:
Sensory Records
Add to wishlist 

Virtuoso keyboardist Vivien Lalu has created a new progressive metal epic featuring an all star cast:

Band [A-Z]
---
Martin LeMar (Mekong Delta) - Vocals
Mike LePond (SymphonyX) - Bass
Simone Mularoni (DGM) - Guitars
Virgil Donati (PlanetX)- Drums
Vivien Lalu (Shadrane) - Keyboards

Guests [A-Z]
---
Jens Johansson (Stratovarius)
Joop Wolters (Shadrane)
Jordan Rudess (Dream Theater)
Marco Sfogli (James LaBrie)
Mike Andersson (Cloudscape, Fullforce)
Peter Wildoer (Darkane, James LaBrie)

Born of Noelle and Michel Lalu, musicians from the ‘70s French progressive act Polene, Vivien Lalu has released a surplus of recordings through an array of different bands and projects since 1997, as the keyboard player for underground black/doom band Time For A Change. At the turn of the millennium Lalu played keys for two underground progressive metal bands from Paris, Sad Warden and then Mind’s Orchard, and in 2002 was hired by Hubi Meisel (ex-Dreamscape vocalist) to compose and record the keys for his solo album EmOcean, the following year doing the same for Meisel’s sophomore album Kailash, both of which were released by Lion Music.

It was at this time Vivien Lalu begins recruiting his own associates from major prog and metal bands — some of which he shares time composing music alongside in progressive metal act Shadrane — and forms his own solo project, LALU. The first full-length Oniric Metal was released on Lion Music in 2005 and began an entirely new chapter for this composer and his insatiable need to create mind-expanding, cinematic music.

These accomplishments helped Lalu to begin securing score and soundtrack work for film and television; over the last few years he’s written many cues for the orchestral soundtrack for the Warner Bros movie Seuls Two, for the show Science X made in association with Lucasfilm Ltd. Additionally he joined the production team behind Laszlo Jones in order to assist the recordings and production of Banana Nation (Universal Music Group). He’s composed many soundtracks for French television, music and sound effects for Neko Entertainment, worked as a sound designer for Ubisoft Entertainment and much more.

After collaborating with Shadow Gallery for a song on their Digital Ghosts album, and working with Canadian drummer Chris Nalbandian for his Paralysis of Analysis solo album — recording all keys and sharing solos with Derek Sherinian and Alex Argento — Vivien finally settled in and began work on the second LALU opus. Handling all composition and songwriting duties, as well as all keyboards on the massive production, Vivien weaved the cloth of the new album with vocalist Martin LeMar (Mekong Delta), bassist Mike LePond (SymphonyX), guitarist Simone Mularoni (DGM), drummer Virgil Donati (PlanetX), the album’s parts recorded in several countries including the United States (Los Angeles and New York), Germany and Italy, produced by Lalu in his own studio, and mixed at Boumbox Studio in Paris by Yan Memmi (Dio’s Lock Up The Wolves, Marcus Miller’s The Sun Don’t Lie, etc.). Additional contributions from Jens Johansson (Stratovarius), Joop Wolters (Shadrane), Jordan Rudess (Dream Theater), Marco Sfogli (James LaBrie), Mike Andersson (Cloudscape) and Peter Wildoer (James LaBrie) were also carefully built into the album, the final product boasting over fifty minutes of exceptional, massive  cinematic, atmospheric metal Lalu has dubbed, Atomic Ark.
 

Product Review

[email protected]
Tue, 2013-09-10 10:31
Rate: 
0
Great progressive metal. Revelations might be the song of the year. Highly recommended!
You must login or register to post reviews.

Product Review

[email protected]
Tue, 2013-09-10 10:31
Rate: 
0
Great progressive metal. Revelations might be the song of the year. Highly recommended!
You must login or register to post reviews.
Laser Pic

customers also bought

SEE ALL
  • "Filmed live July 9th, 2009 at the Masters Of Rock Festival in Czech Republic, in front of over 50.000 people, One Live is Shaman’s ultimate live experience. The band’s latest DVD release shows the band play songs with the Philarmonic Orchestra of Prague. Included in the DVD there is also a documentary depicting some candid moments in the band’s touring life, shot during the entire European tour of the same year. "
    $14.00
  • Once again we turn to Norway for a fresh take on an old sound. With amps turned way up, Anti-Depressive Delivery blend classic progressive rock with modern raw aggression. Mellotron, organ and synth clash with frantic guitar leads underscoring this young band's appreciation for prog and metal Gods past and present. Think Anekdoten mixed with Pain Of Salvation and Somnambulist.The prog world may never be the same...
    $5.00
  • "Mattias “IA” Eklundh is a Swedish guitarist, founder of the eclectic Metal band, Freak Kitchen, a band of which I am certainly a fan. The Smorgasbord is his third album under the moniker of Freak Guitar, essentially a solo album, and isn’t one I would quite classify as Metal. It is more of a guitar aficionado’s type of recording with a wide variety of types of music, ranging from nice acoustic pieces, songs that could fit in on a Rippington’s album, to heavier songs with lightning-fast playing and IA’s signature guitar sound and style. For the most part, it is an instrumental album as well. At 40 tracks, I simply cannot do a track by track review but will hit on some of the songs I thought to be highlights. Opener Amphibians Night Out has quite a bit of guitar wizardry over a dance-type beat. The second song on the album is Musth, an alternative-type Metal song with interesting playing and quite a bit going on. Apparently there is comb involved. IA’s take on the AC/DC song Hells Bells is well executed and gives me a new perspective on the song. Friedrichs Wahnbriefe is a cool, sort of chaotic, tune and very well executed. IA’s interpretation on Mambo Italiano of the mambo style is certainly interesting and displays some of his more traditional soloing. Mind Your Step has a nice riff throughout, a bit heavy, sort of something OSI might do. His take on the song That’s Amore is very cool and Metal. Keep it in the Dojo offers complexity in both the guitar lines and the drumming by Ranjit Barot. Mandur and Morgan’s Camel Safari is a song that easily could be mistaken for one on a Freak Kitchen album. Kali Ghat features a 23/16 time signature, making for a weird, different flow than most Westerns are used to hearing. Meralgia Paresthetica‘s drum tracks are played by Morgan Ågren and he is absolutely amazing: precise, powerful, intricate, and delicate are all words I would use to describe his playing here. IA is certainly a master at his craft and an amazing musician, not simply a guitarist. The Smorgasbord is a challenging album and has significant variety, a true smorgasbord of musical styles. It certainly is not a Metal album, but there are things on here that we may appreciate. For “heavier” stuff from IA, I definitely recommend Freak Kitchen, the album Organic to be specific. I hear the sound in a METAL way." - We Love Metal
    $15.00
  • Its been way too long since this great Swedish prog metal band released an album. Luckily its worth the wait. Communication Lost finds them in the good hands of producer Jacob Hansen. The band is heavier than still but also a bit more dynamic. Wolverine's music is all about emotion and atmosphere. I'm reminded of the great Pain Of Salvation albums like One Hour By The Concrete Lake and The Perfect Element. Vocalist Stefan Zell's vocals are sopping with angst - this is REAL! Lots of crunch through out, killer guitar solos offering release, and actually some beautiful, quiet sections filled with strings. This is a drop dropper - BUY OR DIE!!
    $5.00
  • According to the label's blurb this is "a must-have for all fans of Hammerfall, Sabaton, Helloween, & Iron Maiden". Believe it - record companies never lie.
    $15.00
  • Who would have expected to see a major reinterest in thrash metal these days? Los Angeles revivalists Warbringer are leading the charge with their debut War Without End. The band "borrows" inspiration for thrash stalwarts Exodus, Slayer, Nuclear Assault, Death Angel and Testament in a way that has to be heard to be believed. You would think this is some kind of archival release from 1988. Bill Metoyer twiddles the knobs and he nails the sound as he should since he's worked with all of those bands. This one should come with a serious health warning. Heavily recommended to the thrash metal set.
    $11.00
  • "Getting your head and ears around an Andromeda album can be a challenge. It's not that their music is perplexing, but it is often varied and eclectic. Consider the first two songs on their fifth album, Manifest Tyranny. Preemptive Strike is a short introductory piece of mostly heavy and thrash metal. The following Lies R Us slows the pace offering a melodic, yet heavy in parts, prog piece with a great melodic vocal arrangement. It's quite accessible. Okay then ...Expect more than a little intrigue throughout Manifest Tyranny. Stay Unaware offers an abundance of riffage, but also noticeable synth layers and solo. False Flag, the longest cut here, seems a moderation, like heavier prog rock (also noticeable on Survival of the Richest), but shifts and moves with the clever ease you expect from progressive music. Then there's simply some strange stuff. Chosen by God has a muted ethereal vocal arrangement, lots of riffage and synths, which evokes a lighter atmospheric motif. Then there's the integration of words (speeches) from political leaders. (This occurs throughout the album, often to the point of distraction.)The nuance of progressive rock returns later in Go Back to Sleep. It offers a lighter blend of electric and acoustic guitar, with a later synth solo, and some disturbing lyrics. Of note, this song displays David Fremberg's supreme vocal talents. Allowing some more convention and accessibility, Asylum offers complexity but provides a hard rock edge in the guitar solo. Play Dead and Antidote find Andromeda simply offering an arrangement of, sometimes heavy, but certainly complex and delectable progressive metal.With Manifest Tyranny, Andromeda continues to challenge and entertain. This is what a fan of progressive metal should expect: intrigue and enjoyment, and the need for more than one listen. Fans and critics will wonder if it's equal to, or better, than their critically acclaimed first outing Extension of the Wish (2001). Perhaps this is a question left to the fans or, perhaps, those who are braver than me. Strongly recommended." - Dangerdog.com
    $14.00
  • Lethal new female fronted power metal band from Portugual. Witchbreed was formed by Ares, the former bassist from Moonspell and Deepskin along with former Deepskin guitarist Dikk (I love these names). Nothing gothic going on here - pure aggressive metal with Ruby offering great vocal chops. The guitar riffing is almost like black metal in nature and there is also the occassional male gurgler. Some nice fat keyboard pads form a solid backdrop for the heavy damage the guitars inflict. The album was produced by Waldemar Sorychta who has worked with Lacuna Coil, The Gathering, Moonspell so this is familiar territory for him and it shows. First class stuff!
    $7.00
  • "he power struggle within Van Halen was often painted as David Lee Roth's ego running out of control -- a theory that was easy enough to believe given his outsized charisma -- but in retrospect, it seems evident that Eddie Van Halen wanted respect to go along with his gargantuan fame, and Roth wasn't willing to play. Bizarrely enough, Sammy Hagar -- the former Montrose lead singer who had carved out a successful solo career -- was ready to play, possibly because the Red Rocker was never afraid of being earnest, nor was he afraid of synthesizers, for that matter. There was always the lingering suspicion that, yes, Sammy truly couldn't drive 55, and that's why he wrote the song, and that kind of forthright rocking is evident on the strident anthems of 5150. From the moment the album opens with the crashing "Good Enough," it's clearly the work of the same band -- it's hard to mistake Eddie's guitars, just as it's hard to mistake Alex and Michael Anthony's pulse, or Michael's harmonies -- but the music feels decidedly different. Where Diamond Dave would have strutted through the song with his tongue firmly in cheek, Hagar plays it right down the middle, never winking, never joking. Even when he takes a stab at humor on the closing "Inside" -- joshing around about why the guys chose him as a replacement -- it never feels funny, probably because, unlike Dave, he's not a born comedian. Then again, 5150 wasn't really intended to be funny; it was intended to be a serious album, spiked by a few relentless metallic rockers like "Get Up," but functioning more as a vehicle to showcase Van Halen's -- particularly the guitarist's -- increasing growth and maturity. There are plenty of power ballads, in "Why Can't This Be Love" and "Love Walks In," there's a soaring anthem of inspiration in "Dreams," and even the straight-up rocker "Best of Both Worlds" is tighter and leaner than the gonzo excursions of "Panama" and "Hot for Teacher." And that's where Hagar comes in: Diamond Dave didn't have much patience for plainspoken lyrics or crafting songs, but Sammy does and he brings a previously unheard sense of discipline to the writing on 5150. Not that Hagar is a craftsman like Randy Newman, but he's helped push Van Halen into a dedication on writing full-fledged songs, something that often seemed an afterthought in the original lineup. And so Van Hagar was a bit of an odd mix -- a party band and a party guy, slowly veering into a bourgeois concept of respectability, something that eventually sunk the band -- but on 5150 it worked because they had the songs and the desire to party, so those good intentions and slow tunes don't slow the album down; they give it variety and help make the album a pretty impressive opening act for Van Halen Mach II." - Allmusic Guide
    $5.00
  • First legit reissue of the second album from Strawbs. At this point the band's more progressive influences rear their head - for example the near 11 minute "The Vision Of The Lady In the Lake" which features an appearance by Rick Wakeman. The album does have "Josephine", which Dave Cousins likes to dust off every now and then and bring the room to stark silence. This comes with 4 bonus tracks including 2 tracks recorded for John Peel's Top Gear session. Embryonic prog at it's finest...
    $10.00
  • Slipcase set with 5 albums in mini-lp sleeves: Images And Words, Awake, Falling Into Infinity, Metropolis Pt 2: Scenes From A Memory, and Train Of Thought. 5 albums in a case about the thickness of a standard jewel box (more or less).
    $29.00
  • Budget priced 2 disc set includes both albums in a slip case.
    $15.00
  • "Donald Fagen's second solo album is a song cycle of sorts, following the adventures of an imaginary protagonist as he travels the world in his car, a brand-new Kamakiri. It is an odd concept, and one that is not obvious to the listener, but reflection upon Fagen's liner notes while listening to the album does tend to evoke a vision of a non-apocalyptic near future, where swingers sip cocktails and fresh vegetable juices as they groove to synthesized jazz-rock. Evocative or not, this is not Fagen's best effort. The songs on Kamakiriad are mainly static one-chord vamps, with little of the interesting off-beat hits or chord changes that characterized most of Steely Dan's corpus (although, it must be said, Two Against Nature isn't too far conceptually from what Fagen is doing here). There is a slightly antiseptic feeling to Kamakiriad. Although the drum tracks are not synthesized, they sure sound that way, and even the horns sound electronic at times, a far cry from the lush arrangements of Aja. Another shortcoming of this record is the fact that the verse melodies don't sound very developed. The choruses are as catchy and cryptic as you would expect from Donald Fagen, but the verses are less than memorable. Walter Becker, who produced the record, as well as contributing bass and guitar, also co-wrote "Snowbound." Perhaps not surprisingly, it does the best job at evoking classic Steely Dan. Kamakiriad is pleasant as background music, but in the end it doesn't provide enough interesting moments to rank as a must-have. The static grooves, coupled with the long song lengths, and general lack of dynamic movement makes this record one of the least essential of Fagen's recorded output. However, Steely Dan completists will certainly find enough here to keep them happy." - Allmusic Guide
    $6.00