Ink Complete

SKU: MK1301
Label:
Mr. Kitty
Category:
Technical Metal
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Watchtower guitarist Ron Jarzombek's insane math metal sideproject.

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  • 2nd album of true metal from this band put together by noted metal producer Frederik Nordstrom. Band mates include Snowy Shaw (Mercyful Fate, King Diamond), Niklas Isfeldt (Throne Of Chaos, Hammerfall), and guitarist Gus G. (Firewind).
    $9.00
  • Since the release of 2013’s In Crescendo, Kingcrow toured North America in support of Pain Of Salvation, and headlined a European tour.  Kingcrow kept busy in 2014, touring Europe with Fates Warning and at the same time crafting the material that would become Eidos.“Eidos” is a new conceptual album about choices, consequences, dealing with regret and disillusion. Their earlier album Phlegethon dealt with childhood and In Crescendo about the end of youth.  Eidos can be considered the third part of a trilogy about the path of life. Musically it sees the band exploring new territories and pushing the extremes of its complex soundscape with a darker atmosphere and a more progressive attitude.Describing the band today is quite a difficult task, but one could state that the influence of such artists as Porcupine Tree, Riverside, Opeth, Anathema, Radiohead , King Crimson and Massive Attack are all present in the music of Kingcrow.With each release Kingcrow has taken a step further away from their original roots as a classic metal band and is now one of the most personal and exciting bands that Italy has to offer.
    $13.00
  • After a 10 year absence Enchant are back.  The band started in 1993 making them one of the earliest prog metal band.  Actually they are sort of an interesting band in that they seem to exist in both the prog rock and prog metal realms.  Some metal fans think of them as a bit lightweight and some prog rock fans think they are too heavy!  One thing is for sure they are wildly successful.  This is definitely prog but it never loses sight of the melody.  Fronted by the great Ted Leonard (who is now doing double duty with Spock's Beard) this one is a no-brainer - whether you are metal or prog head.  "irst impressions are the similarities to Spock’s Beard. Hardly surprising since Ted Leonard has been singing with them since 2011. He’s been with Enchant longer; their first CD came out in 1993. And familiarity doesn’t breed contempt here, fortunately.Bay area progressive rockers, they steer a straight course composing guitar-structured songs that they extemporise over. Guitarist Douglas A Ott is also the band’s main producer, with The Great Divide having been recorded at his own studio, but if in the past the band’s followed his direction they’re now more involved after a ten year gap working on other projects. Also, while integral, Ott doesn’t dominate Enchant’s sound but flows in and out adding a hard rock bias to their generic musical flavouring. Drummer/percussionist Sean Flanegan and bassist Ed Platt have the solidity of early Kansas and musically there are some pretty snazzy and often too brief keyboard solos from Bill Jenkins.A rolling cyclical bass line forms the basis of opening number ‘Circles’ with Leonard pondering life going round well, like a circle – while the lyrics aren’t profound they feel right and though this isn’t a concept album, despite the band stating otherwise, there are common themes concerning the human condition in a loosely existential manner. Mainly straight verse and choruses ‘Circles’ breaks out into more complicated time signatures before an acoustic comes to the fore, vocals return, an electric guitar take over and it concludes with a nicely warm keyboard solo. ‘Within An Inch’ follows with a steady rock backbeat over which Ott’s playing echoes Camel’s Andy Latimer interrupted briefly by some John Ellis punk-styled sirening. ‘The Great Divide’ follows suit in a more epic manner, the arrangement akin to Genesis in their golden period.Enchant don’t play with the fairies, despite what their name suggests. If anything they’re two steps removed from an AOR sound leaning in towards early Asia with some latter day Beatles thrown in, and a less grandiose take on Spock’s Beard. One might refer to them as technically proficient rather than emotionally overwrought, meaning there is a heartfelt flavour to their songs, and they tend to grow on you.The subdued opening to ‘Life In A Shadow’ throws a brief curveball echoing the Canterbury sound of Hatfield & The North before a heavy chorded chorus takes this into a rocking tune with soulful harmonies. ‘Deserve To Feel’ pours on the technical drumming and dribbling triplet bass figures with some flashy pyrotechnics predominantly on guitar but with keen keyboard flourishes, moving into a more intricate musical score as Jenkins and Ott trade inspired lines towards its conclusion. Likewise, ‘Here And Now’ builds reflectively moving towards emotional drama.Finely composed, played well, Enchant’s The Great Divide might not have you falling under its spell, but you may well be surprised how you find yourself being drawn to playing it." - The Midland Rocks
    $13.00
  • My Soliloquy is a British band formed in 2002 by multi-instrumentalist Pete Morten.  Since then the band has released a number of demos, gaining traction in the metal underground. The band had a number of notable support shows with Pagans Mind, Power Quest, Oliver and Rick Wakeman, and Threshold, as well as a second-to-headline set at Bloodstock 05 and a showcase at 2007’s ProgPower UK II.Since 2007, Morten has been an active member of British prog metal legends Threshold.  His membership has raised awareness (and created anticipation) for My Soliloquy’s long awaited debut.The essence of My Soliloquy is pure forward thinking metal – symphonic keyboards, shredding guitar leads, soaring vocals – all finely woven together with a blend of intricacy and melody.  The Interpreter was mixed and mastered by Rob Aubrey who has been a mainstay of Marillion’s camp for many years.
    $5.00
  • Its been some time since Michael Harris' Thought Chamber project made its debut.  The band consists of Michael Harris (guitars), Ted Leonard (vocals), Bill Jenkins (keys), Jeff Plant (bass), and Mike Haid (drums).  Ted Leonard and Bill Jenkins will be familiar to you from their membership in Enchant (Ted is also fronting Spock's Beard now).Psykerion is a sci-fi cybermetal concept album.  Harris plays with a lot of restraint compared to some of his solo albums.  In fact I would classify it as tasteful.  Leonard is one of the best vocalists in prog and he doesn't disappoint.  Lots of solos flying around on guitar and keys but it maintains a melodic integrity through out.  Hopefully we don't have to wait another 7 years for the follow up.  Highly recommended.
    $12.00
  • "Jolly is a real rising star in the world of rock music, combining elements of art pop, dark rock, progressive music and much more. After a terrible ordeal with losing their equipment in Hurricane Sandy, the band came out of that stronger than ever and released its brand new album, The Audio Guide to Happiness, part 2.Straight away you get a sense that this isn’t a typical band you’d expect to find on Inside Out. The start is almost that of an industrial band. We are then hit in the face by some power chords on the guitar. A beautiful gentle part follows, which seems to be the recurring pattern on the album – gentleness followed by aggression or vice versa. When you thought you couldn’t be surprised more, the band returns with some shattering metal riffs to take the intensity even further. Anadale’s voice adds an even more modern texture to the sound with its indie rock / new metal quality. The two Guidance interludes show Jolly capable of creating ambient pieces of real beauty as well. Lucky is on the verge of synth pop, were it not for the crunching guitars. It’s really fun observing Jolly playing around with so many genres. As Heard on Tape is another fascinating departure, with a folk motif and the use of bagpipes. The Grand Utopia brings the album to an epic close, with another wild ride on the rollercoaster of our senses.Jolly is a real sensual experience for musical epicures. You get an incredibly wide taste of their musical world. This is a band which is going places and I wouldn’t be surprised if they really make it huge in a few years. It is a real pleasure to listen to an album which is very easy to listen to and at the same time totally unburdened by any genre definitions." - The Rocktologist
    $12.00
  • "This, Primordial's third full-length, was their first real masterpiece, and where the transformed from the noisy, woodsy Black Metal of Imrama into the epic pagan beast they have become. Leaving behind the generic sound of older works, these Irish forged their own sound and have never gone back. Opening with the odd intro, with Nemtheanga intoning the lyrics like a manifesto while the war-drums pound, the band launches right into the monumental "Gods To The Godless" like a declaration of war. "I have one desire/ let it be/ a Plague upon your lands/ a Plague upon all your houses/ it is my wish to enslave all your people/ the soil enriched with their Blood." Huge riffs, thundering rhythms, and Nemtheanga's powerful, emotional vocals. The mastery never slows, not with the power of "The Soul Must Sleep" or the massive "Children Of The Harvest", and the album's centerpiece, the blazing bonfire of "The Burning Season". This is a more melodic album than the dark and angry The Gathering Wilderness or the dense, epic To The Nameless Dead, but it is no weaker for any of that. There is a repressing that also contains the other three tracks from The Burning Season EP plus a re-recording of "To Enter Pagan". Normally I decry bonus cuts, but these fit right in with the rest of the album both compositionally and recording-wise, and so they are like adding another 30 minutes of awesome to this already grand album. This is a magnificent work by one of the great bands when they were just hitting their stride. Essential." - Metal Crypt
    $15.00
  • The madcap French jazz metal trio return with their sixth album.  Morglbl consists of guitarist Christope Godin, bassist Ivan Rougny, and drummer  Aurelian Ouzoulias.  The band has toured extensively around the world – USA, Europe, Russia and even China!  They have shared the stage with Liquid Tension Experiment, Bumblefoot, and Umphrey’s McGee among others.These three virtuosos are also well endorsed clinicians and have developed a following individually but when they come together the fireworks really start.  Tea Time For Punks doesn’t deviate from the tried and true Morglbl formula.  Take equal parts fusion and crushing metal power chords, then inject a healthy dose of tongue in cheek humor and you’ve got the perfect Morglbl album. The band is often described as Primus meets Steve Vai and Allan Holdsworth, with flavors of Frank Zappa! 
    $13.00
  • "The first DVD by Primordial is a fact and the band delivers something really good. When all bands would release a DVD this way, the medium DVD could be very interesting for the record industry.‘All Empires Fall’ consists of two discs of which the first one contains the complete show that the band did on January 24th 2009 at the Button factory in Dublin in front of 800 fans. Quite a good number for a gig in Ireland. The show was recorded with five cameras and has been edited in a great way that is easy on the eyes. Some minor criticism is that at some points it’s perhaps a bit too dark. They probably used a filter making it all a bit darker, which fits the band of course but is a bit tiring after a while. Concerning the choice of songs there’s no complaints, every album is represented.The second DVD is perhaps the most interesting for the fans as it contains the complete history of the band, they tell it themselves with al the ins and outs. Really good to watch. This disc also contains songs from the shows at Ragnarok Festival in Germany, Hove Festival in Norway and Graspop in Belgium. From the last two mentioned w only get a couple of tracks and I guess that has a bit to do with the sound recording of these gigs that aren’t too good. Other than that this is a great DVD of which there is even a special edition containing two CD’s with the complete live show of the Dublin show in audio." - Lords Of Metal
    $14.00
  • The kings of depression return with their latest doomy mopefest. Revel in it! Nice digipak.
    $9.00
  • Fourth studio album from Leprous reinforces the fact that they are one of the most innovative and cutting edge bands working in the prog metal idiom.  The music of Coal has already kicked up a bit of controversy from the early listeners.  The music isn't quite as angular and frenetic as Bilateral.  Atmospheric passages similar to Tall Poppy Syndrome are perhaps a bit more prevalant as well.  All in all it's clearly identifiable as Leprous.  Ihsahn guests on one of the tracks - don't forget Leprous is his backing band.  Nice guys - great band.  Highly recommended."Considering Leprous‘s previous album Bilateral is considered by many to be a masterpiece of progressive metal; Norway’s Leprous had a tall order in front of themselves. Coming up with a followup to such a critically acclaimed and beloved album is no doubt a daunting task. Despite that, after two long years of waiting, Leprous have conjured the successor to Bilateral, and it’s called Coal. Usually, when bands release an album after their magnum opus, the result is either a “version 2.0″ of the previous album, or it’s a return back to the normal style of the band. Leprous have taken a bold turn instead, and they have reinvented themselves. Coal is clearly a Leprous album, carrying all their trademark touches, but it’s also very fresh and unique.With Bilateral, the band were clearly rooted in a sound that has been defined by the big names of progressive metal. By applying their characteristic syncopation, moody riffs and singer Einar Solberg’s haunting and powerful vocals, they were able to perfect an already existing sound. With Coal, the band have taken a different direction. The album is very dense, emotional, and quite avant-garde at times. While there are some more traditional songs similar to Bilateral, there’s also an air of neo-80s on some songs, while others carry some characteristics of modern Scandinavian indie bands. Longtime fans of Leprous will definitely see the direction that has been present since the band’s inception, but listeners who know of them only via Bilateral might be slightly confused. In the end, Leprous have always been about mood, and Coal is oozing with it.In terms of structure, Coal is more similar to Tall Poppy Syndrome than Bilateral (but not too similar to either in the end). The songs are slow burners, setting up a mood, then deliberately building on it until overwhelming the listener with the climax. Everything is very subtle, the production making every hit of every instrument matter. Each song is an exercise in building an atmosphere by slowly adding layers to form a very powerful sound. Einar Solberg is at his best here, he has taken his voice to the next level. He was already an amazing vocalist, but Coal sees him becoming a master of expression. There are many progressive metal bands nowadays with clean singers who can hit insanely high notes and execute amazing melodies. But what is often lost is the soft touch, the control over timbre that makes one’s voice special. Einar is a master of timbre, and he uses his abilities to their full extent in Coal. While this is an album about the big picture and constructing an ambiance with the convergence of all instruments, his unparalleled vocal skills definitely deserve a special mention, because he is what hammers down the emotions and makes this album so special.As mentioned before, Coal is a deliberate album, where attention is paid to every instrument. And the production, by Ihsahn (who also has a stellar guest appearance on the closing track), is perfect for this. Especially of note are the drums, they sound very real and quaint. The intimate feeling of some of the songs can directly be attributed to the unconventional drum sound. The drumming has also taken a turn for the more subtle, with small flourishes and cymbal runs building tension in the more atmospheric sections of some songs. The bass is also clearly audible and adds to the sound. The guitar work isn’t as flashy as Bilateral for the most part, but it also has more character because of that. It should come as no surprise to longtime followers of the band, but Leprous are masters of doing more with less, and all of the instruments reflect this. Another production detail worth noting is the presence of keyboards. The keyboard work is more prominent now. In Bilateral it was used mostly to add some extra layers to parts driven by the guitars, but here the keyboards form the building blocks of the sound. This is perhaps what sets the album apart from Leprous’s previous work, the heavier focus on atmosphere and a dense aural landscape. This might be disappointing to some who preferred the more direct approach of Bilateral, as Coal is less “metal”, but the more developed sound suits the band.In terms of songs, Coal is a very diverse album. The first three songs and the closer can be interpreted as a direct evolution of the band’s sound from their previous work, then there is the extremely moody and emotional masterpiece “The Cloak”. This is where the album takes a turn for the introspective, as the rest of the songs are quite experimental and ethereal. Overall, the album has a very clear journey with a defined start and end, and it works quite well. Some of the later songs can feel like they last half a minute too long, but the deliberate pacing of the album makes more sense as is.In the end, it’s hard to deny that Coal is yet another masterpiece by Leprous. The songs ooze character and deliberation. Coal is expressive, emotional and brave. It might not be what everyone expected after Bilateral, but Leprous have defied expectations and raised the bar again." - Heavy Blog Is Heavy
    $14.00
  • "Since a long time I have stored in one of the synapses in the very deep part of my brain some information about a small country named Andorra somewhere in Europe. By its name I would assume that it would be close to Spain if I ever need to recall that information for further processing. In 2011 that information surfaced back into my brain when I found out (thanks to my dear friend Vagelis) that not only it exists but it a band from that country kicks serious ass. That was the time that I found about NAMI. Upon further inspection and research I found that while NAMI was at their first album there was another band that had already released three albums and they were also into kicking arse. That band is PERSEFONE. Two years later and back into present I was really excited to hold the promo for their brand new release “Spiritual Migration” and indeed the only two words that came out of my mouth from the first notes were “Fuck” and “Yeah” with lots of exclamation marks.“Spiritual Migration” is the fourth progressive death metal album follower of the “Shin-Ken”, a conceptual story that unfolds in 13 tracks. The album starts with the instrumental “Flying Sea Dragons” creating an epic tone before the first blast of highly concentrated progressiveness strikes with “Mind As Universe”. Riffs high as the sky, terrific solos, crazy drumming, kick arse bass, raging and beautiful clean vocals and on top of all keyboards that dress and bind everything into one solid entity. Nothing gets into standard forms but instead the band is insanely unpredictable changing tempos, styles, brutality and whatever else you name with amazing ease making each part flow into the next one effortlessly and naturally. The duration of the compositions is varying, having four out of them clocking over seven minutes (“The Majestic of Gaia”, “Inner Fullness”, “Spiritual Migration” and “Returning To The Source”). There are also four instrumental tracks that are very beautiful and add to the overall atmosphere of the record.PERSEFONE continue to evolve the sound that has defined in “Snin-Ken”. They continue based on the soul recipe of progressive and very technical Death Metal that is fused with atmospheric parts that enhance the overall outcome of the record. This time the lyrics deal with Buddhism, meditation and spirituality and it is really cool to see bands that deviate from the classical hate god / praise Satan stereotype (sic). The songs are heavier than before and the brutal vocals tend to be a bit deeper than those of the previous records. Concerning the performance of the band all the band members are delivering astonishing performances using the best of their instruments. The brutal vocals might estrange some (I quickly got used to them) but they serve their purpose more than well while the clean ones contradict perfectly with them and offer moments of tranquility amongst the Death Metal onslaught. The artwork has been done by none other than Travis Smith and is another great work by him. Finally the record was mixed by Jacob Hansen in Denmark who also has worked with VOLBEAT, PESTILENCE and DESTRUCTION.It is surprising, in a good way, that Andorra has very cool bands which deliver very good records. PERSEFONE being one of those bands, has delivered an amazing record that is full of complex structures, unpredictable riffing, epic atmospheres and sheer raw brutality and a very intelligent concept. Put the speakers on, sit down comfortably, close your eyes, open your mind and get ready for “Spiritual Migration”." - Metal Temple
    $13.00
  • Its been decades since The Gathering would be associated with the metal genre so look elsewhere if you are expecting that.  Afterwords is a bit of a hodge podge release.  Its a follow up to last year's Disclosure.  It features re-recorded/deconstructed versions of material from that album as well as new tunes and tracks that were on the Afterlights EP from 2012.  The album also features a guest appearance by founding member Bart Smits, sounding quite different from how he did in the early days of the band.
    $15.00
  • "Marbles was originally released on the band's own Racket Records label and attracted a lot of attention when it was released as the album had been funded by donations from fans who had pre-ordered the album before they started recording in return for having their name printed within the album artwork (over 18,000 names). This new 2CD Madfish edition of the album is packed in a deluxe 36 page digibook re-worked by original designer Carl Glover. The book features unseen pictures not used in the original artwork. The tracks on the second disc have previously only been available through the band's own website."
    $13.00