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Cannibal Tango

SKU: SR3058
Label:
Sensory Records
Category:
Metal/Hard Rock
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Gnô is a French power trio whose style is often described as Pantera meets The Beatles. After releasing Trash Deluxe (Janvier records) in 2002, Gnô is back with a new opus entitled Cannibal Tango, even more brutal though more melodic as well. The three piece combo play heavy rock with a good balance between metal riffs and catchy melodies.



Their stock in trade is daredevil chops highlighted by insane stunt guitar. The rhythm section, powered by the roaring bass of Gaby Vegh and thunderous drumming by Peter Puke, provides an ideal foundation for the wizardry of Christophe Godin (Morglbl), considered one of the finest guitar players today! Not one, but three lead singers is another characteristic of the band, and they pay great attention to vocal harmonies à la Beatles or Kings X.



While the musicianship will leave you shaking your head in disbelief, the humorous lyrics will have you laughing out loud. These three French maniacs revolve around the same planet as their musical brethren Freak Kitchen. If Frank Zappa had made a metal album it would sound something like this.

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    $18.00
  • The North American Freak Kitchen catalog reissue program continues.  Freak Kitchen is Mattias Eklundh (guitar.vocals), Christer Ortefors (bass) and Bjorn Fryklund (drums). The band describes their album as "A corny little heavy-pop-rock-Latin-world-jazz-avant-garde-metal-blues-record straight from hell!". "Organic" is the band’s sixth album.  It features a guest appearance by Guns N Roses guitarist Ron “Bumblefoot” Thal.  Pure guitar driven insanity with tongue firmly planted in cheek.  Essential for fans of Frank Zappa, Bumblefoot, and Steve Vai."If there was such a thing as indie metal, Freak Kitchen would define the genre perfectly. This metal band hails from Sweden and was formed back in 1992. Their outstanding musicianship and authentic musical style makes this power trio a real treat for those of us lucky enough to find their music. The bands’ distaste for big corporate labels has not prevented them from getting their music out, just not on a scale one would expect them to be considering the high level of quality music that they put out. So, as they state on one of their songs: “I’m so alternative, I am so independent, this is the way to live the independent way of life.” I guess one could say the guys walk the talk!Frontman Mathias IA Eklundh is considered a premier guitar player, having himself released several instrumental solo albums, Freak Guitar (1999) and Freak Guitar - The Road Less Traveled (2004). Also of some importance I guess is the fact that I’ve read in several live performance reviews that Eklundh will often play his guitar using foreign objects, some of which are described as vibrating dildos! Oh yeah, and he can really sing too! Eklundh is also the founder of Mattiasology, of which Steve Vai (peace prophet) and Paul Gilbert (space prophet) are listed as members of the Grand Church of Freakiness.Organic is Freak Kitchen sixth studio album, which was released in different parts of the world on April 27, 2005, just don’t expect to find it in North America yet. When you hear them for the first time, and believe me - you will eventually hear them - it’s really like nothing you’ve heard before. It’s like mixing a heavy metal guitar sound with alternative rock and adding mild progressive elements and a clearly indie rock vibe. It’s going to turn your head as it did mine. If you’re into metal you’re going to wonder “what the hell is this” and if you’re into indie rock, you’re going to wonder the exact same thing? It’s a blending of styles that requires time to soak up. But after you get over the initial impact of it all, it grows on you very quickly and I mean that in an exponentially freaky kind of way.The album opens with the single “Speak When Spoken Too,” which also features the eccentric Bumblefoot (Ron Thal - another Mattiasology prophet) on back up vocals and guitar. The Pantera style guitar riffs will have you questioning the bands musical style and the evident alternative rock vibe will probably remind you of System of a Down. There's a whole lot of humour spread out throughout the album as well.The band plays hook laden guitar driven songs full of interesting arrangements and cool little guitar antics and solos. The crystal clear production, the occasional blast beats, the crazy guitar sounds, the humorous lyrics about everyday life (infidelity, racism, the role of parenting) and the radio-friendliness of it all makes this a very memorable listening experience." - Sputnik Music
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  • "This is not a new Lost Horizon record.There, we got that sorted out. The good news is that Daniel Heiman is finally back where he belongs: in metal. For its third outing, Harmony tapped this fan-favorite singer, but unlike recent, however successful, hijack jobs (think Michele Luppi with Secret Sphere, or further back, Urban Breed with Bloodbound), this is still one hundred percent a Swedish, religious power metal experience.After a promising start with Dreaming Awake, and a superior sophomore effort in Chapter II: The Aftermath, Chapter III at last gives us the Harmony record that I always knew the Swedes had in them. Retaining the band’s signature solemn style and subtle sense of melody, Theatre Of Redemption is bigger, better, and an overall top contender for 2014’s album of the year.Just how much has this to do with Heiman himself? Of course, hiring a man of his not inconsiderable talent is certain to lend your work that extra flavor. This isn’t to say that Henrik Båth held the band back (about as much as Mikael Dahl did/does in Crystal Eyes), but that Heiman touch is fan-favorite for a reason. The superhuman wails, the natural emotion, the unrivaled raw power, all of that bigger and better than before as well. In whatever dark corner of the music industry this man has been lurking in for all these years, he’s picked up a thing or two. A tender and soulful performance like the one on “What If” could simply not have come from him in his Lost Horizon-days. Goosebumps, ladies and gentlemen, entire flocks of geese.Logically, even Daniel freakin’ Heiman can only thrive when the songwriting is there to support him. Harmony stepped up its game considerably in this department, opting for shorter, tighter material here. Theatre Of Redemption is trademarked by sharp and poignant riffs, simple but gripping melodies, and an overdose of class. “Son Of The Morning” and the title track sound like the basic but effective kind of songs that Kamelot used to churn out in its heyday, boasting oriental effects, a mystic atmosphere, and an ominous chorus. “I gave it aaall – for – NOTHING!” More geese and whatnot.Not all of it is down and plodding, though. Introspective opener “Window Of My Soul”, the celebratory “Crown Me King”, and self-referencing closer “In Search Of” root Harmony firmly in the national style. Anyone attempting to chronicle the rich history of Swedish power metal should do well to include them. For filler tracks, to conclude, look further, because Harmony wastes no time making every single song one worthy of remembrance and appreciation.This is not a Lost Horizon record. Instead it’s the best album Harmony has ever released, and one of the best this year has seen so far. Daniel Heiman returns gloriously to be crowned as king (only to disappear, as he’s only a guest on this album), and aids Harmony in releasing its full potential. Fans of Heiman, Harmony, and (Swedish) power metal in general should purchase this blindly." - Black Wind Metal
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  •  · NEW REMASTERED EDITION OF THIS CLASSIC 1968 ALBUM BY PROCOL HARUM· WITH 3 BONUS TRACKS· REMASTERED FROM THE ORIGINAL TAPES· FULLY RESTORED ARTWORK AND PHOTOGRAPHSEsoteric Recordings are proud to announce the release of a newly re-mastered and expanded edition of the classic 1968 album by PROCOL HARUM.Released in the UK in December 1968, "Shine on Brightly” followed on from the huge international success in 1967 of the band’s debut single ‘A Whiter Shade of Pale’ and the follow up single "Homburg” and built on the creative path begun on Procol Harum’s self-titled debut album issued in January 1968. Gary Brooker (voice, piano), Robin Trower (lead guitar), David Knights (bass guitar), B.J. Wilson (drums) and Matthew Fisher (Hammond organ) took the music of the band to new heights with this, their second album. Dominated by the 17-minute epic suite ‘In Held ‘Twas in I’, Procol Harum re-wrote the rule book of popular music with the material written and recorded for "Shine On Brightly”.Newly re-mastered from the original tapes, this remastered edition of "Shine on Brightly” includes 3 bonus tracks and restores the original album artwork. 1. QUITE RIGHTLY SO2. SHINE ON BRIGHTLY3. SKIP SOFTLY MY MOONBEAMS4. WISH ME WELL5. RAMBLING ON6. MAGDALENE (MY REGAL ZONOPHONE)7. IN HELD TWAS IN I    a. GLIMSPES OF NIRVANA8. IN HELD TWAS IN I    b. TWAS TEA TIME AT THE CIRCUS9. IN HELD TWAS IN I    c. IN THE AUTUMN OF MY MADNESS10. IN HELD TWAS IN I     d. LOOK TO YOUR SOUL11. IN HELD TWAS IN I     e. GRAND FINALE BONUS TRACKS12. IL TUO DIAMANTE ("SHINE ON BRIGHTLY” ITALIAN VERSION) (MONO)RECORDED IN SEPTEMBER 196713. QUITE RIGHTLY SO14. IN THE WEE SMALL HOURS OF SIXPENCEA & B SIDES OF SINGLE 
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  • "Edguy are not going to win over Necrophagist or Portal fans with their new album, Space Police – Defenders Of The Crown. That isn’t what Edguy are about. They’re not Kvlt, tr00, etc. They do 80’s metal with massive amounts of fun and they do it really well.All the while annoying people who take music far too seriously. They are also are a superb band live, taking cues from Maiden with sing-along choruses and an almost pop sensibility towards song writing. After listening to Space Police once I was singing some of the tracks without realising it! The last couple of albums ‘Tinnitus Sanctus’ and ‘Age of the Joker’ took a more straight forward hard rock approach and while they were good albums, they didn’t have the pomposity and sense of ceremony ala Helloween or Gamma Ray of the preceding albums. This was for me, always part of the Edguy charm.Studio album number ten starts off almost where “Age of the Joker” left off with the track ‘Sabre and Torch‘ and quickly builds to an over the top masterpiece that brings back memories of  ‘Vain Glory Opera’ and ‘Hellfire Club.’ For some reason singer Tobias Sammet sounds a little restrained on this track and dare I say, somewhat tired. It’s almost as if this album was recorded live and he needed some time to warm up but there is no need to worry he quickly proves me wrong.The title track harks back to something off 2006′s superb Rocket Ride; a keyboard lead epic with a bouncing tempo to get a festival crowd going. It is like it was written for inclusion early in the live set. ‘Defenders of the Crown’ is where the smile really come across my face; double kick drums and a Manowar-esque chorus. It is nothing short of brilliant. ‘Love Tyger’ and ‘The Realms Of Baba Yaya’ are mid to fast tempo numbers that are as catchy as anything they have previously written and prove that Mr Sammet and co. are back in flying form! As usual, the band are excellent; loads of feeling and virtuosity, though not always at the same time….I love this album and it keeps getting better with their version of Falco’s ‘Rock me Amadeus’. Some tracks sound like they were Avantasia (Tobais Sammet’s metal opera side project) tracks but were considered to Edguy for those albums. ‘Do me like a Caveman’ and ‘Alone in Myself’ for example. ‘The Eternal Wayfarer’ is the kind of song Def Leppard wish they could write now, lucky for them Edguy still have it.Space Police- Defenders Of The Crown isn’t just the best thing Edguy have released in years, it is one of the best power metal albums released in years." - Planet Mosh
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  • Fourth album from this seminal US band. Deluxe remastered reissue also features detailed liner notes, 2 bonus tracks, original artwork and unseen photos.
    $12.00
  • After the break up of art rock pioneers Orchestra Luna, guitarist Randy Roos changed gears and assembled the Mistral band. The resulting album, from 1978, features fusion stars Mike Stern, Neil Stubenhaus, Louis DeAndrade, and Alyrio Lima (Weather Report). Masterfully playing a variety of fretted and fretless guitars, Roos demonstrates why its time for this overlooked gem to be revisited. Mistral is pure high energy fusion that will appeal to fans of Jeff Beck and Return To Forever. It comes with liner notes from noted jazz journalist Bill Milkowski. Mistral has been remastered from the original analogue master tapes by audiophile engineer Bob Katz. It arrives in an old style mini-LP tip-on sleeve. Strictly limited to 500 copies!
    $27.00
  • Christina Booth is the charismatic vocalist for British symphonic rock band Magenta.  Her voice has always brought about comparisons to Annie Haslam (and in fact they recorded together).  Christina had a well documented successful battle with breast cancer.  It was during this time that she wrote the material for her second solo album.  The music doesn't have the complexity or full on "prog" nature but she is helped out by members of the prog community including Rob Reed, Chris Fry, JOhn Mitchell, Andy Tillison, and Theo Travis.  It would be difficult to call this commercial music.  I guess they call this adult alternative these days.  Its a great showcase for her wonderful vocal talents and is filled with tons of atmosphere.  Good late night listening.
    $14.00
  • Raccomdata Ricevuto Ritorno refomed and cut a shockingly good album called Il Pittore Volante.  A lot of these Italian bands from the 70s are reforming and offering up mediocre fare.  This wasn't the case with RRR.  They are now billed as La Nuova Raccomandata Ricevuto Ritorno.  This is a live recording from Elba in which they run through material from Per Un Mondo Di Cristallo, Il Pittore Volante, as well as a handful of covers.  I guess sometimes you can catch lightning in a bottle.
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    $17.00
  • Evergrey are back and better than ever!  I think the general consensus is that as the band became more and more popular the music became a bit more commercial and the production slicker.  Tom Englund has gone back to the basics and its clearly the right move.  Jonas Ekdahl (drums) and Henrik Danhage (guitars) have returned to the fold and production has been handed over to Jacob Hansen.  This is a return to the "classic" Evergrey sound - that perfect balance of melody and heaviness with the right amount of "prog" injected when necessary.  COMEBACK ALBUM OF THE YEAR!  BUY OR DIE!"One of the leading names in the power/progressive metal world is the Swedish five-piece, Evergrey. Forming in 1995, the band has released eight full length albums, with number nine releasing this fall. The band has been known for relatively dark lyrics and concept albums since their debut, and because of this fact, it was very difficult for me to get into their music. I can easily count the amount of times I thought “I should listen to Evergrey” on one hand. Though I wasn’t well versed in their discography, what I had heard was moving quite slowly, was downright melancholic, and just couldn’t catch my attention. That was until the Hymns for the Broken album landed in my inbox.First off, the notable changes in the lineup, with the return of Jonas Ekdahl (drums) and Henrik Danhage (guitar) grabbed my attention immediately. Though the band briefly spoke about the addition of the two previous members on their Facebook, “What can we say? We missed each other.” I truly believe that this decision, and the amazing mixing by Jacob Hansen (Volbeat, Amaranthe, Primal Fear) and production quality are what set this album up for its coming success.The album kicks off with a very eerie intro track, then jumps into the first single and video, “King of Errors”. Even without being an Evergrey fan in particular, I have always known who Tom Englund was, as his voice is so unique and legendary in the industry that I couldn’t ever really escape it. This song is a great display of the power and ability he has as a vocalist to truly bring a wonderfully written song to an entirely new level. The blend of the guitar riffs and keyboard work is perfection to say the least, but when the awe-inspiring guitar solo hit, I knew this album had me by its teeth.Immediately following is another one of the strongest tracks on the album, “A New Dawn” with a strong and hard-hitting guitar and bass riff that doesn’t ever really let go throughout the song. This song features one of the more beautiful keyboard solos on the album, but yet again that guitar solo just comes out of nowhere and destroys any solo I have ever heard this band release. “Black Undertow” is another perfect example of why Englund is so well-respected in the music world. It begins with his chillingly lower vocal range, but builds back up to where he truly shines. This song not only features another soaring and strong chorus, but the rhythm work between all instruments keeps it dark and eerie, though the keyboard lightly dances above it all.The title track to the record explodes into this phenomenal musical intro, but fades just as quickly as it hits. Boasting some of the strongest, most emotional lyrics on the album, the song hits a chord in many personal ways. “Scream loud, these hymns are for the broken,” are just some of this crowd enticing chorus that Englund sings flawlessly throughout. Bringing the album to a close is the over seven minute song “The Aftermath” which begins in a ballad-like fashion, but builds to a very strong finale. The tempo remains slow, but the flawless movement in the instruments keeps it absolutely enthralling. The last half of the song is entirely instrumental, and the conversations between keyboard, bass, and drums is something that I could listen to on repeat for hours, especially when the haunting lead melody soars above it all.If you can’t tell, I can’t think of a single moment on this album I don’t absolutely love. As someone who could never get hooked by an Evergrey album, I can assure you this is not just ‘fandom’ talking. Hymns for the Broken is a perfect album that even after weeks of constant play, I can not get enough of. Perhaps it is indeed perfection, or perhaps it just hit me at the right time in my life, either way I am in love. Easily a current contender for album of the year, it’s so full of beautiful melodies and amazing arrangements that any fan of power or progressive metal will absolutely love. I don’t doubt that all previous fans of the band will appreciate this album as much as I do, but I sincerely hope that new listeners give this record a fair and objective chance as well.This is definitely their most ambitious release yet, and they absolutely nailed it!" - Metalholic 
    $15.00