Brutal Romance

SKU: FES4010
Label:
Free Electric Sound
Category:
Fusion/Jazz
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“Crazy French phenomenon Christophe Godin applies his nothing short of bonkers rock guitar abilities to this ferocious yet tongue-in-cheek display of post-Vai/Zappa composition and musicianship. Jazzy it ain’t, but full of immense playing technique and cool tones it most definitely is. Be afraid.” – Guitarist Magazine



Brutal Romance is the fifth release from this intense French instrumental trio. Through extensive gigging in the US, this Morglbl has developed an ever expanding fanbase addicted to their crazy blend of jazz and metal. The band consists of Christophe Godin (guitars), Ivan Rougny (bass), and Aurelian Ouzoulias. All three members of the band are known around the world not just from Morglbl but as clinicians as well. Morglbl injects a dose of tongue in cheek humor into jazz rock laced with crushing power chords. They have a strong cross over appeal between fans of progressive rock, fusion, and metal. Morglbl has performed at festivals alongside Liquid Tension Experiment and Umphrey’s McGee. They have most recently toured the US as co-headliners with Sweden’s Freak Kitchen.



Fans of shred and fusion Gods like Allan Holdsworth, Steve Vai or Freak Kitchen’s Mattias Eklundh will find this essential.

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  • New digipak edition of the rarest Italian prog album its certainly also one of the strangest... "This is one weird album indeed. Even more weird when you consider some of the musicians involved. For example you got keyboardist Charles Tiring. He was not your typical twenty-something like you usually expect in prog rock bands. At the time this album came out, he was said to be 68 years old (not likely alive these days) and married to an 18 year old, which meant that didn't exactly endear himself to the rest of the band (he left after this album and they became Antonius REX). The rest of the musicians included Anthony Bartoccetti on guitar, bass and vocals, Doris Norton (known as Fiamma Dello Spirito on this album) on vocals, violin, and flute, and someone named Franz Parthenzy conducting the medium. What's also weirder was they were exploring the occult, performing under séances. While other prog rock bands simply used keyboards like the Hammond organ, Charles Tiring went totally hog wild on the pipe organ, although he used the occasional Moog for sound effects, and harpsichord and piano on occasions. There are times that it's really difficult to call this prog rock, because it's not rock, and pipe organ is sometimes the only instrument used. The album opens up with "U.F.D.E.M." which is often regarded as the album's high point. Here you get pipe organ and harpsichord, with Doris Norton singing in Italian, sounding a bit like an Italian Anna Meek (of CATAPILLA fame). "Praesentia Domini" is largely pipe organ, but near the end comes some chanting in Latin, obviously a séance. "Jacula Valzer" is a nice, pleasant jazzy piece with that atmosphere of a bad early '70s horror film. This one features some nice flute and piano. "Long Black Magic Night" is another worth mentioning. Violin and flute dominates, and Doris Norton chants in English, and comes to demonstrate just how lousy her English is. This song even more just screams "bad horror film". Listening to this, you can just imagine the cobwebs, vampires, and a pipe organ. The last piece, "In Old Castle" is the most pointless piece, as it's all pipe organ and nothing else. "Tardo Pede In Magiam Versus" is a truly like or hate it album. Some just call this a bunch of Satanic nonsense, others call it spooky and Gothic. I can be certain GOBLIN had heard their share of JACULA and Antonius REX in their lifetime, especially since GOBLIN was best known for scoring gory Dario Argento horror flicks (luckily GOBLIN went for a more conventional prog/fusion direction, with normal instrumentations, even though they sometimes used pipe organ). The original LP of "Tardo..." isn't easy to come buy, but Mellow Records reissued it on CD, if you can find a copy for cheap, get it, for a curiosity, but I bet you that you'll probably be waiting for Halloween to play this. Weird album indeed that might scare a few people away." - Progarchives.com
    $16.00
  • The Nektar catalog is now being bounced around like a ping pong ball.  This is now the third version that Cleopatra has made available.  Beyond the original classic album you get a bonus disc which features a large portion of the Academy Of Music 1974 show.
    $15.00
  • "US band ODIN'S COURT have been around ever since 2001, with a good handful of productions to their name so far, and in terms of full length albums they have released six of them so far. Their most recent one, "The Warmth of Mediocrity", was issued through US label The RecordLabel.net's Progrock Records division towards the end of 2013.While this is a full length album, I guess the majority would really sort this one as a compilation rather than a bonafide studio disc, as the greater majority of the songs have been pulled from old releases. But as these songs have been both remixed and to some extent remade as well, due to the addition of Dimetrius LaFavors as lead vocalist, this really is a new album even if much of the material have been available in other versions previously.As far as style is concerned, Odin's Court is among those bands that venture back and forth across the border between the rock and metal part of the progressive universe, although the main emphasis appears to be on the latter of these. They explore, at least in recent years, a brand of progressive metal that explore the contrasts between grimy, gnarly dark toned guitar riff constructions and light toned, subtly exotic sounding keyboard textures, with ample room for movements of a more careful nature to alternate between the harder edged and more intense ones. The piano is employed for an additional delicate touch on several occasions, and what I presume to be digitally crafted orchestral backings also have their place in the material of this band. The dulcimer is also used to good effects to convey effects of a more careful nature within this landscape.From what I can recall of their older material, it would appear that their new vocalist is a good addition to this band. There are still some issues with the vocals however. That there are songs here not written with the new vocalist and his particular voice in mind is a fact, and that some of the vocal parts comes across as somewhat odd in structure and execution both is a detrimental detail at times. As is the band's slight tendency to hit off in a dramatic, technically oriented run with quirky staccato riff bursts in asynchronous patterns, although this latter aspect probably has more to do with personal taste and not quite as much to do with stylistic expression and structure as such.Personally I found the band to be most interesting when exploring territories of a more regular nature, with the remade version of Utopian Rust and the following instrumental Paradise Lost: Chapter 1 to be clear album highlights. The former a fairly traditional progressive metal creation sporting a fairly smooth, dark toned guitar riff and a fairly predictable but effective keyboard contrast as the dominant elements, with compelling harmony based guitar soloing and a nifty bass motif beneath that fits this song in this guise very well indeed. The latter of these two songs appears to be a case of progressive metal inspired by classical music, using orchestral details to supplement the guitars and organ that otherwise sets the mood and atmosphere. Opening and title track The Warmth of Mediocrity also warrants a mention, and again we're dealing with a more common variety of progressive metal with strong and distinct contrasts between guitar riffs and keyboards, majestic themes and a harmony based song in general expression and instrumental solo runs both.All in all a somewhat uneven production as far as I'm concerned, where the most experimental numbers also comes across as the least inspired of the lot. But when Odin's Court starts exploring a more common and predictable variety of progressive metal, then they are going strong with all cylinders firing in a fitting, majestic manner. A band and an album worth taking a look at if you're curious of a band that are at their best exploring traditional progressive metal Dream Theater style, while also having a go at assembling compositions of a more challenging nature that may not be quite as appealing - all of this very much depending on personal taste admittedly." - ProgArchives
    $3.00
  • Limited edition digipak with 2 bonus tracks."The road to Altzi is paved with good intentions…. When Masterplan announced the new lineup in November of last year, Jorn apologists flooded the comment strings of various metal news outlets with comments like “another band is spoiled by a vocalist change” and “no Jorn…no Masterplan.” While I might agree that there was reason for outcry when a well-known/respected singer leaves a band, it’s not as if Masterplan has never had another vocalist and is not a band with more past members than present. The object is to listen and make judgments later. The announcement of Rick Altzi was particularly intriguing and any fan of At Vance and Thunderstone can attest – there was much reason for hope.The news that main man/guitarist Roland Grapow’s (Ex-Helloween) revealed that there was going to be a return to “faster” and “more metal” material made this more appealing. Add further still…the addition of Ex-Stratovarius bassist Jari Kainulainen and the naysayers should have stood back and waited to react. Why? As it turned out, Rick Altzi proves a more than compatible replacement for Jorn…and *GASP* dare I say – a wee bit better in spots? Blasphemy? Try it…prove me wrong.Musically, the album ranks as one of the band’s finest, recalling the best heard from the self-titled debut, 2005’s “Aeronautics,” and the appropriately titled 2010 “Time to Be King,” but with a heavier edge. Altzi is so compatible that only the most attentive Jorn fans can see the difference, most notably that low power that shifts with a slab of grit while on the way up to the high range. This is not besmirching Altzi at all, as his range is proven and perfect. His first appearance is at 0:47 on the album’s second track “The Game,” an admirable driving melodic metal song with noticeably well-crafted double bass from new drummer Marthus Skaroupka (Cradle of Filth) and copious amounts of heaviness intertwined with trademark melody. Grapow proves again what amazing solos he can play.The album’s first music video was for “Keep Your Dream Alive” – a mid-paced winner expertly chosen, as it’s the song where Altzi shines brightest, showing the breadth of his range – and for many moments I said “Jorn who?” The finest track on the album is “Betrayal,” which will prove to be one of the best of the year when all is said and done, if not for its Middle Eastern charm that falls into the heaviest riff on the album drawn out like slamming shudders by Axel Mackenrott’s keyboards. Other notables are the appealing riff in “Earth Going Down” (which is a tad swallowed by the keyboards as the song progresses), the Strato-feel of “Black Night of Magic,” the speedier “Return to Avalon” and the never dull 11 minute title track (especially 6:13 to 7:15) and vocal duet of Altzi and Grapow. Highly recommended is the digipak version with bonus tracks “1492” and “Fear the Silence.”My only complaint is not necessarily with the band’s play or its flawless execution, its more the melodic metal style in general. At the same time it represents a favorite style – in Masterplan’s case best defined as “what Whitesnake would sound like if they tipped a bit into power metal” – listening to entire album presents a challenge, if only for that mid-paced repetition. I find the album plays a bit better when I listen to a few songs at a time, mixing it in with other bands and styles.This may be “a new beginning” for Masterplan in member changes, however the creation of high quality melodic metal perseveres. Grapow assembled a new team of musicians that prove just as compatible, especially Altzi’s performance. With the proof in the product, fans of the band should have little to complain about with “Novum Initium,” though I suspect some Jorn lamenters will never take the road less traveled….the one where its “time for” Rick “to be king.”" - Metal Underground
    $16.00
  • Gorgeous new album from Fabio "Finisterre" Zuffanti's side project. Wonderful production highlights delicate progressive music that will bring a twinkle to the eye of any fan of Celeste or the lighter moments of White Willow. Mellotron, violin, fragile female vocals - the latest from Hostsonaten is one of the year's best prog albums. The whole thing comes in an over the top package. Highly recommended.
    $16.00
  • 1975's Warrior On The Edge Of Time finally sees a reissue courtesy of Esoteric Recordings.  This iconic album features the classic lineup of Dave Brock, Nik Turner, Lemmy, Simon House, Simon King, and Alan Powell.  The album was reissued on CD years ago and has been out of print for a couple of decades.  The band or their management never gave clear explanation at to why the album remained out of print.  One assumes a rights issue that remained unresolved.  This newly remastered version is transferred from the original analogue master tapes and features one bonus track - the b side "Motorhead".  In addition you get a second CD with a new stereo mix from Steven Wilson.  This also contains 5 bonus tracks - one of which is previously unreleased.  If that isn't enough you get a DVD with a 5.1 mix from Steven Wilson, as well as his new stereo mix in 24/96 AND the original stereo mix in 24/96.  Don't know about you but I'm keeping one of these for myself!
    $28.00
  • "UNARMED Best Of 25th Anniversary is Helloween's thank-you to millions of fans old and new and will prove their exceptional position on the international metal scene. Instead of putting together a regular greatest hits compilation featuring their most successful tracks to celebrate this anniversary, the five band members completely rearranged the greatest melodies they had written in the course of their career to date. The album features Supercharge s exceptional saxophonist Albie Donnelly, Hellsongs s vocalist Harriet Ohlsson, pianist Matthias Ulmer, plus the 70-piece Prague Symphonic Orchestra and the choirs of the Gregorian singers!As a special surprise, Helloween have come up with 'The Keeper´s Trilogy,' a stunning 17-minute medley of the songs 'Halloween,' 'Keeper Of The Seven Keys,' and 'The King For A 1000 Years,' recorded in cooperation with the Prague Symphonic Orchestra and likely to send shivers of delight down the spine of every Helloween fan."
    $13.00
  • Maschine is a new British band led by guitarist Luke Machin.  You may know him from his work with The Tangent.  Maschine sounds nothing like that.  The music is contemporary prog rock with some heavy influences.  I would be hard pressed to call this metal.  The star of the band, front and center, is Machin himself.  He displays prodigious abilities as a guitarist...as a vocalist not so much.  That's pretty much the chink in the armour for this album.  Machin's vocals are not his strong suit.  He would be better off handing the job off to someone else and concentrate on what he does best - bringing the shred.  This isn't to say that this album is a wankfest.  Nothing of the sort.  Its actually quite tasteful and there is a good balance of keyboards and flute in support but I keep waiting for Machin to let loose with a solo and when he does he brings the goods.  His background as a graduate of Brighton Institute is apparent - the compositions reflect his knowledge of jazz, classical, and yeah metal.  Its all good stuff but the man needs to stay away from the mic.This is the US jewel box edition that has the same two bonus tracks as the German import digipak.  Other than the packaging the music is identical.
    $12.00
  • The second DVD from this great Welsh progressive rock band. Pro-shot in front of their home audience, Live At The Point features a completely different set from the band's first DVD The Gathering. It also features a much more enjoyable viewing experience as it doesn't feature the constant jump cuts that was on the first DVD. It was filmed in 2007 - before Metamorphosis was recorded so the material draws on the back catalog.
    $18.00
  • "This 1971 release also went gold, here with an unreleased live version of Travellin' in the Dark (to E.M.P.) ."
    $5.00
  • CD version of the live show from Katowice, Poland in 2005. Basically the audio soundtrack of the DVD previously available. Digipak - supposedly a limited edition.
    $16.00
  • "From Rotterdam in the Netherlands comes Sky Architect, and their third and latest effort, A Billion Years of Solitude, introduces a space rock/science fiction element into their brand of melodic progressive rock. Hints of Genesis, Porcupine Tree, Hawkwind, Gentle Giant, Eloy, Pink Floyd, Dream Theater, and King Crimson pop up from time to time, especially on the rousing 18-minute opener "The Curious One", which kind of combines all the influences of the band into one killer epic. But, before we really dive into the music, let me report that the current line-up of the band consists of Tom Luchies (vocals, guitars), Wabe Wieringa (guitars), Guus van Mierlo (bass), Christiaan Bruin (drums, backing vocals), and Rik van Honk (keyboards -Mellotron, Grand piano, Hammond organ, Rhodes piano, - Clavinet, Moog synth, Wurlitzer, plus flugelhorn, trumpet, backing vocals).Back to that opening epic, it's an explosion of space rock and heavy prog musical & lyrical themes, with waves of Mellotron and various keyboards floating over throbs of bass, jagged guitar, intricate drumming, and layered vocals. Gentler than Hawkwind but more explosive than Genesis, it's a perfect half-way meeting point of both styles, and there are some sizzling solos here and plenty of haunting atmosphere. It's easily one of the 'must hear' songs of the year. "Wormholes (The Inevitable Collapse Of The Large Hadron Collider)" is a more rocking piece, but still firmly in the prog camp, reminding at times of Spock's Beard as well as Todd Rundgren's Utopia, and it's a real workout for guitarist Wieringa but also containing some great vocals courtesy of Luchies. "Tides" is one of the shortest tracks on the album, but it's also one of the heaviest, as churning guitar & keyboard riffs blast away over intricate rhythms, eventually giving way to lush acoustic guitar and floating vocals, before succumbing once again to Dream Theater/Gentle Giant styled complex bombast. The mighty Mellotron comes back for the engaging "Elegy of a Solitary Giant", another lengthy number complete with sci-fi drenched lyrics and plenty of spacey sounds, a perfect trip for all the Hawkwind/Eloy/Nektar/Pink Floyd fans in the house. After the quick little heavy space rock instrumental "Jim's Ride to Hell" (an awesome piece that I wish was longer), the band deliver one of the quirkiest numbers on the album, the complex "Revolutions". With plenty of keyboard textures from van Honk and acrobatic guitar from Wieringa, this one is a wild ride that zig zags from intricate prog-rock to ethereal space rock and back again. Closing 13-minute epic "Traveller's Last Candle" is another sci-fi yarn with some incredible musical passages, and the way the band go back and forth between lush atmospheric sections, to spacey explorations, to rumbling, bombastic heavy prog is just amazing.There have been a lot of excellent albums released here in 2013, and A Billion Years of Solitude certainly is among those and will be looked at closely when people are putting together their 'best of the year' lists. I just love the way this band perfectly meshes heavy progressive rock with the more otherworldly sounds of the space rock genre, making for a truly intoxicating listening experience. Stunning stuff really, and highly recommended." - Sea Of Tranquility
    $17.00
  • "Royal Hunt’s “Double Live In Japan” is a compilation drawn from two different live albums. The first disc in the set features highlights from “1996 Live”, from the “Moving Target” tour. This was the first tour with D.C. Cooper on lead vocals, with material from the first three Royal Hunt albums. Selections from “Moving Target”, D.C.’s vocal debut; and the first recorded versions of D.C. singing material from “Land Of Broken Hearts” and“Clown In The Mirror”. The second disc is the entire “Closing The Chapter”album, which was a very limited edition, version of the “Paradox” live stage show.The core of the music is provided by composer and keyboard wizard Andre Andersen. By combining his classical background with a love of hard rock, Andre creates a dynamic range of melodic progressive metal. Steen Mogensen also comes from a classical background in addition to adding his vast experience playing bass with a number of Scandinavian hard rock bands. Jacob Kjoer, one of the best session guitarists in Denmark, has been with the band ever since he was asked to play on one of the group’s early recording sessions. D.C. Cooper (the American connection in the group, from Pittsburgh PA) rounds out the quartet with his powerful vocal and performing skills.In the live setting Royal Hunt bring an incredible energy to their material, feeding off the appreciative Japanese fans who fill stadiums to witness the spectacle of a full blown stage show. The electricity of the event is captured on these two different tours, and presented for the first time to American fans.Royal Hunt is something of a phenomenon because they have established themselves as legitimate “stars” in global markets outside of America. In Japan, they are recognized as a major act and their reputation is growing quickly throughout Europe. Now, America gets exposed to the music that has sold almost a million copies worldwide."
    $16.00