Brutal Romance

SKU: FES4010
Label:
Free Electric Sound
Category:
Fusion/Jazz
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“Crazy French phenomenon Christophe Godin applies his nothing short of bonkers rock guitar abilities to this ferocious yet tongue-in-cheek display of post-Vai/Zappa composition and musicianship. Jazzy it ain’t, but full of immense playing technique and cool tones it most definitely is. Be afraid.” – Guitarist Magazine



Brutal Romance is the fifth release from this intense French instrumental trio. Through extensive gigging in the US, this Morglbl has developed an ever expanding fanbase addicted to their crazy blend of jazz and metal. The band consists of Christophe Godin (guitars), Ivan Rougny (bass), and Aurelian Ouzoulias. All three members of the band are known around the world not just from Morglbl but as clinicians as well. Morglbl injects a dose of tongue in cheek humor into jazz rock laced with crushing power chords. They have a strong cross over appeal between fans of progressive rock, fusion, and metal. Morglbl has performed at festivals alongside Liquid Tension Experiment and Umphrey’s McGee. They have most recently toured the US as co-headliners with Sweden’s Freak Kitchen.



Fans of shred and fusion Gods like Allan Holdsworth, Steve Vai or Freak Kitchen’s Mattias Eklundh will find this essential.

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  • "Well, Italy is known for being a country with extremes: on one hand, you have very good bands of extreme Metal; on the other, bands of more melodic and technical Metal. And the both ways granted the world with excellent works. Going into a more Power/Progressive Metal way, coming from Trieste (Milan), we have the trio STARBYNARY, which released their first work, the album “Dark Passenger”.We can say that they follow a technical and heavy path of the style, making an elegant work on the same vein from old SYMPHONY X, but not eclectic as DREAM THEATER (so you won’t hear elements from Pop and Jazz on this album). Excellent vocals (a legacy from Italy in terms of Metal), very good riffs and solos (being melodic, heavy and technical in the due proportions), good rhythmic kitchen and powerful and grandiose keyboards parts is what they offer in a musical work full of elegance and weight. And we must accept it with opened heart and soul, for their efforts in create good music had success!The sound production is fine, granting their music a clear and heavy sound quality, so we really can hear all the musical arrangements and little details that make the difference. Yes, they are near perfection on sound quality. To speak about this album is a pleasure, for the trio’s music is wonderful, flows spontaneously into our ears and souls, and really conquest, but to name songs on this album as the best ones is an act of injustice. From “…Dawn of Evil” to “The End Begins” (a very long song, divided in three excellent parts), they show that they made their songs with hearts and wisdom. So hear it, and you’ll understand what your Ol’ Big Daddy here is trying to say." - Metal Temple
    $13.00
  • "This 1971 release also went gold, here with an unreleased live version of Travellin' in the Dark (to E.M.P.) ."
    $5.00
  • Let me preface my observations of the CTTE remix by saying that I don’t put these classic albums on a pedestal.  If they can be sonically improved while remaining faithful to the original mix and maintaining musicality and the emotional content then I’m all for it.  In general I liked what Steven Wilson did with the King Crimson catalog.  I was particularly impressed by his reconstruction and resurrection of Lizard.  When I heard he was tackling the Yes catalog I was hopeful because if there was ever a band that could use some sonic wizardry its Yes.  Eddy Offord was never able to bring the magic to their mixes that he was able to give to ELP.So how did Steven Wilson do with CTTE?  I can only use one word to describe the new mix: “transformative”.  CTTE was an album cobbled together from various bits and pieces.  Its widely acknowledged to be the band’s best album (its certainly my opinion) but in terms of sonics it fell victim to the “too many cooks” syndrome.  The original mix was a bit of a mess.  Its all changed now.The one thing that is immediately apparent is the foundation provided by Chris Squire’s bass.  It reaches the pits of hell and if Mr. Wilson is going to take this approach with TFTO and Relayer he’s got my vote.  In general there is a veil of schmutz that has been wiped away.  All the instruments have more clarity and focus in the soundstage.  “I Get Up I Get Down” was chilling.  I found the soundstage consistently extended beyond the boundaries of my speakers.  The mix is warm, involving and there is a balance among the instruments that I found lacking in the original mix - primarily because of Squire’s bass being given a shot of adrenaline.  Jaw dropping stuff.  The bonus track of “America” had exceptional, dare I say audiophile sound.So the obvious question is - what sounds better - this mix or the SACD?  I dunno.  I can’t find my bloody SACD to compare…but here is my memory of the SACD.  When I got it I played it through.  It didn’t overwhelm me or disappoint me.  My thought was “its fine...it is what it is - this is the best it will ever sound in the digital domain”.  I was wrong.  BUY OR DIE!  FORMAT: 1 x CD/1 x Blu-RayCD:1  Close to the Edge2  And You And I3  Siberian KhatruBonus Tracks:4  America5  Close to the EdgeBlu-Ray:Presented in DTS-HD Master Audio– Album mixed in 5.1 Surround– New Album mix– Original Album  mix (flat transfer)– New Album mix (instrumental version)– America original, new & instrumental stereo mixes & 5.1 Surround + further audio extras some exclusive to Blu-Ray edition• Close to the Edge is the first in a series of remixed & expanded Yes Classics• The classic album has been mixed for 5.1 Surround Sound from the original studio masters by Steven Wilson (Porcupine Tree) & is fully approved by Yes.• CD features a completely new stereo album mix by Steven Wilson• CD also features a new mix of America• CD also features an early mix/assembly of Close to the Edge• Blu-Ray features 5.1 DTS-HD Master Audio Surround (24bit/96khz) mixed from the original multi-channel recordings.• Blu-Ray features the new stereo album mix in DTS-HD Master Audio (24bit/96khz).• Blu-Ray also features the original album mix & America in a DTS-HD Master Audio flat transfers from the original master tape source. (24bit/192khz)• Blu-Ray exclusively features instrumental versions of all new mixes in DTS-HD Master Audio stereo (24bit/96khz).• Blu-Ray also exclusively features a needle-drop of an original UK vinyl A1/B1 pressing transferred in 24bit/96khz audio.• Numerous audio extras appear in high-resolution stereo including single edits & studio run throughs of album tracks• Original artwork by Roger Dean who has also overseen the artwork for this new edition• Presented as a mini vinyl replica gatefold card sleeve with booklet containing new sleeve notes, rare photos & archive material.“Close to the Edge” is the first in a series of expanded Yes editions including 5.1 Surround mixes, new stereo mixes & High-Resolution stereo mixes of the original music along with a wealth of extra material. Acclaimed musician/producer Steven Wilson has produced the new mixes with the approval of the band, while Roger Dean reprises his role as art director/designer of the newly issued edition, making this the definitive edition of the album.When Yes entered the studio with Eddie Offord to record the band’s fifth studio album in mid-1972, their second with this line-up, the band was on something of a roll. “Fragile”, the band’s previous album, had taken Yes to a new level of international popularity with Top Ten chart placement on both sides of the Atlantic & yielding a hit single in the USA with ‘Roundabout’. The band was now established in the major music markets to an extent that was, perhaps, unexpected given the complexity of the music Yes performed. But with that popularity came a confidence that the expansive material of the two previous albums could be taken a stage further with the new recording. Rather than consolidating, Yes chose to innovate.Recorded during lengthy sessions at London’s Advision Studios, “Close to the Edge” is that rarity in recorded music, the sound of a band & its individual members writing, playing and recording at the peak of their collective abilities. The album was issued in Autumn 1972 reaching chart highs & platinum sales status of  4 in the UK, 3 in the USA & 1 in Holland, though such statistics only hint at the worldwide popularity of the album over a period of more than four decades. The three pieces of music, the title track which spanned the entire first side of the vinyl album with ‘And You And I’ & ‘Siberian Khatru’ on side two, have remained concert favourites since release, with the 2013 Yes line-up currently in the middle of a world tour stretching into the middle of next year that sees the album performed in its entirety.The album remains the favourite among many of the band’s legion of fans, a defining recording both for the band & for the progressive rock movement. It is also one of the most successful British rock albums ever released.Since this release of “Close to the Edge” was confirmed, the various websites dedicated to Yes, Progressive rock & high-resolution audio have been very active with discussions among fans keen to hear the new mixes & the existing material in its purest audio presentation. 
    $21.00
  • "The Moody Blues returned after a five year hiatus with a very different sounding album. The punk and disco era were now in full flower and such groups as Styx, Journey, and REO Speedwagon were dominating the rock charts. Octave would abandon the cosmic and symphonic sound of the group’s past, and move toward one more in tune with the era. As such it would not stand out as a unique creation as did their core of classic albums.Octave would also be the last album for founding member Mike Pinder. He had always provided a spiritual and in many ways the classical center of their music through his mellotron and chamberlin. Now playing a synthesizer the sound was different and not as grand. Years later it would come to light that he was not pleased with the musical direction of the group. Patrick Moraz would replace him as the group’s keyboardist and tour in support of the album.Octave would have no unifying theme and be the most diffuse album that The Moody Blues had released up until that time. Each song would match the individual personality of its composer.The John Lodge composition, “Steppin’ In A Slide Zone,” was typical of the new sound. It is a typical energetic Lodge rocker but the musical center was the keyboard-guitar interplay which was in vogue at the time. Still it was catchy and was a commercially successful single.Justin Hayward is in ballad mode for this release and while he would not create anything as wonderful or unique as “Nights In White Satin,” his music is still very listenable because of the innate beauty of the songs. “Had To Fall In Love” and “Top Rank Suite” are both very mellow. “Driftwood” is the best of the three as it is a gentle love ballad which was a Hayward trademark by this time.Ray Thomas created two songs for this release. “I’m Your Man” just disappears but “Under Moonshine” contains a strong lead vocal by him plus some classic harmonies by the other members of the group.“One Step Into The Light” would be a final spiritual statement by Mike Pinder and his only composition on the album. The music would be more progressive rock than the grandiose sound of his past as he would bring his Moody Blues career to a conclusion.A fourth Justin Hayward song would close the album. “The Day We Meet Again” would unintentionally or intentionally point toward the future as a new keyboardist was on the way and the grand classical sounds were being left behind.Make no mistake, Octave remains a very good late seventies album but does fall short of the group’s best work. It was different, more modern, and ultimately a transitional work. Despite all that it still remains a good, if not essential, Moody Blues listen today." - Blogcritics.org
    $9.00
  • Cheap price for the domestic pressing of the classic Mk II album.  Has "Strange Kind Of Woman".  How bad can it be?
    $5.00
  • "A very special semi-acoustic live set from this seminal gothic metal band. The album captures their favourite songs specially rearranged for this event, while also including reworked cover versions of songs by Slayer and Nick Cave, the latter featuring guest vocals from Tiamat's Johan Edlund."
    $2.00
  • "Edguy are not going to win over Necrophagist or Portal fans with their new album, Space Police – Defenders Of The Crown. That isn’t what Edguy are about. They’re not Kvlt, tr00, etc. They do 80’s metal with massive amounts of fun and they do it really well.All the while annoying people who take music far too seriously. They are also are a superb band live, taking cues from Maiden with sing-along choruses and an almost pop sensibility towards song writing. After listening to Space Police once I was singing some of the tracks without realising it! The last couple of albums ‘Tinnitus Sanctus’ and ‘Age of the Joker’ took a more straight forward hard rock approach and while they were good albums, they didn’t have the pomposity and sense of ceremony ala Helloween or Gamma Ray of the preceding albums. This was for me, always part of the Edguy charm.Studio album number ten starts off almost where “Age of the Joker” left off with the track ‘Sabre and Torch‘ and quickly builds to an over the top masterpiece that brings back memories of  ‘Vain Glory Opera’ and ‘Hellfire Club.’ For some reason singer Tobias Sammet sounds a little restrained on this track and dare I say, somewhat tired. It’s almost as if this album was recorded live and he needed some time to warm up but there is no need to worry he quickly proves me wrong.The title track harks back to something off 2006′s superb Rocket Ride; a keyboard lead epic with a bouncing tempo to get a festival crowd going. It is like it was written for inclusion early in the live set. ‘Defenders of the Crown’ is where the smile really come across my face; double kick drums and a Manowar-esque chorus. It is nothing short of brilliant. ‘Love Tyger’ and ‘The Realms Of Baba Yaya’ are mid to fast tempo numbers that are as catchy as anything they have previously written and prove that Mr Sammet and co. are back in flying form! As usual, the band are excellent; loads of feeling and virtuosity, though not always at the same time….I love this album and it keeps getting better with their version of Falco’s ‘Rock me Amadeus’. Some tracks sound like they were Avantasia (Tobais Sammet’s metal opera side project) tracks but were considered to Edguy for those albums. ‘Do me like a Caveman’ and ‘Alone in Myself’ for example. ‘The Eternal Wayfarer’ is the kind of song Def Leppard wish they could write now, lucky for them Edguy still have it.Space Police- Defenders Of The Crown isn’t just the best thing Edguy have released in years, it is one of the best power metal albums released in years." - Planet Mosh
    $6.00
  • Trigaux's brilliant new studio album is virtually a recasting of Univers Zero featuring Guy Segers and Daniel Denis.
    $15.00
  • "Wow, what lovely album!When we talk about North American Metal, always comes to our minds the idea of a good level of musical technique and the use of great melodies. It’s a characteristic of their scene, and the Power/Heavy Metal trio NINTH CIRCLE is to be as melodic and catching, knowing how to be heavy and melodic on the same proportions. And their new album, “Legions of the Brave”, is an excellent sample of what your Ol’ Big Daddy here is saying.Their music is catching, elegant, heavy, full of life and energy, with good level of technique. And their music really is charming, with excellent clean vocals, great guitar riffs and solos, a rhythmic kitchen showing a good work in terms of technique and weight, and the keyboards work is lovely. And their music is not simply a mix of Heavy Metal with Power Metal aspects, but has high doses of AOR/Hard Rock touches. And it’s excellent.The sound production really is on a high level, making the band sound clear and the arrangements appear, but without losing the notion that we’re dealing with a Metal band.So, you will got in love with their work listening great and perfect songs like “After the Rain”, “Living on the Sun” (what great chorus), “The Quickening” (the great chorus and keyboards are giving a delicious taste to the music), the bold and heavier “Legions of the Brave”, and “Grinding the Bastards Down”. But don’t get the wrong idea: the album is wonderful from beginning to the end.Listen, got on the circle, and buy it. Illegal downloads are for sissies, wimps, posers and other sick mind idiots." - Metal Temple
    $6.00
  • New digipak edition of the rarest Italian prog album its certainly also one of the strangest... "This is one weird album indeed. Even more weird when you consider some of the musicians involved. For example you got keyboardist Charles Tiring. He was not your typical twenty-something like you usually expect in prog rock bands. At the time this album came out, he was said to be 68 years old (not likely alive these days) and married to an 18 year old, which meant that didn't exactly endear himself to the rest of the band (he left after this album and they became Antonius REX). The rest of the musicians included Anthony Bartoccetti on guitar, bass and vocals, Doris Norton (known as Fiamma Dello Spirito on this album) on vocals, violin, and flute, and someone named Franz Parthenzy conducting the medium. What's also weirder was they were exploring the occult, performing under séances. While other prog rock bands simply used keyboards like the Hammond organ, Charles Tiring went totally hog wild on the pipe organ, although he used the occasional Moog for sound effects, and harpsichord and piano on occasions. There are times that it's really difficult to call this prog rock, because it's not rock, and pipe organ is sometimes the only instrument used. The album opens up with "U.F.D.E.M." which is often regarded as the album's high point. Here you get pipe organ and harpsichord, with Doris Norton singing in Italian, sounding a bit like an Italian Anna Meek (of CATAPILLA fame). "Praesentia Domini" is largely pipe organ, but near the end comes some chanting in Latin, obviously a séance. "Jacula Valzer" is a nice, pleasant jazzy piece with that atmosphere of a bad early '70s horror film. This one features some nice flute and piano. "Long Black Magic Night" is another worth mentioning. Violin and flute dominates, and Doris Norton chants in English, and comes to demonstrate just how lousy her English is. This song even more just screams "bad horror film". Listening to this, you can just imagine the cobwebs, vampires, and a pipe organ. The last piece, "In Old Castle" is the most pointless piece, as it's all pipe organ and nothing else. "Tardo Pede In Magiam Versus" is a truly like or hate it album. Some just call this a bunch of Satanic nonsense, others call it spooky and Gothic. I can be certain GOBLIN had heard their share of JACULA and Antonius REX in their lifetime, especially since GOBLIN was best known for scoring gory Dario Argento horror flicks (luckily GOBLIN went for a more conventional prog/fusion direction, with normal instrumentations, even though they sometimes used pipe organ). The original LP of "Tardo..." isn't easy to come buy, but Mellow Records reissued it on CD, if you can find a copy for cheap, get it, for a curiosity, but I bet you that you'll probably be waiting for Halloween to play this. Weird album indeed that might scare a few people away." - Progarchives.com
    $16.00
  • New limited edition digipak - remastered gold disc edition of the band's fourth album. Features one bonus live track.
    $16.00
  • Steven Wilson's solo career apart from Porcupine Tree, is for this listener, far more interesting.  Whereas PTree currently skirts the line between rock and metal, his solo work fits squarely in the progressive rock arena.  The Raven That Refused To Sing (and other stories) is easily his magnum opus.  The musicianship is stellar - he recorded with his touring band: Nick Beggs (Stick), Guthrie Govan (guitar), Adam Holzman (keys), Marco Minnemann (drums), and Theo Travis (flute, sax).  Mr. Wilson has also dug two things out of mothballs - King Crimson's Mellotron and Alan Parsons.  It was Steven Wilson's wish to one day work with Alan Parsons, who came on board as engineer.  I can't tell you who is responsibile for what but I can tell you that the production is impeccable.  The opening epic "Luminol" drips with the holy 'tron sounding like a cross-generation blend of King Crimson eras.  And so it goes through out the album.  Some utterly fierce playing on this album.  From beginning to end a stunning effort.  BUY OR DIE!This is the Blu-ray edition.  In addition to the surround and hi-res stereo mix you get a 23 minute documentary and a bonus track.
    $16.00
  • FINALLY AVAILABLE IN NTSC REGION O! Limited edition set includes the End Of An Era DVD along with the audio on a 2 CD set. Also has a Nightwish media player. This is Tarja's final gig with the band. Incredible quality. A must own.
    $22.00
  • "Limited four disc (two DVD + two CD) edition includes bonus poster and laminated tour pass! 2013 live album from the German guitar hero Axel Rudi Pell has been releasing product for over 25 years, but hasn't released a live album since 2002's Knights Live. On the second leg of his Circle Of The Oath tour in Cologne, Germany, the band decided to let the tapes and cameras roll and capture the action."
    $26.00