666 (2LP Vinyl)

SKU: MV 032
Label:
Music On Vinyl
Category:
Progressive Rock
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Stunning 180 gram double LP vinyl set taken from the original analogue master tapes. Pressed by Music On Vinyl exclusively for the Missing Vinyl label of Greece.

Third and final album from this Greek band led by Vangelis and Demi Roussos is one of the great prog masterpieces of all time. 666 is one of the most controversial albums in prog rock history. Originally conceived as a much larger work (rumored to be 4LPs worth), the band worked on it for 2 years with it ultimately seeing light of day as a double album release in 1972. By this point in time the band had already broken up. The album was composed by Vangelis, with the text written by Costas Ferris. The album deals with the Book Of Revelations and it's one that thematically will chill you to the bone. The music features the extraordinary psychedelic guitar work of Silver Kolouris and of course Vangelis' great keyboard work. Irene Papas' guest appearance on vocals will give you shivers. Plenty of Greek ethnic vibes abound. This is one of those albums you write about on and on - it has to be heard to be believed. A masterpiece that should be firmly imbedded in any prog collection. File under: AMAZING!

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  • Let me preface my observations of the CTTE remix by saying that I don’t put these classic albums on a pedestal.  If they can be sonically improved while remaining faithful to the original mix and maintaining musicality and the emotional content then I’m all for it.  In general I liked what Steven Wilson did with the King Crimson catalog.  I was particularly impressed by his reconstruction and resurrection of Lizard.  When I heard he was tackling the Yes catalog I was hopeful because if there was ever a band that could use some sonic wizardry its Yes.  Eddy Offord was never able to bring the magic to their mixes that he was able to give to ELP.So how did Steven Wilson do with CTTE?  I can only use one word to describe the new mix: “transformative”.  CTTE was an album cobbled together from various bits and pieces.  Its widely acknowledged to be the band’s best album (its certainly my opinion) but in terms of sonics it fell victim to the “too many cooks” syndrome.  The original mix was a bit of a mess.  Its all changed now.The one thing that is immediately apparent is the foundation provided by Chris Squire’s bass.  It reaches the pits of hell and if Mr. Wilson is going to take this approach with TFTO and Relayer he’s got my vote.  In general there is a veil of schmutz that has been wiped away.  All the instruments have more clarity and focus in the soundstage.  “I Get Up I Get Down” was chilling.  I found the soundstage consistently extended beyond the boundaries of my speakers.  The mix is warm, involving and there is a balance among the instruments that I found lacking in the original mix - primarily because of Squire’s bass being given a shot of adrenaline.  Jaw dropping stuff.  The bonus track of “America” had exceptional, dare I say audiophile sound.So the obvious question is - what sounds better - this mix or the SACD?  I dunno.  I can’t find my bloody SACD to compare…but here is my memory of the SACD.  When I got it I played it through.  It didn’t overwhelm me or disappoint me.  My thought was “its fine...it is what it is - this is the best it will ever sound in the digital domain”.  I was wrong.  BUY OR DIE!  FORMAT: 1 x CD/1 x Blu-RayCD:1  Close to the Edge2  And You And I3  Siberian KhatruBonus Tracks:4  America5  Close to the EdgeBlu-Ray:Presented in DTS-HD Master Audio– Album mixed in 5.1 Surround– New Album mix– Original Album  mix (flat transfer)– New Album mix (instrumental version)– America original, new & instrumental stereo mixes & 5.1 Surround + further audio extras some exclusive to Blu-Ray edition• Close to the Edge is the first in a series of remixed & expanded Yes Classics• The classic album has been mixed for 5.1 Surround Sound from the original studio masters by Steven Wilson (Porcupine Tree) & is fully approved by Yes.• CD features a completely new stereo album mix by Steven Wilson• CD also features a new mix of America• CD also features an early mix/assembly of Close to the Edge• Blu-Ray features 5.1 DTS-HD Master Audio Surround (24bit/96khz) mixed from the original multi-channel recordings.• Blu-Ray features the new stereo album mix in DTS-HD Master Audio (24bit/96khz).• Blu-Ray also features the original album mix & America in a DTS-HD Master Audio flat transfers from the original master tape source. (24bit/192khz)• Blu-Ray exclusively features instrumental versions of all new mixes in DTS-HD Master Audio stereo (24bit/96khz).• Blu-Ray also exclusively features a needle-drop of an original UK vinyl A1/B1 pressing transferred in 24bit/96khz audio.• Numerous audio extras appear in high-resolution stereo including single edits & studio run throughs of album tracks• Original artwork by Roger Dean who has also overseen the artwork for this new edition• Presented as a mini vinyl replica gatefold card sleeve with booklet containing new sleeve notes, rare photos & archive material.“Close to the Edge” is the first in a series of expanded Yes editions including 5.1 Surround mixes, new stereo mixes & High-Resolution stereo mixes of the original music along with a wealth of extra material. Acclaimed musician/producer Steven Wilson has produced the new mixes with the approval of the band, while Roger Dean reprises his role as art director/designer of the newly issued edition, making this the definitive edition of the album.When Yes entered the studio with Eddie Offord to record the band’s fifth studio album in mid-1972, their second with this line-up, the band was on something of a roll. “Fragile”, the band’s previous album, had taken Yes to a new level of international popularity with Top Ten chart placement on both sides of the Atlantic & yielding a hit single in the USA with ‘Roundabout’. The band was now established in the major music markets to an extent that was, perhaps, unexpected given the complexity of the music Yes performed. But with that popularity came a confidence that the expansive material of the two previous albums could be taken a stage further with the new recording. Rather than consolidating, Yes chose to innovate.Recorded during lengthy sessions at London’s Advision Studios, “Close to the Edge” is that rarity in recorded music, the sound of a band & its individual members writing, playing and recording at the peak of their collective abilities. The album was issued in Autumn 1972 reaching chart highs & platinum sales status of  4 in the UK, 3 in the USA & 1 in Holland, though such statistics only hint at the worldwide popularity of the album over a period of more than four decades. The three pieces of music, the title track which spanned the entire first side of the vinyl album with ‘And You And I’ & ‘Siberian Khatru’ on side two, have remained concert favourites since release, with the 2013 Yes line-up currently in the middle of a world tour stretching into the middle of next year that sees the album performed in its entirety.The album remains the favourite among many of the band’s legion of fans, a defining recording both for the band & for the progressive rock movement. It is also one of the most successful British rock albums ever released.Since this release of “Close to the Edge” was confirmed, the various websites dedicated to Yes, Progressive rock & high-resolution audio have been very active with discussions among fans keen to hear the new mixes & the existing material in its purest audio presentation. 
    $21.00
  • "A new interpretation of a classic RPI title! This is quite an undertaking, but it comes off in an outstanding way, giving new life to old friends. In contrast to so many reworkings of old pieces that I've heard in recent years, this one does not leave me only wishing to listen to the original. Rather, the new work stands well on its own, not only helping me listen to the original with new ears, but also bringing new insights and experience.In 1972, Latte e Miele released their debut, an incredibly ambitious work based on the Passion of St. Matthew, "Passio Secundum Mattheum." This is one of the seminal titles of 1970s RPI and has rightfully stood the test of time. The band would never equal this album, although the subsequent title, "Papillon", came close. After that the band broke up for a time, until drummer Alfio Vitanza reformed the band, with new members including bassist Massimo Gori. Their only album, "Aquile e Scoiattoli", has its moments but is inferior to the first two, and the band disbanded a few years later after moving toward more commercial music.In 2008 the band reformed, including all three original members (Vitanza and songwriter/keyboardist Oliviero Lacagnina, as well as guitarist Marcello Giancarlo Dellacasa) and Massimo Gori, bassist from the second generation of the band. The quartet released "Live Tasting", an excellent live album that portended of the good to come. Their time together also produced a wonderful new album, "Marco Polo: Sogni e Viaggi" in 2009.Over the years, Lacagnina never stopped composing his masterpiece, his "Passio". Now the quartet has recorded anew their masterpiece, adding those "new" compositions into the narrative. For example, "Il Pane e il Sangue dell'Alleanza" has been inserted right after "Ultima Cena", and "Il Rinnegamento di Pietro" and "Il Prezzo del Sangue" between "Il Pianto" and "Giuda". Also, the ending has been fleshed out significantly, with four new songs, and the final song, "Come un Ruscello che..." includes the final themes previously entitled "Il Dono della Vita". Also of note, a solo organ piece entitled "Toccata per organo" is placed just before "Calvario"--this is special, as it is an original take from 1972!The instrumentation is true to the spirit of the 1972 piece, although with an updated sound. Ditto the choir, which sometimes on the 1972 version is muted and thin--here the choir parts are strong, lush, and vibrant. The majority of the pieces that were rerecorded for this edition also maintain their compositional structure, although there are a few changes inserted (notably in "I Falsi Testimoni", the new version of "I Testimoni" parts 1 and 2). There is nothing that violates that spirit of the original work, though it is impossible to duplicate its wonderful innocence.Another unique feature of this album is the presence of several prominent figures from RPI providing the spoken Evangelist parts. These include Alvaro Fella (Jumbo), Lino Vairetti (Osanna), Silvana Aliotta (Circus 2000), Paolo Carelli (Pholas Dactylus), Aldo de Scalzi (Picchio dal Pozzo), Sophya Baccini, Elisa Montaldo (Il Tempio delle Clessidre), Giorgio D'Adamo (New Trolls), Max Manfredi, Simonluca, and Paolo Griguolo (Picchio dal Pazzo). It's a nice touch that really rounds out the album.The CD comes in a jewel case with a lyric booklet. I'm told that the pending Japanese version will contain a newly recorded composition as a bonus track. But don't wait for that one--go out and grab this one. You won't be disappointed. Four plus stars (Gnosis 13/15).Edit: I can't stop listening to this! Though it's not quite as good as the original, it's very close. I'm bumping it up to Gnosis 14/15, which is five stars on PA." - ProgArchives
    $25.00
  • "When I did my first listen to the opening and title track of Secret Sphere’s upcoming release, Portrait of a Dying Heart, I knew instantly that I was going to run out of adjectives for “awesome” before the review was done. It opens with a soft chime, then another, a quick announcement of something amazing to come, and it does. With a quick buildup, the textbook thunderous opening chord is hit, and the song goes from zero to hell yeah in a heartbeat. There is a personal term I like to use, an ”epic moment”, that describes those moments in a song, especially in prog songs, when all the jumping around and teasing and tension that is inherent in prog music is released and all the instruments come together, creating that personal release, that little moment of music that I thrive for. The opening track, Portrait of a Dying Heart has about five of these, and it’s an instrumental overture. The album kicks it up another five notches when the vocals enter the mix.Founded in 1997 by guitarist Aldo Lonobile in, Secret Sphere has been showcasing their own brand of symphonic power metal over a span of fifteen years and six albums, and even the departure of long time lead singer Ramon Messina didn’t stop them, as they found the amazing pipes of Michelle Luppi to take over on their new album.  Fellow founding member Andy Buratto on bass, Federico Pennazzato on drums, Marco Pastorino on rhythm guitar, and Gabriele Ciaccia on keyboards fill out the rest of the band. While they credit heavyweights such as Dream Theater, Helloween, and Savatage among their influences, Secret Sphere has definitely evolved a sound all their own.Portrait of a Dying Heart is a concept album, based on the short novel She Complies with the Night by author Costanza Columbo, and commissioned by Lonobile. The full text of the story is included in the release disc, but was unavailable at the time of this review; so many secrets will be awaiting the listener and this very anxious author. As to the album, holy crap is it good. Secret Sphere is classified as symphonic metal, but that term really doesn’t do justice to the sound of this latest release, it is a step beyond. Though symphonic elements are definitely present, they don’t by any means carry the musical timbre of the album, the sound presented here is one step up the evolutionary ladder from most symphonic metal fare.After the six minute overture is X, the track that introduces the story, and it does it in fantastic bard-like fashion. The opening guitar squeals are accompanied by expertly done flourishes from the rhythm and the drums immediately set a breakneck, frantic pace, setting up a suspenseful atmosphere for the coming events. Luppi’s vocals hit right away as emotional, powerful, and stellar across the board, whether he is in scream mode or in the more subdued narrator moments. This track uses its variant musical elements to set the stage, leading perfectly into Wish and Steadiness, which for me is the best track of the album. It opens with classic symphonic keys, and uses them perfectly to transition from the more subtle tension of X to this track, building up before literally exploding in a fiery wall of metal. Notes come fast here, very fast, drawing out the tension and angst of the listener quickly. The hints of the frantic drums in X are joined by all the other instruments, and the panicked despondency of Luppi’s voice can almost be tasted it is so palpable. Highlighting it is a soul wrenching solo by Lonobile, bringing the despair of the song to full front. I don’t say this often, but this song for me is near perfection, everything fits together so well.With the tone set, the album digs into telling the story in full, with a spectrum of styles and paces. It truly is a musical narrative, events and emotions ebb and flow throughout the album.  The next song, Union, takes on a softer tone, adding an organized edge to the metal. It is catchy as hell, and sets a silent fervor in motion for The Fall, which has epic all over it. All hands are in play in this one, another searing track that leaves the listener breathless.The album carries on in this fashion throughout its entirety. The multitude of musical styles and themes are performed wonderfully by every member of the band. Lonobile is a monster at lead, and Pastarino carries a heavy load on rhythm superbly. The drumming is frantic yet precise, the fills and rolls just fantastic. Bass is a subtle undertone of organized thunder, and the keys carry the heavy weight of the symphonic elements so well. Add to it Luppi’s vocals, which are emotional and powerful throughout, and Secret Sphere delivers all the requisite parts, firing on all the right cylinders. Collectively though, they combine to create a truly special piece of music.From beginning to end, Portrait of a Dying Heart is a musical narrative in every sense of the term, it carries the listener through a slew of emotional states. The album is not only a summation of its talented parts, but also has a touch of ethereal wonder, something uncommon in the genre. There is a hurried sense of desperation, almost akin to that feeling of trying to hang on to the world with a single string that is slipping fast, that is carried throughout the work. Artist strive to transmit emotion to the audience through their chosen medium, Secret Sphere uses this concept to take us on a thrilling ride of spiritual turmoil, and does it very, very well." - Lady Obscure
    $14.00
  • New album from Swedish true metal gods comes in a nice digipak design and a bonus track - a cover of Malmsteen's "Rising Force". I never noticed that Anders Johansson plays drums for these cats...
    $14.00
  • My Soliloquy is a British band formed in 2002 by multi-instrumentalist Pete Morten.  Since then the band has released a number of demos, gaining traction in the metal underground. The band had a number of notable support shows with Pagans Mind, Power Quest, Oliver and Rick Wakeman, and Threshold, as well as a second-to-headline set at Bloodstock 05 and a showcase at 2007’s ProgPower UK II.Since 2007, Morten has been an active member of British prog metal legends Threshold.  His membership has raised awareness (and created anticipation) for My Soliloquy’s long awaited debut.The essence of My Soliloquy is pure forward thinking metal – symphonic keyboards, shredding guitar leads, soaring vocals – all finely woven together with a blend of intricacy and melody.  The Interpreter was mixed and mastered by Rob Aubrey who has been a mainstay of Marillion’s camp for many years.
    $5.00
  • Latest from respected Italian folk metal band finds them plugging back in (their last album was all acoustic). Dennis Ward produced the album and the results find the band changing direction a bit. The folk aspects have been toned down a bit and the band is now emphasizing a "poppier" sound. Its still metal but some of the material has a more produced commercial hard rock veneer.  Limited edition digipak comes with a bonus Cd featuring the first Elvenking deom "To Oak Woods Destroyed".
    $13.00
  • Canadian stoner/doom band with a vocalist that sounds just like Ozzy."Sheavy's follow-up to their stunning The Electric Sleep, titled Celestial Hi-Fi, starts right where the band left off. If you thought the last album was good, get a load of this one, because you won't believe your ears. Songs like "Hyperfaster," "Solarsphere" or "Tales from the Afterburner" would fit in perfectly with the impressive cuts on The Electric Sleep, while "At the Mountains of Madness," "Strange Gods, Strange Altars" and "Persona" confirm the impossible: Sheavy has improved. Yes, these gargantuan gods of rock have gotten better since the last album. "What's Up Mr. Zero?" shows Sheavy moving further into unexplored territory through their effective use of melody and harmony, while the title track and the sinister "Persona" exploit the tried and true use of surprising time changes and effective groove, to toy with our fragile minds. Every song has the perfect amount of fuzz, leads and groove in just the right places carefully crafted structure, and Mr. Hennessey's distinctive vocals, there's nothing more to ask for. Just as good, if not better than The Electric Sleep, Celestial Hi-Fi is sheer perfection, once again." - Deadtide.com
    $7.00
  • "Gäa was one of the more obscure German underground bands from the 70s.  They recorded one album for the Kerston label.  According to legend, after the album was released, many copies were destroyed due to poor sales.  Of course this has driven the price of an original copy into the stratosphere.The five piece had a sound a bit similar to early Eloy.  Lots of organ, some flute, but more importantly some of the most wicked Hendrix influenced leads you will hear.  Whip it all together with production that sounds like it was recorded in a massive echo chamber and you've got a winner.  A stone cold killer." - ProgArchives
    $18.00
  • "GAZPACHO was formed in 1996 by Jon-Arne Vilbo and Thomas Andersen and Jan-Henrik Ohme, later completed by the three others. They released six studio albums, which were well received. The Norwegian band is bringing out their seventh album, ‘March Of Ghosts’ which Vilbo describes as “a collection of short stories. The idea behind the album was to have the lead character spend a night where all these ghosts (dead and alive) would march past him to tell their stories. Characters include Haitian war criminals, the crew of the Marie Celeste, a returning American WWI soldier who finds himself in 2012 and the ghost of an English comedy writer who was wrongly accused of treason.” You might then expect quite a dramatic concept album with a lot of turbulent and heavy soundscapes or with the ghostliness some eerie and ethereal, thickly layered atmospheric songs, but with the mixture of ambient and folk elements into their post-art rock sound the music is more on the relaxing side. Though the layers and atmosphere are there, it’s rather straightforward and unpretentious and accessible. Many of the songs are dreamy, mostly evoked by Ohme’s vocal, take the first part of the ‘Hell Freezes Over’ songs, of which the second part, following the first, ups on the intensity, but it’s still pretty low key affair, reminiscent of MUSE. Added interest to this song comes with some bagpipe-y, Celtic sounds towards the end raising the oomph as it fades. ‘Black Lily’ is enhanced by some unimposing and non-bombastic orchestra parts. Some compare GAZPACHO to ANATHEMA, PORCUPINE TREE and MARILLION, yet the sound so many times reminds me of the band I’ve previously mentioned – MUSE, this track in some ways is the most representative of it - with the vocals and the way the melody sways, lets go and intensifies with that nearly MUSE-like music diction. Guitar details and folk-ish elements in the ‘Gold Star’ change this tack somewhat and earn rather the comparison with MARILLION. The violin and dreaminess in the third part of ‘Hell Freezes Over’ and its melancholy create the best moment of the album together with ‘Mary Celeste’ which has this precarious steering towards heavier sound with some wonderful detailing going on with piano, and darker, moodier strings. The lyrical narrative stands out more here too. ‘Golem’ has a most pronounced sense of experimentation woven together in an appealing way. Lyrically I especially enjoy how they’ve worked the legend of Golem into an interesting metaphor. The last part of ‘Hell Freezes Over’ is the hardest here, yet atmospheric and quite beautiful and the reference to ANATHEMA comes justified here. In fact within the last few sentences I have also written some of the adjectives that fit this album overall quite well - appealing, (very) interesting, beautiful, and also a multi-faceted and richly rewarding listen. " - Reflections In Darkness
    $16.00
  • "This is the second work from BLOODBOUND, a band that surprised me a lot with its debut album “Nosferatu”. I had put their first work between the best three releases of the year, so I was waiting their second one like crazy. Well I didn’t got disappointed at all. “Book of The Dead” continues from where “Nosferatu” stopped and it is a great sequel for their discography. They still play Pure, strong melodic Heavy Metal music with a few influences from Power Metal, and they are doing it damn good! The great difference between the two works is the presence of Michael Bormann on the vocals this time something that always is a big issue for a band, because the vocals is what gets the attention of the listener at once in a new album. Well Michael Bormann is a great singer for many years in the scene and he easily managed to fit excellent in the band. The only maybe negative point, could be the fact that “Book Of The Dead” is not better than the first work of the band, so we would talk about a step forward for the band or something but don’t forget that “Nosferatu” was one of the best releases in the Heavy Metal scene in the latest years, so it would be really very hard to have something better than that right with the next work of a band. Anyway the result is very clear: if you like pure, strong melodic Heavy Metal this album is sure for you, BLOODBOUND prove us that are here to stay!" - Metal Invader
    $16.00
  • Latest studio album from this lethal German band.  SBE was formed by guitarist Christian Peters in 2007.  The quartet (twin guitar, bass, and drums) will deeply satisfy the musicial appetite of any fans of 70s psychedelia, space rock, and doom metal.  They may well be the ultimate stoner rock band.Revelation & Mystery finds the compositions a bit tighter than previous efforts but that's a relative term when the title track runs past the 12 minute mark. Vocals don't interfere too heavily with the acid laced space trippin' guitar work.  Peters sings a bit and then they get down to serious business jamming their way into the cosmos.  If you are fan of early Guru Guru, Hawkwind, and Black Sabbath, or even Deep Purple you need to hear this band.  I got high just looking at the cover art.  This album is a total lease breaker to boot.  BUY OR DIE!  "The second album from Samsara Blues Experiment in as many years, Revelation and Mystery (World in Sound) takes a surprising turn in approach from their Long-Distance Trip debut, distilling the jams of the first record into more structured, song-based material. The tracks of Revelation and Mystery almost exclusively follow verse-chorus-verse patterns, and while part of the joy of listening to a song like “Singata Mystic Queen” from the prior collection was meandering along with it, Samsara Blues Experiment don’t completely lose sight of the journey in favor of the straightforward. Right from its start, Revelation and Mystery sees the four-piece layering guitar effects and infusing their parts with swirls and a spaced-out feel. It’s not that they’ve completely changed their methodology so much as they’ve shifted the balance within their sound. These structural elements were certainly present on Long-Distance Trip, but a cut like the semi-acoustic “Thirsty Moon” shows that Samasara Blues Experiment are able to work within these parameters to grow their songwriting. One gets the sense in listening to opener “Flipside Apocalypse” (which follows a 17-second nameless intro track) that this process is just beginning and that the band are still finding out what they want their sound to be, but that only makes Revelation and Mystery a more immediate, direct experience; the linearity of the album unfolding gradually as the songs move from the straightforward into the more sublimely jammed.Fast-paced rumbling from the bass of Richard Behrens in the surprisingly punkish beginning of “Flipside Apocalypse” is an immediate clue to the changes the last year have brought about in Samsara Blues Experiment. The mood is more active, less calming and chilled out than last time around, and the guitars of Hans Eiselt and Christian Peters – who also handles vocals – seem to be more concerned with riffing out than stacking layers upon layers, though there’s some of that too, even as later in the song a riff straight out of the biker rock milieu shows up and carries the song through to its end. I don’t know if it’s the result in some change in the band’s songwriting process or just how things happened to come out this time, but the change continues through “Hangin’ on the Wire,” which is genuinely hooky and thoroughly in the realm of heavy rock. A crisp production during the solo section brings to mind some of Queens of the Stone Age’s finer moments, and drummer Thomas Vedder locks in with Behrens’ own excellent fills with a few of his own. Peters, though, emerges at the head of the song. His vocals confident and effected in equal measure, he works quickly to establish the verse and chorus patterns, both worthy of sing-alongs, so that by the end, “Hangin’ on the Wire” feels like its earned its handclaps, and though “Into the Black” starts out more ethereal, with extended solo sections and a long instrumental introduction, the shuffle soon takes hold and it proves to be more boogie than nod.But perhaps “Into the Black” is where the band begins their subtle shift into more esoteric sonics, because as the soft strums and plucks and interplay of electric and acoustic guitars take hold on “Thirsty Moon,” the song feels neither out of place nor especially unexpected, which it very well might have if placed earlier on Revelation and Mystery. Peters’ vocal line feels a little rushed during the verse – it’s almost as though there were too many syllables to fit in the line – but the interaction of his and Eiselt’s guitars in the instrumental break and the balance between the guitar and Vedder’s drumming in the mix makes up for any such hiccups. Another chorus feels delivered more appropriately, and the progression cycles through again; solo section into chorus, solo section into chorus. And it’s not until Behrens’ highlight bass line begins “Outside Insight Blues” that it’s apparent just how much Samsara Blues Experiment put into the album’s flow. Added keys allow the guitars to go farther out into sporadic notes without sacrificing fullness of sound, but after about two and a half minutes, there’s a turn into riffier material that carries the groove through the next six. There are a few part changes, but things don’t really feel jammed out until the classic ‘70s boogie meets psychedelia of the last 90 seconds or so, blues harp and all. It’s a shift worthy of Siena Root, and the two-minute interlude “Zwei Schatten im Schatten” (in English, “Two Shadows in the Shadow”) follows suit with an appropriate marriage of Eastern and Western musical traditions with sitar and acoustic six-string. There’s something sweet and solemn in the intertwining melody, and it’s a passing thing on the way to the 12-minute closer, but worth paying attention to in a way that many interludes aren’t.Then, at last, comes the ending title cut. Worthy of its name, “Revelation and Mystery” caps the album with a sense of psychedelic majesty through which Samsara Blues Experiment show their ability to keep hold of a song no matter how deep into space they might also want to push it. The song winds. Its progression is at once driving and subdued, and of all the songs on Revelation and Mystery, it’s probably the best blend of all sides of what’s shown itself to be the band’s current sound. Of course, at 12 minutes, one could easily argue it has time to do and be all these things – with room left over for a bit of that sitar to show up as well among the guitar leads – but still, it’s another display of the maturity Samsara Blues Experiment have been able to take on in a relatively short amount of time (their demo gave first notice in 2008). Some bands need three years to learn and foster growth between their albums, and some bands need to play. If the jump between their first and second records is anything to go by, Samsara Blues Experiment would seem to be the latter. Wherever this stylistic form takes them, I don’t imagine it’ll be too long before we find out, but until then, the 47 minutes of Revelation and Mystery provide a varied and exciting listen worthy of repeat visits. Samsara Blues Experiment continue to progress, continue to impress." - The Obelisk
    $12.00
  • One of the greatest progressive rock albums of all time available again. Self-released in 1992, this Swedish ensemble shook the prog rock universe with a dose of musical adrenaline. Steeped in the sounds of 70s progressive rock, Anglagard created an amazing pastiche that was heavily (and obviously) influenced by King Crimson, Genesis, Yes, Schicke Fuhrs Frohling, and Camel. The album makes all the right moves and is a cornerstone of any prog collection. The instrumentation consists of dual guitars, bass, drums, flute, and awesome keyboards. This isn't just one stop shopping at Mellotrons-R-Us. Tomas Jonson also plays two Hammonds, synths, church organ, and more. The interplay between the guitarists and flautist is phenomenal as well. It's like Fripp jamming with Andy Latimer somewhere deep in the Swedish forest! Hybris consists of 4 long tracks - 1 instrumental and 3 with minimal vocals. The band doesn't seem to want to keep this in print continuously so availability comes and goes over the years. This is a new edition in a digipak and features a bonus track. Don't complain when this one is gone - no one can predict when or if it will disappear again. BUY OR DIE!
    $22.00
  • "Swedish band, Brighteye Brison's roots date back to 2000. The band includes founding member, keyboardist, saxophonist, percussion and vocalist Linus Kåse and bassist, vocalist and fellow Stockholm Royal College of Music alum Kristofer Eng. Erik Hammarstrom provides drums. Guitarist Johan Öijen helped to complete the original band line-up. Following the release of their debut album, sound engineer, keyboardist and vocalist Per Hallman joined the band to add Hammond B3 and mellotron to the soundscape. Fioge Norling provides narration, and Daniel Kase adds marimba and tubular bells. In addition, the band's sound also includes the use of trumpet, mandolin, theremin, and xylophone to provide a rich and captivating soundscape which showcases their virtuoso talent.Brighteye Brison actually has a sound which originates more from a Flower Kings background, than any direct interpretation of Yes. Many fans of the TFK's have been yearning for a reunion and this album may provide some relief until that event culminates…if ever.I've added this band to my 'watch list'. Excellent music played by talented musicians with a sound that is full of orchestration and diverse instrumentation.1. The Rise of Brighteye Brison opens this spectacular symphonic, space, epic with full on keyboards that take me right back to a melody similar to the opening of Jethro Tull's "Black Sunday" on the "A" album. Then some cool mellotron accents coupled with drums adding to the advertised similarities to Yes' and other prog classics. A great foundation for a splendid twenty three minute epic. Harmony vocals are added to provide even more reminders of the Yes sound without sounding anything like a cover band. The vocals and keyboards are definitely the "bread and butter" for this band's sound and if you like both, this band will not disappoint. The guitar and bass work which enters later provides nuance and adds to the melody, but it's the keys that truly dazzle throughout. The drums are solid and the story and melody move along on a well-planned arc of consciousness. This twenty three minute journey of the mind is full of good lyrics and wonderful harmonies and music.The drum solo section provides a great showcase for Hammarstrom's talents. The sax solos teamed with mellotron add to the ambiance within this lush epic. The Conclusion section of the song brings back memories of the early "Phil Collins Era" of the band Genesis.Off to a fantastic start.2. The Magician's Cave opens with jazzy piano and drums accented with keyboard highlights, followed well with guitar, before lead vocals from the "Brave Knight", "Have you heard the tale of wonder? There's magic in the hills, that's why I'm going". The track then proceeds off on a "Middle Earth" – like journey, with narration, surrounded by piano that sounds inspired by some of the work on Genesis' famous "Lamb" album. The narration and musical theater which ensues is a great tip of the hat to the legendary writers of the past.The guitar solo which follows with bass support is one of the best guitar sections on the album. The addition of the percussion and sax provides mystery as this second, over twelve minute epic story weaves its tale.The choral singing and chanting surrounded by keys, mellotron, guitar and drums adds to the haunting sound that fills this track.3. Mind Fire Menace opens with keyboards, drums, bass and lead guitar before the singing begins. This is the shortest of the tracks but it is full of excellent keyboards, guitar, surrounding orchestration and drums." - Sea Of Tranquility
    $16.00
  • Here is what Century Media has to say about it:"Once again Nevermore invite you into their world of desolate metal. On their sixth release, Nevermore blend elements of speed, power, progressive and even death metal to make for a unique listen. With the addition of Steve Smyth to the ranks, this band is prepared to deliver an impending wave of doom over the land. Comes with enhanced features for your computer.
    $8.00