Identity (2LP Vinyl)

SKU: KAR046LP
Label:
Karisma Records
Category:
Progressive Rock
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180 gram double LP vinyl set of this debut release from this great Norwegian prog band.  This features a new analog mix for vinyl as well as some new modified artwork.

Airbag is a new young prog band from Norway. Their music has a dreamy quality that will have you floating in the clouds. If you are fan of Riverside's lighter moments you will spooge over this. Definite references to Radiohead and Porcupine Tree will spring to mind as you listen. The music never explodes - it takes the slow fire approach creating constant tension. Lots of beautiful melodies wafting through your skull from the first listen. Highly recommended. These guys could potentially break big.

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  • Stunning reissue of the first Et Cetera album, originally released on the Global Music label. Et Cetera sported quite a lineup - Wolfgang Dauner (keyboards), Sigi Schwab (guitar, sitar, flute, etc), Eberhard Weber (bass, cello), Fred Braceful (percussion), and Roland Wittich (percussion). The music could almost be described as psychedelic jazz. Many of these members had backgrounds in free jazz/experimental music. This is a cohesive effort but their past as improv players shines through from time to time. Dauner and Schwab love to use a ring modulator and everyone seems to figure out a way to invent some freaked out noises. In fact Dauner's use of the ring modulator reminds a bit of Dave Stewart in National Health. Schwab's use of various stringed instruments brings a different dimension to jazz rock that you never hear. When was the last time you heard a fusion album with sitar, lute, tamubra, and kalimba? While this first effort doesn't hit the heights that they would attain on later albums like Rischka's Soul and Knirsch, its a pretty interesting foreshadowing of things to come. Essential!"This special limited edition contains the original Et Cetera's eponymous "silver cover" album (1980 reissue on Brain titled "Lady Blue"), originally released in 1971 on Global Records and another complete LP of recordings from the same recording session. This is an extraordinary album of weirdly trippy fusion that rides somewhere between instrumental Amon Duul II, Embryo and Dauners own earlier classic "Output". Full of ethnic (Arabic and Indian) spice with lots of the ethnic colour added by legendary guitar and sitar (et. al.) player Sigi Schwab (Embryo), oddly keyboard sounds by Wolfgang Dauner, dreamy bass patterns by Eberhard Weber and driving percussions by Fred Braceful and Roland Wittich, this is spacy, crazy, Krautrock and - a bit jazzy. Alan and Steven Freeman (The Crack In The Cosmic Egg) present this album in their "The Krautrock Top 100". Maybe the album was originally planned as a double-album because there are 4 more titles from the same recording session, which really knock you out. "Kabul" (08:56) (title-name is program) is a killer, especially because of Schwabs exploding electric guitar and Webers driving bass. "Tau Ceti" (07:15) is a wonderful dreamy delight presenting Schwabs gorgeous acoustic guitar playing. Further bonus track "Behind The Stage" (06:35) connects Schwabs special electric guitar with a band atmospheric but rhythmic fundamental play. "An Open Cans" (not an the CD-Version, for the first time ever released) is a 12:35 minute piece full of experimentation and reminds sometimes to album track "Lady Blue". This album will be a masterpiece for all time. Its unique. Remastered from the original master tapes. The sound is brilliant. Double Album comes with informative four-sided insert and a reproduction of the original album (silver cover) sleeve art. Limited edition of 1000."
    $49.00
  • Standard edition comes (at the moment) with a slipcase "o" card wrapper."It’s been quite a past few years for the incredible Anathema. Honors have been bestowed upon them, they’ve released an instant classic album in “Weather Systems”, and last year they released one of the best live concert films I’ve ever seen, “Universal”. Anathema is on top of the world, and they are only getting bigger. With all of this on their shoulders, they approach the world once again with their new album, “Distant Satellites”, a fitting name for a massive album. Again, with all of their recent success creating huge expectations, can this band meet such critical reception? Needless to say, Vincent Cavanagh on vocals, Danny Cavanagh on guitar, Jamie Cavanagh on bass, John Douglas on percussion, Daniel Cardoso on drums, and Lee Douglas with her wonderful vocals were all up to the challenge.“Distant Satellites” is a very different album from “Weather Systems”, or anything else they’ve done, for that matter. It is different, yet somehow instantly familiar. It includes everything that makes them Anathema, but adds new and exciting elements to their already excellent formula. If you’ve never heard Anathema, their formula (in their last few albums, anyways) includes soaring guitars, amazingly catchy melodies, spiritual lyrics, and emotional flow both vocally and structurally. They are the masters of melody, and they remain complex and progressive even while being simple and accessible. They are truly masters of their craft.This new album, then, is no different in those terms. The melodies return in force, such as the serene beauty of “The Lost Song” parts 1-3. And, yet, there is something different here. The melodic lines are somewhat more complex, less in-your-face, and more organic. This especially shows in the song lengths, most of them being over five minutes. This allows for more growth and more progression. Indeed, then, the melodies on “Distant Satellites”, while not being as instantly lovable or recognizable, are certainly more difficult and possibly will have a longer “shelf life” in my mind. Yes, the orchestrations seem to be lower key, as well, allowing the vocalists to express themselves more personally then ever.There are other improvements, too. I feel that the musicianship is more fervent and on a higher plateau of difficulty than Anathema has tried. Drummer John Douglas, especially, plays amazingly well from start to finish, accenting the music with awesome pounding and fills. The rest of the band are at their peak, too, with Vincent and Lee being especially great with emotional and meaningful vocal performances.“Distant Satellites” is different in more meaningful ways, too. Utilizing post-rock/metal structures is nothing new for Anathema, but they really do perfect them here, as on “Dusk”, a dark, climactic song. Yet, there is a sense of continuity between tracks, too. This is obviously the case between the three parts of “The Lost Song”, but it’s also apparent throughout the album, as if Anathema is telling us a story, convincing us of our true selves and our connection with the universe and with each other.This album is wonderful in the first half, but my excitement reached new heights in the second half. Anathema has taken it upon themselves to change things up a bit. They wanted to progress their sound, but make it all seem so natural. So, in the second half, the album climaxes with one of the best songs, simply called “Anathema”. But then, we are thrown for a loop somewhat, as “You’re Not Alone” features a hefty portion of electronic vibe. It’s great, but the best is still to come.Next, “Firelight”, a darkly ethereal instrumental track that is completely electronic, is thrust upon us, and is followed up by what may possibly be the best song Anathema has ever produced, “Distant Satellites”. This track combines everything that has ever made Anathema great: soaring melodies, climactic structure, gentle spirituality, amazing vocals, and now an electronic beat that is both complex and catchy. Vibrant, mesmerizing, and pure, this track elates me every time I hear it. It takes this album, and my heart, to new heights. The album finishes with a gentle ballad that just seems so fitting, yet it still has the strong electronic influence.So, is “Distant Satellites” a winner? In every way! Is it their best album? I don’t know; it has the potential, but it might take time, just like “Weather Systems” did. What I can tell you is that this new album is more mature, more progressive, more interesting and eclectic, and less formulaic then anything Anathema has crafted yet. It does sacrifice some accessibility and some instant likability for these things, but I respect their decision massively, and I fully expect to see “Distant Satellites” at the tops of many lists at the end of 2014." - Progulator
    $9.00
  • Legendary private recording session that has been bootlegged over the years, now given an official release.  Gunter Schickert is a German guitarist who's speciality is echoplex guitar - not to different from Achim Reichel.  His releases on the Brain label as must own albums for any krautrock fan.  In 1975, Schickert was touring Europe as a roadie for Klaus Schulze.  This recording session occured in Schulze's living room on 9/26/75 in Hambuhren, Germany.  This is pretty near the apex of Schulze's analog keyboard period (or as I like to call it "the real goods").  This one lives up to the legend - Schulze trips out with his EMS Synthi A and other keys.  Schickert overlays his guitar lines and they just melt right into the fabric of the music.  If you are looking for an album that would be the definition of the Berlin School sound - this is it.  Wonderful clarity to the recording presented here on 180 gram vinyl.  This one is guaranteed to take you to a happy place.  Highly recommended.
    $28.00
  • Brief Nocturnes is the band's 11th album.  It marks their return to Inside Out and quite frankly its the best album they have released in a very long time.  Chalk it up to Ted Leonard handling vocals or Neal Morse contributing writing to a couple of tunes?  Not sure.  I am definitely hearing more vitality and overt progginess in the compositions.  Ryo is going off his nut here - keys are whizzing all around - organ/'tron/the whole schmear - and Alan's guitar runs are matching him step for step.  Maybe I haven't been paying attention as closely as I should have for the past few years.  I do know that I'm enjoying the hell out of this.  Highly recommended.
    $14.00
  • "Pin-Up Went Down are a new French duo…- let it start at the beginning.The whole story started with a myspace friend request. Nowadays I’m getting tired of them due to the continuous indie bands’ request; wanting me to be their fan. And these guys just appeared from the unknown. Oh my god…another one *click*….. OH MY GOD!…so this is it. I was sceptic and became surprised like hell, that this is a great band. I asked them for a promo and they sent me one. Thank you!-…a new French duo consisting Asphodel, the mistress of female activities and Alexis who is responsible for all the instruments can be heard in their music – guitar, bass, keys, electronics, etc. The project started less than one year ago as Carnival in Coal split up and former live drummer Alexis Damien launched this new project, called that time Esthete Piggie. Soon he was joined by Asphodel who can be known from Penubmra or Nowonmai.So I was surprised even more when I saw that big Ascendance Records banner on their profile, I couldn’t believe in my eyes. Ascendance Recs. is a label with the aim of collecting the progressive, experimental or just talented acts having a female voice. It’s a rather new label but already made deals with bands like Stolen Babies and unexpecT. So the name may sound familiar to some of you. - Get to the band!The name itself (which was created in the December 2007) evokes the era(s) of models who got into fashion and became covergirls posing in front of the camera. The words in the name can be considered as an oxymoron (up/down). And the second part of the name has the negative side, the final outcome is the fall of these beautiful creatures.The cover is unusual for an experimental/AG metal band but I suppose I just got used to weird, mindfucking artwork. I would say this is "mirror-avantgarde" quoting Tentakel P.’s Sigh review. It already gives a bit of music, it truly has a gothic line and this cover would perfectly fit a gothic metal band’s album of high standard.Seeing it we will notice the cold, metallic colours. The second thing one sees the vase with a sip of dirty water and the flower. Flower, really? No. It’s a piece of wire put in this glass vase…love is never easy.In the background a left hand’s shadow can be observed trying to grab the heart which is created by mirroring the title’s 2 to the left side. Contrary to the dominating rigid colours, the title is full of life and power with its bloody red appearance.And the music. So as it is written before, it surprised me. The first bit of this mass was a song I have listened on their myspace named Nearly Dead Bat Make up. Particularly, the vocals were the most interesting and outstanding. While listening to it I felt I am in a kind of wonderland. Asphodel is one of the most talented singers I have ever heard. She can sing rigidly, violently but on the other hand she has a definitive gothic background which teaches the girls to sing in a method can be recognized with ease (this style of singing can be heard near the end of the song). But. Yes…these buts. But she has a unique jazzy, though profile and another diverse which is something undefinable, smooth and soft disco styled one and not forget mentioning her childish one. And it’s just the tip of the iceberg. I can’t tell another girl who are able to sing in these ranges…and she combines it with continuous changing of the pitch. Alexis delivers aggressive guitars and drums along with male growled/shouted vocals. I would highlight one moment: under the bridge, Asphodel sings in her disco styled while Alexis growls in the backgrounds and the whole thing explodes as guitars and the shouted vocals come in to form the chorus.Some lyrics have allusions to the various parts of (music) history. Nearly Dead Bat Make up also has a reference to the band Kiss and the people who believed them Satanists and Nazis. Another interesting part of this song is the very beginning, with the lyrics of "Be (-shuuMuut-) obscene, be-be aggressive". It’s a reference to Marilyn Manson’s mOBSCENE which has almost the same female lines originally stolen from Faith No More’s Be Aggressive. (-shuuMuut-) = (shut up M arilyn M anson).On the other hand, some of the lyrics may seem absurd like Pussy Worship which is built around the question girls ask themselves: What is it like being a man while having sex?. Only Some Shitty Chemical Stuff explains love only as a hormonal procession.The lyrics aren’t about one theme and message, they call up for situations, characters and images. Due to this, the music always changes differently and evolves, it follows the lyrics. There isn’t a central style, except the rock and metal basics. Pussy Worship is like pussy pop-punk with a gospel-like inlay. Only Some Shitty Chemical Stuff is an electronical, industrial metal song and first reminded me of the grotesque attitude to love presented in vocals and atmosphere one may know from the music of Rammstein. However, it becomes an acoustical ballad later.To sum up Pin-Up Went Down’s musical debut I must say I am extremely happy to know these two talented musicians with weird fantasies to turn them into reality. Their first album is surprisingly eclectic and delivered with overwhelming musical and vocal production, it’s one of the most promising first-time debut releases of all time of avantgarde music. Not joking." - Avant-gardeMetal.com
    $6.00
  • "Oh Wow!. That was my reaction and remains my reaction to this album every time I spool it up and listen to it. What surprises me here on PA is that the ratings for the Pendragon albums are as low as they are - 3.85 isn't low by any means however I would have expected to see average ratings in excess of 4 for many of the band's albums. For sheer musical beauty there is very little that equals these musicians in full flight. The lovers of two of the very favourite bands here being Genesis (up to Duke) and Marillion (Fish era) should be over the moon with Pendragon as this group of musicians encompass the feelings and musical emotions of those two iconic bands brilliantly. The melodies soar and the musicianship is top drawer. Nick Barrett's voice takes some getting used to at first but it by no means spoils the music and you do get used to it pretty quickly to the extent that you wouldn't want to hear anyone else on vocals with the band.This album soars with melodic brilliance and with emotion and all of the instruments go towards making up the sound - the highlights being Barrett's lead guitar and Nolan's keyboards which are backed by the brilliant drumming of Fudge Smith and the more than adequate bass of Peter Gee. I can't single out a single track which is out of place or doesn't belong - they are all huge. To discuss this album on a track by track basis would be futile and it is enough to say that the album is a full on adventure in melody - and how it is!" - ProgArchives
    $29.00
  • "Originally released in 2001, Last Fair Deal Gone Down saw Katatonia ambitiously expanding their sound to create one of the most celebrated Metal albums of the year.Containing 11 tracks of high-emotion and searing social commentary, including the singles "Teargas" and "Tonight?'s Music", the album resonated with Katatonia?s unique brand of Gothic Metal.Following on from previous album, Tonight's Decision, the album displayed a new found maturity and accessibility only hinted at on their previous albums.The mournful vocals of Jonas are, as ever, ably backed by the inventive guitar work of Anders to create a potent and absorbing atmosphere.This special anniversary edition marks 10 years since the album?s release, considered by many as Katatonia?s break-through album, & is presented in mediabook format.The Last Fair Deal Gone Down anniversary edition features tracks on disc-2 from the "Teargas" & "Tonight's Music" singles, originally also released in 2001, plus updated artwork from Travis Smith, created specially for this release. "
    $14.00
  • New album from this Austrian symphonic metal band.  The band has been a bit of a revolving door with vocalists but Maxi Nil has settled in nicely.  The music is based in the traditional female fronted gothic style with clean male vocals trading leads back and forth.  This time around I hear more of a poppier, catchy sound - somewhat like the direction Delain is moving towards.  Highly recommended to fans of the genre (I wave my hand proudly).  Digipak edition with one bonus track.
    $12.00
  • "Most bands will reach a creative peak at a certain point in their career after which they simply continue in a less interesting fashion before eventually calling it a day. Not so with Motorpsycho. After more than 20 years they continue to develop and to to challenge themselves artistically. On this epic, double concept album, easily their most ambitious yet, Motorpsycho has assembled the cream of classical and jazz musicians from world class ensembles established in Trondheim, their hometown. ”The Death Defying Unicorn” was first commisioned by Molde International Jazzfestival for their 50th anniversary in 2010 where it was performed on the main outdoor stage. This, however, has been partly re-arranged, refined and recorded from scratch at Propeller Studios in Oslo with Kåre Chr. Vestrheim once again co-producing as he did with ”Heavy Metal Fruit”. Ståle Storløkken (Supersilent, Elephant9, Humcrush, Terje Rypdal) is considered one of Norway´s top keyboardists but here he also comes into his full as a writer and not at least arranger of the two ensembles. His contributions to this album can not be stressed enough. Among the players in Trondheim Jazz Orchestra are wellknown names such as Kjetil Møster (Ultralyd), André Roligheten (Albatrosh) and Mathias Eick, not to forget star violinist Ola Kvernberg." Heavyweight cardboard gatefold sleeve and 180 gram pressing. Looks real sharp!FOREIGN CUSTOMERS PLEASE NOTE THAT DUE TO THE HEAVIER WEIGHT OF VINYL YOU WILL BE SUBJECT TO ADDITIONAL SHIPPING CHARGES.
    $30.00
  • 2005 deluxe remastered edition of the bands 1986 magnum opus, the last one to feature John Arch on vocals. This elaborate set features two cds and one live DVD. Disc One is the remastered version of the album. Disc Two features unreleased live and demo tracks. Disc Three is an NTSC Region 0 live DVD of a live gig from 1986. Mike Portnoy wrote the liner notes.
    $15.00
  • Creation's End is the vision of New York City's Rudy Albert (guitar - from Zandelle) and Dario Rodriguez (drums).Rudy and Dario, who met in school, have been playing music together since 1999. As they grew tighter in their playing, they began to focus on writing original material. The nature of the material evolved from simple metal tunes in the early years, to more complex and mature compositions.During the summers of 2003 through 2006, Dario and Rudy convened to write music. The focus of the sessions was simply to make great music that they both enjoyed, and each summer, Rudy and Dario wrote and recorded a new demo of original material.Rudy soon took on keyboard duties in the band Until Destiny, where he met John Macaluso (drummer of James LaBrie Band, Fool's Game, ex-Ark, ex-TNT, ex-Yngwie Malsteen). After a short period of time, Rudy and Dario decided that the time was right to revisit their old material to record and release it the right way.With a newly renovated studio and producer John Macaluso on board, Rudy and Dario set out to record 8 reworked versions of songs that appeared on their demos. They were joined by the lineup - Mike Dimeo, (ex-Masterplan, ex-Riot), Marco Sfogli (James LaBrie Band), and Joey Bones (Chris Caffery, ex-Zandelle).In Summer of 2010 the band decided to have world known engineer Neil Kernon (Queensryche, Yes, Nile, Cannibal Corpse etc) mix the album.November 2010 will see the release of "A New Beginning" and marks the fruition of the album envisioned from the beginning - melodic, touches of prog, a strong sense of groove, and brutally heavy and dark. US and European tour dates are being planned, with a date at ProgPower USA in September 2011 already confirmed.
    $8.00
  • "The Prog Rock supergroup whose debut became the surprise hit of 2012 returns with a brand new album featuring an even more impressive lineup of stellar musicians and artists lending their talents to this incredible project!Features performances by mindblowing musicians Steve Stevens, Rick Wakeman, Steve Morse, Peter Banks (in his final appearance) as well as Captain Kirk himself William Shatner, PLUS members of Yes, Dream Theater, Nektar Asia, Gong and more!Deluxe digipak packaging!Performed by:Rick Wakeman Steve Stevens Chris Squire Peter Banks Steve Morse Larry Fast Alan Parsons Sonja Kristina Jordan Rudess Steve Hillage John Wesley Nik Turner Geoff Downes Roye Albrighton Gary Green Tony Kaye William Shatner Colin Moulding Mel Collins John Wetton Derek Sherinian Billy Sherwood Fee Waybill Patrick Moraz Jim Cuomo "
    $15.00
  • Magnus Karlsson's name might not be that familiar to you but if you are a fan of melodic metal you probably own an album or two he was involved in.  The Swedish guitarist's original band was Last Tribe.  After a number of albums for Frontiers he was the man behind the curtain for the two Allen/Lande albums as well as a bunch of other projects for the label.  Ultimately he became a member of Primal Fear and toured with this.Freefall is his first solo album under his own name.  He plays all the instruments except drums which are handled by Danny Flores of Mind's Eye.  Calling in favors, Karlsson has enlisted a who's who of vocalists from the melodic metal realm: Russell Allen (Symphony X), Ralf Scheepers (Primal Fear), Tony Harnell (TNT), Rick Altzi (Masterplan), David Readman (PC69), Mark Boals (Malmsteen), Michael Andersson (Cloudscape), Rikard Bengsston (Last Tribe), and Herman Saming (A.C.T).  That's a lot of good pipes!
    $13.00
  • Smoking hot chick alert!! New band formed by four members of the now defunct Karnataka. Taking over on vocals is Anne-Marie Helder, who also plays flute. The band has jettisoned the celtic touches of Karnataka. Instead they have a more varied and modern sound. Guest violinist Liz Prendergast adds a nice spacey touch with her solos. For a band that is going for a more immediate and less complex sound no one bothered to let them know that a 19 minute track like the album closer "The Dreaming" isn't going to get them any radio airplay!
    $17.00