All Rights Removed (2LP Vinyl)

SKU: KAR066LP
Label:
Karisma Records
Category:
Progressive Rock
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Second album from this Norwegian band finds them climbing the ladder of melancholy prog bands. Short on complexity but long on atmosphere and melody, Airbag's new one packs an emotional wallop. The album has just enough spacey keyboards to draw comparisons to Pink Floyd and older Porcupine Tree. The album builds up to the 17 minute "Homesick I - III" which has enough references to Wish You Were Here that you'll be plowing through your Floyd collection afterwards. Lethal atmospheric prog that will annihilate the minds of any Anathema or Riverside fan. Highly recommended.  180 gram double LP vinyl set cut form the analogue masters specifically for vinyl.

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  • Second album of cosmic folk recorded for RU Kaiser's Pilz imprint. The band was really just the duo of Maik Hirschfeldt and Dolly Holmes with some input by producer Dieter Dierks. While this German/British duo's first effort was straight ahead folk and not all that interesting, Saat is a great mystical musical journey. Not purely acoustic as you would imagine it features some great electric guitar runs from Hirschfeldt as well as synth, vibes and flute. Holmes also provides keyboards including organ, Mellotron, and piano. Holmes once sang for Incredible String Band and has quite a nice voice. This one fits in nicely with the label - you can hear Kaiser's stamp on the music. I'm sure there was a mountain of herb superb consumed. Its the only thing that could explain these epic length tracks. Highly recommended.
    $14.00
  • The band's last album was really a forgettable effort best saved for completists. The label forced them to sing in German and the music took a decidedly commercial twist. It was a sad end for a great band. Remastered edition with four demo bonus tracks.
    $14.00
  • Live recording from 2012 at the Rites of Spring Festival in Gettysburg PA USATracklist CD1:When the world is caving inWhere earth meets the skyTurn it upDo U tango?1969EternallyCD2:Send a message from the heartUndertow/When the world is caving in repriseJonas Reingold: BassguitarMorgan Ågren: DrumsGöran Edman: VocalsNils Erikson: Keys and VocalsLalle Larsson: KeysKrister Jonsson: Guitars 
    $15.00
  • "It’s been five years since their last album, Buried Alone: Tales Of Crushing Defeat, but in that time, the lord of Knifeworld, Kavus Torabi, has been very busy indeed. He’s been part of Gong and various other bands, hosted a prog radio show with snooker legend Steve Davis (who is in fact, more interesting than people might have ever suspected) and of course spent his time working on more Knifeworld material.Since his days with Monsoon Bassoon, Torabi has always been someone who writes dense yet strangely hookladen songs. With Knifeworld things are no different, if anything this album is about as ambitious as anything in Torabi’s long and extensive career to date. The Unravelling is an eight song cycle, is performed as an octet, and is nothing if not grandiose in its intensions. The idea of a song cycle might well sound pretentious, and perhaps it is, but what keeps The Unravelling from unravelling into a unwieldy mess is Torabi’s deft songwriting nous and keen ear for a hook. These songs might well form a cycle, but they are all quite capable of operating independently too.Opening track I Can Teach You How To Lose A Fight starts in muted fashion with delicate keyboards and strummed acoustic guitars complimenting Mel Woods’ beautiful but understated vocals. The whirring of clock parts and machinery in the background give a wonky Victorian feel, but also suggest that the cogs that drive the album are slowly clunking into life. Before long the full band has launched into a freakish prog-hymn, like a kind of feral Rick Wakeman freakout. “Why’d you grow those teeth in your heart?” asks Torabi sounding as if his has been chewed up and spat out by an evil Queen. It’s essentially the dialogue of a relationship winding down, but with its winding musical motifs, joyful honking sax parts mixing with solemn vocals and dramatic guitar stabs, the introduction to the album feels like a kind of synopsis of what’s to follow or an overture of sorts. There’s joy, threat, love, anger, fun and a fair bit of magic too.Send Him Seaworthy starts life as a kind of lurching boy’s own adventure, with nautical themes and a sense of wonder seeping into the orchestration, but come the telling conclusion it becomes tale of paranoid love. Don’t Land On Me meanwhile meanders along in a faintly jazzy way until a sharp stabbing rock riff cuts across its bows. Suddenly, it becomes a curious mix of swing, The Osmonds‘ Crazy Horses and Kenny Rogers‘ version of Condition. The Skulls We Buried Have Regrown Their Eyes meanwhile is a woozy old-school nursery rhyme that contains a requisite amount of grotesque imagery.Destroy The World We Love is the pop nugget around which the album truly revolves. It possesses a laid back lollop, a very deliberate hook with the line “secret in your hands” digging deep into the ears early on, but it quickly reveals itself to be an expansive and exquisite journey. Fans of Genesis (and naturally Cardiacs) will find plenty to appreciate here but as usual Knifeworld stop short of being self-indulgent and ensure that the song never disappears up its own firmament.If The Skulls We Buried hinted at something a little unsettling, then This Empty Room Was Once Alive confirms that there is something genuinely creepy lurking under the surface of this album and it just so happens to be in the form of a Victorian ghost story. Fortunately I’m Hiding Behind My Eyes quickly takes over and steers back towards folk inflected prog before things get to terrifying. Once again, the Octet are in fine form creating a bucolic world for the band to inhabit and explore.The key to this album is in its title. It is well written, and beautifully performed, but in order to get the most out of it, a certain amount of unravelling needs to be done. The five year wait has been worthwhile, and Torabi’s Knifeworld seems ready to begin creating its own universe. As strange and creepy as it seems at first, it is fun to spend time exploring." - MusicOMH 
    $15.00
  • Private vinyl edition released by the band.Second album from this great French ensemble. Curiously their first album was released by Tzadik and had to be the most overtly "prog" album ever on that label. This new album is out on Altrock and is probably my favorite release on the label. The band creates a mesmerizing whirlwind of sax, keys, vibes, bass, flue, bass, and drums. There is a touch of Zappa in the compositions probably due to the vibes/marimbas that remind of Ruth Underwood. Some sexy Mini-Moog leads squiggle around the dual sax leads. All in all one killer release. Highly recommended.
    $15.00
  • "Italy has a long and ample heavy metal history, notably in the melodic, power, and symphonic metal genres. Here's At The Dawn, from Bologna, returning with their second album Land In Sight, now signed to Bakerteam Records.In that longstanding Italian tradition, At The Dawn brings classic melodic heavy power metal, often with some synth produced symphonic elements. While neither this genre or their music is not novel or extraordinary, it is well-crafted and well-played. And they do this with varied and diverse arrangements. Not every song requires the gallop of power metal, nor the abundance of bombastic synths.But when these classic elements of symphonic power are necessary, ATD delivers as with Tiger Within of The Deserter. Then there's the series of four songs Ouverture, The Offense, The Revenge and The Day When Heroes Day expand on those elements but also add traditional melodic metal to the mix. The first two of the tetralogy are notable for the use of simple piano and vocals. This only demonstrates that the band has a keen sense of melody and understands the need for good vocal harmony. Stefano De Marco has a clean melodic style and strong presence throughout this album.After these things, most every song is loaded with guitar harmony and fiery leads. After all the band was founded by it's lead guitarist, Michele Viaggi. In the best power metal sense, like the synths, his riffage makes the arrangements large and bombastic as well. You can catch this within A Crow With No Wings. His leads are of the classic variety, but so much the neo-classical Malmsteem widdling.Finally, mention should be made of two additional songs. The first is Siren Call which features Letizia Chiozzi of Synful Ira adding female vocals for a quite ambitious melodic vocal arrangement, one of the best here. Another is the cover of Iron Maiden's Revelations, where At The Down bumps up the speed ever so slightly, but also offers some symphonic notes. It sounds pretty good. All in all, At The Dawn's Land In Sight is interesting and entertaining album of melodic and symphonic power metal, which will please most any fan of the same. Recommended." - Dangerdog.com
    $13.00
  • "The music here is a hypnotizing blend of intricate, locked-in interaction and red-hot energy that will remind you that sometimes the letters 'L-O-U-D' can spell 'jazz'. Zevious will also remind you that sometimes the most influential jazz is controversial.According to the band, the goal on Passing Through the Wall is to induce a trance-like state in the listener through repetition, non-conventional melody and challenging song structure. The compositions are based around large cycles of layered poly-rhythmic patterns against octave displaced melodies; the individual parts working together to create dense, pulsating textures."
    $15.00
  • "There is plenty of excellent melodic Metal to come out of Italy; RHAPSODY OF FIRE, TRAGODIA and ELVENKING, but upon closer inspection of the more progressive side of the scene, we have a band like CHRONOS ZERO. An ambitious project with grand lyrical and musical aspirations, they have finished their debut piece, “A Prelude to Emptiness”, and it is by no means empty. The thing I love about brand new modern bands is how I'm always surprised at the sheer quality of the debut release, and this band is no exception. They adapt Progressive Metal from the masters such as SYMPHONY X and NEVERMORE, add the melodic flourishes of KAMELOT and an aggressive, yet melodic singer such as Gustavo of ADAGIO.The album has one monster of an opening track in “Spires”, which is completely instrumental, but is unrelenting in progressive riff artillery, not so dissimilar to MESHUGGAH in heaviness. Woven under this neck-snapping guitar playing is innovative, high-end bass playing and foreboding keyboard atmospherics. The MESHUGGAH vibe is noticeably carried on in “Breath of Chaos”, where the mixing of the extremely down-tuned bass adds a much deeper dimension to the album's already crunchy guitar work. The particular riff that characterises most of this song instantly made it one of my favourite tracks on the record. Here we also first hear a taste of the vocals, and it appears to take great skill to pull off a convincing combination of aggressive raucousness and grasp of melody, and the hitting of high notes, which Gianbattista does unquestionably. In addition, there are also featured seductive female vocals, which add a further, interesting dimension to the already-deep music.Parts I and II of “Lost Hope, New Hope” are exemplary of true progression in heavy metal music; two parts to a story, they are both very different, but intelligently interwoven tracks. Part 1 is very much so up-tempo and more aggressive, thrashing about that glorious riff sound I have come to love from this band, and experiences sudden mood swings to jazzier, quieter sections; here, the neo-classical influences are shining throw, as does a blistering guitar solo. Part II contains no vocals, but leans much more to the atmospheric side, but contains even more complex riff mastery, the sheer heaviness and stunted rhythm of which is brain-addling.  “Sigh of Damnation” marks a subtle change to a more melodic sound, dominated by a greater presence of interwoven male and guest female vocals, and the range of the main vocalist is fully explored here, proving that he is most capable of tender pieces in addition to his powerful bellows. The final track, “Sorrowful Fate”, begins with an effective minor scale acoustic trill, and features almost solely female vocals by Claudia; it is about time she and her beautiful voice had almost a whole song to itself. Expectedly, yet unexpectedly, it features a drastic change from a settled, yet foreboding sound, to an explosive and punching beat down, characterised by a further, small performance from Gianbattista, perhaps hitting his most powerful notes yet.I found this an extremely enjoyable album to listen to. An issue that sometimes brings down some Prog albums is the overuse of instrumentals, but I found this to not be the case, because of the sheer musicianship purveyed here. This is exactly what I look for in Progressive Metal." - Metal Temple
    $13.00
  • 2LP yellow vinyl in a gatefold sleeve.  Features 2 live bonus tracks as well as an extended version of "The Latent Gene"."Wow! Right from the very first song "Freaks" it's obvious that this album is something special. The opening track as well as the whole CD deals with the subject of cloning. The lyrics are saying; "Yes we will create some freaks!". And I think they are right. It's better to let the nature have it's own ways. The heavy guitar riffs are better then ever, and the new singer Andrew McDermott is better than both their previous singers Damian Wilson and Glynn Morgan are. They were great singers too, but Andrew's voice is very powerful and he's a perfect replacement! I just hope that he will stay in the band forever.It's hard to tell which album is the best, their debut album "Wounded Land" (1993) or "Clone". Maybe you shouldn't compare them to each other, as they are very different in style. "Wounded Land" was very pompous and closer to progressive rock where "Clone" is more heavy Prog Metal. The production though is much better on "Clone". The album has got a very clear and crisp sound, which I think is necessary, especially when it comes to Prog Metal. Prog Metal has to be very powerful, and a good production is therefor a need. As always, Threshold are not forgetting the strong melodies and great arrangements that sets them apart from many other over-technical progressive metal bands.The music on this CD is somewhere between Black Sabbath, Deep Purple, Dream Theater, Genesis, Metallica, Pink Floyd, Queensryche, Shadow Gallery, Spock's Beard and Yes. The musicians are as always very talented. This is one of those CD's that you can't name any favourites on, as the whole album is just excellent! "Goodbye Mother Earth" and "Voyager II" though are really excellent tracks.I can't say anything else but: Buy this CD if you're into Symphonic Progressive Metal, and I assure you that you will enjoy it. Threshold is Prog Metal at its best, and with this release I think they deserves the same attention as Dream Theater. This is one of the best Prog Metal releases for 1998. Highly recommended!" - ProgArchives
    $30.00
  • 1990's Welcome To The Show finds the trio far removed from the prog days of old...but they made a hell of a lot of bread! This remastered edition features 3 live bonus tracks, new photos and liner notes.
    $8.00
  • In 1994, The Laser's Edge had a short lived sister label called The Labyrinth.  Sailor Free was part of the roster and released a beautiful psychedelic hard rock album called The Fifth Door.  After that the band went silent.  19 years later, vocalist David Petrosino and guitarist Stefano "The Hook" Barelli have reactivated the band and it sounds as though nothing has changed.  Spiritual Revolution is a concept album influenced by J.R.R. Tolkein's "The Silmarillion".  Sailor Free's music has a hard rock feel but due to Barelli's wicked soloing there is a psychedelic energy imbued in the music.  Petrosino is simply a great singer.  In an obtuse way he reminds me of Jim Morrison.  He doesn't really sound like him but he channels a dark spiritual energy into every word he sings.  There are some nice keyboard embellisments along the way but really this is a guitar driven album.  Welcome back old friends.  You were missed!
    $11.00
  • A new Glass Hammer is like a universal constant.  I can always expect exemplary old school prog rock.  For an old timer like myself Glass Hammer is right in my wheelhouse.  This is their 17th studio album (amazing!) .  If you are unfamiliar with the band you should know it revolves around the core of bassist Steve Babb and keyboardist Fred Schendel.  There have been a lot of musicians through the doors of their studio over the years but somehow they always seem to find an endless supply of them.  The line up seems to be fairly stable at the moment.  Salem Hill mainman Carl Groves handles lead vocals along with Susie Bogdanowicz returning as well.  Guitars are handled by Kamran Alan Shikoh and drums by Aaron Raulston.Glass Hammer music is a reverential amalgam of Yes, ELP, Kansas and what the hell throw in a little bit of Genesis.  Steve and Fred proudly wear their influences on their sleeves.  Want wicked keyboard pyrotechnics?  Fred brings the thunder.  In fact they all do.  The Breaking Of The World arrives with epic length tracks and audiophile quality sound.  I wouldn't want it any other way.  BUY OR DIE!
    $12.00
  • "The Netherlands are a fertile ground for bands that are strongly influenced from the heavy sounds of the early 1970's, and Orange Sunshine and Wallrus may serve as good examples here. New to that bands is DEWOLFF, founded in 2007 in a Southern part of the Netherlands (Limburg) called Geleen. The band consists of three very young guys between the ages of 14 and 18, but they sound as if they were playing music since twenty years. Here, we have their debut album, released at the end of 2009 by REMusic Records and I'm surprised in a positive sense about the quality of their music. Even though the riffage, harmonies, guitar leads are reminiscent of all well-known classic rock bands - Deep Purple, Atomic Rooster, Groundhogs, Cream - this album distills it all and still manages to sound totally different. It's all there with smokin' guitars and bellowing organs that summon the gods back to the days of 1970's hardrock. Despite this, the production is modern which makes sure that the band isn't on a complete musical retro trip. What also strikes me is the variety of 'Strange Fruits And Undiscovered Plants'. You can find heavy organ-based songs such as the opener 'Mountain' or 'Don't You Go Up In The Sky' which convinces with powerful rippin' leads that are guaranteed to rock your ass.In contrast to the aforementioned tracks, 'Birth Of The Ninth Sun' is a soulful ballad with additional piano. In the middle section is a sinister psychedelic segement which reminds me to The Doors. But not only there are strong doses of psychedelia. 'Parloscope' awakens the spirit of 1960's psych with the help of intense melodies - interspersed with heavy organ. With 'Red Sparks Of The Morning Dusk' DEWOLFF displays their talent to combine psychedelic pop with organ-based hardrock and jazz. Especially the saxophon in the last quarter is simply excellent. What I also like very much are the clear vocals of organist Robin Piso that fits in beautifully with their sound. Moreover, he also takes on the function of a bass player with his organ just as Ray Manzarek (The Doors) had done years before. Well, to put it simple: all songs are packed with great memorable riffs, cool arrangements and superb musicianship. I can assure that 'Strange Fruits And Undiscovered Plants' will please every fan of classic/retro hardrock. Oh yes, not to forget, that the LP has a different cover artwork, but the packaging of the CD is also very tasteful." - Cosmic Lava
    $15.00
  • Yet another brilliant work from this Norwegian prog band.  The Greatest Show On Earth is the band's third effort.  While the first album Identity delved into alternative/prog realms bearing similarity to Radiohead, their second album All Rights Removed was full on Pink Floyd worship.  This latest effort carries on in similar fashion.  There are parts of the album that were written with tracing paper.  It evokes the mood and feel of Dark Side Of The Moon, Wish You Were Here, and maybe even a bit of The Wall.  This isn't to say the band doesn't inject any personality of their own - they do.  There are contemporary elements, its just that when they go into full on Pink Floyd mode its so apparent and so well executed that it blinds you to everything else that is going on.  What Bi Kyon Ran is to King Crimson or The Watch is to Genesis, Airbag is to Pink Floyd.  Original?  Truth be told not really.  It doesn't matter, its so well executed that you will just immerse yourself in the listening experience.  Highly recommended.
    $17.00