Fool's Paradise (Vinyl)

SKU: GUESS128
Label:
Guerssen Records
Category:
Folk Rock
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Australia's duo of Madden and Harris made one of the great "one and done" albums of the 70s.  Released in 1975 it disappeared without a trace.  Its a gorgeous progressive folk album that sounds like a mash up of early King Crimson and Mellow Candle.  If you are a Mellotron freak this album is for you.  Its drenched in it and plays off the acoustic guitars beautifully.  Just a beautiful serene vibe.  Highly recommended.

"Dave Madden and Peter Harris were a teacher / pupil folk duo from Sidney who in 1975 recorded and self- released this progressive / psychedelic folk- rock masterpiece. British influenced sound with lots of mellotron, vintage keyboards, strings, drums, fuzz bursts, dreamy vocals, etc, containing an impressive 20- minute long suite which has to be heard to be believed."

Think Subway, Mellow Candle, Magna Carta, Ithaca…
First ever legit vinyl reissue
Master tape sound
Gatefold cover with corrected colour as originally intended by the artists
Repro of the original lyrics booklet
New insert with detailed liner notes

"Essentially a contemporary folk record, it displays some beautiful neo- medieval folk, explores the edges of progressive rock and folky pop rock, and even skirts Kinks like vaudevillian humour" "Sections of the album seem cut from the very same tapestry that gave the world Ireland's Tír na nÓg or the English Magna Carta" - Richard Allen

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  • Buon Vecchio Charlie was a "one and done" Italian band that recorded this album in 1972 and it remained unreleased until it came out on CD in Japan in 1999. That version went out of print quickly and years later there was another edition (with different cover art) from Akarma. That has been out of print for many years as well.BVC were a very good prog band with a strong classical influence. Flute, keys, and guitar dominate with lots of dynamics. You can hear some similarities to New Trolls' Ut. After the band dissolved some of the members formed Bauhaus (also released by Akarma and also out of print!). Highly recommended.
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  • "NEWLY REMASTERED & EXPANDED EDITION CD OF THIS CLASSIC 1976 ALBUM BY GORDON GILTRAPREMASTERED FROM THE ORIGINAL MASTER TAPESFEATURING THREE BONUS TRACKS, ONE PREVIOUSLY UNRELEASEDESOTERIC RECORDINGS are pleased to announce the release of a newly remastered and expanded edition of the classic album "VISIONARY” by GORDON GILTRAP. For over forty years Gordon has enjoyed the well-deserved reputation as one of Britain’s greatest guitar players. He made his first recordings in the 1960s as folk artist, but by 1976 he had crossed into the Progressive Rock genre, backed by a band of outstanding musicians such as JOHN G. PERRY (Bass), ROD EDWARDS (keyboards) and SIMON PHILLIPS (drums)."VISIONARY” was the first of Gordon’s "Progressive” albums and was released on the Electric label in 1976.This Esoteric Recordings edition is newly remastered from the original tapes and includes three bonus tracks, including the previously unreleased 13-minute composition "Concerto”. The reissue also features a lavishly illustrated booklet with new essay and interview with Gordon Giltrap."
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  • Limited edition comes with a bonus live DVD filmed in Melbourne, Australia."Karnivool, from day one, have made sure they are the kind of band who could do anything. From both a fan and industry perspective, the group has made it clear that anything should be expected and they will do whatever they want.While their second album, 'Sound Awake' didn't really spread its musical wings as much as the band claimed it would, their third record 'Asymmetry' certainly has. Those who may have jumped ship at the idea of more dragged out progressive rock will rejoice at the roller coaster ride the band offers on full-length number three.The bass heavy drum chaos that is opening track 'Nachash' is a tweak on the Karnivool sound, as if they were to remake 'Themata' today, with a refined, heavier sound that is simply bigger. This follows with a record stand-out, 'A.M. War', which is a little more math-rock musically, with the vocals opting to be less adventurous.That all changes on 'The Refusal', which is one of the heavier songs on the album, kicking off with gritty screamed vocals and thick guitar riffs. There is still a very atmospheric feel about the entire record much like on the previous release, songs like the seven minute 'Aeons' or the experimental title track, take their time and offer plenty of space within themselves for effected vocals or driving bass lines to shine through.The second half of the record changes things up again. It is mellower, more pop orientated and even at times reminiscent of front man Ian Kenny's other project Birds Of Tokyo. The latter half also lends itself to a little more experimentation, with the drum mess that is 'Amusia' and the creepy guitar number 'Float'.The band manage to channel bands like Tool and Porcupine Tree all in one for the huge closer 'Alpha', another highlight, thanks to its thematic changes, moving from a gentle piano laced opening to heavy riffs and chant style vocals.Karnivool sound like the band they want to be on 'Asymmetry,' a band that will keep you guessing for the entirety of a record and can move in any which way they like, while still making some form of sense." - Kill Your STereo
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  • THIS ONE IS HOT HOT HOT!!!!Long awaited second album from this astounding San Diego based prog/space band. Astra expertly mix progressive rock with deep space sounds - interchangeably within a song. Like their debut, there is a strong kosmische musik feel. Think in terms of Far East Family Band and Pink Floyd but when they turn on the prog rock burners you get a healthy dose of old school Genesis VDGG and Yes. Epic length tracks with sparse amounts of vocals. Tons of Mellotron and vintage analogue keyboards give us that sound we all cherish. Occasional use of flute spices everything up in the right way. If everything sounded this good in 1975 I would have never left my bedroom. I would have just had my parents slide some pizza under the door. Album of the year candidate - BUY OR DIE!FOREIGN CUSTOMERS PLEASE NOTE THAT DUE TO THE HEAVIER WEIGHT OF VINYL YOU WILL BE SUBJECT TO ADDITIONAL SHIPPING CHARGES.
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  • New expanded 2CD edition of one of the great neoprog albums of all time. I should preface that comment. While Twelfth Night are part of the neoprog bedrock that developed in the late 70s/early 80s UK scene, this is an instrumental album. Geoff Mann didn't record with them until the first proper studio album, Fact And Fiction. Live At The Target actually owes quite a bit to Camel and Yes, consisting of 4 long killer tracks. The album appears intact here but is augmented with a second disc featuring material recorded at various locations in the UK between 1979 and 1981. A good chunk of this is previously unreleased. A great album made even better. Highly recommended.
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  • Kaipa's second album didn't present anything radically different from the first album and that's a good thing.  Its simply beautiful symphonic rock in the tradition of Yes and Genesis.  The only negative is that keyboardist Hans Lundin sings in Swedish but his voice is strong so its not unpleasant.  I'm not quite sure why Decca didn't force them to sing in English. This 2015 remastered edition arrives with four bonus tracks.""Inget Nytt Under Solen" was KAIPA's 2nd release and is another wonderful release which must be heard. "Inget Nytt Under Solen" has all the elements you would want in a progressive rock band... beautiful captivating songs with superb musicianship. Ronie Stolt's (FLOWER KINGS) impregnates this album with his accurate and lively guitar work, Tomas Eriksson handles most of the vocals and adds some real solid punchy bass lines, Hans Lundin brings his analog keyboard wizardry while Ingemar Bergman delivers some solid percussion throughout. All the songs as very well constructed and are given lots of space the breathe and create some lovely atmospheres. This album opens with an epic 21 minute suite "Skenet Bedrar" which is simply brilliant (must be heard!!!). Vocals are in Swedish except for the bonus numbers which introduce the world to English lyrics in an attempt to attract the world to KAIPA's talents. Overall I love KAIPA's music and "Inget Nytt Under Solen" is a solid offering which fans of FLOWER KINGS, ANYONE'S DAUGHTER etc. will love and treasure..." - ProgArchives
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  • "Originally released in 1979, these recordings show the first solo efforts by formerly Aera leader, guitar player and composer Muck Groh. But in fact this album wasnt a solo album but could be described at the third Aera album of Aeras first decade line-up. All those great musicians like sax player Klaus Kreuzeder, drummer Wolfgang Teske, violinist Christoph Krieger and a lot of guest musicians like Alto Pappert (formerly Kraan) and Aeras second decade musicians like Matz Steinke on bass and Limbus on percussions contributed to this great album. The first 4 titles on the CD (formerly A-Side of the album) are in the tradition of the second album "Hand und Fuss'. "Psychochinese im Stanzwerk" reminds to Amon Duul's Deutsch-Nepal. For the first time Muck Groh uses vocals in his compositions in a folky style and "Blinde Kuh" reminds a little bit to the early German new wave bands like Spliff or Nina Hagen Band. All in all this album shows many facets of Muck Grohs composer abilities and convinces with its clever arrangements. CD comes with comprehensive booklet with rare and unseen photos and there are 8 bonus tracks taken from a concert from 1981."
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  • "Esoteric Recordings are pleased to announce the release of a remastered edition of the 1980 album by the Canadian Progressive Rock group FM, City Of Fear . The band began life in 1976 with CAMERON HAWKINS (Synthesisers, Bass, Vocals) and NASH THE SLASH (Jeff Plewman) (Electric Violin, Mandolin, Vocals) coming together as a duo, making an appearance on national TV in Canada in the Summer of 1976. By March 1977 FM became a trio with the addition of MARTIN DELLAR on Drums. The band s debut album followed. In 1978 Nash the Slash was been replaced by BEN MINK on Electric Violin and Mandolin. City of Fear was the fourth album by the band, released in 1980 and was produced by Synthesiser wizard Larry Fast (of Synergy and musician with Nektar and Peter Gabriel). This Esoteric Recordings release is the first time City of Fear has been issued in Europe and has been newly remastered and includes an illustrated booklet and a new essay."
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  • We've had a hell of a time getting our hands on this album but its finally here and more than worthy of your attention.  In fact this is an album that is going to ride high on many 2014 top 10 album lists.This is the first full length release from this six piece band based out of Bergen, Norway.  The core sound of the band is rooted in classic progressive rock.  Think in terms of the aggressive side of Van Der Graaf Generator and King Crimson.  But there is more at play here.  A strong jazz element is at play as well.  I'm reminded of Jaga Jazzist and perhaps a bit of Frank Zappa and Mr. Bungle.  There is no doubt we are going to hear quite a bit from this band in the future.  BUY OR DIE!"An impressive album of refreshingly unique music that crosses many sub genres, including space-psychedelia, symphonic, heavy prog, avant-jazz and experimental/post metal. 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"Eschaton Hero" (8:29) opens with some guitar, keys & sax riffs repeated over latin percussion. At 1:00 everything settles down into another quiet section with a delicate vocal in Stian Økland's upper register. Beautiful chorus/bridge at 1:47 gives way to an unpretentious bass solo before settling back into the delicate vocal music. Same awesome bridge at 2:49 leads into a heavy section into jazzy chaos--all performed over the most simple, calm drum play. At 4:52 it gets even heavier as it plods along for a minute in support of a fuzz guitar solo. Finally the drums start to play--to match the frenzy of the rest of the band--then everything stops so the band can yell "Yay!" Then a variation on the previous frenzy picks back up until 7:05 when everything settles back down into the soft groove of the initial vocal section for a dirty sax solo before letting Stian finish the song out in his high voice. Well conceived and performed, just not my favorite. (7/10)4. "Extraction" (6:34) begins with another odd intro of two or three parts before settling into the vocal support section--which begins heavily before falling into another RADIOHEAD-like bluesy section. At 2:20 a neat Hammond section leads back into the heavy full band section that opened the vocals, then, again, drops off for the beautiful support of a multi-voice- supported section. At 3:45 a very smooth, stripped down electric guitar solos, until there is a full return to explosiveness at 4:20. A bouncy "O Yo Como Va"-like Hammond section at 4:40 gives way to a kind of Latin weave before falling back into the heavier rock weave from the first vocal section to end. (8/10)5. "God Left Us for A Black Dressed Woman" (14:12) opens with another KC "Discipline"-like weave that morphs and flows, polymorphs and grooves for two and a half minutes before decaying into a simplified form for a bluesy ROBERT PLANT-like vocal section. 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SEVEN IMPALE's City of the Sun is a wonderful collection of masterfully composed, executed and recorded songs.A 4.5 star album that I can't see giving anything less than five in that it is a treasure for the ages!" - Prog Archives
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  • Third album from this excellent Norwegian band.  Arabs In Aspic is yet another prog band influenced by the sounds of the 70s.  Lots of similarities to Black Bonzo.  Vintage keyboard sounds and nice heavy-ish guitar leads.  Vocalist Rune Sundby of the 70s Norwegian band Ruphus guests.  That band would be a pretty good comparison but you can definitely hear undercurrents of Uriah Heep and Deep Purple but there is more going on here. On the longer, jammier tracks the music takes on the psychedelic feel of Echoes period Pink Floyd.  Beautifully done.  Highly recommended.
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  • Phase - Midnight Madness is the third release in our limited edition Modulus series.  Pressed in an edition of 500 copies, it comes housed in a old school style tip-on mini-LP jacket.  A 12 page booklet features detailed liner notes from the members of the band.Phase was a New Jersey based quartet formed in 1978.  It featured Regan Ryzuk (piano, Moog, Celeste), Dave Anderson (electric and Anscor stereo guitar), Carl Scariati (Carl Thompson electric bass), and John Hvasta (drums/tympanis).  All members were young but highly accomplished musicians with a serious interest in jazz, classical composition, and progressive rock.  Their high energy instrumental music clearly demonstrated these influences.  The music of Phase can easily be classified as fusion but there are strong undercurrents of progressive rock that weaves its way through the album - not just in terms of the instrumentation or playing, but the compositions as well.The band signed a deal with QCA/Red Mark Records in Cincinnati.  The band left New Jersey and heading out to Ohio to record Midnight Madness.  The album was recorded and mixed very quickly.  It saw a release in 1979 and unfortunately sank without much of a trace.  Keyboardist Regan Ryzuk reissued the album two years label, rebranding and repackaging the release under the Fusion Quarter moniker.Hearing this music for the first time was quite a revelation.  I was blown away to say the least.  When I'm asked to describe the music I typically reply "Return To Forever meets Emerson Lake & Palmer".  Not only did this quartet have chops from hell but the compositions were challenging as well.  If you are a fan of RTF, Mahavishnu Orchestra or the prog giants ELP, Yes, Zappa, and PFM you will find much to enjoy here.Please keep in mind that when this edition sells out it will be gone forever.  
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  • "Get All You Deserve is a high-definition 4 disc audio-visual set from Steven Wilson.Directed by long-time visual collaborator Lasse Hoile, Get All You Deserve was filmed in Mexico City during the recent Grace For Drowning Tour. The set captures the spectacular live experience that Wilson and Hoile created for the tour on Blu-ray, DVD and 2CD.Following the release of Grace For Drowning, Steven embarked on his first ever solo tour, assembling a virtuoso band, featuring Marco Minnemann (drums), Nick Beggs (bass), Theo Travis (flute and sax), Adam Holzman (keys) and Niko Tsonev (guitars), to accompany him. For the shows he worked extensively with Lasse to create a show unlike anything else he had attempted with his other bands, Porcupine Tree, Blackfield, No-Man or Bass Communion.The shows immersed fans in a rich sensory experience: rear speakers provide surround-sound effects, giant screens show off Lasse's films made specifically to accompany these songs, and cutting-edge lighting designs giving texture to each song.Get All You Deserve captures one of the key shows from the tour. Recorded at a sold-out Teatro Metropolitan in Mexico City, the gig features tracks from both Wilson's solo albums along with the new, as yet unreleased, track Luminol. " 
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  • Weidorje not withstanding, Eskaton are quite possibly the best of all the Magma clones. The band existed from the late 70s into the early 80s. This eight piece ensemble completely grokked the zeuhl ethos with the exception that they use French vocals instead of Kobian. 4 Visions was the band's first album but was only released in the cassette format. In fact it didn't even become available until after the success of Ardeur - their first "official" album. It was released on CD in 1995 by APM and has been out of print for years."This is the very first vinyl edition EVER of this great album. It was at first published in cassette format in the US in 1979, then reissued on CD but until now it never made its way to vinyl. 2010 remastering by Udi Koomran, supervised by the band. The front cover is the one of the original cassette release, restored and now featuring all details of the original painting for the first time. Thick cover, 180 gram vinyl – Numbered, limited edition of 500 copies."
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