(Mankind) The Crafty Ape (2LP Vinyl)

SKU: CGR73601
Label:
Cool Green Recordings
Category:
Progressive Rock
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Stunning new album from Crippled Black Phoenix arrives as a sprawling 2LP set. This is one of the hottest progressive bands on the planet. Led by Justin Greaves, CBP channel the spirit of early Pink Floyd but update it with modern production. This is the band's fourth (or fifth depending on how you count) album. There is a thematic subtext dealing with corruption and injustice. This seems to be a recurring theme with CBP. Listen to this album - you can just hear a band about to explode on the world wide stage. BUY OR DIE!

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    $18.00
  • Amazing comprehensive box set collects all the works of the best Czech prog band. Blue Effect was also known as Modry Efekt. Their were led by the incredible guitarist Radim Hladik. The band emerged from the a band called The Matadors. The first album had more of a psych vibe with Hladik showing off the prerequisite fuzz guitar leads. The music became more and more progressive over the years. By the time the band his Svitanie the band was doing full on symphonic prog. Along with the 8 albums is a bonus disc that includes all their singles. Highly recommended.
    $65.00
  • Stunning reissue of the first Et Cetera album, originally released on the Global Music label. Et Cetera sported quite a lineup - Wolfgang Dauner (keyboards), Sigi Schwab (guitar, sitar, flute, etc), Eberhard Weber (bass, cello), Fred Braceful (percussion), and Roland Wittich (percussion). The music could almost be described as psychedelic jazz. Many of these members had backgrounds in free jazz/experimental music. This is a cohesive effort but their past as improv players shines through from time to time. Dauner and Schwab love to use a ring modulator and everyone seems to figure out a way to invent some freaked out noises. In fact Dauner's use of the ring modulator reminds a bit of Dave Stewart in National Health. Schwab's use of various stringed instruments brings a different dimension to jazz rock that you never hear. When was the last time you heard a fusion album with sitar, lute, tamubra, and kalimba? While this first effort doesn't hit the heights that they would attain on later albums like Rischka's Soul and Knirsch, its a pretty interesting foreshadowing of things to come. Essential!"This special limited edition contains the original Et Cetera's eponymous "silver cover" album (1980 reissue on Brain titled "Lady Blue"), originally released in 1971 on Global Records and another complete LP of recordings from the same recording session. This is an extraordinary album of weirdly trippy fusion that rides somewhere between instrumental Amon Duul II, Embryo and Dauners own earlier classic "Output". Full of ethnic (Arabic and Indian) spice with lots of the ethnic colour added by legendary guitar and sitar (et. al.) player Sigi Schwab (Embryo), oddly keyboard sounds by Wolfgang Dauner, dreamy bass patterns by Eberhard Weber and driving percussions by Fred Braceful and Roland Wittich, this is spacy, crazy, Krautrock and - a bit jazzy. Alan and Steven Freeman (The Crack In The Cosmic Egg) present this album in their "The Krautrock Top 100". Maybe the album was originally planned as a double-album because there are 4 more titles from the same recording session, which really knock you out. "Kabul" (08:56) (title-name is program) is a killer, especially because of Schwabs exploding electric guitar and Webers driving bass. "Tau Ceti" (07:15) is a wonderful dreamy delight presenting Schwabs gorgeous acoustic guitar playing. Further bonus track "Behind The Stage" (06:35) connects Schwabs special electric guitar with a band atmospheric but rhythmic fundamental play. "An Open Cans" (not an the CD-Version, for the first time ever released) is a 12:35 minute piece full of experimentation and reminds sometimes to album track "Lady Blue". This album will be a masterpiece for all time. Its unique. Remastered from the original master tapes. The sound is brilliant. Double Album comes with informative four-sided insert and a reproduction of the original album (silver cover) sleeve art. Limited edition of 1000."
    $49.00
  • BACK IN PRINT Renowned guitarist Scott McGill returns with his second instrumental solo album. Influenced by legends Bill Connors and Allan Holdsworth, McGill reinvents the genre by creating an aggressive style of progressive fusion. His high-energy fretwork matched by the potent rhythm section of Chico Huff (Mistaken Identities) on bass, and Vic Stevens (Gongzilla, Mistaken Identities) on drums. Ripe charts a new direction for both fusion and progressive rock.
    $5.00
  • "Some four years ago Borealis released their Fall From Grace, and my conclusion was simple. They presented adequate, yet typical, melodic European power metal just misplaced in Canada. To the present, it seems things may have changed, even improved, for the band for their third album, Purgatory.Yet, I'm not sure I want to get ahead of myself here. One spin and you hear echoes of previous material: riff heavy and intense, speedy power metal. As Mets manager Yogi Berra once said, "It's deja vu all over again." Actually, for my money, you could boil this album down to two things: blistering power metal and lots of epic guitar solos. Now, you say: "Dude, I love that shit!" Okay. Stop reading and go buy the album.But there's more. The keyboards seem more present, even adding a large portion symphonic orchestration to add to Borealis' naturally bombastic sound. Take note of My Peace, for example. Also, and not knowing who the principal guitarist is, Matt Marinelli or Mike Briguglio, the guitar lines are phenomenal. Forget the twin bombastic riffs, the leads are killer: soaring to the wow factor. Additionally, the arrangements are more dynamic; the progressive metal has gotten a bump here over the last album. Yet, this is not a hyper-technical leap. It's more changes in tempo and breakdowns. You'll catch some of this within Place Of Darkness or Welcome To Eternity. The latter also a good example, in the second half, of Borealis adding some thrash metal to overwhelm you.The wild card in this mixture is vocalist Matt Marinelli. I would like to say he can sing, and I think he can. But he's so often totally overwhelmed by the music to be nearly underwater. He's seems always striving and straining to stay ahead or, to continue the metaphor, stay above the music. Then you find out he has a generally pleasing voice and presence when you listen to Darkest Sin or Rest My Child, the two quietest songs here. I would imagine when you hear Borealis live, you'll have a Pink Floyd moment, from The Wall, when observing Marinelli: "Your lips move but I can't hear what you're saying." Nevertheless, Purgatory is definitely an advancement for Borealis, a fine album of more ambitious progressive power metal than past efforts. Recommended." - Dangerdog.com
    $15.00
  • When progressive rock icon Neal Morse was preparing to tour his highly acclaimed 2012 studio release, “Momentum,” he turned to YouTube to audition touring players to support his faithful duo of Mike Portnoy (drums) and Randy George (bass).He had high hopes, but the final players selected from more than 70 applicants dramatically surpassed his expectations. They hit the road for an 8-stop North American tour. And now that band’s epic New York performance is captured on the new “Live Momentum” 2DVD/3CD Box Set.Fortified by the energetic live contributions of Eric Gillette (keyboards, guitars, vocals), Bill Hubauer (keyboards, violin, sax, vocals) and Adson Sodré (guitar and vocals), Morse, Portnoy and George blazed through two lengthy sets that spanned Morse’s entire, highly-heralded catalog, with the exception of material from “Testimony 2,” which was previously captured in 2011’s “Testimony 2: Live in Los Angeles” box set.The setlist is mammoth. The players are virtuosic. Their performances are jaw-dropping. And this dynamic box set documents it all—including a special one-hour behind the scenes look at the tour.It’s a Morse tradition to go big, and this new release unquestionably extends his powerful legacy of merging musical madness with addictive melodies in epic compositions that showcase the masterful musicianship of every member on stage.“Live Momentum” reveals the exceptionally inspired nature of this unique band and leaves listeners andviewers mimicking those in the audience on this tour—shaking their heads and wondering, “How could they possibly top that?”This ENORMOUS 3 cd / 2 dvd set includes 4 hours of video, including and exclusive Tour Documentary and over 3 hours of audio.DVD 11) Momentum2) Weathering Sky3) Author Of Confusion4) The Distance To The Sun5) Testimony Suite (Sleeping Jesus, Prince Of The Power Of The Air, The Promise, Wasted Life)6) Thoughts Part 57) The Conflict (From Sola Scriptura)DVD 21) Question Mark Suite (The Temple Of The Living God, Another World, Entrance, Inside His Presence)2) Fly High3) World Without End4) Crazy Horses5) Sing It High6) King JesusBonus Feature: A Long Strange Journey – Tour Documentary (Edited By Randy George)CD 11) Momentum2) Weathering Sky3) Author Of Confusion4) The Distance To The Sun5) Testimony Suite (Sleeping Jesus, Prince Of The Power Of The Air, The Promise, Wasted Life)CD 21) Thoughts Part 52) The Conflict (From Sola Scriptura)3) Question Mark Suite (The Temple Of The Living God, Another World, Entrance, Inside His Presence)4) Fly High CD31) World Without End2) Crazy Horses3) Sing It High4) King Jesus   
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  • "Live In Tokyo is a live performance from November 14, 2012 at Zepp Tokyo for supergroup PSMS, which features drummer Mike Portnoy (Dream Theater, The Winery Dogs, Transatlantic), bassist Billy Sheehan (Talas, Mr. Big, David Lee Roth), guitarist Tony MacAlpine & keyboardist Derek Sherinian (Black Country Communion, Dream Theater, Billy Idol). This 95 minute concert showcases a wide range of instrumental performances from each of the members careers & collaborations. Included in the set are Shy Boy from Sheehan's band Talas, MacAlpine's The Stranger, Sherinian's Apocalypse 1470 B.C. and Dream Theater's A Change Of Seasons: The Crimson Sunrise."
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  • Third album from this Finnish power metal band finds them on a new label - Spinefarm Records. The sound hasn't changed at all. This is operatic female fronted power metal exactly in the same direction of Tarja era Nightwish.
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  • 4th album now remastered in a deluxe edition at a budget price (go figure...). Only bonus is a dispensable remix of "The Bells Of Notre Dame". Perhaps the band's most underappreciated album. A space rock classic.
    $13.00
  • First time on CD of this rarity from the Cybotron catalogue.  This one's been in my collection for decades so its nice to finally see it in the digital domain.  If you are not familiar with Cybotron, they were more or less Australia's answer to Tangerine Dream and Ash Ra Tempel.  The band features Steven Maxwell Von Braund and Geoff Green on a variety of instruments.  Back in the day Sunday Night At The Total Theatre was an "official bootleg" that the band gave away at gigs in order to drum up interest.  Pure cosmic bliss out music.  Comes with a bonus track and beautiful packaging.  Highly recommended."Firstly there’ a man in a cape on the cover of this obscure 1976 semi bootleg from the groundbreaking Australian cosmic Kosmische duo Cybotron. Secondly there are a whole bunch of cool looking analogue modular synths. It’s common knowledge in music circles that a cape alone is a guarantee of great music, but if you add modular synths to the mix then you’re approaching almost divine intervention.Make no mistake, there is definitely something quasi spiritual about this live recording. The label calls the pieces ecstatic mood ragas and it’s hard to disagree. These are definitely pieces that are all about worship, yet it’s not organised religion that’s the focus here, rather it’s the synthesizer that is the deity.Consisting of Steve Maxwell Von Braund and Geoff Green, Cybotron were heavily influenced by German electronic sounds from the early 70′, and would go on to release 3 studio recordings with an assortment of collaborators before finally disbanding in the early 80′. For this brief period in the mid to late 70′ Cybotron were the mainstays of the cosmic electronic music movement in Australia and did much to develop electronic music in this country.This is electric drone music, large beautiful synthetic slabs of electronics played out across an entire side of an album, thick semi improvised highly repetitious oscillations approached with a rare kind of patience. Here the journey is more important than the destination. There’ tranquillity to side one, which is taken up by the piece Parameters of Consciousness, where it’s not until a quarter of the way in that a beat slowly makes its presence felt. It all happens in such a gradual manner that it’s really only the change in their synth melodies that alert you to its presence. This is space music, experimental synthetic wig outs, and it’s probably more relevant today than it was then.Side 2 is Vulcan, which goes straight for space with seemingly improvised high pitched squiggles of sound accompanying some lower end noodling. It doesn’ really seem to know where its going, though just as there’ a moment of clarity the drum machine beat is brought in high in the mix and suddenly the squiggles turn into riffs and we’re part of a peculiar wrong almost pop stomp. It’s beautiful, chaotic and despite being one of the more musical elements on this recording, still quite experimental. Whilst this takes up much of the side, there’ also a super rare cut Ride To Infinity that was originally released on a 7inch, which is a much more carefully constructed sequencer heavy Tangerine Dream influenced tune of space electrics.The live recordings were originally recorded by 3ZZZ and were released just after Cybotron’ self-titled debut a year earlier. It’s a pretty incredible set. Even on a recording 37 years later it’s still an overwhelming near mystical experience. It feels so right to re release this material now (on vinyl), as here’ one of the almost forgotten pioneers of synthesizer music in this country and they actually sound better and more relevant than most of the music being made today." - Cyclic Defrost
    $15.00
  • The Diablo Swing Orchestra dates back to 1501 in Sweden, where history tells the tale of an orchestra that played like no other, with music so seductive and divine that the ensemble overwhelmed audiences all over the country. Their performances rapidly earned a reputation of being feral and vigorous and gained the orchestra a devoted crowd of followers. Their concerts attracted more people than High Mass in church and as a result the orchestra was accused of being treacherous and in league with the devil. The members were accused of being everything from heretics to the spawn of Satan. “The Devil’s Orchestra” was the epithet used by the church in it's attempt to halt the orchestra’s success. However, this eventually became a catchphrase that spread throughout the crowd, and before long it was the popular name of the orchestra. With the accusation of heresy a bounty was put on the orchestra, and as the hostilities from the church grew stronger the orchestra finally felt the need to flee. But they decided that if they were to disappear they should go out in style, by giving one last concert. Before doing so they all signed a pact saying that their descendants were given the task of reuniting the orchestra in 500 years, and that they should continue the orchestra’s work of spreading thought-provoking music. Six envelopes were sealed and given to trustees of the orchestra to pass on to family members. The final concert was a great success. Thousands of people came to see it, and the massive sing-along of the crowd made the performance the most talked about in history. Eventually, the armed guards arrested the orchestra. They were subsequently sentenced to death by hanging. Stockholm 2003. By mere accident two of the original orchestra descendants met in a music shop and began to discuss music. It later turned out that they both had received a strange letter from some ancient relative containing instructions on how to reunite The Devil’s Orchestra. By searching through archives and records they managed to track down the other ancestors. Daniel's sensibility for words and melodies made him the main composer. Annlouice's angelic yet powerful operatic voice gave a bombastic feeling to the music. Andreas swinging and energetic drumming provided the orchestra with a deep and solid foundation. And together with Andy's powerful finger style playing and funk-oriented slapping they made sure the songs had a steady groove. Pontus electronic and experimental influences proved useful as the orchestra wanted a contemporary sound. Johannes's emotive cello-playing, theoretical knowledge and stunning technique completed the orchestra. With reference to the old catchphrase they took the name Diablo Swing Orchestra and are determined to honor the legacy of their ancestors. Since the release of their debut “The Butcher’s Ballroom” in 2006/2007 the orchestra has gained a loyal fan base of their own. People have embraced their sound with open arms and they have been perceived as a fresh breath of air in a genre getting more and more stale and formulaic. The album was also well received among critics earning many rave reviews recognizing the new ideas the band brought to the scene. DSO’s sophomore effort titled “Sing-Along Songs for the damned & Delirious” proves that they are no one hit wonder but are here to stay. The new record set to be released in September 2009 is a smörgåsbord of different levels of musical insanity building on the foundation laid down on “The Butcher’s Ballroom”. Touring will begin in September starting with Progpower USA and will continue in Europe later in the fall.
    $13.00
  • "History will undoubtedly enshrine this disc as a watershed the likes of which may never truly be appreciated. Giant Steps bore the double-edged sword of furthering the cause of the music as well as delivering it to an increasingly mainstream audience. Although this was John Coltrane's debut for Atlantic, he was concurrently performing and recording with Miles Davis. Within the space of less than three weeks, Coltrane would complete his work with Davis and company on another genre-defining disc, Kind of Blue, before commencing his efforts on this one. Coltrane (tenor sax) is flanked by essentially two different trios. Recording commenced in early May of 1959 with a pair of sessions that featured Tommy Flanagan (piano) and Art Taylor (drums), as well as Paul Chambers -- who was the only band member other than Coltrane to have performed on every date. When recording resumed in December of that year, Wynton Kelly (piano) and Jimmy Cobb (drums) were instated -- replicating the lineup featured on Kind of Blue, sans Miles Davis of course. At the heart of these recordings, however, is the laser-beam focus of Coltrane's tenor solos. All seven pieces issued on the original Giant Steps are likewise Coltrane compositions. He was, in essence, beginning to rewrite the jazz canon with material that would be centered on solos -- the 180-degree antithesis of the art form up to that point. These arrangements would create a place for the solo to become infinitely more compelling. This would culminate in a frenetic performance style that noted jazz journalist Ira Gitler accurately dubbed "sheets of sound." Coltrane's polytonal torrents extricate the amicable and otherwise cordial solos that had begun decaying the very exigency of the genre -- turning it into the equivalent of easy listening. He wastes no time as the disc's title track immediately indicates a progression from which there would be no looking back. Line upon line of highly cerebral improvisation snake between the melody and solos, practically fusing the two. The resolute intensity of "Countdown" does more to modernize jazz in 141 seconds than many artists do in their entire careers. Tellingly, the contrasting and ultimately pastoral "Naima" was the last tune to be recorded, and is the only track on the original long-player to feature the Kind of Blue quartet. What is lost in tempo is more than recouped in intrinsic melodic beauty." - Allmusic Guide
    $6.00