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A Matter Of Trust

SKU: AFM392-9
Label:
AFM Records
Category:
Power Metal
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Die-cut digipak edition.

"One thing already in the beginning. Dark Age continues with their change. If this is good or bad each of you have to evaluate personally.  I like the new album, as well as I liked their more death metallic history. The guys from Hamburg are more and more filling a gap between Linkin Park (70%) and In Flames (30%). That will say, that there are still some, almost hidden, death metal part in some of the songs, but the melodic parts are still increasing and the usage of keyboards became more. In that sense “A matter of trust” is a logical next step following their 2009 album “Acedia”.

So what is, next to ‘change’, the consistent factor. Dark Age are still writing good songs. The songwriting quality didn’t change. And the band also comes up again with a very good production – maybe it’s even too perfect in the sense of being too clean.

The album starts with “Nero”, a song which represents the album in a good way. The song is very melodic, and a great chorus. In the verse I was even party reminded to Simple Minds with some rougher guitar work. “My savior” makes use of the same pattern, but increases intensity towards the end.

Songs like “Out of time”  and “Fight” show more the history of the band. The remind me in parts to the “Dark age” album.  “Dark sign” is a good mix between old and new. It combines old trademarks with a dark atmosphere.

And than there are a few very keyboard focused tracks on the album. Songs like “Onwards” are probably not even metal anymore, even though I like it. But the guitar is pushed very much to the back and the keys are dominating the scene.

“A matter of trust” became a good album. But it also needs an open mind to enjoy it. If you got over the fact that the album didn’t became another “Dark age” you will have a enjoy what you hear. If you’re deeply rooted in death metal I would recommend to go for the new Master album instead." - Markus' Heavy Music Blog

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  • "Can it be possible that we've got to 2014 without me ever having heard a studio album by Lazuli? Yes, ladies and gents, that is possible, I can assure you. Whilst I vividly remember Lazuli live in Tilburg some years ago in 2007 at the Symforce Festival and actually finding them making a huge impression with their live performance, I simply never got around to either buying nor listening to their studio albums. Shame on me for not doing so. More so as I now fully realise what I have been missing in music for quite some years. What a joy it was to hear the Lazuli sound again and now on a new album as well.For days Tant Que L'Herbe Est Grasse has been spinning its rounds in many CD players, be it in the car, at work or on my home system. Opener Déraille with its environmentally engaged lyrics gets on its way with a fine rhythm and very varied sounds and immediately draws you deep, deep into the world that is Lazuli's. I must add that Dominique Leonetti's passionate singing and the way his vocal lines, to these ears, are almost an instrument in their own right set them apart from many other bands. It may just be that you get drawn to listening to the lyrics even more and try to understand them that much better.Une Pente Qu'On Devale has the slightest bit of a Marillion vibe that reminds me a wee bit of the feel of their semi-acoustic tracks like Man Of A Thousand Faces, yet this is more modern and Lazuli rock out towards the end. There's also some fine, fine soloing in there too.Homo Sapiens just grabs you. It's more ballsy and reminds a bit of Riverside whereas the second half of the song tips its hat to latter day Fish, that is before the band start again and we get a fine Léode solo. The Fish vibe also appears to shine through on Tristes Moitiés and L'Essence Des Odyssées, yet it is not that these songs make Lazuli sound a 100% like everyone's favourite Scotsman; not at all, yet there is a comparison in sound that, to me, flows back to the Raingods with Zippos days. Fish himself features on J'Ai Trouvé Ta Faille where he gets to sing in the second part of the song. Another fine song on this very fine album, but there is plenty more to hear before we actually get to that one, the eighth song on the album.What Lazuli have delivered here is an album rich in sound and where all band members get to shine, be it individually yet moreover in how much this album is a band effort. On first listen you might find that the songs are just songs, but their build has more to them than appears on first listen. This is an album that grows each and every time you hear it. There are parts that are prog, world music, folk rock, storming out and out rocking moments and they are all brought together in this album. As I once more listen to Tristes Moitiés Lazuli again fully draw me into their realm. What is it that makes albums present themselves as ever growing in beauty? The textures, the soloing, the intricate drum and percussion parts that get to you more and more with each and every listening session. I dare say that this album has all that and, as already mentioned, there is the great singing!Multicolèlere, a play on the words "multicoloured anger", speeds things up once more and shows a heavier Lazuli. This whole song very much gets to me and perhaps there's another bit of Riverside, but let's just cut to the chase; this band sounds every inch like Lazuli should. And there is only one way to find that out for the not yet initiated and that is to just go and listen to this fine gem of an album. Don't think you can do like me and miss out on one of the finest prog bands around - why should you? You'd be missing out on real beauty. And yes, listen to this album all the way through, you won’t find that hard at all as J'Ai Trouvé Ta Faille is another beauty as is the closing song, Les Courants Ascendants, the only song to reach beyond the 6 minute mark. But count that as an asset that Lazuli have to their songwriting; they succeed in writing compact songs that are all very varied throughout the album." - DPRP.net
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  • Swedish melodic prog metal band Cullooden is the latest band to emerge from the Roastinghouse management stable.  Their debut, Silent Scream, sits nicely besides bands like Circus Maximus, Withem, and Seventh Wonder.  Strong anthem-like vocal harmonies permeate the album.  Plenty of nice soloing throughout the album.  Keys are featured but the real star of the show is the guitar work.  Highly recommended."If I have to put on a specific metal sticker on this debut album, it has to be something like this: Modern, melodic metal with big jagged shards of prog metal/rock. This Swedish trio in Cullooden is giving us a disc, which is very technical and at the same time it's a very melodic album. 'Silent Scream' is a metallic gold bar. It contains adult, progressive metal tracks played with ultra strong harmonies and Cullooden is fronted by one of the strongest and widest new rock voices I've heard in a long time.Fredrik Joakimsson owns the talented voice, and he handles the highest tones just as perfect as in the harsher and darker tunes. I hear musical influences that reminds me of Dream Theather or maybe even more from their compatriots in the magnificent progressive metal band Seventh Wonder and the Norwegians in Circus Maximus.Cullooden is not another beginner's project, which has released a 'quick shot' album, nope they knew what they were going to record on 'Silent Scream' and the songs are so overwhelmingly worked through both musically and lyrically. The album is also extremely well produced. I have to stick my neck out and say that it is perfectly produced, there is absolutely nothing to complaint about.What attracts my interest a little more than normally is the elegant flirts with the melodic hard rock, like in 'Our Only Desire' and in 'An Interesting Fact', which are some of my favorite tracks on this album. The heavy bass rhythms are pressing in the background, but it's easy listening and melodic nonetheless. The quality rhythmic metal that has been mixed with the progressive tones becomes an insanely congenial overall impression. Every track has it's own personality and I've used much of my time to sort this album in and out and my final conclusion is this: A new shining progressive metal star is appearing on the metal heaven and it's called Cullooden!'Silent Scream' will most likely be played over and over again for a long, long time to come when I want life-inspiration or just want to hear at succulent melodic metal or world-class quality prog metal. I love it!The album is recommended for most metal fans, although the melodic/progressive metal fans will most likely worship this masterful album release!" - Power Of Metal
    $16.00
  • Digipak edition with bonus track."These Power Metal merchants are held in high regard thanks to their personnel who have the experience, plus the previous four albums by Silent Force have held the attention mixing the hooks with rampant guitar riffs and their flair for clinical execution.Their last album, 'Walk The Earth', was unleashed back in 2007 so there has been plenty of water under the proverbial bridge leading up to this release.One notable difference for fans of Silent Force is the absence of D.C. Cooper on lead vocals. He has returned to the mighty Danish Melodic Progressive Rock band Royal Hunt and on this album is replaced by Michael Bormann known for his work with Bloodbound and Powerworld.Known as the main brain behind these Metal marauders, Alex Beyrodt starts the proceedings with some Yngwie Malmsteen style fretwork before 'Caught In Their Wicked Game' runs loose. Fast paced and ready to eliminate the competition the band sound hungry and eager to please.The new vocalist here really complements the sound, but may have some struggles winning over purists who yearn for their favourite original singer. 'There Ain't No Justice' and 'Circle Of Trust' both thrust the sword through the torso as the energy remains relentless.I really enjoyed the opening salvo of these three songs the first time I heard this album, through to the fifth spin and so on. The latter of these three tracks retains a pop sensibility, but loses none of the Metal credentials that you'd expect from this band.Not much to find fault about regarding 'Living To Die' which doesn't have the same prominent and obvious hooks as the previous songs, but still retains the quality. Listen out for some tasty keys from Alessandro Del Vecchio in the song 'Before You Run' and there's some mean riffing throughout 'You Gotta Kick It'. The balancing trick between the keys and guitar is the love affair that makes this album so appealing to the ears. They are the real stars from start to finish.Sarah has a lot to answer for as 'Turn Me Loose' tackles a relationship lyrically and maintains the groove in the backdrop. Solid drumming from André Hilgers keeps the good ship Silent Force on course providing a solid backbone, but is still unable to save this song from being below par in comparison to the rest. Perhaps slipping a little through the gears and reaching auto-pilot, 'Born To Be A Fighter' goes through the numbers competently enough, but the sparks aren't flying.Meanwhile, 'Anytime Anywhere' picks up the level of quality and mixes things up with a fine arrangement oozing melodies at each turn. This brings us to the final track 'Kiss Of Death' which chugs along like your favourite Metal anthem. The chorus stands up well and is a great way to round off what overall has been an enjoyable journey.Eight out of ten of the songs here are monuments to their reputation and abilities. Top quality musicianship, crisp production and power found in the crevices are all that I was hoping for initially, plus a feisty and strong delivery from the new vocalist. Thankfully, they tick the boxes consistently apart from a couple of weaker tracks that don't quite reach up to the benchmark they set with the rest of the album. Let power and melody unite in a blissful collision once more, as album number five aligns itself with their back catalogue." - Metal Talk  
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  • Woodpecker is the debut release from singularly named Swedish vocalist AnnaMy (her spelling not mine).  Its a gorgeous album.  This is beautifully recorded gentle, melodic psychedelic folk.  Plenty of electricity here - most notably on electric guitar courtesy of Reine Fiske.  Undercurrents of flute and organ spice up the mix but the focus is on AnnaMy's stunning voice.  The overall sound pays homage to the greats of the 70s.  Think in terms of Trees, Mellow Candle, Caedmon, and Vashti Bunyan.  This one is a real grower.  Highly recommended.
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  • Reissue of the band's first album.  Fantastic progressive power metal with a strong spiritual message. Normally I'm not a big fan of the one-man-band concept but composer/singer/multi-instrumentalist Matt Smith really blew me away with this first time effort. Elements of Savatage, Queensryche, Symphony X and even Kansas pop up. Long epic sweeping tracks with lots of power and melody. Matt's proves he's got the voice and the chops to go far. Highly recommended.
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  • "In the mighty and fertile cold lands of Sweden in the early 2000, Markus Sigfridsson, a skilled young guitar player, with his best friend, Tobias Enbert behind the drum kit, created HARMONY, a Christian Power Metal band influenced by the great Scandinavian Neo-Classic tradition updated with a strong Melodic Prog-Metal tendency…The perfectly named HARMONY, is an ambitious group that was immediately warmly acclaimed by our community, a general positive consensus that occured right after the succesful release of their debut album, “Dreaming Awake”, in 2003, an impression that was even reinforced by its solid sucessor, "Chapter II: Aftermath", published in 2008.In late November 2014, it was the next crucial step in their career, their third offering, "Theatre of Redemption", was available. The big announcement was that it featured in the Lead Vocal role, one of the most reputed Metal singer from Sweden, the one and only LOST HORIZON’s former Daniel Heiman, who provides, as expected, a superb performance; very impressive in every section, displaying an amazing range and an outstanding emotional imperssonated feeling, and I had the privilege to review it with a good rating of 9 in result…"Theatre of Redemption" finally ends up really high, in my famous top list for 2014…They also encountered some kind of achievement with DARKWATER as a side-project; the duet of musicians is still very active and full of ressources!On May 22nd in Europe, and on May 26th in North America, the Swedish melodic Power Metal band HARMONY, will release a new work in EP format, entitled “Remembrance”…Once again published through Ulterium Records will features the legendary vocalist Daniel Heiman (ex LOST HORIZON/ex HEED/ now frontman for LAVETT) on vocals. This six track EP includes four re-recorded songs from the HARMONY's debut album, “Dreaming Awake”, as well as two brand-new songs.Of course, “Eternity”, “Dreaming Awake”, “Without You” or “She” are the reworked tracks; the running order is still the same, keeping the original successivity, while at the final slots, the songs ”In His Heart” and ”Feed My Hunger” are the newest compositions; you can count on the ultra precise sonic rendition in the purest Swedish Tradition as, like “Theatre of Redemption, “Remembrance" was mixed by the same glorious team at Studio Fredman (DREAM EVIL/HAMMERFALL/IN FLAMES).Although a little short, "Remembrance" is fully packed with the best exemples of "how Modern Power Metal has evolved" with orchestrated arrangments, a few ballads, sporadic acoustic elements and more subtle, understated interludes (“Without You”) and something sounding quite parallel to Progressive Rock (“She”), the whole is clearly well played and superbly produced with with a huge dynamic range .The epic side and the Metal straightness is still present, strategically added, giving a more accessible feel to the listener with song like the opening cut, “Eternity”.If the style of the early album is respected, obviously the new found technically and proficient focus has given another color to this EP, a challenging method crafted under a even more epic flavor, the title track and “She” were two of my favorites in their “Dreaming Awake”. Now maybe in concurrence with the quality of the recently added tracks, like the infectious chorus within ”In His Heart” and its numerous layers of harmonized vocals, or ”Feed My Hunger”…The second being the most emblematic; it fit into the existing stylistic musical realms and show the more Melodic way forward for what could be the band's future, with a sophisticated Eastern/Oriental chord-structures mixed with the refreshing harmonic excellence!Another warning coming from the North…Will you remember?" - Metal Temple
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  • Redemption is one of the leading progressive metal bands in the world today.  Formed in Los Angeles, California in 2000 by guitarist / keyboardist / songwriter Nicolas van Dyk, the band features legendary progressive metal vocalist Ray Alder of Fates Warning, as well as guitarist Bernie Versailles (Agent Steel), and the phenomenal rhythm section of Chris Quirarte (drums) and Sean Andrews (bass).Redemption’s combination of heaviness not usually found in progressive metal, irresistible melodies and emotional urgency has created a unique and resonant voice for this band that sets them apart from the many clones in the genre, and which has gained them the attention of fans, critics and musicians.Through the band’s first three studios CDs (2002s self-titled first release, 2005’s The Fullness of Time, and 2007’s The Origins of Ruin), Redemption gained a loyal fanbase and garnered rave reviews worldwide from critics, who describe Redemption’s music as“one of the best progressive metal acts to emerge in the past decade” – DPRP“magical aura and incredible songwriting” – BLABBERMOUTH“it's powerful, catchy, enslaving, technical; it's the whole bunch” – LORDS OF METAL“the new star on the US prog-metal sky” – SQUEALER ROCKSAfter touring in support of Dream Theater and documenting at headlining show at tour’s end entitled Frozen in the Moment, the band returned to the studio to release 2009’s Snowfall on Judgment Day and 2011’s This Mortal Coil.Performing in support of that record, in 2012 Redemption co-headlined the world-famous ProgPower Festival in Atlanta, where the band recorded a unique show featuring nearly 80 minutes of material and staged with complementary visuals that drive home the compelling emotional impact of this band.   That performance is now being released as a CD/DVD set with additional bonus material through Sensory Records, the band’s original label.  From fan favorites such as the never-before-performed Parker’s Eyes to the crushing emotional weight of Stronger than Death, Redemption’s performance captured the special ability of its music to deeply connect with fans.  In the words of one concert-goer, Redemption’s show “was definitely the most exhausting, personal and emotional musical experience I’ve ever had.” 
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  • "The successor to "Obsessions" (2011) was mixed and mastered by Jacob Hansen at Hansen studio in Denmark (Volbeat, Pretty Maids, Amaranthe a.m.m.)Beside band leader Samuel Arkan, the following vocalists and musicians contribute to"Fantasmagoria": Tom S. Englund (Evergrey) Henning Basse (ex-Metalium, ex-Sons Of Seasons, Mayan) Ida Haukland (Triosphere) Matt Marinelli (Borealis) Tezzi Persson (Between The Silence) Mike LePond (Symphony X) Léo Margarit (Pain Of Salvation) Julien Spreutels (Ethernity) Simone Mularoni (DGM)The quite unusual thing is that all these guests came to the Noise Factory studio (Belgium) to track down their parts. Nobody recorded his/her parts at home, like with some many other projects."I wanted the whole thing to get a real "band" feeling", Arkan says. "Therefore having all vocalists and musicians here was very important to me. We got to know each other better and better while spending time together. The new material sounds very fresh, dark, heavy, modern and "true" with "straight in the face" guitar riffs, intense voices and melodies, massive work on progressive atmospheres and orchestral parts. All the artists who participated in this album gave their soul to it, gave their best, they travelled deeper into sensitivity and sincerity. That's probably the best words which define this next album... sincerity & spontaneity! This album comes from the heart of each musician and vocalist who worked on it, and you can feel it when you listen to this new EPYSODE album."Compared to the debut "Obessions" the new material is a step forward in every way, with even better songwriting, a massive sound, powerful production and an intensity you rarely find these days.With the top notch vocalists that are gathered here (a.o. Evergrey’s Tom S. Englund, who is contributing to 5 songs) the "Fantasmagoria" concept story comes to life in a very intense and thrilling way, with lots of facets, expressive singing, deep & dark emotions. Englund’s duet with Ida Haukland (Triosphere) on the album’s title track especially gives goosebumps to the listener. There is also a plot to the "Obsessions" album and many fans of concepts will have their pure delight in discovering the story behind the story.The "Fantasmagoria" recordings took place from December 2012 to end of April 2013. Responsible for all keyboards, piano, arrangements was again Julien Spreutels, "my brother in crime, without him Epysode would not be as it is", Samuel says. "He did one more time an outstanding job and gives magic to Epysode, It's always a pleasure and very inspiring to work with him". "
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  • "With their timeline stretching back to 1997, and now 8 releases under their belt, our Celtic brothers have stood the test of time in the ugly realm known as the Music Business. It is a harsh mistress, but lo, Peter Scheu and his fellow mates have persevered and ridden out the storms, with good reason. "The Call" is their latest release, combining some interesting aspects of metal, Celtic, and Folk themes to bring forth a rugged, almost rustic sounding album. This proved to be an interesting journey for yours truly.I am quite fond of the Pagan / Folk / Viking bands, and relish the opportunity to review such music, with this being no exception. As a whole, I found "The Call" to have some bright moments of metal mixed with a few not so shining moments. The vocals are very traditional, with a few songs such as "Princess Of Destruction" having a few screams to rile the listener. The backing vocals weren’t always on the mark, and at times, a wee bit painful, especially on "Varus Battle". The guitar work is pretty good, driving and free spirited, with at times, a Power Metal feel to it such as on "Love Song". "Chains Of Captivity" has some great solos on it. The keyboards are almost non-existent, which is unfortunate since they can lend so much to a song. Drum work is good but standard, which the same for the bass. Not bad by any means, but throughout most of the songs they are just, there. The production quality isn’t the best with the album sounding very bottom heavy. Again, not bad but not stellar either.  For a rating, I would say a 6 out of 10. Until next time, stay well, and live free! " - Metal Temple
    $8.00
  • New album from this Austrian symphonic metal band.  The band has been a bit of a revolving door with vocalists but Maxi Nil has settled in nicely.  The music is based in the traditional female fronted gothic style with clean male vocals trading leads back and forth.  This time around I hear more of a poppier, catchy sound - somewhat like the direction Delain is moving towards.  Highly recommended to fans of the genre (I wave my hand proudly).  Digipak edition with one bonus track.
    $16.00
  • "Founded in 2011 by music composer an lyricist Luca Gagnoni with the intent of creating epic, powerful music with a peaceful message, Astral Domine have signed a deal with Bakerteam Records for the release of their debut album ‘Arcanum Gloriae’. Produced by the band itself, with mixing and mastering duties held by Andrea De Paoli (Labyrinth, Vision Divine) at Multimedia Sound Studio, ‘Arcanum Gloriae’ features special guest appearances by renowned singers Fabio Lione (Rhapsody Of Fire, Vision Divine, Hollow Haze) in the song ‘Where Heroes Die’ and Giuseppe “Ciape” Cialone (Rosae Crucis) on the song ‘Falsi Dei’. Inspired by fantasy themes and landscapes, Astral Domine’s music is perfectly depicted by the ‘evocative album artwork, which recalls the epic scenery of the Game Of Thrones series.After the epic-intro, comes the first big moment of the album; "Holy Knights" is an impressive epic and powerful metal song that combines the melody with the heaviness in such a unique way. The acoustic mellower parts give to the song the extra flavor and make this song an ecstatic moment. With "Moonlight" the band delivers a really heart-full tune filled with some amazing guitar lines. Brilliant stuff! "Where Heroes Die" is yet another highlight from this debut release. The appearance of Fabio Leone in this one takes the whole track into a higher dimension! "I'm The King" recalls some Malmsteen's earlier works while in "My Lord" the theatrical-movie elements along with melancholic vibe are making this tune a true highlight!All in all, this is an extremely interesting release all the way. This is not the ordinary epic power metal band; ASTRAL DOMINE delivers a solid record with a 'clever' way that finally achieve to fascinate the listener from start to finish! " - Heavy Paradise
    $12.00
  • "Filmed live July 9th, 2009 at the Masters Of Rock Festival in Czech Republic, in front of over 50.000 people, One Live is Shaman’s ultimate live experience. The band’s latest DVD release shows the band play songs with the Philarmonic Orchestra of Prague. Included in the DVD there is also a documentary depicting some candid moments in the band’s touring life, shot during the entire European tour of the same year. "
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  • Special edition with bonus tracks."At first, I was somewhat unsure what I was going to get when I was sent this promo. The name seemed to be an attempt at a funny pun on the name of a “Harry Potter” character from my childhood. Then I read the press release, and just who was involved and realised it was going to be something awesome. Featuring ex-HELLOWEEN member Roland Grapow on guitars, as well as Thomen Stauch, who used to be in BLIND GUARDIAN, amongst other particularly good musicians, I just knew it was going to be a power metal treat.The album opens up with “I Seek No Other Life” and we’re straight into awesome riff territory, and some fantastically delivered vocals from Urban Breed, combined with awesome riffs and a powerful rhythm section, further developed by some nice bombastic keyboard melodies from Jan Vacik (ex-DREAMSCAPE). This is followed by “High And Low” and this has an awesome main melody that meets perfectly with the powerful chorus as well. A nice sense of groove really moves this song along.Some nice piano melodies open up “Sealing My Fate” in a delicate fashion, with some equally soft vocals here, before the song slams into a nice heavy yet melodic riff. This song has a really nice powerful chorus, and some great playing throughout. “Temple Of The Sun” is an instrumental with a fitting melody considering the title, with a highly symphonic sound to it, which then slams into “Akhenaton”, which is of course thematically similar to its instrumental introduction. This one has a real STRATOVARIUS feel to it, with really good use of dynamics in amongst some fantastic musical moments.“My Mystic Mind” is a real hard hitting track with some great guitar melodies and some nice use of dynamics, clashing stabbing guitars with piano melodies in a really interesting way. “Trail Of Murder” is straight off the bat a fantastic song, with some great guitar riffs meeting some tasty melodies. Again, the strong sense of dynamics is at play here, with lots going on in the song.Title-track “As Daylight Breaks” is a softer track, mainly relying on symphony and vocals to carry the track, with some really well performed parts all around making this a nice emotional sounding track with plenty of build and atmosphere. “Setting Fire To The Earth” follows this up and this one feels like PRAYING MANTIS on steroids, with heavy riffs and some great lyrical themes and vocal harmonies colliding to form a great track.Penultimate track, “Listen To The Storm”, builds an aptly moody atmosphere to start off with, with thunderous sounds meeting some nice guitar parts. The song develops nicely as it goes, with a really nice catchy chorus!The album ends on “Older And Wiser” and this is a nice high energy power metal track to finish things off, with some nice virtuosic playing and a nice fast pace throughout. This closes the album on a real nice note, leaving you feel pumped up and ready for more.The production is spot on, everything has a nice sense of power to it when needed, and softer moments are also equally well done. All the different things that are going on are mixed nicely, from heavy guitars to the softest piano moments. The vocals are also really nicely done, and a heavy rhythm section sound really powers this album along.“As Daylight Breaks” is a must-have for fans of Power Metal the way it should be done, there’s heavy and melodic riffs, soaring vocals, and great songwriting throughout this mammoth of an album. Keep your eyes peeled for this in 2015." - Metal Temple
    $9.00
  • "I've always been rather impressed Mastercastle, the Italian melodic metal band created by expert guitarist Pier Gonella and fronted by the powerful vocals of Giorgia Gueglio. They return with bassist Steve Vawamas and newcomer the respected drummer John Macaluso (Ark, Yngwie Malmsteen, and James LaBrie). The strength of the band has always been the ability to create great sounding melodic metal songs with a rock groove, besides merely showcasing Gonella's amazing fret work.That's what you get on their fourth album, On Fire. It's a worthy title: every song here will burn up your speakers with rocking melodic metal. That's not to say that Gonella doesn't get his turn. There's two instrumentals, The Final Battle and Almost A Fantasy, where he displays his significant guitar skills. And they're in the other songs as well.You'll note that the other songs have some metal or reference to metal in the title. Lyricist Gueglio intended to write a concept album around metal, metallurgy, and alchemy. But she discovered that the words turned more sentiment and emotion, "the passion of making music in a difficult world." Considering the strength and pure entertainment value of these songs, any band could use a bit more of her passion. The songs with that burning rock groove leap from speakers with huge melodies and vocal arrangements. Notable are Silver Eyes, Leaden Roads, Platinum, with Giorgia's most haunting vocals, and the hugely addictive Chains (watch and listen above). Leaning more to the heavy metal side of things are Titanium Wings and the speedy Quicksilver. It's all good: some of the best songs Mastercastle has ever written. On Fire is strongly recommended." - Danger Dog
    $13.00