The Quantum Enigma

"Henry Fool's Men Singing is an ambitious four track instrumental album featuring members of No-Man, I Monster and Roxy Music. Equal parts dynamic drums, spiky guitars and atmospheric washes of fluttering flutes and vintage keyboards, the album was produced and arranged by Stephen Bennett (keyboards) and Tim Bowness (guitar), and mixed by Jarrod Gosling (I Monster/Regal Worm), who also contributes Mellotron, glockenspiel and artwork. Appearing on two of the four tracks, Phil Manzanera's legendary guitar skills can be heard in the context of long-form instrumental music for the first time since his celebrated stint in 1970s mavericks Quiet Sun. Other contributions come from Peter Chilvers (bass), Michael Bearpark (guitar), Andrew Booker (drums), Myke Clifford (sax/flute) and violinist Steve Bingham. A vibrant and instinctive contemporary take on Progressive, Psychedelic and Jazz Rock styles, Men Singing is available as a limited edition cd in vinyl replica artwork. Mastered by Pink Floyd sound engineer, Andy Jackson."

Maxophone was one of the great "one and done" bands of the Italian scene.  They recorded one great album in 1977 (some of you may be familiar with their English language version) and then imploded like countless other prog bands did in 1977.Live In Tokyo features a reformed lineup recorded in Tokyo in 2013.  They do faithful recreations of the material from their eponymous album.

"Hammerfall has returned!There are few bands out there in the heavy metal world as easily recognizable as Swedish power metal pioneers Hammerfall. The band was formed in 1993 but has had periods of being active and stagnant over the years. Their overall sound and lyrical themes of fantasy-rich battles have hardly changed throughout their career, up until their most recent album Infected in 2011. One of the best things about Hammerfall is the ability to get lost within the epic lyrics, vocal layering, and straight forward heavy metal gallop throughout every track. Infected didn’t meet the band’s standards set in albums like Renegade (2000) or Glory to the Brave (1997). While a band should never be punished for doing something different, the fans didn’t exactly react well to this new sound. However, it is clear with this fall’s release of (r)Evolution, the band paid attention to their fans and returned with a similar sound as their earlier days (though successfully refreshed and revamped).The album kicks off with “Hector’s Hymn” which couldn’t get more stereotypically classic Hammerfall if they tried. With the iconic voice of Joacim Cans soaring above the band, the song features epic lyrics, fantastic vocal layering, and guitar leads that are equally as inspiring. This is a perfect track to begin an album about revolution, as it speaks to both the classic Hammerfall we all know and love, and the promising future the band has in front of them. Speaking of the band’s evolution, the title track “(r)Evolution” immediately follows giving the album a very strong start. This song features creative musical references, and catchy vocal arrangements encouraging the listener to chant along with the chorus. Overall, the music is pretty simple and straight forward which assists in making this song one of the catchiest on the record.“Live Life Loud” is the most anthem-like track, although it has a relatively slow tempo to start, it quickly builds to yet another Hammerfall classic. The drum and bass work provide great rhythm beneath the chanting ‘live life loud!’ chorus, though I do feel as if the guitar work is somewhat lacking and left a layer of the song missing throughout the verses. The guitar solo, in true Hammerfall fashion, is spot on and perfect, but I feel as if the rest of the song is missing something.Hammerfall 2014A shining moment on the album is the slow, ballad-like “Winter is Coming” and if the Game of Thrones fan in you is smiling right now, it should be. This has become a somewhat tag-line for the series, and Hammerfall took full advantage of that fact. This is a very serious, somber song, and with the slow tempo and Cans’ voice soaring above it all, it truly is chilling at times. Immediately following, for those of you that fell asleep, “Origins” wakes you up with a faster tempo, great guitar leads, and prominent drumming. This is easily one of my favorite tracks on the album, as it has a large and epic chorus, but it is not over the top or cheesy. The guitar melody featured in the beginning repeats throughout the song, but the shining moments are definitely in the guitar solos. The true strength comes from Norgren and Dronjak’s great harmonizing ability and the galloping bass lines beneath it all. Overall, this song feels like a very natural Hammerfall song, and isn’t forced or rushed in any way.The album comes to an end with “Wildfire” which is another favorite track of mine. It is so upbeat and high energy, and features an epic chorus style hardly ever heard from the band previously. The guitar work is 100% speed metal, but the song also features a great bass solo harmony into an irresistibly groovy bridge. This is one of those songs that has to be played on repeat over and over to hear all of the elements mixed in, and although it closes the album, it still manages to bring it up to a whole new level.(r)Evolution definitely starts and ends on very strong notes, though the middle is somewhat hit or miss with filler tracks. That being said, the album is a powerful one, and is definitely a step up from Infected that fans of classic Hammerfall will love. This isn’t a sequel to 2005’s Chapter V, but I can definitely hear a lot of that album’s influence in play (they even reference the record, and you’ll catch it easily). If that album was a favorite of yours with its fun, larger than life lyrics and riffs galore, you’ll love (r)Evolution just as much. I definitely do!" - Metalholic

Redemption is one of the leading progressive metal bands in the world today.  Formed in Los Angeles, California in 2000 by guitarist / keyboardist / songwriter Nicolas van Dyk, the band features legendary progressive metal vocalist Ray Alder of Fates Warning, as well as guitarist Bernie Versailles (Agent Steel), and the phenomenal rhythm section of Chris Quirarte (drums) and Sean Andrews (bass).Redemption’s combination of heaviness not usually found in progressive metal, irresistible melodies and emotional urgency has created a unique and resonant voice for this band that sets them apart from the many clones in the genre, and which has gained them the attention of fans, critics and musicians.Through the band’s first three studios CDs (2002s self-titled first release, 2005’s The Fullness of Time, and 2007’s The Origins of Ruin), Redemption gained a loyal fanbase and garnered rave reviews worldwide from critics, who describe Redemption’s music as“one of the best progressive metal acts to emerge in the past decade” – DPRP“magical aura and incredible songwriting” – BLABBERMOUTH“it's powerful, catchy, enslaving, technical; it's the whole bunch” – LORDS OF METAL“the new star on the US prog-metal sky” – SQUEALER ROCKSAfter touring in support of Dream Theater and documenting at headlining show at tour’s end entitled Frozen in the Moment, the band returned to the studio to release 2009’s Snowfall on Judgment Day and 2011’s This Mortal Coil.Performing in support of that record, in 2012 Redemption co-headlined the world-famous ProgPower Festival in Atlanta, where the band recorded a unique show featuring nearly 80 minutes of material and staged with complementary visuals that drive home the compelling emotional impact of this band.   That performance is now being released as a CD/DVD set with additional bonus material through Sensory Records, the band’s original label.  From fan favorites such as the never-before-performed Parker’s Eyes to the crushing emotional weight of Stronger than Death, Redemption’s performance captured the special ability of its music to deeply connect with fans.  In the words of one concert-goer, Redemption’s show “was definitely the most exhausting, personal and emotional musical experience I’ve ever had.” 

"Massive Addictive won’t do anything to improve Amaranthe’s relationship with their haters, but the diehard fans will fall in love with the band all over again. The vast majority of fence-sitters, meanwhile, will find themselves drawn in by what is, quite frankly, a surprisingly addictive listen that justifies the wonderfully arrogant album title. Still pop metal to the core, Amaranthe’s all-important third album kicks off by putting the fans in the comfort zone with ‘Dynamite’, a track echoing the band’s previous album, The Nexus. It’s the neck-wreck-bounce of the following track and first single ‘Drop Dead Cynical’ – imagine Marilyn Manson’s ‘The Beautiful People’ as a song on the Grease soundtrack – that sets the tone for Massive Addictive. The vocal melodies are infectious to a fault, the riffs are bold, all supported by steel hard backbone seemingly yanked from Hypocrisy frontman Peter Tägtgren’s command center for his industrial-rocked metal outfit Pain.‘Drop Dead Cynical’, ‘Unreal’, ‘Trinity’, ‘Massive Addictive’ ‘Skyline’ and ‘Digital World’ are guaranteed to become fan favourites, charged with more adrenaline than some folks give Amaranthe credit for. There are two ballads to be had this time out – ‘True’ and ‘Over And Done’ – both of them loaded with radio potential and too smart for the suits making programming decisions. The album winds down with the heaviest song of Amaranthe’s career to date, ‘An Ordinary Abnormality’, featuring the sextet pulling out all the stops and crushing any ridiculous notions that pop metal has no balls.It’s nice to hear how Amaranthe avoided disaster by not rehashing the formula of their first two records. Their three-vocalist attack (female, male, cookie monster – in that order) added a certain level of unique from the get-go, but wouldn’t have been enough to make Massive Addictive the sleeper hit it is. This time out, clean singers Elize Ryd and Jake E. show up where you least expect them, harmonizing and trading-off vocal parts more than ever before. And their voices are huge. Case in point on ‘Digital World’ – one of Amaranthe’s strongest songs ever – the exchanges on ‘Unreal’, and Ryd’s vocal nuances and insane range on ‘Danger Zone’. New resident growler Henrik Englund Wilhelmsson (Scarpoint) is a major player on the record rather than merely a hellish enhancement, even taking the lead and stealing the show on ‘An Ordinary Abnormality’. And with guitarist Olof Mörck being one of the primary songwriters, the album boasts riffs and leads by the truckload.What makes the new album work ultimately is the live feel of the music. It’s all well and good to produce polished commercially appealing metal in the studio, quite another to take it out of the can on stage and blow an audience away with a full-on musical performance. Amaranthe have done just that for years, and the material on Massive Addictive is begging to be unleashed live. It’ll go over a storm and then some." - Carl Begai

Long running German thrash band led by female vocalist Sabine Classen. Agony Of Death features lots of special guests including Ferdy Dornberg (keyboardist from Rough Silk and Axel Rudi Pell) as well as guitarist Ralph Santolla. This is the limited edition that comes with bonus tracks and special features.