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Ophidia

SKU: AFM257-2
Label:
AFM Records
Category:
Power Metal
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Second album from Neverland which is in reality a collaboration between the Turkish progressive/power metal band Dreamtone and Greek vocalist Iris Mavraki. The album has a larger than life sound coming across as a more progressive version of Blind Guardian. The band does spice things up a bit bringing in Jon Oliva, Edu Falaschi, and Urban Breed as guest vocalists.

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  • Axxis has been around since 1988 with "Time Machine" being their ninth album. This German band emphasizes melody and hooks with subtle touches of speed and crunch. Mixed by Dennis Ward it features very full production. This is the limited edition digibook and features and enhanced CD with a multimedia section.
    $9.00
  • Third album from this Swedish power metal band that slips comfortably into the Edguy, Stratovarius power metal school with a touch of true metal a la Hammerfall tossed in for good measure. Nothing groundbreaking here but if you are a fan of this sound its yet more fuel for your fire.
    $9.00
  • "Oh Italy, will you ever stop delivering kick ass metal? Now don’t get me wrong folks, I love the San Francisco Bay Area I’ve called home for the majority of my life, and am very pleased with the area’s contributions to heavy metal, namely the thrash era of the 1980’s, but at the present moment, no country has been consistently delivering like Italy has, especially when it comes to just buckling down and busting out some no holds barred, guitar crunching, drum smashing, vocal chord tearing heavy metal. And when it comes to metal that is blunt and to the point, Astra pretty much nails it on their album Broken Balance.Astra began their journey in Rome in 2001 as a four piece instrumental band, three of which are still in the band today, Andrea Casali (vocals and bass), Silvio D’Onorio De Meo (lead guitar), and Emanuele Casali (keyboard and rhythm guitar), and after a few changes, settled on drummer Filippo Berlini. According to their bio, they cut their chops on Dream Theater covers, and managed to win the first Italian Dream Theater Tribute Contest, leading them to a show with the Wizard Rudess himself for the Italian fan club’s 10 year party. From that point, they followed the tried and true path of releasing albums and touring. In 2005 they released About Me: Through Life and Beyond, and followed that with the 2007 release of From Within. Now, it’s time for that ever crucial third album, so let’s take a look at Broken Balance….Now, unlike a lot of the music I’ve been reviewing in recent days, there is no genre bending, no quirks or hidden aural agendas. From note one of the opening track, Losing Your Ego, Astra makes it crystal clear that they just want to rock the fuck out. The song, and the whole album for that matter, is a catchy riff fest with a strong hard rock/metal vibe. It’s the type of music that would have taken a very high place in the annals of late eighties metal, with the searing high vocals of Casali, the constant double bass of Berlini, and the relentless guitar riffs and solos. They do mix it up a bit, throwing in a few time changes here and there, some subdued moments, and a growl or two, just to add some flare and color to the overall product. Hole in the Silence picks up right where the opener drops off, without skipping a step. The third track, Sunrise to Sunset, has a slightly balladesque touch to it, with a soaring and catchy chorus that really showcases the vocals of Casali. Buried in the midst of the soaring vocal work is a brilliant instrumental section and a jaw dropping solo. It’s surely my favorite on the album, a song that will be listened to many times, me singing at the top of my severely under qualified lungs.From there they go right back to the metal. Song after song they are relentless, one of those albums that screams “LIVE SHOW PLEASE!!!!!!”.  Too Late has yet another catchy chorus, something of a standard throughout the album actually. The title track, Broken Balance, opens with a sultry tone, something else they are rather adept at, and delivers a fairly complex song afterwards, teasing at exploding out multiple times before restraining themselves, working the listener into a furious sense of expectation as to what’s going to come about. Then comes the instrumental, where they let loose in a fury of notes scattered around before the guitars take control. Six more tracks follow, delivering a good variety on their version of solid metal. Another ballad comes in the form of Mirror of Your Soul. Risk and Dare is a crushing and rather dark number on an album that is overall fairly uplifting. Three more rockers lead into the closing track, You Make Me Better. This one opens on the heavy notes, and then settles into ballad zone. It’s a love song of course, with all the requisite cheesiness lyrically and the solid climactic moments.Astra gives at the core of this album a polished sound for sure. Though there are very few mistakes on it, they also don’t break down any barriers. It is altogether a good, fun rocking album, the kind that is meant for cranking up and punishing your neck and your neighbors. Their tightness as a band is clear on every song, and the catchiness of the album should ensure a good deal of longevity for yet another addition to the growing pantheon of Italian metal." - Lady Obscure
    $5.00
  • Nice stop gap release until their third album comes out. This features 3 tracks that were previously exclusive to Japan, 1 track from the upcoming album as well as an unreleased tune. There is also a video for "Time To Rock".
    $8.00
  • After a strange mis-step, Glass Hammer have returned to their progressive ways. There is a new lineup featuring Jon Anderson sound alike Jon Davison on vocals. When I say he sounds like Jon Anderson I mean you would think it was a young Jon Anderson on the mike. Fred and Steve are back in the swing of things - epic length tracks with lots of bombast and hard core keyboard freak outs that are the GH signature sound. New guitarist Alan Shikoh fits right in. To get to the heart of the matter, Glass Hammer have made the best Yes album I've heard in decades. Bob Katz mastered the album and added just the right amount of polish to the typical great sounding production we expect from these guys. Highly recommended.
    $13.00
  • DeEvolution tells the story of an elite group of leaders from a heavily industrialized city who find, brainwash and then exploit an indigenous tribe’s shaman, believing he would be the perfect supreme leader. By propping him up as possessing all the answers to societies ills the elites use him in order to gain and keep more control over the masses. They plan to influence the masses on several fronts: Religion, Media, Consumerism, and Government.Twin brothers, Jasun and Troy Tipton along with Erik Rosvold released two albums with the Progressive-Metal act Zero Hour. The band's second album "The Towers of Avarice" won sparkling reviews from nearly every metal magazine around the World and has achieved classic status among prog metal fans. Zero Hour successfully toured Europe and performed twice at Prog Power USA, the largest prog-metal music festival in the World. In 2003, fans were disappointed when Zero Hour parted ways with Erik Rosvold.In late 2007, Jasun began writing material for Cynthesis. As the music developed Jasun could only imagine one vocalist to really connect to the material. After one phone call both Jasun and Erik were very excited to work together again.The final piece of the puzzle was to find an amazing drummer. Jasun asked Troy what drummer he would like to work with. Without any hesitation Troy said, "Sean Flanegan is the guy". Sean is best known for his work with the Progressive Rock band, Enchant (Blink of an eye & Tug of War).Produced by Dino Alden, DeEvolution is the first of a projected series of albums from this reunited force of progressive metal.
    $8.00
  • Swedish melodic prog metal band Cullooden is the latest band to emerge from the Roastinghouse management stable.  Their debut, Silent Scream, sits nicely besides bands like Circus Maximus, Withem, and Seventh Wonder.  Strong anthem-like vocal harmonies permeate the album.  Plenty of nice soloing throughout the album.  Keys are featured but the real star of the show is the guitar work.  Highly recommended."If I have to put on a specific metal sticker on this debut album, it has to be something like this: Modern, melodic metal with big jagged shards of prog metal/rock. This Swedish trio in Cullooden is giving us a disc, which is very technical and at the same time it's a very melodic album. 'Silent Scream' is a metallic gold bar. It contains adult, progressive metal tracks played with ultra strong harmonies and Cullooden is fronted by one of the strongest and widest new rock voices I've heard in a long time.Fredrik Joakimsson owns the talented voice, and he handles the highest tones just as perfect as in the harsher and darker tunes. I hear musical influences that reminds me of Dream Theather or maybe even more from their compatriots in the magnificent progressive metal band Seventh Wonder and the Norwegians in Circus Maximus.Cullooden is not another beginner's project, which has released a 'quick shot' album, nope they knew what they were going to record on 'Silent Scream' and the songs are so overwhelmingly worked through both musically and lyrically. The album is also extremely well produced. I have to stick my neck out and say that it is perfectly produced, there is absolutely nothing to complaint about.What attracts my interest a little more than normally is the elegant flirts with the melodic hard rock, like in 'Our Only Desire' and in 'An Interesting Fact', which are some of my favorite tracks on this album. The heavy bass rhythms are pressing in the background, but it's easy listening and melodic nonetheless. The quality rhythmic metal that has been mixed with the progressive tones becomes an insanely congenial overall impression. Every track has it's own personality and I've used much of my time to sort this album in and out and my final conclusion is this: A new shining progressive metal star is appearing on the metal heaven and it's called Cullooden!'Silent Scream' will most likely be played over and over again for a long, long time to come when I want life-inspiration or just want to hear at succulent melodic metal or world-class quality prog metal. I love it!The album is recommended for most metal fans, although the melodic/progressive metal fans will most likely worship this masterful album release!" - Power Of Metal
    $16.00
  • Redemption is one of the leading progressive metal bands in the world today.  Formed in Los Angeles, California in 2000 by guitarist / keyboardist / songwriter Nicolas van Dyk, the band features legendary progressive metal vocalist Ray Alder of Fates Warning, as well as guitarist Bernie Versailles (Agent Steel), and the phenomenal rhythm section of Chris Quirarte (drums) and Sean Andrews (bass).Redemption’s combination of heaviness not usually found in progressive metal, irresistible melodies and emotional urgency has created a unique and resonant voice for this band that sets them apart from the many clones in the genre, and which has gained them the attention of fans, critics and musicians.Through the band’s first three studios CDs (2002s self-titled first release, 2005’s The Fullness of Time, and 2007’s The Origins of Ruin), Redemption gained a loyal fanbase and garnered rave reviews worldwide from critics, who describe Redemption’s music as“one of the best progressive metal acts to emerge in the past decade” – DPRP“magical aura and incredible songwriting” – BLABBERMOUTH“it's powerful, catchy, enslaving, technical; it's the whole bunch” – LORDS OF METAL“the new star on the US prog-metal sky” – SQUEALER ROCKSAfter touring in support of Dream Theater and documenting at headlining show at tour’s end entitled Frozen in the Moment, the band returned to the studio to release 2009’s Snowfall on Judgment Day and 2011’s This Mortal Coil.Performing in support of that record, in 2012 Redemption co-headlined the world-famous ProgPower Festival in Atlanta, where the band recorded a unique show featuring nearly 80 minutes of material and staged with complementary visuals that drive home the compelling emotional impact of this band.   That performance is now being released as a CD/DVD set with additional bonus material through Sensory Records, the band’s original label.  From fan favorites such as the never-before-performed Parker’s Eyes to the crushing emotional weight of Stronger than Death, Redemption’s performance captured the special ability of its music to deeply connect with fans.  In the words of one concert-goer, Redemption’s show “was definitely the most exhausting, personal and emotional musical experience I’ve ever had.” 
    $17.00
  • 2nd album carries on with this blend of Marillion and IQ with some metal-ish guitar.
    $15.00
  • With nearly forty-five minutes of brand new material, Turning Tides represents MALPRACTICE at their absolute best, combining intricate progressive metal with catchy melodies topped with excellent musicianship and brilliant vocal harmonies. Professionally recorded by the members of the band at various locations, Turning Tides was produced by the band’s Joonas Koto and Toni Paananen and engineered by Koto, then mixed and mastered by Anssi Kippo at Astra-Studio A and enshrouded by intriguing artwork and design work by Miikka Tikka.“The lyrical theme of the album is about a guy who is very well educated. In fact so educated and talented that he can't land a job for himself due to over education,” collectively issued the members of MALPRACTICE. “He kind of falls in-between things and ends up in the suburbs unemployed and frustrated. He is ‘the best kept secret’ since no one wants to hire him. His life and sanity starts to fall apart due to his frustration and depression. He tries to fight the system but always ends up deeper and deeper in apathy. The story can be somewhat related to MALPRACTICE's struggle to make it for two decades already. The question is: ‘Is the guy me? You? Or every one of us?’” 
    $6.00
  • "Some four years ago Borealis released their Fall From Grace, and my conclusion was simple. They presented adequate, yet typical, melodic European power metal just misplaced in Canada. To the present, it seems things may have changed, even improved, for the band for their third album, Purgatory.Yet, I'm not sure I want to get ahead of myself here. One spin and you hear echoes of previous material: riff heavy and intense, speedy power metal. As Mets manager Yogi Berra once said, "It's deja vu all over again." Actually, for my money, you could boil this album down to two things: blistering power metal and lots of epic guitar solos. Now, you say: "Dude, I love that shit!" Okay. Stop reading and go buy the album.But there's more. The keyboards seem more present, even adding a large portion symphonic orchestration to add to Borealis' naturally bombastic sound. Take note of My Peace, for example. Also, and not knowing who the principal guitarist is, Matt Marinelli or Mike Briguglio, the guitar lines are phenomenal. Forget the twin bombastic riffs, the leads are killer: soaring to the wow factor. Additionally, the arrangements are more dynamic; the progressive metal has gotten a bump here over the last album. Yet, this is not a hyper-technical leap. It's more changes in tempo and breakdowns. You'll catch some of this within Place Of Darkness or Welcome To Eternity. The latter also a good example, in the second half, of Borealis adding some thrash metal to overwhelm you.The wild card in this mixture is vocalist Matt Marinelli. I would like to say he can sing, and I think he can. But he's so often totally overwhelmed by the music to be nearly underwater. He's seems always striving and straining to stay ahead or, to continue the metaphor, stay above the music. Then you find out he has a generally pleasing voice and presence when you listen to Darkest Sin or Rest My Child, the two quietest songs here. I would imagine when you hear Borealis live, you'll have a Pink Floyd moment, from The Wall, when observing Marinelli: "Your lips move but I can't hear what you're saying." Nevertheless, Purgatory is definitely an advancement for Borealis, a fine album of more ambitious progressive power metal than past efforts. Recommended." - Dangerdog.com
    $9.00
  • Third album in the trilogy from this French "band" led by keyboardist Philippe Giordana. After going through a number of personnel changes, Giordana finally sacked the whole band and started fresh. He brought in a number of vocalists, the primary one being Marco Sandron of Pathosray. Original Fairyland (and Dark Moor) vocalist Elisa Martin appears as well as Lars Larsen of Manticora, and George Neuhauser of Serenity. The musicians have been culled from Pathosray, Revoltons, Anthropia among others. Bottom line - this is still pure Rhapsody worship. If you like larger than life symphonic metal you'll probably dig this one a ton.
    $12.00
  • "Formed in Athens, the band PSYCRENCE saw the light of day in 2009, in December 2010 they released a self-produced demo EP entitled “Distance” which has received an excellent and very encouraging acclaim by the press and the fans alike, a fact that’s leads PSYCRENCE to play many stages in their native country, it includes an highly rewarded spot at the famous festival's "Tunes In Progress" bill.Now it’s time for the release of their debut album, “A Frail Deception” and it’s time for a deep analysis of this burning platter, full of progressive elements, both inherited from the new and old tradition, melted and boosted carefully, with the additions of some down tuning heaviness and many intriguing atmospheric sounds. Their music style and its definition is hard to explain but it also contains a tons of familiar elements subtly borrowed to many legendary heroes… You’ll name it, isn't it?! As an example, the first tune “A Losing Game” starts with a melodic pattern of piano enhanced with layers of synthesizers overdubbed by an asymmetric guitar riffage, very classic in its construction and perfectly measured and dosed, with an impressive Lead vocals performance in order to complete this archetypal picture of the Progressive Metal of the 90’s… Nothing really new but the tradition is respected and honored by such a smart and fine introductive track.The sonic production work gets a result near to perfection, scoring the privilege of being clear and strong in the exact doses, the best way to give justice at their amazing playing talents and developing an enjoyable path of sounds for songs like “Convergence” as it belongs to a more difficult breed of composition that really need some more time to penetrate your psyche… See you at the Coda. With the continuity of those four cuts that follow now “Forced Evolution” / ”Moral Decay” / ”Subconscious Eyes” / ”Incised Path” it reveals to us another side of their specifies, it holds a new density but also a real melodic richness, the opulent and refined Keyboards / Guitar harmonized canvas, built under a perfect construction of a complex duo is jaw dropping, the rhythmic section is tight as any Modern Power Metal but with a more elaborated harmonic maze on the top of it. The sharp riffing duet of guitars can be at the same time sophisticated and chaotic, bold and delicate, insidious or vicious but also elusive, their manic riffage is on the insistent mood, hypnotic or fierce and their solos spots are technically improved yet particularly demented in “Moral Decay”… ”Incised Path” contains also a bunch of NWOBHM flavors compensated by a still very relaxed kind of proggy crooning courtesy of singer Takis Nikolakakis.“Distance” is indeed another superbly crafted song, it's a Darker number hiding into a real progressive outfit, because of the arrangements as it builds itself layer after layer, until surprisingly providing a new found intensity and a new edge in the chorus section, starting with an incessant creeping riff that leads to another damn fine solo interaction. The track n°8 “Reflection” is another guitar driven, a fast paced and heavy thing, drums part are more direct, less audacious than the early titles but with a fury of melody improved by this always fantastic voice somewhere between Andy Kravljaca (ELSESPHERE / SEVENTH WONDER / SILENT CALL / AEON ZEN) and Nils K. Rue (PAGAN’S MIND / ex-X-WORLD 5 / ex-EIDOLON) with some hints of Tobias Sammett’s vibrato“Hold Close The Flame” is the closing number and surely the most addictive of all, a slower pace, an ethereal clean guitar motif and an emotive vocals performance in the early QUEENSRYCHE‘s musical inspiration, in spite of the title being close to a famous track of the mythical “Warning”, the signature style is palpable and concrete, it's crystal clear to me that it belongs to an idolatry homage to the Tate / DeGarmo / Wilton legacies.After the glorious releases by compatriots WARDRUM or UNTIL RAIN, I will believe that something musically exceptional is happening in this Mediterranean Hellenic territory, much alike the Italian phenomenon and its legions of talented group appearing like a spontaneous generation of talented spirits in the vein of FATES WARNING / QUEENSRYCHE / CIRCUS MAXIMUS / REDEMPTION / AEON ZEN or EUMERIA. A very classy collection of songs in the key of smartness and elegance, exquisitely set in an evaluative mood in order to conquer the hearts but mostly the mind of those Progressive Metal lovers." - Metal Temple
    $15.00