Earn 1 Loyalty Point With Every $1 Spent!

Thrash Metal

"There’s a line in 1982 science fiction movie Blade Runner which goes: “The light that burns twice as bright burns half as long”. While this might be true, every rule has its exception and Bay Area thrashers Exodus are exactly that.

$15.00
Add to wishlist 

2021 remastered edition.

$12.00
Add to wishlist 

2021 remastered edition with bonus track.

$12.00
Add to wishlist 

2012 edition includes 3 demo bonus tracks.

$10.00
Add to wishlist 

"After setting the bar high with The End Of Chaos, Flotsam And Jetsam quickly returned to the studio for the next installment.

$15.00
Add to wishlist 

"I get sad when bands don’t get their just due. I get sadder when I find out about that band after they had disbanded. One fateful night in 1993, I was watching MTV’s Headbangers Ball and caught a video of “Sound the Alarm” by St. Louis, Missouri’s progressive thrashers, Anacrusis.

$13.00
Add to wishlist 

"

The American powerhouse Living Sacrifice celebrate the 30th anniversary of their self titled debut album from 1991 with this definitive release via the Norwegian metal label Nordic Mission.

$13.00
Add to wishlist 

"This debut studio offering by the west coast thrash metal act Forbidden is one of the reasons why I fucking love the genre.

$26.00

"The amount of great bands that the Bay Area thrash scene produced is huge.  There's the bands that everybody knows like Metallica, Testament, Exodus, Death Angel, Possessed, Vio-Lence and Forbidden, but there's also a bunch of bands that are also great, but tend to get lost in the shuffle a lit

$13.00
Add to wishlist 

3CD compilation of "Metal Church", "The Dark", and "Blessing In Disguise" with a sprinkling of bonus cuts.

$26.00
Add to wishlist 
VIEW MORE
Subscribe to RSS - Thrash Metal
Laser Pic

customers also bought

SEE ALL
  • After a 10 year absence Enchant are back.  The band started in 1993 making them one of the earliest prog metal band.  Actually they are sort of an interesting band in that they seem to exist in both the prog rock and prog metal realms.  Some metal fans think of them as a bit lightweight and some prog rock fans think they are too heavy!  One thing is for sure they are wildly successful.  This is definitely prog but it never loses sight of the melody.  Fronted by the great Ted Leonard (who is now doing double duty with Spock's Beard) this one is a no-brainer - whether you are metal or prog head.  "irst impressions are the similarities to Spock’s Beard. Hardly surprising since Ted Leonard has been singing with them since 2011. He’s been with Enchant longer; their first CD came out in 1993. And familiarity doesn’t breed contempt here, fortunately.Bay area progressive rockers, they steer a straight course composing guitar-structured songs that they extemporise over. Guitarist Douglas A Ott is also the band’s main producer, with The Great Divide having been recorded at his own studio, but if in the past the band’s followed his direction they’re now more involved after a ten year gap working on other projects. Also, while integral, Ott doesn’t dominate Enchant’s sound but flows in and out adding a hard rock bias to their generic musical flavouring. Drummer/percussionist Sean Flanegan and bassist Ed Platt have the solidity of early Kansas and musically there are some pretty snazzy and often too brief keyboard solos from Bill Jenkins.A rolling cyclical bass line forms the basis of opening number ‘Circles’ with Leonard pondering life going round well, like a circle – while the lyrics aren’t profound they feel right and though this isn’t a concept album, despite the band stating otherwise, there are common themes concerning the human condition in a loosely existential manner. Mainly straight verse and choruses ‘Circles’ breaks out into more complicated time signatures before an acoustic comes to the fore, vocals return, an electric guitar take over and it concludes with a nicely warm keyboard solo. ‘Within An Inch’ follows with a steady rock backbeat over which Ott’s playing echoes Camel’s Andy Latimer interrupted briefly by some John Ellis punk-styled sirening. ‘The Great Divide’ follows suit in a more epic manner, the arrangement akin to Genesis in their golden period.Enchant don’t play with the fairies, despite what their name suggests. If anything they’re two steps removed from an AOR sound leaning in towards early Asia with some latter day Beatles thrown in, and a less grandiose take on Spock’s Beard. One might refer to them as technically proficient rather than emotionally overwrought, meaning there is a heartfelt flavour to their songs, and they tend to grow on you.The subdued opening to ‘Life In A Shadow’ throws a brief curveball echoing the Canterbury sound of Hatfield & The North before a heavy chorded chorus takes this into a rocking tune with soulful harmonies. ‘Deserve To Feel’ pours on the technical drumming and dribbling triplet bass figures with some flashy pyrotechnics predominantly on guitar but with keen keyboard flourishes, moving into a more intricate musical score as Jenkins and Ott trade inspired lines towards its conclusion. Likewise, ‘Here And Now’ builds reflectively moving towards emotional drama.Finely composed, played well, Enchant’s The Great Divide might not have you falling under its spell, but you may well be surprised how you find yourself being drawn to playing it." - The Midland Rocks
    $13.00
  • "The release of official live material is a project that is long overdue and we know our existing fans have been crying out for this for some time now. Whilst we have filmed and recorded many shows in the past we have always felt there were elements of our shows that could be improved 'visually' before we documented and immortalised this for the world to see and that the timing for a live release never felt right for us. This is just our nature as creative people to be so extremely self-critical and constantly strive for perfection. It is largely due to the will of the people that the idea of this project became a reality. Both the band and the label were inundated with emails requesting a live release in some shape or form, and it was actually rather flattering, so giving the people what they wanted just felt like the right thing to do" - Haken"Following the release of the bands much-acclaimed fourth studio album 'Affinity', they embarked upon their 10th anniversary tour across Europe & North America. Recorded and filmed on the 13th April 2017, at the legendary Melkweg venue on the Amsterdam stop of that tour, this represents the band's first ever live document with tracks from across the band's discography.'L-1VE' will be released as a 2CD/2DVD Digipak package & as digital download. The DVD will include 4 bonus tracks filmed at ProgPower USA 2016 that also includes Mike Portnoy's cameo appearance on gong, as well as all of the official videos from the 'Affinity' album."
    $20.00
  • Ltd. Deluxe transp. orange 3LP+2CD+Blu-ray Box SetNOTE - THIS IS HEAVY.  ITS GOING TO BE WELL PACKED AND SHIPPED TO YOU MEDIA MAIL INSURED.After an exceptionally long year full of personal change and near manic levels of creative activity, Canadian musician Devin Townsend releases his follow up to 2019’s acclaimed ‘Empath’ album. Assembled from a barrage of material written during the pandemic ‘Lightwork’ represents a new level, and has ended up being one of the most accessible, yet ambitious releases of his storied career. A project that has been on Devin’s mind since he was a teen, (and flirted with throughout his career) is a more melodic and direct album with a great producer to help guide the work. Enter Garth Richardson: A Vancouver based producer with a long resume and a friend of Devin’s for many years. And the goal? To provide something beautiful, cathartic, powerful and clear. A sense of optimism and power through what can be commonly known as a ‘depressing period’. It’s about strength, love, acceptance, fear, and overcoming together. Guests on the record include friends and stalwarts from his past (Anneke Van Giersbergen, Ché Aimee Dorval, Morgan Agren, Mike Keneally, Steve Vai, Elektra Women’s Choir) as well as some newer friends and faces (Darby Todd, Diego Tejeida, Nathan Navarro, Federico Paulovich, Jonas Hellborg), and also, in a rather hard to believe turn of events, legend producer and guitar player Nile Rodger plays on the track ‘HoneyBunch’.
    $110.00
  • "2020 saw the English rock band Arena celebrate their 25th Anniversary of the band’s first critically acclaimed studio album. “The Theory of molecular inheritance” was due for release in 2020 but because of delays/ pandemic / and tour postponements the album is finally here with the now rearranged 27 date European tour being undertaken in September/October 2022. Renowned Artist David Wyatt has illustrated books by JRR Tolkien, Terry Pratchett along with other Arena albums in the past and now he’s has now rejoined Arena to design the Artwork for "The Theory Of Molecular Inheritance".The band also welcome a new vocalist; Damian Wilson is an English musician, songwriter and vocalist who has appeared on over 70 separate album releases. Damian is mostly known in the progressive metal genre, as the lead singer of Headspace and Threshold. He also sang and toured with bands and projects such as for Star One, Ayreon, Praying Mantis and with Rick Wakeman's English Rock Ensemble. As a solo artist he has released 5 solo albums."TRACKLIST1. Time Capsule2. The Equation (The Science of Magic)3. Twenty-One Grams4. Confession5. The Heiligenstadt Legacy6. Field of Sinners7. Pure of Heart8. Under the Microscope9. Integration10. Part of You11. Life Goes On
    $24.00
  • Sons Of Apollo have certainly enriched the music sphere since their formation in 2017. It says much that the huge talent involved immediately combined with a cohesive and recognisable individual stance on debut album 'Psychotic Symphony', acknowledged as one of the finest releases in '17. And in 2019, the band put out the glorious 'Live With The Plovdiv Psychotic Symphony'.Now, though, Mike Portnoy (drums & vocals), Derek Sherinian (keyboards), Jeff Scott Soto (vocals), Ron 'Bumblefoot' Thal (guitar & vocals) and Billy Sheehan (bass) are ready to take everything to a new level with second studio album 'MMXX'.Stylistically, we have followed the same path as the debut, outlines Portnoy. “But we feel that it has come out stronger, simply because we know one another better. 'Psychotic Symphony' was the first time the five of us had worked together, so there was bound to be an air of experimentation happening. Now, we can draw on having the experience not only of recording that album, but also of touring together a lot. And now there is clearly a lot more obvious chemistry going on.We did 83 shows on the last tour, adds Sherinian. And it was so worthwhile, because we came out of it with a stronger bond, and that is certainly reflected in what we wrote.The writing process began at the start of the year, as Portnoy, Sherinian and Bumblefoot got together.The three of us were at my home studio in Pennsylvania, explains Portnoy. And it took about three weeks to get all the music written. That was a very smooth process. The last time, it certainly must have felt a little weird for Bumblefoot to be writing with Derek and me, because we were strangers to him. Now, we know one another better and that helped things push along.Sherinian reveals that at least two of the songs began to take shape even earlier than January '19.I am always writing, and started to come up with ideas straight after we finished work on the previous album. The tracks 'Asphyxiation' and 'Desolate July' definitely date back to that period.I agree with Mike on the way things were smoother this time around when writing with Bumblefoot. The first time I ever met him was when we started getting the songs together for the debut. He walked in, we shook hands, then he put on his guitar and we got right to work!Once this part of the equation had been successfully resolved, things quickly went to the next stage.We demoed everything and then did the pre-production process, continues Portnoy. Once this had been worked through, Derek and I went back to Ocean Studios in Burbank for me to do my drum tracks. It's also where I did them in 2017.As with that debut, 'MMXX' was produced by The Del Fuvio Brothers, who are...That's Derek and me, using the same pseudonym as we did first time around, laughs Portnoy. I got my drum parts done by the end of January, because I had a lot of other commitments coming up. Then the rest of the guys fitted in what they had to do as they had time available in their busy schedules.Because we all have our home studios, it meant everyone could record there as and when they had opportunity, continues Sherinian. We all had the luxury of being able to take our time to get all the parts done, which was a huge help in the way the album's come out. I suppose in all, it took about eight months to record everything.The lyrics were written by Soto, who also came up with the melody lines with input from Sherinian.While Jeff was left to come up with the words on his own, as the melody lines are part of the music, it made sense for me to be involved with that part, says the keyboard player.The mixing stage has once more been handled by Jay Ruston, who also oversaw the mix for the first album.We leave Jay to get on with the mix at his home studio in Sherman Oaks, explains Sherinian. He then sends wav files through to us, and we come up with tweaks when necessary. It doesn't take long for it all to be agreed.There are eight tracks on the album, with variations in length.The final song is 'New World Today, which is 16 minutes long, says Portnoy. This one has elements similar to 'Opus Maximus' and 'Labyrinth' on the previous album. It has some insane, brilliant instrumental moments, which I am sure the fans will love.We wanted to do something epic here, as we did with 'Opus Maximus' last time around, adds Sherinian. You have to remember that Mike and I come from Dream Theater, where we never bothered about how long a song was. So, for us doing a 16 minute track is not a problem.There's also 'King of Delusion', which clocks in at nine minutes in length.This opens up with a piano solo, explains Portnoy. And it also has a middle section where Derek and I do a piano & drum duet.I have actually played more piano on this album than I have ever done before, delights Sherinian. This fitted nicely with what we were aiming for. I am also so pleased that I get to play a lot of Hammond organ this time.The first single will be 'Goodbye Divinity'...This is seven minutes long, says Portnoy. And we have also shot a video for it.The album title was inspired by a chronological fact.This will be released in mid-January 2020, outlines Portnoy. That means it will be one of the first releases in what is a new decade. So I came up with the idea of calling it '2020', except having it written in the Latin form of 'MMXX'.The artwork, which has been done by Thomas Ewerhard (who was responsible for the cover design last time out), inevitably reflects the title.For the first record, we had a mythological feel, explains Portnoy. This time around, though, there's a much more futuristic style to what we've got. It has a very 21st century appeal. And the band crest is more polished, cleaned up and a lot more modern than last time, when it had an old fashioned look.Portnoy and Sherinian are very happy with the way everything sounds.I have never thought we were a progressive band as such, insists Portnoy. I would define Sons Of Apollo as a hard rock band, with occasional prog moments. I would compare us to Rainbow, Van Halen and Aerosmith with some crazy shredding musicianship on occasion and touches of progression.There's a very balanced and good mix of material here. It's a 60 minute album, which I think works nicely when you have eight tracks. And we will certainly aim to do much of this live. The last time out we had to put in covers for our live set list. But when we tour again, we won't have to do that at all. All the material we play onstage will be original. That's a very positive thing.Each member of this band has their own signature sound on their instrument, adds Sherinian. And when you put all of this together what you get is a wonderful five-headed beast. It makes this a sonically special band, which is definitely what comes across on 'MMXX'.You can hear odd time signatures and amazingly crazy performances here. And I feel that personally I have gone deeper musically than I have ever done before. For instance, you'll find some great harmonies. Overall, we've been satisfyingly more adventurous this time than we were before, and I know people are sure to love what we've done. 'MMXX' is an album I am proud of.
    $8.00
  • After an exceptionally long year full of personal change and near manic levels of creative activity, Canadian musician Devin Townsend releases his follow up to 2019’s acclaimed ‘Empath’ album. Assembled from a barrage of material written during the pandemic ‘Lightwork’ represents a new level, and has ended up being one of the most accessible, yet ambitious releases of his storied career. A project that has been on Devin’s mind since he was a teen, (and flirted with throughout his career) is a more melodic and direct album with a great producer to help guide the work. Enter Garth Richardson: A Vancouver based producer with a long resume and a friend of Devin’s for many years. And the goal? To provide something beautiful, cathartic, powerful and clear. A sense of optimism and power through what can be commonly known as a ‘depressing period’. It’s about strength, love, acceptance, fear, and overcoming together. Guests on the record include friends and stalwarts from his past (Anneke Van Giersbergen, Ché Aimee Dorval, Morgan Agren, Mike Keneally, Steve Vai, Elektra Women’s Choir) as well as some newer friends and faces (Darby Todd, Diego Tejeida, Nathan Navarro, Federico Paulovich, Jonas Hellborg), and also, in a rather hard to believe turn of events, legend producer and guitar player Nile Rodger plays on the track ‘HoneyBunch’.
    $9.00
  • THIS NORTHERN VIRGINIA BASED BAND is a three-piece at heart, musically rooted in the raw energy and rhythmic interplay of RUSH and KING’S X. Fans of dark, guitar-driven rock bands from ALICE IN CHAINS, DEFTONES to the contemporary metal riffing of LAMB OF GOD and PANTERA, will connect to the heavy core of IRIS DIVINE’s sound. Add to that progressive complexity and moody synths inspired by DREAM THEATER and PORCUPINE TREE, and a liberal dose of memorable hooks and melodies, to understand some elements of IRIS DIVINE’s sound. And yet, the band has a distinct identity, not quite sounding like any of the aforementioned bands, and with an emotional urgency that pulls subtly from alternative and other influences.KARMA SOWN IS A TRIUMPH OF A DEBUT ALBUM, immediate and memorable but revealing layers and depth upon repeated listens."Progressive metal is in a rough period right now. The old guard are either releasing sub-standard albums that only make it more obvious how far they have fallen, or they are drastically uncool with anyone who didn't become a fan when progressive metal was first being created. Progressive today tends to mean djent, a style that has sapped all the life and humanity out of music, turning metal into a math equation of time signatures, and not songs that anyone can actually remember. There was a time when progressive metal remembered the ultimate goal of music; to have listeners enjoy the songs so much they would return to them again and again. Today, progressive metal is mostly the sort of music that could pass for muzak, if you don't turn the volume up too loud.Iris Divine wants to change that. They set out with the mission of writing progressive metal that is intricate and challenging, but still produces the kind of songs that listeners who don't have an advanced degree can love and sing along to. It's a challenge, and it goes against the tide, but it's a desperately needed revolution if progressive metal is going to flourish anytime in the near future.I knew from hearing the pre-release track “A Suicide Aware” that Iris Divide was special, and the full album reinforces the point. “The Everlasting Sea” comes out of the gates with plenty of tricky riffing and unusual rhythms, but they lead into big melodies with strong hooks and vocals. Their progressive playing isn't meant for show, it's a tool used to set a tone that juxtaposes with the more melodic moments. Finding the proper balance between these elements is not easy, and many a band have failed miserably trying to do so, but Iris Divine doesn't. On their debut record, they show a skill some bands have spent their entire careers failing to learn.What I love most about the record is that it can be seen in many different lights. If you like straight-ahead metal, there is plenty of heavy riffing and pounding drumming here to keep you satisfied. If you like progressive music, these songs have twists and turns, and Rush-like keyboards, in enough quantity to match the djent crowd. And if you're a fan of old-school radio rock, the choruses in these songs will be music to your ears. Keeping all three of these in mind at the same time can be tricky, but it's worth the effort.For being a trio, “Karma Sown” is a massive sounding record. The production is flawless, big and clear, without ever sounding too polished. The heavy parts are heavy, the vocals are up front, and you would never believe this was a self-produced record that was crowd-funded. I can put it up against many, many of the big label releases, and it would win the fight.In fact, I can think of a dozen so-called progressive metal bands that should immediately hand over their label contracts to Iris Divine, because it's a crime that a band that is advancing progressive metal in the right direction doesn't have the backing of one of the labels. Not to name names, but this album would be bigger than half of the progressive metal released this year if it had the media push behind it.In case you haven't noticed, what I'm saying is that “Karma Sown” is a fantastic debut, and the future of progressive metal. Iris Divine isn't a Dream Theater clone, and they're not djent. What they have done is integrate all the strains of progressive metal into a singular sound, one that could set the standard moving forward. If every band sounded this good, progressive metal wouldn't need to be underground. “Karma Sown” is the best progressive metal album of the year, bar none." - Bloody Good Horror
    $6.00
  • “Devolution Series #2 - Galactic Quarantine” was recorded between July and September 2020 in various places around the world. Originally streamed on September 5th, 2020 on StageIt.com as a replacement show for the COVID affected “Empath Vol 2 European Tour” and various cancelled Summer festivals. The show features Devin on vocals and guitars, Samus Paulicelli III on drums, Wes Hauch on guitars and Diego Tejeida on keys. 
    $15.00
  • Phase - Midnight Madness is the third release in our limited edition Modulus series.  Pressed in an edition of 500 copies, it comes housed in a old school style tip-on mini-LP jacket.  A 12 page booklet features detailed liner notes from the members of the band.Phase was a New Jersey based quartet formed in 1978.  It featured Regan Ryzuk (piano, Moog, Celeste), Dave Anderson (electric and Anscor stereo guitar), Carl Scariati (Carl Thompson electric bass), and John Hvasta (drums/tympanis).  All members were young but highly accomplished musicians with a serious interest in jazz, classical composition, and progressive rock.  Their high energy instrumental music clearly demonstrated these influences.  The music of Phase can easily be classified as fusion but there are strong undercurrents of progressive rock that weaves its way through the album - not just in terms of the instrumentation or playing, but the compositions as well.The band signed a deal with QCA/Red Mark Records in Cincinnati.  The band left New Jersey and heading out to Ohio to record Midnight Madness.  The album was recorded and mixed very quickly.  It saw a release in 1979 and unfortunately sank without much of a trace.  Keyboardist Regan Ryzuk reissued the album two years label, rebranding and repackaging the release under the Fusion Quartet moniker.Hearing this music for the first time was quite a revelation.  I was blown away to say the least.  When I'm asked to describe the music I typically reply "Return To Forever meets Emerson Lake & Palmer".  Not only did this quartet have chops from hell but the compositions were challenging as well.  If you are a fan of RTF, Mahavishnu Orchestra or the prog giants ELP, Yes, Zappa, and PFM you will find much to enjoy here.Please keep in mind that when this edition sells out it will be gone forever.   
    $27.00
  • WE ARE NOW TAKING PREORDERS FOR THE RE-PRESS OF THE CAMEL "AIRBORN" 27 CD/5 BLU RAY BOX SET.  STREET DATE IS MAY 3, 2024.  PLEASE DO NOT COMBINE YOUR PREORDER WITH YOUR REGULAR STOCK ORDER.  WE DO NOT SPLIT SHIPMENTS OR RESERVE STOCK ITEMS.  AVOID DISAPPOINTMENT - PLACE YOUR PREORDER SEPARATELY.In celebration of the 50th anniversary of the release of their self-titled debut album, this 32-disc super deluxe boxed set is the definitive tribute to the legendary band Camel. The boxed features newly remastered versions of every Camel album and single issued between 1973 and 1984,  but also includes new stereo and 5.1 Surround Sound versions of the albums “Camel”, “Mirage”, “Music Inspired by The Snow Goose”, “Moonmadness” and “Nude”, as well as new mixes of three concerts; The Marquee Club, London 1974, Hammersmith Odeon 1976 and Hammersmith Odeon 1977 The set also features previously unreleased out-takes from album recording sessions and BBC Radio “In Concert” appearances from 1974, 1975, 1977 and 1981. Additionally included is a Blu ray video disc of promotional videos and BBC TV appearances on “The Old Grey Whistle Test” and “Sight and Sound In Concert” and a Blu ray video disc of the 1984 concert film “Pressure Points”The boxed set includes a lavishly illustrated book with essay and a poster.CD ONE “Camel” – Remastered (Released as MCA Records MUPS 473 in 1973)Slow Yourself DownMystic QueenSix AteSeperationNever Let GoCuriosityArubalubaSarah (previously unreleased) - Bonus trackNever Let Go (single version) - Bonus trackHomage to the God of Light (live) (from "Greasy Truckers - Live at Dingwalls Dance Hall") - Bonus trackCD TWO “Mirage” – Remastered (Released as Deram SML 1107 in 1974)FreefallSupertwisterNimrodel / The Procession / The White RiderEarthriseLady FantasyEarthrise (Bonus tracks: Demo session - Decca Studios 15th July 1973 (Previously unreleased))The Traveller (Bonus tracks: Demo session - Decca Studios 15th July 1973 (Previously unreleased))Supertwister (Bonus tracks: Demo session - Decca Studios 15th July 1973 (Previously unreleased))The White Rider (Bonus tracks: Demo session - Decca Studios 15th July 1973 (Previously unreleased))Lady Fantasy (Bonus tracks: Demo session - Decca Studios 15th July 1973 (Previously unreleased))CD THREE “Mirage” sessionsLady Fantasy (Basing Street studios original mix)Autumn (previously unreleased)Nimrodel / The Procession / The White Rider (BBC Radio One "In Concert" - 6th June 1974) - Bonus trackLigging at Louis' (BBC Radio One "In Concert" - 6th June 1974) - Bonus trackLady Fantasy (BBC Radio One "In Concert" - 6th June 1974) - Bonus trackArubaluba (BBC Radio One "In Concert" - 6th June 1974) - Bonus trackCD FOUR Live at The Marquee Club - 30th June 1974 (Newly mixed in full by Stephen W. Tayler)IntroductionEarthriseNimrodelSix AteSupertwisterMystic QueenArubalubaCD FIVE Live at The Marquee Club - 30th June 1974 (Newly mixed in full by Stephen W. Tayler)Rhayader Goes to TownThe Snow Goose / FreefallLady FantasyHomage to the God of LightCD SIX “Music Inspired by The Snow Goose” – Remastered (Released as Decca SKL-R 5207 in May 1975)The Great MarshRhayderRhayder Goes to TownSanctuaryFrithaThe Snow GooseFriendshipMigrationRhayder AloneFlight of the Snow GoosePreparationDunkirkEpitaphFritha AloneLa Princesse PerdueThe Great MarshFlight of the Snow Goose (single version) - Bonus trackRhayder (single version) - Bonus trackCD SEVEN “Snow Goose” sessions - Recorded and mixed at Decca Studios, Broadhurst Gardens 7th June 1974RivermanRhayder Goes to Town (BBC Radio One “In Concert” – 22nd April 1975)Sanctuary (BBC Radio One “In Concert” – 22nd April 1975)The Snow Goose (BBC Radio One “In Concert” – 22nd April 1975)Migration (BBC Radio One “In Concert” – 22nd April 1975)Rhayder Alone (BBC Radio One “In Concert” – 22nd April 1975)Flight of the Snow Goose (BBC Radio One “In Concert” – 22nd April 1975)Preparation (BBC Radio One “In Concert” – 22nd April 1975)Dunkirk (BBC Radio One “In Concert” – 22nd April 1975)Epitaph (BBC Radio One “In Concert” – 22nd April 1975)La Princesse Perdue (BBC Radio One “In Concert” – 22nd April 1975)The Great Marsh (BBC Radio One “In Concert” – 22nd April 1975)Selections from "The Snow Goose" (BBC TV Old Grey Whistle Test – 21st June 1975) a. The Snow Goose / b. Friendship / c. Rhayader Goes to TownCD EIGHT “Live at The Royal Albert Hall - 17th October 1975” – Remastered & mixed with the London Symphony Orchestra conducted by David BedfordIntroduction by Peter BardensThe Great MarshRhayderRhayder Goes to TownSanctuaryFrithaThe Snow GooseFriendshipMigrationRhayder AloneFlight of the Snow GoosePreparationDunkirkEpitaphFritha AloneLa Princesse PerdueThe Great MarshEncore: Lady Fantasy (previously unreleased)CD NINE “Moonmadness” – Remastered (Released as Decca TXS-R 115 in 1976)AristillusSong Within a SongChord ChangeSpirit of the WaterAnother NightAir BornLunar SeaSprit of the Water (demo) - Bonus trackChord Change (demo) (previously unreleased) - Bonus trackLunar Sea (demo) (previously unreleased) - Bonus trackAnother Night (single version) - Bonus trackCD TEN Live at Hammersmith Odeon - 14th April 1976 – (Newly mixed in full by Stephen W. Tayler)AristillusSong Within a SongThe Great MarshRhayaderRhayader Goes to TownAir BornChord ChangeThe White RiderCD ELEVEN Live at Hammersmith Odeon - 14th April 1976 (Newly mixed in full by Stephen W. Tayler)Lunar SeaPreparationDunkirkAnother NightLady FantasyCD TWELVE “Rain Dances” (Released as Decca TXS-R 124 in 1977)First LightMetrognomeTell MeHighways of the SunUnevensongOne of These Days I'll Get An Early NightElkeSkylinesRain DancesHighways of the Sun (single version) - Bonus trackFirst Light (live at the Colston Hall, Bristol 2nd October 1977) - Bonus trackMetrognome (live at the Colston Hall, Bristol 2nd October 1977) - Bonus trackUnevensong (live at the Colston Hall, Bristol 2nd October 1977) - Bonus trackSkylines (live at Leeds University 3rd October 1977) - Bonus trackLunar Sea (live at the Colston Hall, Bristol 2nd October 1977) - Bonus trackRaindances (live at the Colston Hall, Bristol 2nd October 1977) - Bonus trackCD THIRTEEN: “Raindances live”Never Let Go (live at the Colston Hall, Bristol 2nd October 1977)First Light (BBC In Concert - Golders Green Hippodrome - 29th September 1977)Metrognome (BBC In Concert - Golders Green Hippodrome - 29th September 1977)Unevensong (BBC In Concert - Golders Green Hippodrome - 29th September 1977)Rhayader / Rhayader Goes to Town (BBC In Concert - Golders Green Hippodrome - 29th September 1977)Skylines (BBC In Concert - Golders Green Hippodrome - 29th September 1977)Highways of the Sun (BBC In Concert - Golders Green Hippodrome - 29th September 1977)Lunar Sea (BBC In Concert - Golders Green Hippodrome - 29th September 1977)Rain Dances (BBC In Concert - Golders Green Hippodrome - 29th September 1977)Never Let Go (BBC In Concert - Golders Green Hippodrome - 29th September 1977)One of These Days I'll Get an Early Night (BBC In Concert - Golders Green Hippodrome - 29th September 1977)CD FOURTEEN: Live at Hammersmith Odeon – 30th September / 1st October 1977 (Newly mixed in full by Stephen W. Tayler)First LightMetrognomeUnevensongRhayaderRhayader Goes to TownPreparationDunkirkSanctuaryThe Snow GooseCD FIFTEEN: Live at Hammersmith Odeon – 30th September / 1st October 1977 (Newly mixed in full by Stephen W. TaylerTell MeSong Within a SongSkylinesHighway to the SunLunar SeaRain DancesOne of These Days I'll Get an Early NightCD SIXTEEN: “Breathless” (Released as Decca TXS-R 132 in 1978)BreathlessEchoesWing and a PrayerDown on the FarmStarlight RideSummer LightningYou Make Me SmileThe SleeperRainbow's EndRainbow's End (single version) - Bonus trackCD SEVENTEEN “I Can See Your House from Here” (Released as Decca TXS-R 137 in 1979)WaitYour Love is Stranger Than MineEye of the StormWho We AreSurvivalHymn to HerNeon MagicRemote RomanceIceRemote Romance (single version) - Bonus trackCD EIGHTEEN “Nude” – Released as Decca SKL 5323 in 1981City LifeNudeDraftedDocksBeachedLandscapesChanging PlacesPomp and CircumstancePlease Come HomeReflectionsCapturedThe HomecomingLiesThe Birthday Cake (The Last Farewell)Nude's Return (The Last Farewell)Captured (first version) (previously unreleased) - Bonus trackCD NINETEEN BBC Radio One In Concert - Hammersmith Odeon 27th February 1981 First broadcast 2nd May 1981Never Let GoSong Within a SongLunar SeaSummer LightningIceCity LifeDraftedDocksBeachedLandscapesChanging PlacesReflectionsCapturedThe Birthday Cake (The Last Farewell)Nude's Return (The Last Farewell)CD TWENTY “The Single Factor” – (Released as Decca SKL 5328 in 1982)No Easy AnswerYou Are the OneHeroesSelvaLullabyeSasquatchManicCamelogueToday's GoodbyeA Heart's DesireEnd PieceYou Are the One (promotional 12-inch single version) - Bonus trackCD TWENTY-ONE “Stationary Traveller” – (Released as Decca SKL 5334 in 1984)Pressure PointsRefugeeVoposCloak and Dagger ManStationary TravellerWest BerlinFingertipsMissingAfter WordsLong GoodbyesIn the Arms of Waltzing Fraulines - Bonus trackPressure Points (12-inch single extended version) - Bonus trackCD TWENTY-TWO “Pressure Points” Live at Hammersmith Odeon 11 May 1984Pressure PointsDraftedCapturedLiesRefugeeVoposStationary TravellerWest BerlinFingertipsCD TWENTY-THREE “Pressure Points” Live at Hammersmith Odeon 11 May 1984SasquatchWaitCloak and Dagger ManLong GoodbyesRhayaderRhayader Goes to TownLady FantasyCD TWENTY-FOUR “Camel” and "Mirage" New Stereo Mix by Stephen W TaylerSlow Yourself DownMystic QueenSix AteSeperationNever Let GoCuriosityArubalubaFreefallSupertwisterNimrodel / The Procession / The White RiderEarthriseLady FantasyCD TWENTY-FIVE “Music inspired by The Snow Goose” New Stereo Mix by Stephen W TaylerThe Great MarshRhayderRhayder Goes to TownSanctuaryFrithaThe Snow GooseFriendshipMigrationRhayder AloneFlight of the Snow GoosePreparationDunkirkEpitaphFritha AloneLa Princesse PerdueThe Great MarshCD TWENTY-SIX “Moonmadness” New Stereo Mix by Stephen W TaylerAristillusSong Within a SongChord ChangeSpirit of the WaterAnother NightAir BornLunar SeaCD TWENTY-SEVEN “Nude” New Stereo Mix by Stephen W TaylerCity LifeNudeDraftedDocksBeachedLandscapesChanging PlacesPomp and CircumstancePlease Come HomeReflectionsCapturedThe HomecomingLiesThe Birthday Cake (The Last Farewell)Nude's Return (The Last Farewell)DISC TWENTY-EIGHT (Blu-ray) “Camel” & "Mirage" High Resolution 5.1 Surround Sound & Stereo Mixes by Stephen W Tayler / High resolution original stereo mixSlow Yourself DownMystic QueenSix AteSeperationNever Let GoCuriosityArubalubaFreefallSupertwisterNimrodel / The Procession / The White RiderEarthriseLady FantasyAutumn - Bonus trackDISC TWENTY-NINE (Blu-ray): “Music inspired by The Snow Goose” & “Moonmadness” High Resolution 5.1 Surround Sound & Stereo Mixes by Stephen W Tayler / High resolution original stereo mixThe Great MarshRhayderRhayder Goes to TownSanctuaryFrithaThe Snow GooseFriendshipMigrationRhayder AloneFlight of the Snow GoosePreparationDunkirkEpitaphFritha AloneLa Princesse PerdueThe Great MarshRiverman - Bonus trackAristillusSong Within a SongChord ChangeSpirit of the WaterAnother NightAir BornLunar SeaDISC THIRTY (Blu-ray): “Nude” High Resolution 5.1 Surround Sound & Stereo Mixes by Stephen W Tayler / High resolution original stereo mixCity LifeNudeDraftedDocksBeachedLandscapesChanging PlacesPomp and CircumstancePlease Come HomeReflectionsCapturedThe HomecomingLiesThe Birthday Cake (The Last Farewell)Nude's Return (The Last Farewell)DISC THIRTY-ONE (Blu-ray): “The Video Vaults”Never Let GoArubalubaSelections from "The Snow Goose" a. The Snow Goose / b. Friendship / c. Rhayader Goes to Town (Guildford Civic Hall 1973 – MCA Promo film shown on “The Old Grey Whistle Test”)The White Rider (BBC TV – The Old Grey Whistle Test – 21st June 1975)Lunar Sea (BBC TV – The Old Grey Whistle Test – 21st June 1975)Preparation (BBC TV – The Old Grey Whistle Test – 21st June 1975)Dunkirk (BBC TV – The Old Grey Whistle Test – 21st June 1975)Another Night (BBC TV – The Old Grey Whistle Test – 21st June 1975)Lady Fantasy (BBC TV – The Old Grey Whistle Test – 21st June 1975)First Light (Live at Hammersmith Odeon – 14th April 1976)Metrognome (Live at Hammersmith Odeon – 14th April 1976)Unevensong (Live at Hammersmith Odeon – 14th April 1976)Rhayader / Rhayader Goes to Town (Live at Hammersmith Odeon – 14th April 1976)Skylines (Live at Hammersmith Odeon – 14th April 1976)Highways of the Sun (Live at Hammersmith Odeon – 14th April 1976)Lunar Sea (Live at Hammersmith Odeon – 14th April 1976)Rain Dances (Live at Hammersmith Odeon – 14th April 1976)Never Let Go (Live at Hammersmith Odeon – 14th April 1976)One of These Days I'll Get an Early Night (Live at Hammersmith Odeon – 14th April 1976)City Life (BBC TV – “Sight & Sound in Concert – 29th September 1977”)Lies (BBC TV – “Sight & Sound in Concert – 29th September 1977”)DISC THIRTY-TWO “Pressure Points”In the Arms of Waltzing FraulinesPressure PointsRefugeeVoposStationary TravellerWest BerlinFingertipsSasquatchWaitCloak and Dagger ManLong GoodbyesRhayaderRhayader Goes to TownLady FantasyIn the Arms of Waltzing Fraulines
    $225.00
  • "If there is one band who has captured the sound of the golden age of Progressive Rock (1969 – 1975) without sounding regressive or copycat, it is the Norwegian band Wobbler. The band has always had an energetic and youthful approach to the classic prog era, and has managed to blow new life into the genre. Wobbler´s fifth offering is an exciting blend of carefully planned and jammed material that encompasses everything the band has done up to now. Dwellers of the Deep consists of four distinctive pieces and is a broad looking glass into Wobbler´s creative whims and playful exuberance. The album showcases the band´s mastery of dynamics and flow, with passages and themes veering from the scenic and serene to the downright rocking. On the final track, Wobbler is in full blast, with a 19 minutes suite taking the listener through aspects of the darker sides of Wobbler´s sound. The lyrical themes on the album deals with human emotion, and the ongoing struggle between juxtaposed forces within the psyche. An introspective voyage among the realms of memories, feelings and instincts, where the light is brighter, and the dark is darker. The concepts of wonder, longing and desperation permeates the histories told, and the currents from the deep are ever present. The production is open, detailed, warm and punchy, making the soundscape put together by the now seasoned sound alchemist Lars Fredrik Frøislie to an aural feast. New musical directions further the quintet’s burgeoning aural idiosyncrasies and solidify the band stature as one of the most exciting and interesting bands on the global music scene, independent of genre."TRACK LISTING:1. By the Banks2. Five Rooms3. Naiad Dreams4. Merry Macabre
    $15.00
  • "Gathered during the group’s most recent European headlining run for FATES WARNING’s much acclaimed latest studio album “Theories Of Flight” in January 2018, “Live Over Europe” includes recordings from 8 different cities (Aschaffenburg / Germany, Belgrade / Serbia, Thessaloniki and Athens / Greece, Rome and Milan / Italy, Budapest / Hungary as well as Ljubljana / Slovenia) and a total of 23 songs in over 138 minutes of playing time, spanning 30 years of the group’s seminal career.“Live Over Europe” was mixed by Jens Bogren (Opeth, Kreator, Symphony X) and mastered by Tony Lindgren at Fascination Street Studios in Sweden "CD 1:1. From the Rooftops2. Life in Still Water3. One4. Pale Fire5. Seven Stars6. SOS7. Pieces of Me8. Firefly9. The Light and Shade of Things10. Wish11. Another Perfect Day12. Silent Cries13. And Yet it MovesCD 2:1. Still Remains2. Nothing Left to Say3. Acquiescence4. The Eleventh Hour5. Point of View6. Falling7. A Pleasant Shade of Gray, Pt. IX8. Through Different Eyes9. Monument10. Eye to Eye
    $20.00
  • THE FLOWER KINGS are back! After 2018’s much-lauded solo effort ‘Manifesto of an Alchemist’, Roine Stolt (Transatlantic, The Sea Within, Anderson/Stolt etc.) and many highly successful FLOWER KINGS REVISITED shows, THE FLOWER KINGS now return with a revamped line-up and stunning new album! “Waiting For Miracles”, featuring striking artwork by Kevin Sloan, promises to be one of THE FLOWER KING’s strongest albums to date and features the line-up Roine Stolt (Lead Guitar & Lead Vocals), Hasse Fröberg (Lead & Backing Vocals), Zach Kamins (Keyboards, Guitar), Jonas Reingold (Bass) and Mirko DeMaio (Drums, Percussion). Recorded over the summer at RMV studio in Stockholm, Sweden – a vintage studio space owned by ABBA star Benny Andersson – Roine Stolt describes the album as “pure prog rock - with boatloads of vintage keyboards - odd time drumming and long guitar solos, elements of pop, prog, rock, symphonic and cinematic music!” Citing Pink Floyd, Vangelis, The Beatles, Cream, King Crimson, Procol Harum, David Bowie, Utopia, ELO and Tomita as influence, “Waiting For Miracles” harks back to the joyful and playful style that made the band famous in the late 90’s yet also offers a fresh and timeless quality. Opulent, dynamic, melodic, catchy, complex, “Waiting For Miracles” is all you would expect from a proper prog rock monument!
    $16.00
  • Is Nospūn the best band you've never heard of?  Probably unless you've been paying attention to all the year end best of 2023 lists.  This Georgia based band released their album back in May 2023 digitally and with some gentle arm twisting from the masses they have finally pressed CDs.  What we have here is a band that came out of nowhere, combined some of the best elements of prog metal bands like Dream Theater and Haken, and dropped one hell of an album.  If you are a prog metal fan this one is BUY OR DIE!"2023 has been very busy as far with plenty of new offerings from classic bands and heavyweights just in the first half. But the biggest surprise has been the number of impressive debut albums so far this year, and we have another one to add to that list with ‘Opus’ from the American band prog metal group Nospūn. The group, from North Carolina, has basically come out of nowhere with one of the more impressive prog metal debut albums you’re likely to hear. Released in May of this year, Opus has gained traction the old-fashioned way, word of mouth. So what is this album like? Well, if you like Dream Theater, Haken, Native Construct, BTBAM, and even a little Avenged Sevenfold, this is the album you’ll want to look into.The first thing that is noticeable upon listening to this album is the immaculate production. This is as good-sounding an album as you can hear from any of the major bands that have been doing this for a long time. The production was all done in-house by the band, nothing short of impressive. The other aspect that sticks out is that this band knows what they want to achieve and seemed to have a plan when making this album, from the arranging to the over-sequencing. It all flows and makes sense. Nothing feels disjointed or confused, as you might expect from a debut album.As with many concept albums, ‘Opus’ opens with an acoustic/vocal track softly laying the groundwork for the story about “The House at the End,” which of course leads into the “Implosion Overture.” You can immediately tell these are guys that can play; all the elements are there, brilliant fret-work on the guitars (James Nelson), explosive drums (Paul Wood), and complicated bass lines (Cole Millward). The first main track “The Death of Simpson” starts to lay out the story both lyrically and musically, with vocalist Phil Rich displaying a dynamic range that fits perfectly.The strongest section of the album is from tracks 6-9 which is a truly wonderful 4-song stretch beginning with the frantic and fun “Earwyrm,” one of my favorite songs of the year. It is both crazy and gorgeous in one song. “…And Then There Was One” is a slightly mellower turn for the album and features the most singable chorus on the record. “4D Printing” is a wild instrumental with some incredible musicality and heaviness. And what would a prog metal album be without a long epic, which you will get in “Within the Realm of Possibility.” The album closes in epic fashion by wrapping things up with “The House at the Beginning.”Now there are a lot of noticeable influences; you can definitely hear Dream Theater at times, or Haken at times, but the band are also able to mold those into their own sound as the album continues from one song to the next. Hopefully, the band continue to grow more into their own sound on future albums. But if this debut is any indication, we should expect big things from Nospūn in the future. ‘Opus’ from Nospūn is one of the best albums to come out this year and you can expect to see on best of the year lists." - The Prog Report
    $12.00