Metamorphosis

SKU: 69490
Label:
SPV
Category:
Power Metal
Add to wishlist 

The great Uli continues on his classical bent doing his electrified, Uli-fied version of Vivaldi's Four Seasons. Only he would have the audacity to try to pull it off. Comes with a 64 page booklet. One of the greatest electric guitarists to have ever walked the planet...

There are no review yet. Be the first!

Product Review

You must login or register to post reviews.
Laser Pic

customers also bought

SEE ALL
  • Austrian progressive power metal band Serenity has been a bit overlooked in the past but it appears as though their star is in ascendancy.  Ex-Whyzdom vocalist Clementine Delauney complements lead vocalist Georg Neuhauser quite well.  Perhaps she nudges him out of the spotlight a bit but all for the greater good.  The music has a large scale symphonic element that will draw comparisons to Kamelot.  Since they have toured with Youngblood & Co its not that surprising.  So the formula seems to be in place - two great vocalists married to melodic, bombastic metal.  Their best album.  Who's in? 
    $12.00
  • "Showtime, Storytime" contains NIGHTWISH's entire August 3 performance at the Wacken Open Air festival in Wacken, Germany. The show was played in the front of 85,000 screaming metalheadsThe Wacken Open Air appearance was the first of the three final shows of NIGHTWISH's "Imaginaerum World Tour", which saw the band and their Dutch singer Floor Jansen (REVAMP, ex-AFTER FOREVER) playing 104 concerts in 34 different countries, with a total audience of over 1.5 million fans around the globe.Commented NIGHTWISH mastermind and keyboardist Tuomas Holopainen: "Our darling flying Dutchwoman, Floor Jansen, has been nothing but incredible during her time in NIGHTWISH on this tour, so this is a perfect opportunity to immortalize the current vibe of the band on film!"NIGHTWISH's setlist for the Wacken Open Air performance was as follows:01. Dark Chest Of Wonders02. Wish I Had An Angel03. She Is My Sin04. Ghost River05. Ever Dream06. Storytime07. I Want My Tears Back08. Nemo09. Last Of The Wilds10. Bless The Child11. Romanticide12. Amaranth13. Ghost Love Score14. Song Of Myself15. Last Ride Of The Day16. Outro (Imaginaerum)
    $6.00
  • The final chapter in the Evermore saga has finally arrived. With new vocalist Nils Patrik Johansson on board the band is poised to take their popularity to the next level. Johansson hails from Sweden and was a remarkable discovery. With a strong set of pipes that instantly remind of "Holy Diver"-era Dio, Johansson has been making a bit of noise of late with the bands Astral Doors and Richard Andersson's Space Odyssey. Truth be told....it was his work with Wuthering Heights that got him those gigs and now you will all understand why. Erik Ravn has fine tuned the sound a bit moving slightly away from the progressive sounds of To Travel For Evermore although it's still a solid mix of neoclassical and progressive metal (just a tad less on the prog side this time). There is a definite infusion of folk elements that blends seamlessly. Tommy Hansen once again produced and with the added time the band had in the studio it is by far their best production yet. So what we have here is folk music, neoclassical metal and symphonic rock all blended together to create a unique musical vision that will appeal to fans of Blind Guardian, Symphony X and Yngwie Malmsteen.Oh yeah....we've even tossed in a bonus track not found on any other release in the world.
    $13.00
  • I can't remember a buzz on a band's debut since Circus Maximus.  Perhaps due to the album being released in Japan a year ago and its unavailability elsewhere, maybe because they are lined up to play ProgPowerUSA.  Whatever the reason the album finally gets a wide debut and it was worth the wait.  Damnation Angels is a British symphonic metal band fronted by a Norwegian singer.  He goes by the name PelleK and was a contestant on Norway's version of X Factor.  The band's stock in trade is epic sounding metal that pays a huge debt to Kamelot.  The instrumental passages take on the grandeur and scope of Nightwish.  PelleK does a sold job out front - he's obviously listened to a Khan quite a bit.  Highly recommended.
    $14.00
  • Incredible warehouse find.  Scored a small horde of these and I can pass them on to you at an amazing price."Gamma Ray! Undoubtedly one of the most important names in contemporary, classic Heavy Metal, and thee most respected and influential German band in the genre. Fronted by Kai Hansen, following his departure from Helloween, Gamma Ray has become one of the most prominent bands in European Heavy Metal. "To The Metal" is the 10th studio album in 21 years of worldwide success and a new diamond in their never-ending experimental creativity. The Special Edition contains a bonus DVD in HD with interview, rehearsals, live studio sessions and 3 videoclips."
    $3.00
  • "Retribution” is the new album from Sweden’s Nightingale, the intended one-off project that refuses to die. Established by musical multi-talent Dan Swanö almost 20 years ago, the band is proof that good music can take on a life of its own, often when the artist least expects it.Known for his work both as a producer/engineer and with metal acts Edge Of Sanity, Bloodbath, Pan-Thy-Monium and most recently Witherscape, Swanö began his unplanned Nightingale journey in 1995 with “The Breathing Shadow”. It was a one-off goth-flavoured solo album heavily reminiscent of The Sisters Of Mercy, meant to satisfy his interest in the genre and then be put quietly to bed as Swanö moved on to other projects. The album was successful enough to warrant a follow-up according to his label at the time (Black Mark), but Swanö was, as he puts it "so over the goth thing.""I thought that if I was going to make a second record it had to reflect what I was listening to at the moment. I was going through a big revival of Gamma, Foreigner, Journey and all that super melodic AOR pomp rock stuff. It was a weird turn from the first record, so I decided to make Nightingale a home for music that I write in the moment, no matter what it is."Nightingale released five more albums between '96 and '07, slowly establishing a band line-up that began with Swanö's guitarist/keyboardist brother Dag in 1996 acting as a co-producer and session player on “The Closing Chronicles”. He officially came aboard in 1998 under his Tom Nouga moniker. The band was fleshed out by bassist Erik Oskarsson and drummer Tom Björn, who had their first rehearsal with the Swanö brothers on Christmas Day 2000. “White Darkness” from 2007 could well have been the last Nightingale album, as it featured very little songwriting input from Swanö due to severe writer's block. He decided to focus on his career as an engineer and chose to make music as a hobby. His creative side won eventually, however, as the urge to write and play again became irresistible."I bought a few instruments that would inspire me, and eventually the riffs started piling up," Swanö recalls. "I was collecting them for some kind of death metal release, and the other stuff that came out ended up being what could be used for a future Nightingale record."Originally titled “Bravado” in the working stages, “Retribution” offers up 10 songs steeped in uncomplicated '70s and early '80s-flavoured rock. Tracks such as 'Chasing The Storm Away', 'Forevermore' and 'The Maze' could have easily found a home on commercial rock radio 30 years ago, yet the album is completely relevant in 2014. Fans of Swanö's heavier works that are unfamiliar with Nightingale may be surprised the simplicity of the music and the band's non-aggressive approach."It's not easy to write simple stuff that's good," Swanö points out, suggesting people take a good long listen to “Retribution” rather than dismissing it.In Swanö's estimation “Retribution” succeeds because the songs "just kind of happened." He never set out to write any specific parts; the music is in fact a result of spontaneous moments, whether it was an accidental combination of notes on a keyboard that became an opening riff ('On Stolen Wings') or an odd guitar tuning ('Warriors Of The Dawn'). On top of that, the songs were hashed out in the rehearsal room before the band went into the studio, resulting in major changes to some of the music as it developed."When I listen to the record I don't want to have any regrets," explains Swanö. "There's no point in releasing a new Nightingale record if I don't think it's the best we ever did. That a pretty high standard to have, but if I don't feel that way when I listen to it the moment it's ready, it's got nothing to do with our back catalogue. That's the way I've felt with every record."Asked to sum up what “Retribution” means to him with regards to Nightingale's legacy, Swanö offers the following: "Classic rock with that pomp attitude really inspired me. I just wanted a good production that could hold up well against a band like Alter Bridge but still have a bit of the sonic charisma of the records from '79, which was a great year for music. The target was to make a timeless record with good, classy songs that the four of us can agree are really cool."Nightingale’s “Retribution” comes packaged in beautiful artwork courtesy of Travis Smith (Opeth, Nevermore, Katatonia, etc.) and should equally appeal to open-minded atmospheric metal and also to melodic prog rock supporters into bands like Rush, Marillion, Styx, Kansas, The Mission, Queensryche, Enchant, Threshold, Arena oreven Opeth and Katatonia."
    $13.00
  • Fourth album from this Norwegian band is a near perfect blend of power and progressive metal. Each successive album has been better than the previous one - this one tops 'em all. Killer vox, crunch that is off the charts, blasts of synth and stellar production is the best way to sum of this monster. This is the 2 CD limited edition. It comes with 6 bonus tracks, mpeg video, wallpaper and other stuff. Grab it while it's available at a great price.
    $11.00
  • Michael Romeo doesn't work quickly.  The man takes his time and a new Symphony X album is ready when its been honed to perfection.  Underworld is the first new album in four years.  To get to the point its ridiculously great.  Up through V, the band were the modern agents of neoclassical/symphonic metal.  With The Odyssey the band took a left turn with Russell Allen's vocals being more agressive and a pervasive overall crunchiness, heaviness to the sound.  Perhaps a bit less symphonic sounding.  With Underworld fans of the "old style" will smile once again.  The band has found a way to balance both sides of their sound.  Its heavy but extremely melodic.  Russell's vocals are spot on and Mr. Romeo's solos have an organic flow that will sweep you through the tune.  Its a beautiful marriage of styles - not too much of either direction that the band has exhibited in the past.  Toss in a theme built around Dante's Inferno and you've totally sucked me back in to the fold.  BUY OR DIE!"A lot has happened with New Jersey-based progressive metal band SYMPHONY X since the Iconoclast album was released four years ago. Singer ‘Sir’ Russell Allen recorded and toured behind several releases with ADRENALINE MOB, toured with TRANS-SIBERIAN ORCHESTRA and recorded the album The Great Divide with ALLEN-LANDE. Bassist Mike Lepond toured with HELSTAR and released his excellent solo album under the name SILENT ASSASSINS. Keyboardist Michael Pinnella released a solo album and guitarist Michael Romeo made guest appearances on some albums. Drummer Jason Rullo battled and successfully recovered from heart failure in 2013.Four years later, SYMPHONY X delivers another fantastic album, the band sounding just as powerful as Iconoclast, and amazingly never missing a beat. Titled Underworld, it is sort of a concept album, loosely based on Dante’s epic poem Inferno. Dante’s Inferno is not a totally original topic in the metal world; ICED EARTH featured an epic song based on it on their 1995 album Burnt Offerings and SEPULTURA wrote a concept album based on it with 2006’s Dante XXI, while SYMPHONY X themselves included references to it on their 1997 album The Divine Wings Of Tragedy. Several other metal bands have also been influenced by the poem.SYMPHONY X do not follow the tale word for word, but use it more as an inspiration. Michael Romeo is quoted as saying that the album has a theme of “going to hell and back for something or someone you care about.” He also said that this album is more about “the song” instead of the album as a whole, allowing it to flow better from song to song. This doesn’t mean every song is an attempt at a single. Romeo’s intent when writing songs for Underworld was for people to be able to take in the whole album in one listening. (The total album length is just over an hour, compared to Iconoclast’s two discs that were around 83 minutes).To be honest, the last two SYMPHONY X albums, 2007’s Paradise Lost and 2011’s Iconoclast were my favorite albums released by the band so far. I refer to them as the “angry” SYMPHONY X, mainly due to Russell Allen’s vocal delivery and the aggressive music on those particular albums. So, I waited to see if we would get a third album in this same vein from SYMPHONY X. The songs on Underworld seem to alternate between prog and aggression, but for the most part, the album is not as “angry” as Iconoclast. The album strikes a perfect balance between prog and power. Some songs are aggressive without being “angry”. There are definitely more classic SYMPHONY X elements here than on recent releases.The album is much more accessible than previous albums. The songs overall are shorter (most clocking in at around the 5-6 minute mark), and more to the point than on previous albums. For example, “Kiss Of Fire” is one of the best tracks I’ve ever heard by SYMPHONY X. It immediately became a favorite of mine on this album, with the verse, “Bring down the hammer, with serious anger – It’s me against the world!” section and the chorus becoming some of my favorite moments. This song probably represents the album to me more than any other, but the album is filled with classics, such as opener “Nevermore”, a ferocious track that is aggressive in the verses, while the chorus is more melody-driven. The title track follows, with many twists, turns and speed sections. “Without You” is a standout track. With its guarded delivery by Allen and acoustic guitar flowing in the background, it is probably the mellowest moment on Underworld, but that’s not a bad thing. The chorus is the focus of the track, with Allen performing some of his best work. The song probably has the most potential as a single. Another solid track, “Charon”, named for the ferry boatman of the underworld, follows. This track has a middle-eastern flavor to it.The longest track on the album (9:24 in length) follows, the excellent “To Hell And Back”. This song has so many great parts, it’s hard to pick a particular favorite, possibly Allen’s soaring vocal on the chorus or the “on and on and on / no quarter asked, no quarter given” section. “In My Darkest Hour” follows and is another favorite of mine, featuring speed riffing parts, mixed with a melodic chorus. Allen really shines on this song. “Run With The Devil” is even more up-tempo and another one of the more accessible songs due to the chorus. “Swan Song” finds keyboardist Pinnella taking the bulk of the spotlight with his piano flourishes. The album closes with the excellent “Legend”. Allen’s aggressive pre-chorus vocals and melodic chorus vocals make this an instant classic.I believe the playing on Underworld is at another level for the band. Lepond’s bass work is spectacular throughout and Jason Rullo makes a real statement with his drum performance. Fantastic work from keyboardist Michael Pinnella and of course guitarist Michael Romeo’s amazing riffs and solos are worth the price alone. But you get more, don’t you? You get one of the best singers in metal, Sir Russell Allen, making yet another classic album even better with his voice.The album’s exquisite cover artwork (once again by illustrator Warren Flanagan) features the return of the SYMPHONY X masks, around which are eight symbols that represent the circles of hell: limbo, lust, gluttony, greed, anger, heresy, violence, and fraud. The symbol for treachery, the ninth circle, is underneath the masks, and hopefully will be revealed in full inside the album packaging.Underworld is a great album, which grew on me the more I listened to it. SYMPHONY X are masters of American prog metal, and have been for quite some time. Underworld further cements that reputation, and will undoubtedly please fans of all eras of the band." - KNAC.com 
    $14.00
  • "InsideOutMusic present three albums by US prog metal act REDEMPTION as one attractively priced limited 3CD box set. Featuring the mighty Ray Alder (Fates Warning) on vocals, "The Origins Of Ruin", "Snowfall On Judgement Day" and "This Mortal Coil" are perfect examples of high class progressive metal fusing heaviness and epic melodies."
    $18.00
  • This is the limited special edition that is not being released in North America.  It features two bonus tracks and is housed in a gatefold CD wallet.AMARANTHE, the fast-rising modern metal sextet, will release their sophomore album, 'The Nexus', on March 26th via Spinefarm Records.Produced by Jacob Hansen (whose credits include Volbeat, Dreamshade & Ginger Wildheart, and who worked on Amaranthe's 2011 self-titled debut), 'The Nexus' sees the Swedish/Danish outfit further honing a musical style that blends cutting-edge melodic metal with soaring pop melodies, the whole thing topped off by a unique three-vocal attack.Says guitarist and band co-founder Olof Morck: "The moment has come to let loose 'The Nexus' on an unsuspecting world! This time we went all the way with our futuristic dream-nightmare - a no-compromise vision steeped in deep contrast between the mechanically ultra-heavy and shimmering serene melody. 'The Nexus' is everything we dreamed about doing with our debut album; we laboured to make this offering as diverse as it is direct and catchy. and remember, no-one can be told what 'The Nexus' is - you have to hear it for yourself!"
    $13.00
  • Please note that we are offering the 2CD import Mediabook edition which is not available in normal retail outlets.  This is a much nicer version than the standard digipak version that will be available through normal distribution channels....but at the same price.  The bonus second disc features instrumental and orchestral versions of Haven tracks."Opener ‘Fallen Star’ has a couple of elements that are comparable to ‘Silverthorn’. Mostly the intro, but something in the refrain also reminds me of the previous record. However the riffs are more aggressive, Karevik is giving it his everything in his very own way. It’s a unique feeling to listen to the opener like this.There are two ballads on the record and first up is ‘Under Grey Skies’. It’s somewhat of a typical Kamelot ballad, combined with the pipes of Troy Donockley (Nightwish) and an amazing appearance of Delain’s Charlotte Wessels graces this track.But on the other hand there is ‘Here’s To The Fall’, the other slow song. It could easily be one of the best refrains I’ve ever heard in a ballad. Everything on the track is gentle, the vocals are brilliantly executed and the refrain is only a little bit more bombastic than the rest of the track.'My Therapy’ is a brilliant showcase of Kamelot songwriting. It has the well-known romantic touch that is ever present on the records. “You’re the antidote for solitude, injected in my vains. Let the touch of your hand forever be, my therapy.” The rest of the song is slightly heavier than we are used to hear, but very well played and mixed as well.At the end of the record we find what is probably the most heavy song that Kamelot has ever recorded: ‘Revolution’. The grunts of Alissa White-Gluz (Arch Enemy) are very well integrated, way better than on ‘Sacrimony (Angel Of Afterlife)’ from the last record. It’s heavy, fast and aggressive, yet it never loses its symphonic sound. ‘Revolution’ is the last official track and it fits perfectly. With the melancholic ‘Here’s To The Fall’ before it and the two minutes of the somewhat triumphant instrumental closer ‘Haven’.What an album! I couldn’t have wished for anything better than ‘Haven’. Kamelot have reinvented themselves, without losing their very essence. The sound has become somewhat more modern, while the vocal work of Tommy Karevik is spot-on the entire time. When the tunes of the short closing track ‘Haven’ fade away, all that’s left is a triumphant feeling. They nailed it again, but in an entirely different way. Kamelot has taken the next step and it has been in the best direction possible!" - Overall Loudness
    $16.00
  • Fourth album from this outstanding metal band from Tunisia.  Myrath follow the template of old Symphony X but they infuse it with Middle Eastern modalities.  The band has sick chops and a phenomenal vocalist that has dialed himself in perfectly.  There is nothing else out there like Myrath and this one may well be their best one yet.If you were fortunate enough to see the band perform at ProgPower USA you know how incendiary this band can be - they blew the roof off the joint and were the talk of the festival.  BUY OR DIE!
    $12.00