Unarmed

SKU: TE156-2-CL
Label:
The End Records
Category:
Power Metal
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"UNARMED Best Of 25th Anniversary is Helloween's thank-you to millions of fans old and new and will prove their exceptional position on the international metal scene. Instead of putting together a regular greatest hits compilation featuring their most successful tracks to celebrate this anniversary, the five band members completely rearranged the greatest melodies they had written in the course of their career to date. The album features Supercharge s exceptional saxophonist Albie Donnelly, Hellsongs s vocalist Harriet Ohlsson, pianist Matthias Ulmer, plus the 70-piece Prague Symphonic Orchestra and the choirs of the Gregorian singers!

As a special surprise, Helloween have come up with 'The Keeper´s Trilogy,' a stunning 17-minute medley of the songs 'Halloween,' 'Keeper Of The Seven Keys,' and 'The King For A 1000 Years,' recorded in cooperation with the Prague Symphonic Orchestra and likely to send shivers of delight down the spine of every Helloween fan."

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  • Second album from this Sieges Even offshoot/rebranding. Touchstones is a bit heavier than the debut as Markus Steffens struts his stuff again. Mid-80s Yes is an obvious influence on the band's direction. On some of the material vocalist Arno Menses sounds like a dead ringer for Jon Anderson. The music sits on the fence between the prog rock and metal realms. If you like the post-reformation Sieges Even albums you'll find much to sink your teeth into. Further - if you found the first Subsignal a bit on the light side you'll find this one has a bit more heft and frankly its better for it. Highly recommended.
    $19.00
  • Formed at the beginning of the nineties, Wuthering Heights emerged from the Danish metal scene and began to draw attention of the rest of the world. Their brilliant epics of symphonic speed/power metal with progressive and folk roots became the trademark of their entire discography. Their previous albums were very well-received by fans and media worldwide and solidified Wuthering Heights' status as one of the most interesting bands to emerge on the international heavy metal scene. At last, after 3 years of silence, the time has come for the 5th album, ‘Salt’, to be released. Featuring the same line-up as seen on their last album ‘The Shadow Cabinet’, guitarist/songwriter Erik Ravn and the boys have created another epic album which is undoubtedly their strongest to date. While writing its lyrics, Erik discovered that the imagery of the sea was a perfect setting for his dark tales of personal and global Armageddon. Consequently the music has traded some of its Celtic delicacy for the rawness of the sailor’s tunes. Never before has the end of the world sounded so uplifting!
    $8.00
  • Some of our rabid regulars asked us about an Australian band called Anubis. It was one of those rare occasions where I admitted to being stumped. Some investigation brought up an interesting label/collective called Bird's Robe Records. The label casts a pretty wide net, featuring all different types of bands but all have a strong progressive element. Anubis may well be their most "straight ahead" prog band. Damn if this isn't a great disc!Anubis have a modern sound but there are symphonic elements and on more than one occasion I'm reminded of Pink Floyd. The album kicks off with a 17 minute killer filled with emotive vocals and spacey keys. If David Gilmour had produced the new Pineapple Thief album it might sound something like this. Highly recommended.
    $15.00
  • Third album from this Dutch progressive band is a conceptual work.  This one has strong political leanings so it might bother some of you out there.  It basically deals with changes in the geopolitcal climate since the late 90s.  While the band's first album was squarely in the metal camp, the subsequent albums find them moving more and more into the prog rock arena but maintaining an underlying heaviness.  Plenty of keyboards featured throughout the mix in a way that complements the guitar driven heaviness.  For me the stand out is vocalist Dennis Binnekade.  He has a stunning voice and I noticed that this time around someone coached him on his pronuciation. Rock solid contemporary prog. Highly recommended.
    $14.00
  • "You've got to give Signum Regis founder and bass player Ronnie Konig some credit. He keeps trying to up his game with each new Signum Regis album. With his third album, Exodus, he tackles another concept album: the slavery in and exodus of the Israelites from Egypt from the Biblical book of the same name. Additionally, rather than a single lead vocalist, namely Goran Edman, Konig brings in no less than nine notable vocalists. (See the list below.) Whether this amounts to a good thing will be in the ear of listener.Something that has not changed is Signum Regis' sound, remaining traditional European melodic heavy and power metal. Considering the nature and significance of the Biblical story, some properly composed power metal could give the listener a lively interpretation of that story. Often it does.For instance, in pace, lyrics, and vocal arrangement there's a feeling of urgency within Let Us Go!, as the Hebrews seek release from their Egyptian masters. If you recall your Biblical history, you'll remember that Pharaoh was not to happy with Moses, becoming royally pissed and stubborn. Wrath of the Pharoah gets some of that with it's heavy and raging sound and piercing vocals. Of course, Pharaoh and all Egypt was warned of what would happen if they did not comply with Yahweh's wishes. The Ten Plagues offers some bracing straight power metal, with some ripping guitar work, to emphasize the drama of the event.Curiously, I would have thought the song Last Days in Egypt, which would have included the first passover ceremony (and foreshadowing Christ's atonement later), to be a more somber and introspective piece, perhaps acoustic guitar driven. Rather, it's basically electric guitar driven instrumental. There's some drama to the centerpiece song, Exodus, as it has a marching feel, thinking of the Israelites marching to their freedom.Finally, but not the final song, Song of Deliverance, based on Moses' song after crossing the Red Sea from Exodus 15, is likely the best and clearest reference to this profound and true story. It's also one of the better songs on the album because it's not all charging power metal. No, there's rather light breakdown just before the middle and also at the end that adds a reflective character to the story and song.The album comes with a bonus track, Mountain of God. Though the lyrics are hard to define, this song may have something to do with Israel arriving at Mount Sinai and the giving of the ten commandments.While this is probably the best Signum Regis album to date, some might find it too familiar, and there for redundant, thanks to the predictable, or typical, as the case may be, European power metal throughout. Nevertheless, it's also still very good melodic heavy power metal from some talented fellows who know how to get it right. Recommended." - Dangerdog.comExodus Guest VocalistsLance King [ex. Pyramaze, Balance of Power], Michael Vescera [Obsession, Animetal USA], Matt Smith [Theocracy], Daísa Munhoz [Vandroya, Soulspell], Eli Prinsen [Sacred Warrior, The Sacrificed], Samuel Nyman [Manimal], Thomas L. Winkler [Gloryhammer, Emerald], Göran Edman [ex. Yngwie Malmsteen, John Norum] and Mayo Petranin [Castaway].
    $14.00
  • The Nektar catalog is now being bounced around like a ping pong ball.  This is now the third version that Cleopatra has made available.  Beyond the original classic album you get a bonus disc which features a large portion of the Academy Of Music 1974 show.
    $15.00
  • First official release of this legendary performance from the Mar Y Sol Festival in Puerto Rico back in 1972. This was previously available as part of the From The Beginning box set, which is now out of print. ELP at their prime!
    $12.00
  • Cheap price for the domestic pressing of the classic Mk II album.  Has "Strange Kind Of Woman".  How bad can it be?
    $5.00
  • "‘Les Fleurs du Mal’ is a conceptual album by Swedish band THERION that features only French lyrics and consists of cover versions of old French pop songs from 60-70s. THERION celebrates by "a special art project", headlining by the material, its 25 anniversary. It was also said that the album is available only during the tour and from THERION online store; it is sponsored by the only founding member, Christofer Johnsson. But you can buy it i.e. on Amazon as well. I am not going to go at length comparing THERION old and new and trying to rationalise things. The reason is simple, as this album was actually the first that caught my full attention. I start from the cover: it's full of topless females. Obviously, Charles Baudelaire's legacy is quite reminiscent there. The cover is made of a quite rich artwork of Saturno Butto, themed mainly erotic and varying from matte painting to charcoal sketches.Most of the songs here are quite short, yet powerful. Why these songs? I have at hand some lengthy explanations from the press kit, but in fact it boils to one single thing: the overall direction of French songs that are dark and telling some quite grim stories. Yet we all aware of a largely poetic language and melodic music background of French culture. Christofer has a great, fluent knowledge of musical styles and approaches, so he claims influences from King Diamond, Candlemass to folk music and ABBA. The album is beating with energy, in carries you along with its set of 15 songs performed mainly by the lead opera singer, soprano Lori Lewis.Of course I was curious about how exactly the original songs were altered. It's too much of effort to get past all these tracks, so I picked few favourites. ‘Mon amour, mon ami’ by Marie Laforet is a playful pop song, performed originally in circus-like up-tempo, but THERION specialists worked closely in order bring about the "inner darkness", toned down tempo and timbre and added traditionally "darker" music instruments such as organ - so song became indeed heavier and more minor, yet more powerful and strong. ‘Polichinelle’, performed with a cute teenage girl's voice by France Gall, is initially a pretty love ballad that relates to a Commedia dell 'arte character (note that comedian masks are worn by the naked ladies on the album booklet. (Thumbs up for the throughout conceptual work!) THERION ended up with an operetta rendering of the song, making of it somewhat of an opera house hymn, this type of sound you would expect from contemporary French musicals. Despite being one of the most experimental pieces on the album, it would be, probably, one of the most noticeable tracks.Finally, Victoire Scott's ‘Une fleur dans le coeur’ - Christofer did not like very much a feature you can hear in original, the honky-tonk (tuned-off) piano that he only describes as "dreadful". Instead, THERION interpretation is deeply lyrical, with plenty of acoustic guitar and strong soprano of Lori multiplied by the riffs you might expect from Jann Tiersen, metal additions and whole lot of different styles changing one to another. One drawback that I see is that the vocal style often remains of the same across album, so if you listen to 15 songs in a row, you might be tired a bit with the similar style. Yet the band paid enough attention to insert pleasant breaks by quest vocalists. The album sounds sound, fresh, and original and there is additional fun to compare originals to the covers." - Reflections Of Darkness
    $11.00
  • "For a band that quickly evolved into a radio-friendly prog-leaning outfit, it's a wonder that Wishbone Ash started out as the boogie and blues-based group that this debut reveals. If the term "jam band" existed in 1970, Wishbone Ash surely would have been a major player in that genre. As it was, this album stacked up nicely when compared with other British hard rock releases that year. Not as complex or calculated as Led Zeppelin's Led Zeppelin III but definitely more focused than Mott the Hoople's Mad Shadows, Wishbone Ash more closely resembled Benefit by Jethro Tull, a group that hadn't yet adopted its own progressive elements. The dual lead guitar attack of Andy Powell and Ted Turner was a component that none of the above bands possessed, but unfortunately their (shared) lead vocals lacked the punch and authority necessary for hard rock bands to be taken seriously. So while they could rock as loudly and convincingly as virtually anyone, their lead singers, perhaps, held them back from being the force they should have been. The follow-up, Pilgrimage, took steps to rectify Wishbone Ash's odd position, but this album nevertheless opened eyes and ears and revealed to the rock & roll community a band with incredible potential and talent." - Allmusic Guide
    $5.00
  • A lifetime ago The Laser's Edge reissued this fine offshoot from Circus.  Its been out of print for years and has now been resurrected by Belle Antique.Blue Motion consisted of Fritz Hauser (drums/percussion), Stephan Greider (keys), and Stephan Ammann (keys).  This was one of the first (if not the first) digital recordings made in Switzerland.  With little to no overdubs, the recording has a live, spacious feel.  The two keyboardists play off of one another in dizzying fashion - it can become hypnotic at times.  Bosendorfer Imperial grand piano, ARP Quadra, Hammond C3, Fender Rhodes, and Hohner Clavinet was their arsenal and they played the hell out of them.  Hauser is an exemplary percussionist and he never gets lost in the fray.  Parts of this may actually remind you of ELP a little bit...but just a little bit.  Highly recommended.
    $34.00
  • "2014 surely seems to be a year of fruitful reunions; CARCASS is one we could see coming from a mile away, but alas, one name stood somewhat overshadowed by the band’s guitarist-mastermind’s main band, ARCH ENEMY; Chris Amott has brought ARMAGEDDON back to life, “Captivity And Devourment”: the first new material from the band since the last album, “Three”, in 2002. A band known for each album being a completely separate entity, genre-wise, “Captivity And Devourment” retains the blistering Melodic Death Metal from the first album, but combines modern nuances, and Chris’s own clean vocal performances, first heard on the last ARMAGEDDON album, and later, on his solo album work. This release is what ARMAGEDDON and the more aware of ARCH ENEMY fans have been waiting for the past 12 years.Fully unified and re-energized, the frontman position now takes the form of thunderous coarse vocalist Matt Hallquist provides the majority of the vocal delivery; a supermassive, unrelenting delivery of harsh growls, yet Chris’s clean singing deliveries are thoughtfully emblazon a number of tracks; the man is a master guitar player, and that is what this album shows. That being said, he a skilled vocalist in his own right.The title track opens the album, and what a monster of a song it is; hinting that this will be the band’s heaviest album to date, it explodes forth with a blast-beaten intro, before subsiding into a pummelling series of groove-ridden riffs. A powerful reminder that the ex-shredder of one of the world’s biggest Melodic Death Metal bands has once again made a foray into the Extreme Metal world, as such, the guitar work on this track drew a smile to my face.  “Locked in” is a bit more mellowed in the heaviness department, but is thickly substantiated with meaty riffs, and soaring, double-kicked sections, though the top dollar are the deliciously-catchy chord progressions .“Thanatron” was one of the first tastes we were given earlier this year, of the band’s new material. Beginning with a crisp, acoustic passage, some of the riffs on this track are as heavy and robust as you’ll hear on the album; a strong Groove Metal sound drives the main riffs. The necksnapping headbangery of this track shovels the coal into the massive engine that powers this album, from the beautiful and up-beat acoustic interlude of “Background Radiation”, through to one of my two favourite piece on the album, “The Watcher”. Seemingly more epic in stature, as the massive, thrumming intro riffs would give away, it certainly pulls no punches. This track happens to be strongly-embellished with clean vocals, not necessarily provided in the lead vocal sense but noticeable nonetheless. Chris commands the lyrics with an unusual style of delivery, sitting somewhere in the mid-range and capable of powerful belts, but with a mysterious, almost Gothic nuance about his singing. Quite frankly, he sounds like no one else I’ve ever heard; the grandiose, soaring section partway through the track will surely convince of this.A power metal enthusiast at heart, I was secretly hoping for more vocal belts; I was met with this and more on “Equalizer”, my other favourite. A virtuosic guitarist at heart, fans of his guitar playing will be at the very least satisfied and sated with the stellar lead work on this track. Chris certainly made no mistake in taking on the  best musicians for the job, either; I couldn’t be more pleased with the line-up after listening to this album, particularly the thundering bass tone provided by Sara. In fact, the overall production of this album is to be highly commended; seemingly, deliberately raw, it is far from overproduced, and everything comes across as far more organic, definitely playing a part in the heaviness factor.Am I approaching this with rose-tinted glasses/headphones? Hardly; ARMAGEDDON is a different band now. Something bigger, something stronger, and hopefully that little bit more infinite. Either way, this is the calibre of comeback I had been hoping for." - Metal Temple
    $15.00
  • "The debut recording from the Dixie Dregs (The Great Spectacular is considered a demo) stands as one fusion's high-water marks. This music is wholly original and played with a freshness and vigor that had begun to wane in a genre that was becoming a model in self-parody. The influences here are plentiful, but it is the country roots that provide the music with its vitality. Founder/guitarist Steve Morse proved to be an important new guitarist, offering an inimitable style with the technique the music demands. The music is complex and challenging, but that's easy to overlook due to the band's sunny approach. While they would go on to create more fully realized recordings, this one proved that fusion had a soul." - Allmusic Guide
    $5.00
  • New remastered edition of Sirens and The Dungeons Are Calling. Originally conceived as all of their debut album, the material was split up because it was too long for vinyl release. Jon Oliva states that this is the first time the material is appearing as it was conceived. This "complete session" release includes one new bonus track recorded by Oliva in 2010.
    $14.00