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Victim Of Your Fathers Agony (Remix)
"Victim of your Father’s Agony is the fifth album from Trondheim’s finest prog band Arabs in Aspic. Originally released by the Italian label Black Widow Records in 2015, this album may be their most diverse to date, due to the large number of songwriters compared to the other records.
This new version of the album starts with a short instrumental inspired by the band’s first concert in France, playing a gig in the sunset, 300 meters from the most beautiful beaches of the Atlantic with 2000 ecstatic prog nerds. «One», is an oldie that didn’t quite fit in on the previous couple of albums, and has been a staple in their live shows since 2009. “Italian Class” started as an instrumental called “The Turk and the Italian Restaurant”. With no proper Italian vocabulary, they cobbled together bits and pieces from the most known Italian nursery rhymes. The song was performed live at a festival to much-shared enthusiasm. Some found it brilliant, and others were offended or embarrassed on the band’s behalf. «Sad Without You» is about the sudden realization that you’re eventually going to lose your loved ones. “The Flight of the Halibut” features no less than 16 lead guitars in unison.
This re-release is based on all of the original recordings, but everything is re-edited and remixed from scratch. All original recordings have been used, and a few overdubs have also been done. The band has also changed the song sequence to create a new listening experience. This is the fifth of six reworked & remastered Arabs in Aspic re-releases on Karisma Records, meticulously mastered by Jacob Holm-Lupo (White Willow, Opium Cartel, Solstein + + +) in Dude Ranch Studios. "
"Things sound promising as soon as crunching Hammond organ lets rip over lashings of Black Sabbath-esque dirt at the start of opener You Can Prove Them Wrong, and thankfully the quality doesn’t slip.
Victim Of Your Father’s Agony is the sixth record from Norway’s Arabs In Aspic and it’s a whirlwind of 70s classic rock meets prog and psych, with organ, soaring harmonies and guitar virtuosity bubbling furiously to the surface. One is a rollicking, rabble-rousing journey through galloping riffs and hazy melodies, while the eight-minute long God Requires Insanity nods to Yes in its more serene moments. The oddball TV 3, meanwhile, is almost Zappa reincarnate. Make no bones about it: this is an unashamedly old school album.
ts links to the spaced-out 70s are far greater than its connection to the decade in which it was made – and that ain’t a bad thing. The stonking title track closes the album, and once it ends you’re left a little drained.
Not that the album is exhausting, but – despite the band’s more modest Sabbath roots – there are scores of nuances to discover and assimilate. Heavy and soft, daring and straightforward, melodic and brash, it’s a damn good listen." - Prog