Momentum

SKU: 389841511926
Label:
Radiant Records
Category:
Progressive Rock
Add to wishlist 

"'You've got some new Momentum...you better keep on going,' Neal Morse declares in the exciting title track of his new album. After an amazing 2011 that included the release and subsequent world tour of 'Testimony 2', and the release of the five disc set of 'Testimony 2 Live in L.A.', what could Neal possibly do to follow that? 'That's about where I was in January of 2012; waiting and wondering what was next. Then, Mike (Portnoy) had an open window at the end of January, so I booked him and Randy (George) to come to Nashville to record. But I had no album! Fortunately, an explosion of creativity happened that far exceeded our expectations...'

Featuring guitar work of six string legend Paul Gilbert, and of course, the stellar drumming of long time partner Mike Portnoy, 'Momentum' is a musical thrill ride that will leave you breathless! Everything you'd ever want in a Neal Morse album is here; going prog elements, hooky pop choruses, intricate vocal weaving, blistering musicianship and beautiful melodies are all present and accounted for. Highlights: 'Thoughts Pt 5', the perfect sequel to the earlier Spock's Beard classics, 'Weathering Sky', rock/pop brilliance and 'World Without End', clocking in at 33:51, this is the ultimate prog epic from the man who practically invented the term.

Also featured on the album is Neal's newest find, Brazilian guitarist Adson Sodre and other members of Neal's new live band. With its surprising directness, depth and pure prog exhilaration, 'Momentum' is quite possibly the ultimate Neal Morse album."

There are no review yet. Be the first!

Product Review

You must login or register to post reviews.
Laser Pic

customers also bought

SEE ALL
  • Second album from this Italian band that actually goes back to the 70s although they didn't record until recently.The roots of the band's sound is quite obvious.  Il Cerchio D'Oro are proponents of "Rock Progressive Italiano".  With the necessary Italian vocals in place, the music has a nice balance of keys and guitar but there are plenty of guests introducing flute, sax, mandolin.  It should be noted that these guests are sourced from classic bands The Trip, PFM, and Delirium.  Dig the 'tron?  Its here!  The synth work in particular is going to remind you of Flavio Premoli.  
    $16.00
  • Cairo's third offering doesn't pack any real suprises and that's probably a good thing. Keyboardist extraordinaire Mark Robertson keeps cranking out those lengthy ELP influenced tracks. As I've said before - if ELP was serving up material like this they would still be together and still be popular.
    $14.00
  • Second (or first - they are interchangeable) half of the simultaneous release from this Argentinian prog rock band.  "The Facts" might differentiate itself slightly from "The Tales" in that there seems to be a bit more of a crunch factor in the guitarwork but overall this is still symphonic rock.  Pretty damn good too!  Guesting on this album is the great Damian Wilson on vocals.
    $13.00
  • This is a companion set to Kompendium's Beneath The Waves album.  It contains over 2 hours of music, including demos, unreleased tracks, and instrumental versions of songs from the original album.ELEMENTS :Disc 11.Opening Narration (Original full length version)2.Exordium Part 1 (Strings only)3.Exordium Coda (Unused coda featuring Steve Balsamo)4.Exordium Part 2 (Strings Only)5.Stars (Unused track. Originally called Lilly, featuring narration)6.Lost (Strings only)7.Mercy Of The Sea (Full choir opening, extended second chorus with choir on end)8.The Storm Part 1 (Original opening and featuring Rob Reed vocal on sea shanty)9.The Storm/Reprise (Angharad Brinn solo vocal with orchestration and guitar)10.The Storm Part 2 (Featuring Mel Collins sax and original narration ending)11.Beneath The Waves (Extended version)12.Sole Survivor (Early mix with alternative vocal build with moog solo13.Alone (Vocal and orchestral mix)14.Il Tempo e Giunto (Strings only mix)15.A Moment Of Clarity (Sound FX opening, gospel vocal by Tesni Jones and moog solo in middle section)16.One Small Step (Piano and vocal only mix)17.Reunion V1 (Original opening, narration in middle section, and male/female opera duet)18.Stars V2 (Original version and different ending)19.Alone End V1 (Alternative instrumental ending)20.Lilly (Original mix with Steve Hackett and Angharad Brinn only)21.Reunion V2 (Featuring Shan Cothi opera section)22.Alone End V2 (Alun Rhys-Jenkins and Shan Cothi opera duet)23.Reunion V3 (African ending)24.Reunion V4 (Coming Home original demo)Disc 2Complete instrumental of the original album 
    $15.00
  • "GAZPACHO was formed in 1996 by Jon-Arne Vilbo and Thomas Andersen and Jan-Henrik Ohme, later completed by the three others. They released six studio albums, which were well received. The Norwegian band is bringing out their seventh album, ‘March Of Ghosts’ which Vilbo describes as “a collection of short stories. The idea behind the album was to have the lead character spend a night where all these ghosts (dead and alive) would march past him to tell their stories. Characters include Haitian war criminals, the crew of the Marie Celeste, a returning American WWI soldier who finds himself in 2012 and the ghost of an English comedy writer who was wrongly accused of treason.” You might then expect quite a dramatic concept album with a lot of turbulent and heavy soundscapes or with the ghostliness some eerie and ethereal, thickly layered atmospheric songs, but with the mixture of ambient and folk elements into their post-art rock sound the music is more on the relaxing side. Though the layers and atmosphere are there, it’s rather straightforward and unpretentious and accessible. Many of the songs are dreamy, mostly evoked by Ohme’s vocal, take the first part of the ‘Hell Freezes Over’ songs, of which the second part, following the first, ups on the intensity, but it’s still pretty low key affair, reminiscent of MUSE. Added interest to this song comes with some bagpipe-y, Celtic sounds towards the end raising the oomph as it fades. ‘Black Lily’ is enhanced by some unimposing and non-bombastic orchestra parts. Some compare GAZPACHO to ANATHEMA, PORCUPINE TREE and MARILLION, yet the sound so many times reminds me of the band I’ve previously mentioned – MUSE, this track in some ways is the most representative of it - with the vocals and the way the melody sways, lets go and intensifies with that nearly MUSE-like music diction. Guitar details and folk-ish elements in the ‘Gold Star’ change this tack somewhat and earn rather the comparison with MARILLION. The violin and dreaminess in the third part of ‘Hell Freezes Over’ and its melancholy create the best moment of the album together with ‘Mary Celeste’ which has this precarious steering towards heavier sound with some wonderful detailing going on with piano, and darker, moodier strings. The lyrical narrative stands out more here too. ‘Golem’ has a most pronounced sense of experimentation woven together in an appealing way. Lyrically I especially enjoy how they’ve worked the legend of Golem into an interesting metaphor. The last part of ‘Hell Freezes Over’ is the hardest here, yet atmospheric and quite beautiful and the reference to ANATHEMA comes justified here. In fact within the last few sentences I have also written some of the adjectives that fit this album overall quite well - appealing, (very) interesting, beautiful, and also a multi-faceted and richly rewarding listen. " - Reflections In Darkness
    $16.00
  • New edition of this wonderful third album from one of Canada's best progressive bands. Originally released in 1976, Ni Vent...Ni Nouvelle is classic Maneige - a sumptuous blend of keys, reeds, guitar, bass and percussion. The instrumental sextet is augmented by a string section. The music is a bit reminiscent of Camel and Gentle Giant with more than a touch of jazz rock thrown in. This new version features four bonus live tracks. Highly recommended.
    $12.00
  • Limited edition digipak comes with a bonus live CD."Even if I’d spend a decent amount of time, I don’t think I would be able to find an average album in BRAINSTORM’s discography. You can try it for yourself but I am sure you’ll realize that this German band has been releasing very good albums being extremely reliable to its fan base. I am sure some will object to my statement by saying that the albums are indeed good but not stellar. Then you’d reach to the dilemma of what a metalhead prefers his favorite band to release; a couple of really good albums or keep a constant quality level? On the other hand, over-thinking music takes a huge chunk of just-having-fun time, so I will leave all these questions to the hands/minds of the deep thinkers because “Firesoul” comes with ten great songs to sing and headbang along.“Erased By The Dark” opens the album and the trained ear should not have a single problem recognizing the (by now) trademark BRAINSTORM sound. Andy B. Franck’s powerful voice is once again delivering a hearty collection of vocal melodies that do not need a lot of time to get you humming or even singing along. The guitars have a US Power Metal quality that is hard to miss and impossible to fail, so please crank the volume up during the fat rhythm of the self-titled track and “Entering Solitude” (love the opening guitar groove here). “Shadowseeker” steps on the gas and throws in the mix some killer leads that guide the song to a climax during the solo before passing the baton to the album’s highlight, “Feed Me Lies”. This song could easily be a BRAINSTORM showcase for those who have missed this band completely bringing along; the dialogue-like mix of the lead-vocals, the collection of catchy melodies (I challenge you to resist singing along the chorus) and the awesome double guitar action that tops everything off. The band’s German ancestry comes to surface through the solid rhythm that can make you think of PRIMAL FEAR or SINNER; in other words, Power Metal in its finest and obviously I am not talking about the cheesy/cookie cutter one. I have no idea about the bonus material (I will hunt the vinyl edition anyway) but having the album in repeat-mode made me think that the mid-tempo and kind of dark “…And I Wonder” leads to the faster and heavier album’s opener in a natural way, so it will keep you listening.After listening more than it would be enough to write my thoughts/opinion about it, I realized that “Firesoul” is better than the last two albums and I think I enjoyed it as I did “Liquid Monster” that placed BRAINSTORM under my music-radar. This album is the perfect way to starting dealing with this band that I think has not received the deserved recognition (yet) and I will again refer you to its high-quality backcatalogue." - Metal Kaoz
    $16.00
  • For some this was the start of an era for others the end.  This took my hopes and dreams for a true progressive supergroup for the 80s and stomped them into dust.  Your mileage may vary.
    $5.00
  • "From December 1971 to April 1972, Carlos Santana and several other members of Santana toured with drummer/vocalist Buddy Miles, a former member of the Electric Flag, and Jimi Hendrix's Band of Gypsys. The resulting live album contained both Santana hits ("Evil Ways") and Buddy Miles hits ("Changes"), plus a 25-minute, side-long jam. It was not, perhaps, the live album Santana fans had been waiting for, but at this point in its career, the band could do no wrong. The album went into the Top Ten and sold a million copies." - All Music Guide
    $7.00
  • Fifth album from this German instrumental psych/stoner band is a real mind crusher.  You like My Brother The Wind?  You need to hear this.  If Samsara Blues Experiment recorded an instrumental album it might sound something like this.  The album is interspersed with quieter introspective interludes that just seem to made the heavier parts heavier and the spacier parts trippier.  If you like your psych served up hard you can't pass it up.  Devastating stuff.  BUY OR DIE!BTW - the angry metal guy tells it way better than I can:"It was difficult for me to turn down a promo so intertwined with one of the subjects of my recently-completed dissertation. Aldous Huxley‘s migration to Eastern philosophy, influenced by both Taoism and Buddhism, is well documented in his final novel, Island. The inhabitants of the idyllic island practice such spiritual, philosophical models, culminating in the consumption of so-called “Moksha-medicine,” a hallucinogen which permits heightened awareness and understanding. The band which explores similarly Zen and reflective topics is one to catch my eye and I excitedly embarked on this quest for internal liberation.Moksha is the fifth full-length by Germany’s My Sleeping Karma, succeeding their previous release Soma (also a reference to Eastern spirituality and prominently interpreted in Huxley’s Brave New World). It accordingly incorporates Eastern instrumentation in a groovy, psychedelic exploration of exactly how mellow one can be while the music can still be interpreted as metal. Though it could be described as relaxing mood music, the distorted guitars and surprising technical proficiency of the band grounds Moksha in the space between rock and metal (and also qualifies it for AMG, you goddamned haters).If Kraut or psychedelic rock is your jam then you will assuredly find plenty to enjoy here. The minimalist approach with sparingly-used instruments and catchy but repetitive leads will worm its way into your skull. There aren’t multiple riffs throughout each song; rather, a core motif which gradually progresses and develops throughout, lending a charming coherency to the album – see opener “Prithvi” for this. Occasional synths and piano keys afford an ethereal air too. However, it’s the points at which more overt Eastern instrumentation is used that the material really stands out. The five “Interlude”s which split each of the main songs strongly evoke My Brother The Wind, with groovy bass-lines and the interesting use of monk’s chants and hand-operated drums. The album’s concept is thus drawn into the music and it creates a quite captivating effect. The sudden and disturbing emanation of pop shite from one of my housemates’s bedrooms drew me from my trance and alerted me to how involving the material is.Despite the repetitive and seemingly improvised nature of the music, its technicality is another boon. As the songs progress and layer, the guitars and drums can become quite intense despite the over-arching serenity (I’m aware this sounds like a contradiction but it’s a testament to the subtle song-writing). The nifty transition at 2:30 of “Akasha” foregrounds a sound very similar to mid-era Anathema, and the transition at 4:00 demonstrates the talent of the bassist and drummer, leading into an appropriately-climatic harmony. This is just one song, but jazzy drum fills and strong bass work permeate the entirety of the release. The Floydian jam on “Interlude 5” is compelling too.I would argue that Moksha effectively achieves its goal and nails the style it strives for. However, I do feel that it may be too niche for some listeners – it’s easy for me to concertedly listen for the technical accomplishments as a reviewer, but the music can slip to the background into the realms of mood music. Though a pleasant listen it may be, one could argue it’s a little safe and it certainly doesn’t arouse my passions sufficiently to push my score to excellent. Furthermore, each of the main tracks can sound quite similar if not explicitly listening – that said, the interludes split up the record nicely so this effect is mitigated. I’m also part of the niche rock and metal market that appreciates the spiritual subject matter, if only on an academic level.Turning my gaze to the empirical and away from the spiritual, the solid dynamics certainly aid affairs. The principle tracks hit a DR score of 8, with the “Interlude”s varying between 10 and 14. There is good breathing room for each instrument and each is clean without being over-produced. A holistic sound is achieved which envelops the listener well.I imagine there is quite a specific demographic that this music hits so it may not be for everyone, but I’m enjoying my journey to the geographic heights of Nepal, the enigmatic Sadhus of India and through the tenets of Yin Yang. The ultimate dearth of diversity and Moksha‘s intrinsic tranquility limits my true passion for the record, but it’s a worthwhile investment nonetheless. Aldous would be proud." - The Angry Metal Guy
    $13.00
  • "German band Argos have delivered four albums since forming out of a solo project begun by multi- instrumentalist Thomas Klarmann in 2008, and their latest `A Seasonal Affair' is a standout release in 2015. They present a mix of symphonic prog, 80's Neo Prog, New Wave elements, folk, jazz and even dark theatrical drama. Despite the Neo Prog tag, this is hardly some slavish recreation of the likes of Marillion, Genesis, I.Q, with many contemporary and modern elements worked in, and a strong emphasis is placed on Robert Gozon's distinctive voice, which occasionally calls to mind not only Peter Hammill and Fish, but the second Arena vocalist Paul Wrightson who featured on their `Pride' and `The Visitor' in a few moments as well.`Vanishing' makes for a mysterious opener, with Gozon's raspy croon, gothic piano trickles and a mix of twitchy programmed and Ulf jacob's skittering live drumming. A definite 80's poppier Neo Prog flavour permeates `Divergence' with its boisterous chorus chant that wouldn't have sounded out of place on those early Twelfth Night albums and no shortage of Moog soloing, and the `How did it come to this?' finale is lovely. `Silver and Gold' drifts into slinky grooving 80's New Wave pop with tasty scratchy Mellotron slices, the symphonic schizophrenia of `Lifeboats' channels both the vulnerability of Fish-era Marillion with an overwrought Hammill-esque wail, and the multi-part twelve minute suite `Not in This Picture' combines acoustic pastoral moods with Big Big Train-like soft harmonies and endless instrumental interplay.The title track `A Seasonal Affair' marries sombre piano and flute with romantic Camel-like guitar/synth bursts, a gothic crooned vocal and a dreamy `A Trick of the Tail'-era Genesis outro. `Forbidden City' is a tasteful lightly jazzy instrumental, glistening with electric piano, quirky synth trills and fluid drumming with murmuring bass weaving in and out, and just a few hints of the Canterbury sound bands in Thomas Klarmann's flute. Melancholic closer `Stormland' closes the album in gloomy fashion with spectral organ drones and a grand guitar solo from Rico Florczak filled with power and genuine emotion.But most special of all and deserving of mention all its own is the lovely ballad `Silent Corner'. A gorgeous mix of Thomas' drifting flute and restrained saxophone courtesy of United Progressive Fraternity musician Marek Arnold, delicate acoustic guitar and electric piano tiptoes, and the soothing chorus and harmonies throughout could have easily fit on Big Big Train's last few albums. It offers plenty of crossover appeal, and it easily one of the best melodic moments to appear on a prog album in 2015.The Tangent's Andy Tillison (who actually contributes some keyboards on this disk) rates this album very highly, and it's not hard to see why it would appeal to him. Like with The Tangent, Argos places a distinctive vocalist with great character in his voice front and centre in the music, with strong melodies, a wondrous mix of keyboard variety and brief jazzy diversions all coming together. `A Seasonal Affair' is a very subtle grower, and modern Neo albums don't come much finer than this, nor offer as much variety with the style as Argos do here. It's an album that has kind of flown a little under the radar and is in need of some more praise and attention, by a highly skilled band deserving of more acknowledgement.Four stars - If you're a Neo fan, this should be an essential purchase!" - ProgArchives
    $15.00
  • Pinhas is back and Cuneiform has him (once again). Incredible array of musicians evokes the good old days. Here is what Cuneiform says:"Metatron is over 2 hours of spacey and flowing music that isn't afraid to rock out completely as well, by French electronic rock pioneer Richard Pinhas (on guitar and electronics), with Jerome Schmidt on laptop, drummer Antoine Paganotti (Magma) and ex-Heldon members Didier Batard (bass), Patrick Gauthier (minimoog) and Alain Renaud (guitar), as well as Chuck Oken, Jr. (Djam Karet) on synths and Philipe Simon on violin on one track each. While a lot of this is definitely comparable to Tranzition, his great last album, there really is a lot more rock involved this time around, as there are drums on the great majority of tracks. In addition to all the great music, there is a QuickTime video with footage from Richard and Jerome's 2004 North American tour."
    $21.00
  • New CD only edition arrives in a digipak.Remember when the latest album we bought was more than just a click of a mouse?Remember when music meant something - the excitement and anticipation as the needle came down...not knowing what we were about to hear...?Nothing else mattered at that moment...Our undivided attention was given to the music - music which would become the soundtrack of our lives...THOSE DAYS ARE NOT OVERBeneath The Waves melds the talents of over two dozen artists and ensembles into an astonishing album of rare depth, emotion and intensity.  Held together by a vocal performance of spine tingling power from Steve Balsamo (Jesus Christ Superstar) and co-ordinated by celebrated producer / composer Rob Reed (Magenta, ChimpanA) , the album features a jaw-dropping array of musical talent including:Steve Hackett (Genesis) - Nylon Guitar; Gavin Harrison (Porcupine Tree) - Drums; Nick Beggs (Steve Hackett Band, Kajagoogoo) – Chapman Stick; Troy Donockley (Nightwish, Bad Shepherds)  Uilleann Pipes, Whistles; Nick Barrett (Pendragon) - Guitar, Neil Taylor (Tears for Fears, Robbie Williams) - Guitar; Jakko Jackzyk (20th Century Schizoid Band) - Guitar; Francis Dunnery (ex It Bites) - Guitar, John Mitchell (It Bites, Frost*) - Guitar, Mel Collins (King Crimson, Camel) - Sax, BJ Cole (Elton John, David Gilmour) - Pedal Steel Guitar, Chris Fry (Magenta) - Guitar and Christina Booth (Magenta) - Backing Vocals  - and introducing the vocal talents of Angharad Bryn in the role of Lily.Adding to the epic quality of the album are celebrated vocal ensemble Synergy, The English Chamber Choir conducted by Guy Protheroe, the London Session Orchestra conducted by Dave Stewart plus renowned opera singers Rhys Meirion and Shan Cothi.The album also features lyrics by Steve Reed (Magenta) and artwork by Geoff Taylor (War of the Worlds).This stunning concept album by Kompendium is in the spirit of all those great albums from the 70s without sounding like any of them. 
    $15.00
  • "Swedish band, Brighteye Brison's roots date back to 2000. The band includes founding member, keyboardist, saxophonist, percussion and vocalist Linus Kåse and bassist, vocalist and fellow Stockholm Royal College of Music alum Kristofer Eng. Erik Hammarstrom provides drums. Guitarist Johan Öijen helped to complete the original band line-up. Following the release of their debut album, sound engineer, keyboardist and vocalist Per Hallman joined the band to add Hammond B3 and mellotron to the soundscape. Fioge Norling provides narration, and Daniel Kase adds marimba and tubular bells. In addition, the band's sound also includes the use of trumpet, mandolin, theremin, and xylophone to provide a rich and captivating soundscape which showcases their virtuoso talent.Brighteye Brison actually has a sound which originates more from a Flower Kings background, than any direct interpretation of Yes. Many fans of the TFK's have been yearning for a reunion and this album may provide some relief until that event culminates…if ever.I've added this band to my 'watch list'. Excellent music played by talented musicians with a sound that is full of orchestration and diverse instrumentation.1. The Rise of Brighteye Brison opens this spectacular symphonic, space, epic with full on keyboards that take me right back to a melody similar to the opening of Jethro Tull's "Black Sunday" on the "A" album. Then some cool mellotron accents coupled with drums adding to the advertised similarities to Yes' and other prog classics. A great foundation for a splendid twenty three minute epic. Harmony vocals are added to provide even more reminders of the Yes sound without sounding anything like a cover band. The vocals and keyboards are definitely the "bread and butter" for this band's sound and if you like both, this band will not disappoint. The guitar and bass work which enters later provides nuance and adds to the melody, but it's the keys that truly dazzle throughout. The drums are solid and the story and melody move along on a well-planned arc of consciousness. This twenty three minute journey of the mind is full of good lyrics and wonderful harmonies and music.The drum solo section provides a great showcase for Hammarstrom's talents. The sax solos teamed with mellotron add to the ambiance within this lush epic. The Conclusion section of the song brings back memories of the early "Phil Collins Era" of the band Genesis.Off to a fantastic start.2. The Magician's Cave opens with jazzy piano and drums accented with keyboard highlights, followed well with guitar, before lead vocals from the "Brave Knight", "Have you heard the tale of wonder? There's magic in the hills, that's why I'm going". The track then proceeds off on a "Middle Earth" – like journey, with narration, surrounded by piano that sounds inspired by some of the work on Genesis' famous "Lamb" album. The narration and musical theater which ensues is a great tip of the hat to the legendary writers of the past.The guitar solo which follows with bass support is one of the best guitar sections on the album. The addition of the percussion and sax provides mystery as this second, over twelve minute epic story weaves its tale.The choral singing and chanting surrounded by keys, mellotron, guitar and drums adds to the haunting sound that fills this track.3. Mind Fire Menace opens with keyboards, drums, bass and lead guitar before the singing begins. This is the shortest of the tracks but it is full of excellent keyboards, guitar, surrounding orchestration and drums." - Sea Of Tranquility
    $16.00