Heart & Anger (Ltd Ed Digipak)

New limited edition digipak - remastered gold disc edition of the band's fourth album. Features one bonus live track.

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  • Cheap price for the domestic pressing of the classic Mk II album.  Has "Strange Kind Of Woman".  How bad can it be?
    $5.00
  • They still dress like Masters Of The Universe but these Swedes offer up a fine slice of melodic traditional power metal. Set cigarette lighters on stun!
    $14.00
  • “Known/Learned’ is the third album from this thought provoking progressive band from Brisbane, Australia.  It’s a sprawling 2CD collection of themes and moments, captured between recurring characters. While never explicitly told in the traditional vein of the ‘concept album’, the imagery of Known/Learned depicts fragmented moments in the lives of a father and his daughter, their loss, their love, their journey. A bittersweet love song for life.Occupying a unique place in the Australian progressive music scene, Arcane’s transcendental live performances and 2009’s critically acclaimed, dark and enigmatic concept album 'Chronicles Of The Waking Dream' have earned them a inimitable reputation as one of Australia’s premier progressive rock bands.Sharing stages with artists as diverse as Anathema (UK), Soilwork (Swe), Queensryche (USA), Dead Letter Circus, Ne Obliviscaris and hundreds more, Arcane's live show, often accompanied by a backdrop of staggering visualizations, is a vast sensory experience.Arcane's immersive sound, and the vocals of Jim Grey quickly found favor throughout Australia, headlining the annual Progfest tour, providing touring support for Ne Obliviscaris, and performing to capacity crowds at Sonic Forge Festival in Melbourne. A crowd funding campaign in July, 2013 heralded the 2015 release of 'Known/Learned' a 16 track conceptual double album. Arcane blends the technicality of progressive metal with the atmospheric intensity of bands like Tool, Riverside and Anathema.  The world is about to discover what their Australian fan base already knows – that Arcane is a rising star in the world of progressive music.
    $14.00
  • "Dog & Butterfly became Heart's fourth million-selling album and placed two songs of opposing styles in the Top 40. Like their Magazine album, Dog & Butterfly peaked at number 17 on the charts, but the material from it is much stronger from every standpoint, with Anne and Nancy Wilson involving themselves to a greater extent. The light, afternoon feel of the title track peaked at number 34, while the more resounding punch of "Straight On" went all the way to number 15 as the album's first single. With keyboard player Howard Leese making his presence felt, and the vocals and guitar work sounding fuller and more focused, the band seems to be rather comfortable once again. Average bridge-and-chorus efforts like "Cook with Fire" and "High Time" aren't spectacular, but they do emit some appeal as far as filler is concerned, while "Lighter Touch" may be the best of the uncharted material. After this album, guitarist Roger Fisher left the band, but Heart didn't let up. 1980's Bebe le Strange showed an even greater improvement, peaking at number five in April of that year." - All Music GuideRemasetered version with 3 bonus tracks.
    $8.00
  • "Back in the late eighties and early nineties I was a huge fan of that eras best thrash metal. Bands like Slayer, Testament, Death Angel, and Forbidden drew me in with machine gun double bass drums, lighting fast rhythms, and aggressive vocals. One Machine is the brainchild of guitarist Steve Smyth, best known for his stints in some of metals finest bands including Nevermore, Forbidden, Dragonlord, Vicious Rumours, and Testament, a stellar resume to be certain! For One Machine’s debut album, Smyth has formed a band that is compromised of a who’s who in the world of extreme/underground metal who were carefully selected by Smyth: Mikkel Sandager (Mercenary) on vocals, Jamie Hunt (Biomechanical) sharing guitar duties, rounded out by a powerhouse rhythm section with Tomas “O’Beast” Koefoed (Mnemic) on bass guitar and Michele Sanna on drums (although former drummer Raphael Saini of Italian progressive metallers Chaoswave played on the album). The Distortion Of Lies And The Overdriven Truth was recorded and produced by Steve Smyth. Mixing was handled by guitarist extraordinaire Roy Z (Judas Priest, Bruce Dickinson, Halford), mastered by Alan Douches (Three Inches Of Blood, Firewind, Sepultura) from West West Side Music with artwork created by Niklas Sundin from Cabin Fever Media (Dark Tranquillity, Arch Enemy), complimented with photography from Anthony Dubois (Meshuggah, Mnemic).The songs harken back to the 80′s Bay Area thrash movement of bands like Early Metallica, Testament, Death Angel, Exodus, and Forbidden and melds it with the classic metal style of Painkiller era Judas Priest and the melody of Vicious Rumours. Lead vocalist Sandager sings clean for the majority of the album but can growl out some extreme growl vocals as well as ear piercing screams that would make Rob Halford proud. He also has a vocal similarity to Russ from Forbidden in places (Crossed Over). Unlike a lot of their thrash metal forefathers, the band has a penchant for writing choruses with melodic and catchy hooks (Armchair Warriors). The music is chaotic at times (Killing The Hope Inside) almost to the point of no return, only to transition into a melodic passage that brings things back from the abyss. The guitar solos are as frenzied and speedy as the songs, at times reminding me of classic Slayer. What you have here are ten no nonsense slamming brutally heavy tracks that will make you want to jump in the pit. The title track sets the tone for the album with neck snapping, whiplash inducing headbanging thrash metal. There are some lighter moments such as in Kill The Light Inside and most notably the dark and moody mid-tempo of Last Star Alights, but for the most part, each song on the album takes a turn pummeling the listener with heavy riffs and brutal rhythms (see Evict the Enemy).One Machine is a band with a tremendous upside and possible crossover potential in the mainstream metal market with the right promotional push. Fans of Smyth’s revious work in Testament, Forbidden, and Nevermore will find a lot to love about this band, while fans of more melodic fare might be surprised to find lots of catchy melodies and hook laden choruses to sink their teeth into!" - Lady Obscure
    $15.00
  • The beauty and the beast wars are over and Epica has won. Until Floor Jansen comes through with her new project we have to consider Simone Simons the last woman standing. This is the band's fifth studio album and probably their most bombastic. Stunning female vocals mixed with death growls and a wall of synthesized orchestrations and power chords. You all know the drill by now. These guys are the masters of the genre.
    $14.00
  • "he world according to The Pineapple Thief is changing. In a recording career now stretching  back 15 years their sound has been built around the key components of progressive and heavy rock music, often seeing the south Somerset four-piece bracketed with other neo-prog bands such as Marillion and their fellow label mates Porcupine Tree. But their tenth album Magnolia gives complete lie to that ancient proverb you can’t teach an old dog new tricks.Elements of progressive, hard rock music still percolate through The Pineapple Thief’s veins – never more so than on album opener and new single ‘Simple As That’ and the blistering ‘Sense Of Fear’ – but where once there was a tendency towards excess and bombast now there is greater economy and eloquence. As founding member and principal songwriter Bruce Soord explains, there are no longer any long tunes. All he cares about now is writing good songs.The triptych of ‘Don’t Tell Me’, the album’s title song and ‘Season’s Past’ is a perfect representation of how The Pineapple Thief’s sound has evolved. Wrapped in a swathe of Andrew Skeet’s strings – something the British composer and orchestrator has previously achieved to similar resounding effect with The Divine Comedy and Imogen Heap – the songs’ stirring arrangements and inherent tenderness nod towards some of the more baroque beauty of The Verve’s Urban Hymns.On Magnolia Soord’s guitar is much more to the fore than has hitherto been the case. It is something he attributes to his Kemper Profiling Amp, through which he has channelled his imagination and realised the sounds that were inside his mind. His head must have been full of contagious, hook-laden songs then, because Magnolia delivers a dozen such gems. It is a record that could, and really should move The Pineapple Thief into the big time." - God Is In The TV
    $29.00
  • Boy...talk about an enigma wrapped around a conundrum!"Be" is the new existential epic from the brain of PoS mastermind Daniel Gildenlow. Incorporating the aid of the 9 piece "Orchestra Of Eternity" the band completely shift gears and explore a variety of musical genres - celtic, classical, soul, jazz, R&B, and of course progressive metal are all tossed about interchangeably. There are some delicate acoustic pieces that will rip your heart out as well as heavy riffing that fits right in with the typical PoS canon. Spoken parts and even sound effects figure prominently. How the whole thing fits together is the interesting part. Any fan expecting "The Perfect Element Part 2" will be disappointed - this is more along the lines of performance art. It's way too early in the game to decide if this is in fact a masterpiece or a folly - that will take at least the dozen listens this recording deserves. As I sit here typing, I have to sit back and scratch my head as I try to decipher what is going on here. I honestly can't remember when the last time I said that about an album...
    $15.00
  • "Killing Touch is a new band founded by Italian ace vocalist Michele Luppi, whom you might remember from acts like Vision Divine, Michele Luppi’s Heaven and/or Los Angeles.“One Of A Kind”, the band’s debut, is a concept album based on Stephen King’s novel “The Dead Zone”. It contains 12 tracks, produced by Luppi himself, that can be described as a mix of power and progressive metal, but with enough attention for the melodies to satisfy the fans of (classic) melodic hard rock. I can’t help it, but I have a soft spot for Michele Luppi. He hasn’t disappointed me so far and this album from Killing Touch is surely worthy of purchasing. Genuine songs, great vocals, heavy guitars and a powerful production all add to the overall quality. With guest appearances by Oleg Smirnoff (Eldritch, Vision Divine), Andrea Torricini (Vision Divine) and Federico Puleri (Vision Divine), this is surely a fine start for Killing Touch. If you like Vision Divine, you will surely like Killing Touch as well. " - Rock Report
    $15.00
  • In my opinion one of the most important progressive rock albums of the '70s. Although Di Giacomo sat it out again the band is surprisingly none the poorer. This instrumental masterpiece is a stunning melding of orchestra and rock band. It is an incredibly mature work that simply took the band to the upper echelon of progressive bands. With the addition of Alan King on sax and flute the band became a literal orchestra. Where the band ends and the Orchestra dell'Unione Musicisti di Roma begins is questionable. I could go on and on about this one. A sublime effort that is firmly entrenched in my Top 10 albums of all time. 
    $11.00
  • New 2CD deluxe edition of the band's first album with Mike Patton on vocals.  The bonus disc features "11 rare tracks, live versions, and b-sides" and new liner notes."Starting with the careening "From Out of Nowhere," driven by Bottum's doomy, energetic keyboards, Faith No More rebounded excellently on The Real Thing after Mosley's firing. Given that the band had nearly finished recording the music and Patton was a last minute recruit, he adjusts to the proceedings well. His insane, wide-ranging musical interests would have to wait for the next album for their proper integration, but the band already showed enough of that to make it an inspired combination. Bottum, in particular, remains the wild card, coloring Martin's nuclear-strength riffs and the Gould/Bordin rhythm slams with everything from quirky hooks to pristine synth sheen. It's not quite early Brian Eno joins Led Zeppelin and Funkadelic, but it's closer than might be thought, based on the nutty lounge vibes of "Edge of the World" and the Arabic melodies and feedback of "Woodpeckers From Mars." "Falling to Pieces," a fractured anthem with a delicious delivery from Patton, should have been a bigger single that it was, while "Surprise! You're Dead!" and the title track stuff riffs down the listener's throat. The best-known song remains the appropriately titled "Epic," which lives up to its name from the bombastic opening to the concluding piano and the crunching, stomping funk metal in between. The inclusion of a cover of Black Sabbath's "War Pigs" amusingly backfired on the band -- at the time, Sabbath's hipness level was nonexistent, making it a great screw-you to the supposed cutting edge types. However, all the metalheads took the band to their hearts so much that, as a result, the quintet dropped it from their sets to play "Easy" by the Commodores instead!" - Allmusic
    $18.00
  • "From December 1971 to April 1972, Carlos Santana and several other members of Santana toured with drummer/vocalist Buddy Miles, a former member of the Electric Flag, and Jimi Hendrix's Band of Gypsys. The resulting live album contained both Santana hits ("Evil Ways") and Buddy Miles hits ("Changes"), plus a 25-minute, side-long jam. It was not, perhaps, the live album Santana fans had been waiting for, but at this point in its career, the band could do no wrong. The album went into the Top Ten and sold a million copies." - All Music Guide
    $7.00
  • "Mainly recorded in Finland and mixed and mastered in Italy, In Paradisum was produced by Timo Tolkki. References to his musical past are obviously there, but it would be a mistake to consider Symfonia a new version of Stratovarius. Featuring a mix of performers from bands such as Stratovarius, Angra, Helloween & Sonata Arctica, every member of the band brings new color and their own personality and references. Angra fans will surely consider this album one of the best episodes for Brazilian singer Andre Matos since Angel's Cry and Holy Land . Echoes of Rainbow and classic metal are fused with the best of the last decade symphonic and progressive metal."Jewel case/barcode cut
    $5.00
  • New expanded 2CD edition of one of the great neoprog albums of all time. I should preface that comment. While Twelfth Night are part of the neoprog bedrock that developed in the late 70s/early 80s UK scene, this is an instrumental album. Geoff Mann didn't record with them until the first proper studio album, Fact And Fiction. Live At The Target actually owes quite a bit to Camel and Yes, consisting of 4 long killer tracks. The album appears intact here but is augmented with a second disc featuring material recorded at various locations in the UK between 1979 and 1981. A good chunk of this is previously unreleased. A great album made even better. Highly recommended.
    $18.00